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George Womersley. A Georgian and later oak longcase clock, square brass dial with rococo scroll spandrels, moon face and date aperture, chapter ring bearing Roman and Arabic numerals, the hood with broken pediment, surmounted by brass and copper ball finials, raised on fluted columns, the trunk with later foliate carving, raised on bracket feet, with pendulum and weights, 209cm high.
A late Georgian mahogany longcase clock, with ebony cross banding and box wood line inlay, the broken arch dial with moon phase above a dial bearing Roman numerals, subsidiary seconds dial and date aperture, framed by painted temple and church ruins, eight day two train movement with bell strike, the hood with swan neck pediment, raised on turned columns, the trunk with turned columns, raised on bracket feet, with pendulum and weights, 229cm high.
Martin Roper of Penrith - A 19th century hand painted longcase grandfather clock face. The face having domed frieze atop painted with chinoiserie Chinese style pagoda and landscape scene with face below having Arabic numeral to the chapter ring and Italian putti to each corner. Accompanied by weight and pendulum.
M. Watson, Newcastle: a 19th Century mahogany longcase clock, the painted roman dial with subsidiary seconds and date dials, anchor pattern spandrels with classical scene to arch, two train movement with anchor escapement, the case with arched hood above a glazed door, banded arched waist door on panel base, with weights and pendulum, 223cms high.
A 19th Century oak and mahogany banded longcase clock, the brass dial with subsidiary seconds dial, two train movement with anchor escapement, the case with pierced and swan neck pediment above a foliate frieze, glazed door flanked by fluted columns, shaped waist door flanked by fluted quadrants, panel base on ogee bracket feet, 224cms high.
Thomas Armstrong, Poulton: a 19th Century mahogany longcase clock, the painted arabic dial with subsidiary date dial, painted with scene of maiden and lamb to arch, anchor escapement with count wheel strike, the hood with carved foliate frieze above glazed door, rectangular waist door and panel base, 220cms high.
Richard Chater, London, a George III mahogany 8-day longcase clock, the enameled arched dial with sunsidiary strike/silent, seconds and date, striking the hours on a bell, the flame mahogany case with arched door flanked by canted fluted pilasters, raised on shaped bracket feet, 230 cm h o/all case good, colour even, dial faded and showing areas of distress, movement complete but untested, key present
An art deco style longcase clock H.L Kimsey of Salisbury with Lenzkirch movement. A 12" round brass dial with Arabic numerals. Contained in a light oak round topped case with glazed trunk door and shell carving to the top. A three train spring driven movement chiming on rods.Kimsey was probably a retailer. Lenzkirch moment signed and stamped 49 1 Million 259235.Pendulum and weights present.Dimensions 78 x 23 x 11 inchesCondition report Good condition slight damage to moulding at the back of the base Movement not tested.
A Symphonion oak musical longcase hall clock, c.1895, playing 13.5in. discs, of architectural form with strapwork motifs throughout, eight day clock to the upper section and 13.5 inch disk playing trunk, width 58cm depth 37cm height 235cm***CONDITION REPORT***Overall of an even mid to dark oak tone, some small separations of the joints particularly around the top, two small sections of moulding missing above the columns that flank the trunk door, dial with the original painted finish which is a little rubbed, mechanism in fair order and comes with 11 discs, minor scuffing around the footPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Thomas Clinch of London. A black japanned eight day longcase clock, the 12 inch arched brass dial with tempus fugit crest, signed Roman chapter ring, subsidiary seconds and date aperture, four pillar movement with anchor escapement, the case decorated with chinoiserie motifs, width 46cm height 218cm***CONDITION REPORT***Untouched for many years, the case has numerous small areas of wear rubbing and some old retouching of the decoration. Dial is oxidised, movement looks original to the dial but the seat board does not match up perfectly with the case, no key to the trunk door, some losses around the sides of the cornice particularly on the left, further losses to the back left foot. Comes with a pendulum and two lead weightsPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A longcase clock, George II (1727-1760), walnut and burr-walnut veneered oak case with gilt brass mounts and probably later finials, polished, matt, engraved and silvered brass dial with pierced and gilt brass mounts, black roman and arabic numerals, eight-day autonomy, hour striking, month calendar, English, faults and defects, mechanism requiring maintenance, traces of wood insects, signed W[ILLIA]M TRIPPETT, JACOB GARON - LONDON, Dim. - 265 x 56 x 29,5 cm
A Regency mahogany longcase clock, the hood with double column supports, painted frieze, swan neck pediment and further brass decoration, the trunk with a flamed mahogany veneered oval panel flanked by reeded column, the base with similar detail, enclosing a square cut painted dial with shell spandrel, painted lunar dial with 'Halifax' movement showing a marine and landscape view, with subsidiary calendar dial by M Wignall & Sons of Ormskirk, Lancashire, together with an historic file relating to the clock, invoice for restoration and overhaul, etc
A fine quality mahogany longcase clock c.1890, the case with glazed panel door and astragal detail, the trunk with reeded and canted corners, the hood with further columns and cast detail, enclosing a silvered broken arch dial with applied gilded panels, the three train movement with Westminster, Whittington and St Michaels chime selector, a further silent chime selector, subsidiary secondary dial, striking on tubular gongs - Finnigan's Ltd of Manchester
A most unusual Victorian gothic longcase clock, the case supported by four columns, the trunk with lancet panelled door and lower panel, the hood with further matching detail, set beneath an overhanging pediment, surmounted by a lion mask, the case with overall high gothic decoration and enclosing a circular silvered dial, the three train movement with Westminster chimes on gongs and Whittington chimes on bells, Sharrall of Kingston
A GEORGIAN OAK EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, reeded pillars flanking a circular door, that's enclosing a 14 inch painted enamel dial with roman numerals, seconds dial and signed James Northwood of Newport, the bell striking movement with a cast backplate stamped 'Finnemore & Son', on a trunk with canted reeded corners, with two weights, pendulum and winding key, height 225cm (condition:-later plinth, dial partially peeling to edge, door locked and repair to crack)
An early 19th century mahogany longcase clock, the hood with later gilt eagle finial surmounting swan neck pediment with gilt brass floral roundels, over arched door flanked by turned Doric style pilasters, the trunk door of inverted niche form over fielded panelled box base, the white enamel dial with floral spandrels, Roman chapter ring and subsidiaries for seconds and date, inscribed J. Golder Alloa, eight day movement striking hammer on coiled gong, H230cm, W50cm, D25cm
A George III longcase clock, the swan neck pediment over arched door, fluted pilasters Tunbridge ware inlay and mahogany cross bands, on a later plinth, the white painted dial with floral spray spandrels, Roman chapter ring, subsidiary seconds dial and date aperture, inscribed Deacon Barton the eight day movement striking the hours on a bell, with Walker and Hughes cast false plate, complete with weights and pendulum, movement untested, H234cm
An 18th century walnut and burr walnut longcase clock, having associated unsigned arched brass dial and movement, w.12¼", with brass chapter ring, engraved centre, cast brass spandrels (one spandrel to arch missing), twin winding holes for an eight-day four pillar weight driven movement striking on a bell, the case with arched panelled to a boxbase (with losses and for restoration), h.225cm
(Stephen?) Asselin of London - an 18th century oak longcase clock, the 12" square brass dial signed to the silvered chapter ring, having matted centre, subsidiary seconds dial and date aperture, twin ringed winding holes for a brass eight-day four pillar weight driven striking movement (lacking bell), the case having an architectural hood and panelled door to a boxbase, h.224cm
Thomas Akers of Collingbourn - a George III oak longcase clock, the 11" square brass dial having signed silvered chapter ring, cast brass cherub mask spandrels, the matted centre with engraved and pierced roundels, 30-hour weight driven movement striking on a bell, the case having three-quarter turned pilasters to a plain trunk and boxbase, h.210cm
Thomas Reynolds of London - an 18th century chinoiserie blue lacquered longcase clock, having a 12" arched brass dial, signed to a silvered convex disc to the arch, flanked by dolphinium cast spandrels, the silvered Roman and Arabic chapter ring flanked by cherub mask spandrels and enclosing a matted centre with subsidiary seconds dial, rolling date dial, twin-winding holes for a brass five pillar eight-day weight driven movement striking on a bell, the hood having three-quarter turned pilasters above an arched panelled door chinoiserie decorated with pagoda and figure landscapes, to a boxbase, h.215cmWith weights and pendulum.In running order.Appears all original.Stands well.Lacquer with some age wear and fading.Dial, case and movement all appear to belong.No woodworm.
A late 18th century mahogany-cased eight-day longcase clock: the twelve-inch painted dial with moon phase, Latin legend 'Sic est vita hominis', Roman numerals, subsidiary seconds-hand and signed 'A Crawford, Whitby' and cornered by spandrels as painted roses. The dial flanked by a pair of Corinthian columns with brass acanthus capitals. The main trunk with dentil cornice, shaped figured mahogany door and raised on short bracket feet. Together with weights, pendulum, key and some small pieces of wood now away. (207 cm high)Condition Report: It appears to a 'marriage' and the movement is not originally attached to the case. It has two splits to the right-hand side (looking from the front) on the wood above and below the glass. The dial has crazing to the paint surface, the top of the right-hand acanthus capital there is some wood away and some damage to the open fretwork, the figured door is nicely coloured and flat. There are pieces of wood away to the decorative arches at the top and the left-hand side. The right-hand returned dentil moulding is away. Two inch veneer away from the lower base section. Some restoration required.
A 19th century thirty-hour oak longcase clock: the broken swan-neck pediment above a glazed hood with fluted pilasters and brass capitals, enclosing a floral painted dial with date aperture and signed 'J Eirr - Bewdley'; the single door crossbanded with mahogany; complete with weights, brass pulleys and pendulum. (200 x 48 x 23 cm)
A mid-nineteenth century 8 day Oak longcase clock with a circular dial inscribed "JH Maughan, Gateshead", hood with a curved break arch pediment flanked by two ring turned pillars and circular hood door with crossbanding, trunk with stopped canted corners, short door with a curved top and a rectangular recessed panel, square plinth with a conforming recessed panel raised on a decorative shaped skirting, painted dial with Roman numerals, minute track, fifteen minute Arabic's, subsidiary seconds and date dials, dial pinned directly to an eight-day rack striking movement with a recoil anchor escapement striking the hours on a bell. With pendulum and two weights.Joseph Heppell Maughan is recorded as working in Gateshead (Co Durham) 1834-64.Dimensions: Height: 210cm Length/Width: 52cm Depth/Diameter: 24cm
Oak cased 30hr chain driven longcase clock by Edmund Sagar of Skipton c 1795, with a Swans neck pediment above a break arch hood door flanked by two turned columns with brass capitals, trunk with recessed quarter columns and a long concave topped door, on a rectangular plinth with raised panel, painted break arch dial with floral spandrels and rolling moon to the break arch, dial centre with two representations of birds of paradise and subsidiary calendar disc, with Roman numerals five minute Arabic's and non-matching steel hands, dial pinned directly to a countwheel striking movement with recoil anchor escapement, striking the hours on a cast bell. With pendulum and weight.Edmund Sagar worked in several market towns in North Yorkshire before finally working in New Market Street, Skipton c1793-1805, he was succeeded by his nephew George Lee in 1806. 30hr clocks with painted moon dials are comparatively rare at this period, usually being found on more expensive 8-day clocks.Dimensions: Height: 216cm Length/Width: 50cm Depth/Diameter: 23cm
Late 18th century longcase clock by the noted maker Thomas Lister (II) of Halifax, carved dark oak case with later carving and a stepped flat caddy pediment, with a square hood door, quarter columns and long convex topped door to the trunk, square plinth with a raised panel and shaped skirting, square brass dial with cast �border� spandrels, silver chapter ring with minute dots, Roman numerals, five-minute Arabic's and matching steel hands, polished dial centre with scroll engraving and subsidiary date and moon apertures with silvered date and painted moon discs behind, dial pinned directly to a chain driven 30hr countwheel striking movement, striking the hours on a cast bell. With weight and pendulum. The Lister family were a prolific family of West Yorkshire clockmakersThomas Lister (II) is recorded as working at the corner of Lord Street and Bull Green, Halifax c1760-1795. d.1814.Dimensions: Height: 205cm Length/Width: 50cm Depth/Diameter: 24cm
A George III 8-day oak longcase clock by John Ivison of Carlisle c 1795, with a swans neck pediment and spun brass ball and eagle finial, break arch hood door flanked by two plain pilasters with brass capitals, trunk with full length reeded quarter columns and a long wavy topped door with crossbanding, trunk on a square plinth with canted corners raised on bracket feet, brass break arch dial with a silvered centre and chapter ring engraved with Roman numerals, minute dots and ten minute Arabic's, with subsidiary seconds and calendar dials, matching steel hands and pointers, matching cast brass �border� spandrels and a break arch painted depiction of a blacksmith shoeing a horse, dial pinned directly to a rack striking movement, striking the hours on a cast bell. With weights and pendulum. The Ivison family were prolific family of Cumberland clockmakers recorded as working in Carlisle from 1760-1834, established by H Ivison in 1760 and succeeded by one son and two grandsons all called John, this clock was most probably made by John (II) 1790-1830.Dimensions: Height: 203cm Length/Width: 47cm Depth/Diameter: 24cm
Mahogany cased 20th century longcase clock with a three-train weight driven rack striking German movement, chiming the quarters and striking the hours on nine tubular bells, with Westminster, St Michael and Whittington chimes, Strike /silent, chime/silent facility, hood with a break arch pediment and silk backed side frets, lozenge glazed trunk door on a square plinth raised on bracket feet, with a brass break arch dial, silvered chapter ring, matted dial centre, spandrels, seconds dial and chime selection to the break arch. With key, brass faced pendulum bob and three brass cased weights. Dimensions: Height: 225cm Length/Width: 44cm Depth/Diameter: 32cm
George II japanned longcase clock by Joseph Stevens, London (Aldgate), c1750, with a flat topped hood, shallow cornice and blind fret beneath, square hood door with rectangular glazed panels to the sides, with a long trunk and conforming full length door with raised moulding to the edge, on a rectangular plinth with applied skirting, front of the case profusely decorated in the oriental chinoiserie style, with a square brass dial and silvered chapter ring engraved with Roman numerals, minute track and five minute Arabic's, matching scroll spandrels and finely matted dial centre, with matching steel hands, recessed silvered seconds dial and square date aperture with silvered date ring behind, dial pinned directly to an eight-day rack striking movement, striking the hours on a cast bell, with weights and pendulum. Joseph Stevens is recorded as a member of the clockmaker's company (London) in 1745 and 1752-94, his son Joseph (II) was apprenticed in 1753Dimensions: Height: 200cm Length/Width: 46cm Depth/Diameter: 23cm
Late 18th century Dutch longcase clock by Pieter Swann, Amsterdam. In a walnut case with swan's neck pediment and raised caddy top surmounted with three wooden ball finials, silk backed fretwork frieze to the front and sides and corresponding sound frets to both sides of the hood, break arch hood door with attached pilasters and brass capitals, trunk with concave corners and conforming long break arch door with raised beading to the edge and incorporated glass lenticle with a brass bezel, trunk on a square crossbanded plinth with applied bombe base, brass break arch dial with an engraved surround, silvered and engraved moon disc recording the lunar date and times of high water at Amsterdam, cast four seasons spandrels, silvered chapter ring with Roman numerals, five-minute Arabic's, minute and quarter hour tracks, matted and engraved dial centre with ringed winding collets and alarm disc, subsidiary day, date and seconds dials, with finely pieced and fettled steel hands, dial pinned directly to an eight-day weight driven movement striking the alarm, hours and half hours on two bells. With two brass cased weights and pendulum.Dimensions: Height: 260cm Length/Width: 48cm Depth/Diameter: 24cm
An early 19th century mahogany longcase clock, the white painted dial with Roman chapter ring, sub dials for date and seconds, inscribed A Breckenridge & Son, Kilmarnock, with eight day twin train movement striking the hours hammer on bell, completer with key, weights and pendulum, H208cm, W48cm, D24cm

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44426 item(s)/page