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An early 19th century oak and mahogany banded longcase clock, the hood with swan neck pediment, mahogany, ebony and satinwood veneers, fluted pilasters flanking painted arch dial signed Nottingham, width 14Ó, having Arabic numerals, subsidiary seconds dial, rolling date dial and calendar moon phase, twin train brass four pillar eight day movement striking on a bell, the case with quarter fluted pilasters flanking shaped panel door, all with mahogany crossbanding, boxbase on bracket feet, height 227cm

A George III mahogany longcase clock, having an arched hood with three quarter turned pilasters, flanking an arch brass dial (width 12Ó), signed to the arch; James Robinson, Wellclose Square, London, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the whole with cast brass corner spandrels, matted centre and twin winding holes for a five pillar twin train eight day weight driven movement striking on a bell, the case with brass stringing, arch panel door with glass lenticle to a box base on ogee bracket feet, height 228cm (Illus.)

An early 19th century eight day mahogany longcase clock by Craven Lyon of Bridlington, enamel dial with seconds dial and date aperture painted with a hunting scene 228cm

A mid 18th century oak longcase clock, the door with bullseye glass, square brass dial with date aperture, signed between the numerals ‘Roberts Otley’, 199cm

A late George III figured mahogany eight day longcase clock, painted enamel dial with seconds dial and date aperture by S Wright of Watford 212cm

A Longcase Clock Dial and Movement, the 28 cm square brass dial signed Willm Pike Totnes, with engraved central panel, date aperture, and chapter ring with Roman and Arabic numerals, the 8 day movement striking on a bell, with winding handles, weights and pendulum

A Longcase Clock Dial and Movement, the 28 cm square dial with Roman numerals, and date aperture, indistinctly signed Barber Newark, fitted a 30 hour movement striking on a bell

A Longcase Clock, the 29 cm square painted dial signed Robt Dobel Yeovil, with Roman numerals, subsidiary seconds dial and calendar aperture, fitted an eight day movement in an oak case crossbanded in mahogany and with ebony stringing, 207 cm

A Longcase Clock, the 29 cm square painted dial signed Wood (?) Blandford, with Roman numerals, subsidiary seconds and calendar dials, fitted an eight day movement, in a mahogany case with a swan neck pediment, the trunk door flanked by fluted quadrant pilasters, 209 cm

A Longcase Clock, the 35 cm square arched painted dial signed Tho Lees Bury, with Roman numerals, subsidiary seconds dial, calendar aperture and moon phase, fitted an eight day movement striking on a bell, in a mahogany case

A Longcase Clock, the 29 cm square painted dial signed Jno Hancock Senr Yeovil, with Arabic numerals and calendar aperture, fitted a 30 hour movement, in an oak case crossbanded in mahogany, 189 cm

A Modern Longcase Clock, the 25 cm arched square brass dial with Roman numerals and phase of the moon to the arch, in a walnut case, the hood with a swan neck pediment, 206 cm

A French Style Longcase Clock, the 31 cm brass dial with embossed decoration and Roman numerals, in a stained case, the trunk door with a glazed panel, 214 cm

A George III mahogany eight day longcase clock, probably Cheshire/Lancashire, the 13’ arched brass dial with subsidiary seconds dial, chapter ring of Arabic and Roman numerals with inner ring of Arabic numerals to the chapter ring for a sweeping date hand under a rolling moon to the arch, the hood with swan neck pediment, fluted tapering front corner hood pilasters over a shaped long trunk door flanked by two fluted quarter pilasters on a box base with canted corners, 220 cm high

A late George III oak crossbanded mahogany eight day longcase clock, the 13’ square painted dial signed John Grosvenor, Cotten, Wem, with subsidiary seconds dial and date aperture, outer ring of Arabic numerals, inner ring of Roman numerals, between painted spandrels depicting castles and churches (dial repainted), over a long shaped trunk door flanked by fluted quarter pilasters on a box base and cut out plinth, 196 cm high Literature:John Grosvenor, Coton, Wem, is listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as 1783-1861, born 1783 in Whitchurch, Salop

A late George III crossbanded mahogany eight day longcase clock, the 12’ arch painted dial signed Harper, Salop, the hood with swan neck pediment over a shaped trunk door with central marquetry decoration on a crossbanded box base and cut out plints, 215 cm high Literature: Harper & Son, Salop, are listed in ‘Shropshire Clock and Watch Makers’ by Douglas J Elliott as circa 1775

A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed Samuel Wright, Northwich, with subsidiary seconds dial and date aperture, the hood with turned front corner pilasters over a long trunk door, on a box base and later skirting plinth, 218 cm high Literature: Samuel Wright, Northwich, is listed in ‘Watchmakers and Clockmakers of the World’ by G H Baillie as circa 1757

A mid 18th century oak longcase clock, the 12’ square brass dial signed Thomas Bannister, Webley, with subsidiary seconds dial and date aperture, the caddy top hood with square glazed door over a long trunk door with lenticle, on a plain box base and cut out plinth, 216 cm high

A George III oak crossbanded eight day longcase clock, the 12’ square brass dial signed John Jones, Wrexham, with date aperture and subsidiary seconds dial, the hood with silhouette cut pediment over leaf carved frieze and square glazed hood door, above a long shaped trunk door, crossbanded box base on cut out plinth, 205 cm high Literature:John Jones, Wrexham, is listed in ‘Watchmakers and Clockmakers of the World’, by G H Baillie, vol 1, as circa 1778

An early Victorian mahogany eight day longcase clock, the 14’ arch painted dial signed John Owen, Holyhead, the spandrels decorated with Biblical scenes under a rolling moon, the hood with swan neck pediment over a short Gothic arch trunk door and crossbanded box base, on shaped bracket feet, 228 cm high

A George III oak eight day longcase clock, the 12’ square brass dial signed Joseph Cooper, Whitchurch, (movement at fault), the hood with front corner fluted pilasters over a short shaped crossbanded trunk door on a box base with canted corners, 201 cm high Literature: Joseph Cooper, clockmaker, is noted in ‘Shropshire clocks and watchmakers’ by Douglas E Elliott, as Whitchurch 1765-1773

A George III oak crossbanded eight day longcase clock, the 12’ arch painted dial signed ‘Thomas Chune, Shiffnall,’ under a subsidiary seconds dial and date aperture, the arch painted with summer blooms, the case with architectural pediment over fluted side pilasters on a box base and later skirting, 225 cm high Literature: Thomas Chune, clockmaker, is noted in ‘Watchmakers and Clockmakers of the World’, vol 1, by G H Baillie, as of Shifnal, circa 1795

A George III oak crossbanded thirty hour longcase clock, the 13’ square painted face signed W Evans, Machynlleth, with subsidiary seconds dial, date aperture and false winding holes, the associated movement striking on a single bell, the hood with swan neck pediment over short trunk door on a box base and cut out plinth, 207 cm high

A mahogany eight day longcase clock, 20th century, the 12’ arched brass dial with subsidiary seconds dial and date aperture, the hood with arch door over a long trunk door, on a box base with cut out plinth, 220 cm high

A 19th Century Longcase Clock, the arched dial with seconds ring and date aperture and inscribed "Chumbley, Sheffield", painted with landscapes and with 8 day striking movement in oak and mahogany case. 7'5" (226cms) high.

An early 19th Century Longcase Clock, the painted dial inscribed "Chadwick, Liverpool" with seconds and date rings and phases of the moon arch painted with a maritime scene, 8 day movement in figured mahogany case with swan's neck pediment and spiral turned pilasters on bracket feet.

An Edwardian lancet shaped mahogany and inlaid clock case together with a miniature oak longcase clock.

A mahogany and oak longcase clock, the 8 day movement striking on a bell to a repainted 12in arch dial, with subsidiary seconds and calendar dial, the hood with blind fret decoration, the shaped top trunk door with crossbanding, 84.75in (215.3cm) h. Case and movement associated.

An early 19th century mahogany longcase clock, the 8 day movement striking on a bell, to a 12in painted arch dial, with subsidiary seconds, calendar dial and strike/silent dial, the case with brass stop fluted columns and angles, 89.5in (227.3cm) h.

An early 19th Century oak cased 8-day Longcase Clock, D Wenham of Dereham, the arched hood surmounted by three later turned spherical finials, over freestanding reeded columns to an ogee throat and trunk with canted corners, a long trunk door to a plinth base, to a 12" third period painted dial, signed to the arch, over a Roman chapter ring with outside five minute track and subsidiary seconds, to a Walker & Hughes false plate and movement with anchor escapement and strike on a bell, (associated), height 84"

An early Victorian North Country longcase clock, veneered in mahogany with Brazilian rosewood banding, the eight day movement with an arch painted dial having moon phase aperture above subsidiary dials, makers name indistinct, probably Wolverhampton, painted figures to the corners for the four Seasons, the hood with swan neck pediment and turned pillars, the trunk with a triple arch top door, trade label inside for Bromwich Watch & Clock repairer, Coventry, turned side pilasters the banded canted corner base on a later plinth. 7ft.9in. (236cm) high.

Hindley of York early Georgian longcase clock. The 11" brass dial with silvered chapter rings, housed within a castellated caddy top hood, raised over a slender Japanned and lacquer work case. With central bullseye lenticle and chinoiserie decoration 92" high.

R Dalgleish of Falkirk Georgian mahogany eight day longcase clock. The brass and silvered arch dial with both second and date chapter is housed within a caddy top hood, with blind fret carvings supported on a slender base, with twist carved pillars and inlaid door 90".

Thomas Lister of Halifax Georgian oak and mahogany eight day longcase clock. The painted arch dial with second and date chapters is housed with a swan neck pediment hood, raised over a slender case and profusely inlaid throughout 95" high.

A XIX century oak and mahogany banded longcase clock with circular painted dial signed Holliwell & Son Derby contained in a swan neck pedimented hood; 30 hour striking movement 211cm high

A XIX century Yorkshire mahogany longcase clock with three train movement the painted dial signed W Cordingley, Leeds and showing light houses and shipping 264cm high

A XIX century longcase clock the arched painted dial signed "Hen.y Loat Nantwich", contained in a relief carved oak case 235cm high

A George III oak 8-day longcase clock, maker Robert Welsh of Dalkeith, the arched 12inch brass dial with silvered Arabic and roman numeral chapter ring, the hood with swan neck pediment and brass capped columns above a trunk with shaped door and pedestal base on a plinth foot, 210cm high, 45cm wide and 23cm deep

A George III style mahogany longcase clock case the hood with swan neck pediment and glazed arched door, the trunk with serpentine shaped door and pedestal base on bracket feet 220cm high

A George III line inlaid mahogany 8-day longcase clock, maker Cameron of Selkirk, the arched 13-inch painted dial with painted river scene and romal numberal, the hood with broken swan neck pediment and globe finials above two brass capped columns, the trunck with flame mahogany door flanked by reeded quarter columns on a plinth base and bracket feet, 223cm high, 51cm wide and 25cm deep

A 19thC provincial oak and inlaid mahogany longcase clock, the painted face with Roman numerals, seconds dial, painted to the arch with a kilted figure and signed xxx Nottingham, of eight day movement, the hood with swan neck pediment, turned pilasters, the broad trunk with a triple pointed door flanked by ¼ round columns, 86½" high.

An early 19thC oak and mahogany longcase clock by Hardy of Newark

A George III lacquered and japanned longcase clock, the restored brass dial with silvered chapter ring, seconds dial and calendar aperture, signed James Nesmyth Staines, moon boss to the arch with foliate spandrels, of eight day movement, striking on a bell, the caddy top hood with cavetto moulded arch, faux bamboo pilasters, the slender trunk with arched door, reduced plinth, 77½" high.

Georgian mahogany longcase clock, the swan neck pediment above a painted dial over a plain trunk and base section, 205cm high

Victorian mahogany longcase clock, with a painted face, weights and pendulum, adapted, 201cm high

An 18th century thirty hour longcase clock with a painted square dial with calendar and seconds hand signed J EVILL Bath, contained in a scumbled pine case 77" tall

A thirty hour longcase clock with a painted dial signed PEARSON, Halifax with a central moonroller contained in an oak and mahogany case with a swan neck pediment

Georgian oak eight day longcase clock by James Richmond, Bishop Auckland, painted face, second and subsidiary dials

Georgian 30 hour oak longcase clock by H.G.Hanks, painted face

An early 19th century inlaid mahogany longcase clock having an 8 day movement and painted arch dial with subsidiary second and date dials, the face indistinctly marked with a maker's name of Sunderland, height 217cm.

An 18th century lacquered longcase clock having a brass arch dial with silvered chapter ring and subsidiary date and second dials inscribed 'Samuel Wainwright, Northampton, No. 2639', height 231cm.

A 19th century mahogany longcase clock having a square brass dial with subsidiary, second and date dials, A/F.

A 19th century oak and mahogany crossbanded longcase clock having a painted arch dial with subsidiary, date and second dials, inscribed 'Spalding', height 230cm.

Oak two train mantel clock, the 4.5" white dial signed Fattorini & Son, Bradford, patent no. 16226, within a carved case with bosses, 12.5" high; also a two train mantel clock, the Japy Freres movement with outside countwheel and striking on a bell (missing) the 4" white circular dial within an ebonised and yew wood drumhead angular case, 9" high, two clock movements and two longcase clock weights etc

Three boxed hand lathes, spare collets, sundry clock keys, longcase brass ball finial etc

Robinson Tom - The Longcase Clock, Antique Collectors Club 1999, dust wrap and custom sleeve

Robinson Tom - The Longcase Clock, Antique Collectors Club 1982, signed by the author, dust wrap; Edwardes - The Grandfather Clock, 1980, dust wrap; Barder - English Country Grandfather Clocks, 1983, dust wrap (3)

R.W. Symonds - Thomas Tompion, His Life and Work; John Roby - The Longcase Clock Reference Book, volumes I and II and five other books (8)

Tom Robinson - The Longcase Clock; Cedric Jagger - The Worlds Great Clocks & Watches; Ernest L. Edwardes - The Grandfather Clock and eight other books (11)

Edwardian mahogany balloon cased mantel clock with a drum platform movement and decorated with boxwood lines and an oval paterae, 9" high; oak miniature longcase mantel clock and a small Napoleon hat mantel clock (3)