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A reproduction longcase clock, with three train movement

Muirhead & Arthur, Glasgow, a Victorian mahogany longcase clock, the eight day duration movement striking the hours on a bell and having a wood rod pendulum with brass cylindrical bob, a dead-beat escapement and brass bound weights, with the thirteen inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, the dial centre having engraved rococo style engraving and raised seconds and date rings, with cast brass female-head spandrels to the four corners, the arch with cast dolphin spandrels either side of a silvered boss engraved with the maker’s name ‘Muirhead & Arthur, Glasgow’, the mahogany case having a glazed front door, a panelled base, the turned pillars to the hood having brass Corninthian capitals, with a swan neck pediment and brass finial, height: 230 cm. * Muirhead and Arthur are recorded as goldsmiths, clockmakers, watchmakers and jewellers working in Glasgow from 1845 until after 1900. Henry Muirhead was admitted to the Incorporation of Hammermen on 30th of August 1844 and made a burgess & guildbrother two weeks later. He succeeded James Muirhead and was at Royal Exchange in 1839 before moving to 33 Nelson Street by 1840, later joining with business partner, the jeweller Robert Arthur.

Charles Webb, Exon (Exeter), A walnut longcase clock, the eight day duration movement striking the hours on a bell, the 12 inch arched brass dial having a silvered chapter ring engraved with Roman hour numerals, outer Arabic minute numerals, fleur-de-lys half hour markings and diamond half-quarters, with cast brass ‘Chinese’ spandrels to the four corners and dolphin spandrels to the arch, the matted dial centre having an applied silvered plaque engraved with the maker’s name ‘Charles Webb, Exon’, a subsidiary seconds dial and day aperture, the arch having a further silvered dial showing both the date and month, with blued steel hands, the walnut case having an arched door with chevron crossbanding to the base and door and an arched top with deep concave moulding, with quartered columns to the hood, height 220cm. * Charles Webb is recorded as a watch & clockmaker having been mentioned in the Exeter Quarter Sessions Books of Recognizances on the 4th of May 1722 with a further record in 1728.

An early 19th Century Longcase Clock, the brass dial inscribed "Will Stonehouse, Pickering" with floral engraved centre and ormolu spandrels with date aperture, in simulated mahogany case, with swans neck pediment. 7` 3" (221cms) high.

An early 19th Century Longcase Clock, the painted arch dial inscribed "William Dixon, Pickering", painted with flowers on a rural landscape, with 30 hour movement and date aperture in oak and mahogany case, with swans neck pediment. 7` 2" (219cms) high.

AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, by George Osmund of Tisbury, having arched hood above arched aperture flanked by wrythen pilasters, the base with quarter wrythen pilasters and crossbanded rectangular door, crossbanded and inlaid panel base on bracket feet. Arch painted dial decorated with flowers and fruit, and having Roman numerals and date aperture. Eight day movement striking on one bell. The face 16" x 11.5". 86" High overall.

AN UNUSUAL 18TH CENTURY THIRTY HOUR ALARM LONGCASE CLOCK, having circular brass face with Roman numerals and now in later stained pine case with broken swan neck pediment above circular aperture flanked by turned pilasters. Shaped waist door on panelled base. Un-named. The face 11" Diameter. 77" High overall.

A 19TH CENTURY GRAINED PINE LONGCASE CLOCK, the case with broken swan necked pediment above arched aperture flanked by reeded pillars, arch waist door on panel base. Arch painted face with maritime scene to the arch, foliate spandrels, Romans numerals seconds dial date and date aperture. Marked W.M Jenkins Narberth. Eight day two train movement striking one bell. Face 17" x 11.5". 82" High overall.

AN 18TH CENTURY OAK THIRTY HOUR LONGCASE CLOCK, by Hinksman of Madeley, the case with broken swan neck pediment having brass eagle and ball finial, above strapwork freize, square aperture flanked by corner pilasters the waist with pointed arch door above panel base on bracket feet. Brass square face with figural spandrels, Roman numerals and single finger to the foliate engraved centre field. Thirty hour movement striking on one bell. The face 11" square. 88" High overall.

An early 19th Century oak cased thirty hour brass dial longcase clock by Standring, Bolton with rolling moon and Roman numerals

An early 18th Century oak and mahogany eight day longcase clock with painted dial and Roman numerals by Richard Jones, Llanrwst, 82 ins high

A mahogany and oak painted dial eight day longcase clock (for restoration)

A painted longcase clock dial

A George III mahogany banded oak cased thirty hour striking longcase clock, having a painted arched dial, 7ft 5ins high (af) (illustrated)

A Georgian oak thirty hour striking longcase clock by Samual Ashton of Ashburn (almost certainly Ashbourne, Derbyshire), having a painted circular dial, 6ft 10ins high (af) (illustrated)

A late Georgian/early Victorian mahogany cased eight day striking longcase clock by Robert Holgate Sagar of Blackburn, having a painted arched dial with moon phase to the arch, also painted with Britannia and other figures emblematic of the Continents, approx height 8ft 6ins (illustrated)

An early 19th century mahogany banded oak cased thirty hour striking longcase clock by Harding of Porthmadoc, Wales, the painted square dial depicting rustic dwellings, and having a painted subsidiary seconds dial, date aperture and twin winding holes, height 7ft 4ins (af) (illustrated)

A REPRODUCTION WALNUT DWARF LONGCASE CLOCK WITH ARCHED BRASS DIAL AND GLAZED DOOR

A George III oak longcase clock with inlaid decorated case and 12 inch circular painted dial signed John Chapman, Loughborough (circa 1778-95), with Arabic and Roman numerals and date indicator, the 30 hour movement striking on a bell, 205cm

An 18th century black lacquered and chinoiserie decorated longcase clock, the hood with arch top and glazed door, the trunk with long door, the 12 inch engraved brass arch dial with silverised chapter ring signed Sam Hollyer Fecit (circa 1770s) and Roman numerals with date and seconds indicators and eagle in arch, the eight day movement striking on a bell, 220cm high

A George III mahogany longcase clock, arched painted dial with huntsman and floral painted spandrels, roman numerals, subsidiary seconds, date aperture, eight day striking, housed in an arched pillared hood over trunk door on base

A square 14" painted eight day longcase clock dial

A William IV mahogany crossbanded oak striking eight day longcase clock, the swan neck pediment over an arched top twelve inch dial with subsidiary day of month and seconds aperture, signed J. Harvey, Shrewsbury, flanked by split turned column decoration, the conch shell inlaid trunk shaped door also flanked by split turned supports, all resting on bracket feet, 216 cm high, with weights and pendulum.

A 19th century oak and mahogany cased longcase clock, the hood with broken swan neck pediment above an eleven inch square dial, with silver chapter ring and subsidiary seconds within gilt corner spandrels and signed Richard Pocock, Sutton, flanked by fluted columns over inlaid shaped trunk door, resting on bracket feet, with two weights, 208 cm high .

A 19th century eight day longcase clock, with cut down swan neck cornice over a painted arched top fourteen inch dial with subsidiary day of the month and second aperture, the dial signed `Wm Galloway of Leeds`, the hood flanked by turned columns over a shaped trunk door with stop canted sides resting on a pedestal base, with weights and pendulum, 232 cm high.

A MAHOGANY LONGCASE CLOCK, the arched brass dial with silvered Roman chapter ring, with Arabic five minute markers, the matted centre with subsidiary seconds dial and date aperture, the arch with silvered boss inscribed `James Drury, London`, with dolphin and mask spandrels and five pillar movement. The break arch hood with fluted pillars and Corinthian capitals over a matching canted trunk, with figured serpentine door and panelled base, 86 1/2" high

AN OAK AND MAHOGANY THIRTY HOUR LONGCASE CLOCK, the 11" square painted Roman dial with Arabic five minute markers, floral and strawberry decoration inscribed `Coates, Cirencester`, 76" high

A 19TH CENTURY PINE THIRTY HOUR LONGCASE CLOCK, the 11 3/4" square painted Roman dial with Arabic five minute markers and date aperture inscribed `Ja Wright, Barnes`, 71" high

AN OAK LONGCASE CLOCK, the arched brass dial with Roman chapter ring and Arabic five minute markers, the matted centre with subsidiary seconds dial and date aperture, the arch with boss inscribed `Frank Smith, London`, with dolphin and mask spandrels and five pillar movement. The break arch hood with fluted pilasters, break arch door and single skirt base, 80 1/2" high

A 19th Century oak Longcase Clock having arched painted dial

An antique oak Longcase Clock with square brass dial and silvered chapter ring inscribed Edward Hemins, Bisiter, 30 hour movement, 6ft 5in H

A 19th Century Longcase Clock with arched painted dial inscribed Richard Webb, Brecon, 8-day movement, subsidiary seconds dial, in mahogany case

An 18th Century Longcase Clock with square brass dial inscribed John Davies, St Harmon, 30 hour movement, in oak case, the hood with dentil cornice

A late 18th Century eight day oak Longcase Clock, the architectural hood with swan neck surmount , brass arched dial having secondary date and second dials marked Willm. Marston, Bishops Castle, the shaped door with star burst inlay

A late 20th century mahogany longcase clock having arch top containing German movement and glazed panel on square base and shaped feet

An 18th century oak cased thirty hour longcase clock, the twelve inch brass dial signed Wattson, Yarmouth, with Roman hours, having a single train movement, striking on a bell

A Victorian fruitwood and pine chess table, the circular top above a ring turned baluster stem upon a triform pedestal base terminating in bun feet, 71 x 50 cm, together with a German oak slim longcase clock, 1950, and a Victorian oak chair (3).

An early 19th century oak longcase clock, by D. J. Hoy Mattishall, the painted dial with eight day Birmingham movement, the trunk with arched door, two weights, 207 cm high.

A George III pine longcase clock, by John Effington, London, the hood with brass capped columns enclosing brass dial with eight day movement, the trunk with break arch door, 202 cm high.

A walnut cased miniature longcase clock, 20th century, silvered dial signed Tempest Fugit with Westminster chime movement, 168 x 32 cm, (Movement A/F).

Horology, Loomes (Brian), Grandfather Clocks and their Cases, 1989, 4to., dust wrapper; Tennant (M.F.), Longcase Painted Dials, Their History and Restoration, 1995, dust wrapper; Cloutman (Edward) & Linnaird (William), Henry Williams Lancarvan, A Clock and Watchmaker .., 2003, numbered ltd. edition, signed by authors, dust wrapper; with four others (7)

AN EARLY VICTORIAN MAHOGANY AND INLAID LONGCASE CLOCK - CASE WITH SWAN NECK PEDIMENT

A 18th/19th mahogany eight day striking longcase clock with an arched 12" painted dial having calendar and second dial signed TYLER Soham, the slender shaped door flanked by quarter columns-in need of some restoration 83" tall

An oak eight day striking longcase clock with a naval painted 12" arched dial having second dial and calendar signed M Read Aylesham with an arched trunk door standing on bracket feet 85" tall

An oak Country eight day striking longcase clock with a brass 12" square dial having calendar, signed BRADLEY ILKISTON above a shaped crossbanded door and stepped base 79" tall

An oak eight day striking longcase clock with a painted 12" arch dial having strike/silent second dial and calendar signed Wm HARRIS Chippenham, with turned columns to the hood above an arched trunk door and a stepped base 85" tall

A pitch pine longcase clock case 78" tall would take a 11" dial

A 1930`s three train longcase clock in a oak veneer case standing 76" tall

An oak and mahogany eight day striking longcase clock with a 12" arched brass dial with strike silent, second dial and calendar signed CROUCH Hertford above a shaped trunk door and stepped base 80" tall

A modern three train longcase chiming clock with a moon roller dial

A Georgian Oak 30 hour Longcase Clock, the hood having swan neck pediment and triple finials. The painted dial having Roman numerals and shells and foliage, 30 hour movement. The case having long arched top door and standing on short bracket feet. 19" wide x 84" high x 10" deep approx.

A 19th Century mahogany and inlaid 8-day longcase clock, the 33cm arched painted dial with subsidiary seconds, and date aperture, and the text `here i stand with all my might, to tell the hour both day and night, therefore a warning take by me, and serve the lord as i serve thee`, the hood flanked by twisted columns, the case on plinth base, height 209cm (82 1/4in.).

JOHNSON AYR, AN EARLY 19TH CENTURY MAHOGANY SCOTTISH LONGCASE CLOCK having hood with swan neck pediment, turned central finial and satinwood alternating dentil pediments, the trunk with crossbanded panel door on box plinth, 8-day mechanism with false plate later gong strike, faced by an arched painted dial with floral spandrels, 2.25m high

METCALF, MALTON, AN EARLY 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the hood having a swan neck pediment with later brass finial, flank plain pilasters on a crossbanded surround, the trunk with chamfered front, waist panel door, on abox base with remnants of bracket feet, the eight day mechanism of Clerkenwell type with four pillars and anchor escapement, rack bell strike, faced by an arched painted dial with Roman calibrated chapter, 2.21m high

An early 19th Century oak longcase clock having scrolled pediment over painted and arched brass dial enclosing eight day movement the mahogany cross banded three quarter length door within quarter turned reeded pilasters on box base and bracket feet.

AN EARLY 19th CENTURY OAK COTTAGE LONGCASE CLOCK, BY THOMAS PREW OF TEWKESBURY, HAVING PLAIN OAK CASE WITH SQUARE PAINTED FACE UNDER A MOULDED CORNICE FLANKED BY TURNED PILLARS. THE WAIST WITH PLAIN DOOR ON PANELLED BASE. 30 HOUR MOVEMENT STRIKING ON ONE BELL. 12" FACE. 74" HIGH OVERALL.

A 19th century mahogany longcase clock, the arched painted dial with a moon phase supporting on an eight day striking movement

A GOOD 18TH CENTURY WALNUT EIGHT DAY LONGCASE CLOCK BY JOSEPH SAER OF LONDON the movement with brass domed top dial, silvered chapter ring, subsidiary seconds dial and date aperture, set within a figured walnut case with brass eagle finials, column sides over a cross-banded case. With pendulum and two weights. 8ft 2ins high.

Nelson interest: A longcase clock made from wood from HMS Victory (of modern construction), the arched circular Roman numeric and Arabic moon rolling dial fitted in a flat topped carved hood with part glass door on stylised bracket feet with weights and pendulum, 214 cms high.

A PEARLWARE WATCH STAND, NORTH EAST ENGLAND. in the form of a longcase clock flanked by the crowned figures of Apollo and Ceres bearing their attributes and painted in the Pratt palette, the clock with stylised flowers on flat green base, 23.5cm h, c1820. ++ Old restoration to top of clock and the watch pocket, also one arm of the figure and the base where broken in two