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A mahogany 8 day longcase clock the 13 inch painted break arch Roman dial with Arabic 5 minutes, date aperture, signed Barwife, Cockermouth, with rolling moon to the arch and floral spandrels, the hood with swan neck pediment and turned columns over an ogee moulded and blind fret work throat, flame veneered shaped top door flanked by fluted quarter columns, panelled base upon bracket feet, 222cm high
A GEORGE II MAHOGANY EIGHT DAY LONGCASE CLOCK by "Samuel Green, Tenbury", the arched dial with silvered chapter ring engraved with Roman and Arabic numerals, silvered subsidiary dial, the cartouche engraved "Samuel Green, Tenbury", the eight day movement striking on a bell, in a fitted mahogany case, 85" high
A MID 19TH CENTURY LARGE MAHOGANY LONGCASE CLOCK WITH EIGHT DAY MOVEMENT, the painted circular dial with Roman numerals, with makers name but indistinct, the hood with swan neck pediment and fluted pillasters, Gothic style case, twin weights and winding key, H 228 cm S/DCondition Report:Loss of veneers to the case. No glass in the hood.
A 19TH CENTURY OAK LONGCASE CLOCK BY ROGERS OF BRIDGNORTH, arched painted dial with subsidiary dial and date aperture, the case with carved decoration mainly to front, the hood with pilaster columns and swan neck pediment, the eight dial movement striking on a bell, overall H 225 cm, twin weights and pendulum S/DCondition Report:Broken swan neck pediment. Crack to glass in face.
AN EARLY 18TH CENTURY MAHOGANY CASED LONGCASE CLOCK BY JAMES LEICESTER - DRURY LANE - LONDON, the 12" arched silvered dial with Roman and Arabic numerals, 'strike and silent' subsidiary dial to the arch, eight day movement, striking on a bell, the hood with half turned pillasters and blind fret carved detail, twin weights and winding key, H 213 cm
A LATE 18TH CENTURY MAHOGANY LONGCASE CLOCK BY SPARKE OF PLYMOUTH, the brass faced dial inscribed Tempus Fugit, Sparke Plymouth, with subsidiary seconds dial and date aperture, the arched hood with pilaster columns and brass ball and eagle finial above moulded cornice, the eight dial movement striking on a bell, overall H 217 cm, twin weights and pendulum
A George III mahogany longcase clock, 'Edward Arnold, St Neots', the hood with later fan moulding to the pediment, stop fluted columns, three wooden ball finials, 12inch dial with strike/silent to the arch, seconds dial and date aperture, Rococo spandrels, 5 pillar 8 day movement, the trunk with break arch door upon a panelled plinth and block feet 250cm (98in)
A George III mahogany longcase clock signed 'Ellicott, London', the pagoda hood with fret front panel and side panels, stop fluted columns, 12inch dial with strike/silent to the arch, seconds dial and date aperture, Rococo spandrels, 5 pillar 8 day movement, two loose brass ball finials, the trunk with quarter columns flanking the break arch door, upon a panelled plinth with shaped skirting 235cm (92in) with 2 brass weights; untested
A late Georgian mahogany longcase clock, circa 1800, the painted 13inch dial signed 'J.Huggett, Hawkhurst', with moonphase disc to the arch, recessed calendar dial, seconds dial, rose spandrels, 4 pillar movement with 'Edwd Keat' falseplate, the case with break arch flame veneer trunk door, on a rectangular plinth base with shaped skirting Provenance: Property of the late Sir Donald Alfred Sinden, CBE FRSA (1923 - 2014)
A last quarter of the 18th century longcase clock. Dial painted with the name Russell Buxton. Stepped arched canopy supported on brass mounted columns, long door on matching base with ogee arched feet. Chapter ring with Arabic numerals, subsidiary seconds dial and sliding counter for the days of the month. The dial is also painted with the motif of a stag in a country landscape. 8-day two train movement striking on a single bell. Height 228cm (90in). Weights and pendulum are missing. *See clocks and watches proviso. Condition report: see terms and conditions
Second quarter of the 18th century longcase clock by Thomas Gorsuch of Salop (Old English for Shrewsbury)*. Oak case (not associated with the movement) with engaged columns and brass key fitting on the door. The canopy has a carved architrave supported on columns and the arched door of the window frames an arched brass dial with silvered chapter ring with Roman and Arabic numerals and cast brass spandrels. There are two subsidiary dials; one for the seconds and one showing the moon phases alongside the days of the month. 8-day two-train movement striking on single bell. Height 208 cm (82in). *See clocks and watches proviso. *"A fine maker" according to G.H Baillie 'Watchmakers and Clockmakers of the World', Vol. I, 1929, pg 128. Condition report: Some damage to the case. The cornice at the base has come loose and there are other small bits of wood that have come loose. Condition report: see terms and conditions
A last quarter of the 18th century longcase clock. Painted with the name Latham, Macclesfield. Mahogany case with cross-banding with a swan-necked pediment canopy supported on brass mounted columns on matching stepped base. The squared dial is painted with floral spandrels and Roman and Arabic numerals. Subsidiary seconds dial (hands missing) and rolling counter for days of the month. Height 216cm (85in). Weights and pendulum are missing. *See clocks and watches proviso. Condition report: see terms and conditions
A last quarter of the 18th century longcase clock by Joseph Atkinson of Gateshead. A Chinoiserie case depicting Japanese style pagodas with flora and fauna, stepped Doric canopy supported on brass mounted pillars. Brass face with cast spandrels framing chapter rings with Arabic and Roman numerals. Two train 8-day movement striking on a single bell. Height 199cm (79in). *See clocks and watches proviso. Pendulum and weights are missing. Condition report: Two cracks at the base of the case and chips to the feet. Condition report: see terms and conditions
A George III mahogany longcase clock, the hood with associated swanneck pediment, stop fluted columns, break arch trunk door with later replacement moulding to the arch, 12inch brass dial with strike/silent to the arch, silvered chapter ring, seconds dial and date aperture, signed 'Peter Carney London' to a silvered plaque, with 5 pillar movement, all upon a panelled plinth and shaped skirting 239cm (93in)
An early 19thC mahogany cased musical longcase clock by Tritschler & Co, Carlisle, the break arch dial painted with a cavalier family and landscape spandrels, dial bearing Roman numerals, secondary tones dial 'The Bluebells of Scotland', eight day three train movement, the hood with break arch and brass eagle support, turned pillars, inlaid truck, raised on bun feet, with key, 53cm x 24cm x 245cm.
A George III oak longcase clock by Thomas Clarkson, York, circular rose painted dial bearing Roman numerals, subsidiary seconds dial and date aperture, eight day, two train movement with bell strike, the case with broken arch pedimented hood, trunk with fluted quarter pilasters, the base raised on bracket feet, with key, 208cm high.
Edward Smith Richmond W P late 18th/early 19thC 8 day longcase clock with floral & foliate decoration with mythical masked creatures to hood arch and bearded gentleman to door. The arched 12 inch brass dial with silvered Roman chapter ring, secondary Arabic seconds and date aperture with foliate spandrels, 233cm tall
Taylor of Morpeth, Northumberland c1825 mahogany inlaid cased longcase clock, the movement of 8 day decoration striking the hours on a bell, the arched painted 13 inch dial with Roman numerals and Arabic seconds and date secondary dials. The corner paintings of floral and foliate design and gilt, with matching brass hands for the seconds and date dials. The case with flame veneer panels and rosewood crossbanding, the hood with galleried arch, finials and turned columns. 234cm tall
Thomas Ogden, Halifax: a George III oak and mahogany banded longcase clock, the brass dial with silver roman chapter ring, outer arabic numerals, matted centre with leaf design, ring turned winding hole and date aperture, subsidiary seconds dial, mask and scroll spandrels, two train movement with anchor escapement, the case with arched broken pediment, brass finials, blind fret frieze, glazed arched door below flanked by columns, arched waist door flanked by quadrants, panel base on plinth support, 228.5cms (98in.) high.See illustration
Hindley, York: a walnut and floral marquetry longcase clock, the square brass dial with silvered roman chapter ring, outer arabic numerals, subsidiary seconds dial and date aperture, two train movement with anchor escapement, the case with japanned caddy style top above a gilt burr wood frieze, with glazed door below flanked by ebonised spiral columns, rectangular waist door with foliate panels and lenticule, panel base with plinth foot, 216cms (85in.) high.See illustration
A Georgian oak longcase clock, the painted arabic dial indistinctly signed, painted four continent spandrels, subsidiary seconds dial, moon phase to the arch, two train movement with anchor escapement, the case with dentil cornice, arched waist door, panel base on bracket feet, 218cms (86in.) high.
Johañ Heinrich Bolot Riga?, oak cased longcase clock, the square brass 12" dial with associated arch, having signed silvered chapter ring, subsidiary seconds dial, and date aperture, twin ringed winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case with arched panelled door to a boxbase, on later bracket feet, h.266cm Condition Report / Extra Information One finial broken near top.Case with shrinkage split to boxbase.Minor chip to moulding on base.Case generally good with minor age wear.Arch to dial is later and a poor marriage.Dial and movement belong.Backplate good.Seatboard appears original.Cheeks built up.Hands appear original.Some scuffs to chapter ring.259cm to top of centre finial.With weights and pendulum.No keys.
James Clark of Alnwick, 18th century oak longcase clock, having arched brass 11¾" dial, signed to disc to the arch, brass chapter ring with Roman and Arabic numerals, subsidiary seconds dial, rolling date dial, matted centre, twin winding holes for a brass eight day weight driven movement striking on a bell, the case having arched panelled door to a boxbase, h.191cm
A George III oak and mahogany crossbanded longcase clock, G Wharmby, StockportThe case with a twin swan neck pediment above a rolling painted 12" break arch dial, the break arch section painted with masted vessels above spandrels painted with female figures, the dial with subsidiary date and second dials and signed with the makers name, the eight day movement striking on a saucer bell, above a shaped and crossbanded door, centred with an inlaid lozenge and flanked by quarter fluted columns above a lower panel inlaid with a crossbanded circle, complete with weights and pendulum, 230cm high.
A late 18th, early 19th century oak and mahogany longcase eight day clock by Joseph Wild, MacclesfieldWith a moulded cornice above a 13 inch painted dial enclosed by painted floral and fruit spandrels with painted Arabic and Roman numerals and a central painted rolling moon aperture above a date aperture, signed by the maker, having a two train eight day movement striking on a saucer bell, the hood with tapering pillars of square section above the case with a central inlaid conch shell above a shaped crossbanded door the lower panel similarly crossbanded with canted corners and raised on a plinth base, complete with weights, key and pendulum. Height of clock 202cm. Provenance the Robinson collection.
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41749 item(s)/page