We found 41737 price guide item(s) matching your search

An early 19th century mahogany longcase clock by John Barr, Pt Glasgow, the 12 inch arched brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, some alterations to case, 7ft 3ins

An early 19th century mahogany banded oak eight day longcase clock, the 13 inch square painted dial with subsidiary seconds and date aperture, signed Walker Nantwich, 7ft 6ins

An early 19th century mahogany eight day longcase clock, the 13 inch arch painted dial with subsidiary seconds and date aperture, 7ft 7ins

An Edwardian mahogany eight day chiming longcase clock, with arched gilt brass arabic dial, subsidiary seconds and Whittington/Westminster chime selector, bevelled glazed trunk door, 7ft 9ins

A 1930`s Continental walnut and carved oak longcase clock, with arched case and arabic dial, 6ft 6ins

A mid 18th century chinoiserie lacquered eight day longcase clock, by Jean Jebire of London, the arched 12 inch brass dial with silvered Roman chapter ring, subsidiary seconds and date aperture, case with green lacquer chinoiserie decoration, 7ft 3ins

A George III mahogany eight day longcase clock, the 12 inch arched brass dial with silvered Roman dial, subsidiary seconds and date aperture signed John Cole, London, 7ft 6ins

AN OAK DWARF LONGCASE CLOCK, TWO OAK TABLES, A COALBOX AND A STOOL

A good quality eight day longcase clock with a brass arched dial signed WILL SMITH Great Bardfield no 217 with an oak and mahogany case, 90" tall, case with good patina

A 30 hour oak and mahogany longcase clock with a painted 12" dial signed SKARRAH KINGSON standing 79" tall

A miniature longcase clock mahogany and brass decoration 28cm tall

A longcase clock case 82" tall suitable for 12" arched dial, long trunk door oak with mahogany crossbanding

A miniature longcase clock ebonised plinth and columns 20cm tall

An oak and mahogany crossbanded eight day striking longcase clock with 12" arched painted dial having second dial and calendar signed T BOTHAMLEY Boston above a shaped shell inlaid door stepped base and bracket feet 84" tall to finial

An oak 8 day striking longcase pagoda top longcase clock with a square brass dial with putti and crown spandrels signed Sam Clay Gainsborough to the chapter ring above a long slim door, the case being later carved 85" tall

19th Century Oak Eight Day Longcase Clock

Late 18th Century Mahogany Eight Day Longcase Clock with Brass Movement

Late 18th Century Oak Eight Day Longcase Clock with Brass Movement By Barnard Wright of Northwich

AN EDWARDIAN MAPLE & CO LONGCASE CLOCK with Westminster and Whittington chimes, with arched brass and silvered dials with seconds dial, two subsidiary dials, end repeater mechanism, the mahogany case with satinwood and brass inlay, 90" high overall, dial 11"

A mahogany oak and burr walnut cased thirty hour longcase clock, the painted square dial with date aperture, the clock face signed Josh Gibbs, Souldorn, height 86cm.

An oak and mahogany cased thirty hour longcase clock, the white enamel dial with date aperture, signed Josh Slack, Ipstones, diameter of dial 34cm.

A late 18th century oak and mahogany eight day longcase clock, the square painted white enamel dial with subsidiary seconds and date aperture, signed John Latham, Macclesfield (case in need of some attention) (Illustrated).

A late 18th/early 19th century oak and mahogany eight day longcase clock, the square painted enamel dial with subsidiary dials for seconds and date, signed Gaskell, Knutsford (Illustrated).

A late 18th century oak cased longcase clock, the 28cm square brass dial signed Katterns, Thrapstone, with silvered chapter ring, height 183cm. This lot is accompanied by an interesting letter of provenance attached inside the trunk. The trunk is also signed "James Wilson of Wadnoe", research conducted by the owner indicates that it is probably the signature of the case maker who can be traced to be working as a carpenter in Thrapstone c.1760.

Two longcase clock pendulums and a violin bow with mother of pearl inlaid frog (3).

A Foley Urbato model of a longcase clock, with tubelined floral decoration on a green ground, titled "Time Flies", height 32cm, later clock (af) (Illustrated).

A George III mahogany longcase clock, arched brass dial, c.1775

A George III oak and mahogany longcase clock, square painted dial, 30-hour movement striking on a bell, c.1810

A George III mahogany longcase clock, arched painted dial inscribed Brown, Coventry, Arabic numerals, moon phase to arch painted with tall masted sailing ships, eight day movement striking on a bell, c.1780

A George IV Scottish mahognay longcase clock, arched painted dial inscribed Jas. Aitken, Glasgow, eight day movement striking on a bell, c.1825

A 19th century Continental kingwood and rosewood bombe shaped longcase clock, 23cm circular silvered and matted brass dial inscribed with Roman and Arabic subsidiary numerals, twin winding holes, eight-day movement striking on a bell, the case with cartouche shaped hood, oval lenticle, bun feet, 200cm high

A 19th century German mahogany longcase clock, 24cm arched wooden dial inscribed with Roman numerals, painted to the arch and spandrels with roses, twin winding holes, eight day movement striking on a bell, the hood with moulded cornice, carved and applied with leafy scrolls, shaped rectangular door to waist, plinth base, bracket feet, 211cm high

A 19th century Dutch oak longcase clock, 23cm circular painted dial inscribed with Roman numerals, twin winding holes, eight day movement striking on a bell, the caddy top case with stepped cornice, rectangular door to waist, circular lenticle flanked by reeded pilasters, draught turned roundels to angles, inlaid in boxwood and ebony with six pointed stars and lozenges, turned feet, 247cm high, dated 1878

A Biedermeier ash, maple and ebonised longcase clock, 28cm circular painted dial inscribed Per Mansson, Gryp, Roman numerals, calendar dial to centre, twin winding holes, eight day movement striking on a gong, the hood with stepped cornice, rectangular door to waist applied with a raised oval, plinth base, 231cm high, c.1840

A George III mahogany crossbanded oak longcase clock, 31cm arched painted dials inscribed Robt. Bradberry, Leyburn, Roman and Arabic subsidiary numerals, moon phase to arch, seconds subsidiary dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, brass ball and spire finial and brass capped Doric columns, arched rectangular door to waist, flanked by canted angles, bracket feet, 214cm high, c.1810 The Bradberrys were a peripatetic family of clockmakers, begun with Robert senior, of Wensley, N. Yorks., born 1749, married 1782, later of West Reeth, and Mathew (sic) probably a younger brother, born 1761, working at Wensley 1804/1811 and Richmond 1824. Robert`s son, Robert, who probably made this clock, was working at Wensley 1804/1811 and succeeded his uncle at Richmond by 1830. This is apparently the first recorded example of a clock by this family signed from Leyburn.

A George III mahogany crossbanded oak longcase clock, 31cm arched re-painted dial inscribed A Shepperley, Nottingham, Arabic numerals, the arch with a view of Nottingham castle, date aperture, thirty hour movement striking on a bell, the hood with swan neck pediment and brass capped reeded columns, shaped arched rectangular door to waist, plinth base, 218cm high, c.1820 Anthony and George Shepperley were clockmakers at Pelham Street and Long Row respectively in the first decade of the 19th century, Anthony having married at St. Mary`s Nottingham in 1804s, but c. 1828 Anthony was in partnership with William Pearce, as Shepperley and Pearce, which was dissolved in 1844. His son and grandson George and Philip continued the business into the 1860s. With this signature, the clock must date from c. 1815/1828.

A George III mahogany longcase clock, 29cm square brass dial, inscribed James Bown, Matlock, Roman and Arabic subsidiary numerals, masks and leafy scrolls to spandrels, date aperture, thirty hour movement striking on a bell, shaped architectural pediment, brass capped Doric columns, arched rectangualr door to waist flanked by reeded angles, shaped apron, bracket feet, 206cm high James Bown was born at Matlock, son of Samnuel Bown, a carpenter in 1737, and was apprenticed c. 1751-1758, setting up at The Cliff, Matlock by 1764, two years after his marriage to Elizabeth Stevenson. He died in 1811, being succeeded by his son John and his nephew, James II. In his will he states that he was the owner of The Crown inn at Matlock, Pope Carr Farm and a corn mill on Matlock Green. The Bown family can be traced through a long line of blacksmiths to the 16th century at Matlock

A George II mahogany longcase clock, 30cm arched brass dial inscribed John Clack, London, silvered chapter ring inscribed with Roman and Arabic subsidiary numerals, flowering leafy scroll spandrels, strike/silent to arch, seconds subsidiary, date aperture, twin winding holes, eight day movement striking on a bell, the arched hood with brass capped Doric columns, arched rectangular door to waist, plinth base, 198cm high, c.1750 John Clack was married at St. Martin-in-the-Fields, London, in December 1744, and was living when his son John Calvert Clack was born in 1759.

A George III oak longcase clock, 24cm arched brass dial inscribed Joseph Boultwood Matchin Green, Roman and Arabic subsidiary numerals, leafy scroll spandrels, thirty hour movement striking on a bell, the arched hood flanked by a Doric column, arched rectangular door to waist, plinth base, 197cm high, c.1775 Joseph Boultwood had set up at Matching Green (sic; an Essex locality near Epping Forest) by 1755 when his son Joseph was baptised and he was still working in 1781 when the same son married at Great Waltham.

A George III oak longcase clock, 26cm square brass dial inscribed Jam..Bunn, Dorchester, chapter ring inscribed with Roman numerals, leafy scroll spandrels, thirty hour movement striking on a bell, the case with swan neck pediment, brass capped Doric columns, rectangular door to waist, 203cm high, c.1780 According to research by the Dorset Historical Society, James Bunn lived in the late 18th/early 19th century and made extremely conservatively styled clocks

A George III oak longcase clock, 29cm arched painted dial inscribed Willm. Chapman, Falkingham, Roman and Arabic subsidiary numerals, painted to the arch with a stockman, flowers to spandrels, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the arched hood with brass capped Composite capitals, ogee arched rectangular door to waist, plinth base, 209cm high, c.1795 William Chapman of Folkingham (sic), Lincs., also signed from Sleaford and Lincoln and was working in the 1790s; whether he was kin to the William Chapman of Lincoln and Sleaford working in 1849-176 is not clear.

A George III oak longcase clock, 30cm square painted dial inscribed Jno. (sic) Hargreave, Sleaford, Roman and Arabic subsidiary numerals, painted to the spandrels with sprays of flowers, seconds subsidiary dial, date aperture, twin winding holes, eight-day movement striking on a bell, the hood with stepped cornice, Doric three-quarter columns, rectangular door to waist, plinth base, 191.5cm high, c.1800 John Hargreaves was married at New Sleaford (Lincs.) to Sarah Chapman 30th January 1766 and is known to have taken apprentices in 1777 and 1790. He was still working there in 1799.

A George III oak longcase clock, 33cm circular painted dial inscribed Wm Timmis, Alfreton, Roman and Arabic subsidiary numerals, painted to the centre with a fanciful bird, date aperture, 30-hour movement striking on a bell, the case with `curly eyebrow` swan neck pediment, serpentine crested rectangular door to waist flanked by turned quarter columns, 205cm high, c.1800 William Timmis is first recorded working in 1791 and in an advertisement of 1794 described himself as "once apprentice to John Whitehurst in Derby` which was considered an accolade even then. He was still working in 1811 when he re-married at Duffield to Mary Bateman. His two sons, John and Thomas succeeded him, at Alfreton and Derby respectively. The distinctive `eye-brow` pedimented hoods are a phenomenon of the round dial clocks by a variety of makers, mainly in Eastern Derbyshire (but including one or two John Whitehurst clocks in Derby) from c. 1765/1770 Literature: Craven, M. & Hughes, R., Clockmakers & Watchmakers of Derbyshire (Mayfield, Staffs 1998) type A8 & A9, illustrated pp. 242-243.kers of Derbyshire (Mayfield, Staffs 1998) type A8 & A9, illustrated pp. 242-243.

A George IV oak and mahogany crossbanded longcase clock, 33.5cm arched painted dial inscribed Sh**, Nottingham, Roman numerals, painted to the arch with a lady carrying an ale jug, to the spandrels with flowers, 30-hour movement striking on a bell, the hood with swan neck pediment, brass ball and spire finial and brass capped Doric columns, serpentine arched rectangular door to waist, shaped apron, bracket feet, 225cm high, c.1840 Anthony &George Shepperley entered into a partnership with William Pearce at Long Row Nottingham in 1828 and it was not dissolved until 1844. His son and grandson George and Philip continued the business into the 1860s.

A William IV oak and mahogany crossbanded longcase clock, 32cm arched painted dial inscribed Geo. Stacey, Worksop, Arabic numerals, painted to the arch and spandrels with colourful summer flowers, picked out in gilt, 30-hour movement striking on a bell, the hoof with swan neck pediment, brass ball and spire finial, turned columns, rectangular door to waist with incurved upper angles, rectangular base, 218cm high, c.1835 George Stacey is probably to be identified with the man of that name christened at North Wingfield (Derbys.) 31st March 1804, son of non-conformists William and Frances Stacey suggesting that he might well have been born around 1799. His apprenticeship indentures are missing, but he may have been trained by his near kinsman Thomas Stacey of Newark who died in 1820. He was certainly married by January 1822 when his son George was baptised at Tuxford, and he was working on his own account at Bridge Street Worksop by 1828 and a clockmaker and jeweller, being last recorded in 1855.

A `George III` oak longcase clock, 31cm square brass dial with silvered chapter ring inscribed Ratcliff, Holywell, Roman and Arabic subsidiary numerals, the spandrels pierced and cast with urns and leafy scrolls, subsidiary seconds, date and moon phase dials, blued steel hands, the associated case with architectural pediment inlaid in ebony with scrolling leafy stems, centred by a brass knop, ball and spire finial, above a dentil cornice and a pair of turned pilasters, shaped rectangular door to waist centred by an oval yew wood patera, mahogany crossbanded throughout and outlined with chequered banding and boxwood stringing, 232cm high,

A late 18th century eight day oak longcase clock, with enamel dial, `John Stone Aylesbury`

John Groshawk, a thirty hour longcase clock

A Prattware moneybox, modelled as a longcase clock between two figures, a panting spaniel recumbent at the base, c.1800-20, some damage and restoration, 22.3cm. Cf. John & Griselda Lewis, Prattware, p.89.

An oak longcase clock, basically early 19th century, square brass dial, signed - Benjn. Reed of Bristol, with subsidiary second dial and date aperture, engraved with a ship and headland, cast rococo spandrels, thirty-hour movement, striking on a bell, plain oak case, with a printed frieze, long door, bracket feet, height 197cms, (77½").

Late Victorian carved oak longcase clock, signed - W. Hardy, with a moon phase to the lunette, silvered chapter ring with subsidiary second dial, cast rococo spandrels, Westminster striking on five brass gongs, triple brass weighted, French style bombe-shaped case with a scrolled pediment and a mask head frieze, bevelled glass panel to the door, the base section with mask head and scrolls, bracket feet, height 254cms, (100").

19th c. oak 8 day longcase clock made by James Cumming of Louth

Lt. Geo. 8 day oak longcase clock with enamel painted dial "Tiddeman Canterbury"

LONGCASE CLOCK, 19th century French provincial painted pine with repoussé brass and enamel dial inscribed Fromont à Bourg above a waisted trunk with glass lenticular, 222cm H x 49cm W x 20cm D. (as found)

A modern reproduction oak chiming longcase clock

A mid 18th century oak longcase clock, the circular brass 12`` dial signed `Boot Sutton Ashfield`, with later movement, the arch top hood with a pair of gilt mounted flanking columns above shaped trunk door, resting on bracket feet, 206 cm high.

An C18th mahogany eight day longcase clock with a brass arched dial signed J. Barnes, London with a seconds dial and date aperture, weights and pendulum, 101" high, 19½" wide

An early C18th walnut 8 day longcase clock with a brass arched dial, signed Saml Jackson, London, with a seconds dial and date aperture, the case with blind fret work decoration and herring bone cross banding, weights and pendulum, 111" x 21"

An early C19th Yorkshire flame mahogany 8 day longcase clock with a painted arched dial depicting a figure with sheep and cattle, two subsidiary hands, weights, pendulum and key, 98" high, 24¼" wide

A George III flame mahogany 8 day longcase clock, the case attributed to Gillows and of outstanding quality, the brass arched dial with strike/silent dial, seconds dial, the case decorated with painted glass panels, weights and pendulum, 91" high, 20" wide