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A mahogany eight day longcase clock, arch brass dial signed on a silvered recessed plaque William Veitch, Haddington, late 18th century

~ An oak and mahogany thirty hour longcase clock, arch brass dial signed Thos Lawson, Keighley, 18th century

~ An oak eight day longcase clock, arch brass dial with a silvered disc in the arch signed Robt Holborn, South-Cave, late 18th century, possibly later case

George III black-lacquered chinoiserie brass-dial eight day longcase clock, William Liptrot, London, circa 1760, the 12" break arch brass dial having a silvered chapter ring with inner quarter hour track, Roman hours and Arabic minutes, signed Will'm Liptrot, London, framing a matted centre with silvered subsidiary seconds ring, all within Baroque mask spandrels, the arch with silvered Strike/Silent ring, knopped five-pillar movement striking on a bell, the hood with fretwork spandrels over gilt hood door and columns, long trunk door with gilt relief scene and conforming base on bracket feet, 218cm high Condition: Dial - minor wear to top of brass arch of dial plate, light tarnishing to silvered chapter ring between numerals VI and VII, calendar ring is operational, movement appears clean and sound but is not tested or guaranteed, there is no packing beneath the seat board, case has been cleaned and partly relacquered, horizontal crack across base, minor cracking to hood frame and no backing to spandrels, sold with two bronze-sleeved weights plus pendulum - **General condition consistent with age

Modern Design - 1970s American teak-cased triple weight-driven longcase clock, Trend Clocks, Zeeland, Michigan USA, the square dial with silvered baton hour markers, the glazed long trunk door on panelled base and plinth, 179cm high Condition: Dial, numerals and hands in good condition, movement not examined or tested and sold as seen, weights and pendulum in good order, case in good order - **General condition consistent with age

Mid 18th Century inlaid oak-cased eight day brass dial longcase clock, Robert Buller, Abington (Abingdon), Oxfordshire, the 12" square brass dial with matted centre, subsidiary seconds and calendar square within chapter ring having inner quarter hour track, Roman hours and Arabic minutes all within mask spandrels, the stepped case with blind fretwork frieze over sunken columns, inlaid long trunk door and stepped base, 224cm high Condition: Dial plate has very light tarnishing otherwise sound, hands display general rusting, movement appears sound but is not tested or guaranteed, crutch is slightly bent, there is approximately half inch of packing beneath seat board, case - one brass finial is moose, small old loss to right hand hood door pillar, plinth base is an old replacement, sold with two weights plus pendulum and winder (pendulum feather is depleted) - **General condition consistent with age

George III inlaid oak-cased eight day brass dial longcase clock, Willis, Harthill, circa 1775, the 12" break-arched brass dial having a silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with subsidiary seconds and calendar dials within chevron border, the arch with articulated figure of Father Time between sea serpents over engraved motto 'Tempus Fugit', the break-arched case with figured frieze, sunken columns, star-inlaid long trunk door and string-inlaid base with plinth, 214cm high Condition: Dial has tarnishing to the silvered chapter ring and to central arch boss, movement appears clean and sound but is not tested or guaranteed, later coiled gong mounted to backing boards (no bell surmount), later seat board, case is missing its finials, case in good order, plinth base possibly of later date, minor edge moulding losses to open side of trunk door, sold with two weights, pendulum and winder (pendulum has wooden rod which is snapped off where it meets the bob) - **General condition consistent with age

A George III inlaid oak longcase clock with 11 inch square painted dial marked Hulbert, Marshfield, with calendar aperture, shell painted spandrels, in swan necked surmounted hood with brass eagle finial, and brass capped column supports, the case decorated with inlaid oval panels and arch corners, 199cm high

An early 19th century oak cased 30 hour longcase clock, hood with a swan neck pediment and brass finial, white enamel with Arabic numerals, indistinctly described, the case door inlaid with a panel of marquetry, no weight and pendulum.

An early 20th Century eight day, oak longcase clock.

An early 19th Century oak and mahogany 30 hour longcase clock, the hood with a swan neck pediment, the glazed door enclosing a white enamelled dial and black Roman numerals, no makers marks inscribed, complete with single weight and pendulum

A George III oak 30 hour longcase clock, by Thomas Ramsbottom Newmillerdam. (Wakefield Yorkshire) 12 inch brass, dial, Roman and Arabic numbers, date wheel to dial, with swan neck pediment to the hood

A George III oak cased longcase clock, circa 1800, eight day movement, the hood with an arched door, white enamelled dial, Roman numerals, painted corners, the dial inscribed J.M.D Fakenham, possibly for John Massingham, complete with two weights and pendulum

A 19th Century Whitehurst & Son longcase clock, Derby, oak case, crossbanded with mahogany having a swan neck pediment, turned columns, raised panel to base, white still arch 12 inch enamelled dial with painted spandrels date apperture and seconds hand, four pillar movement, with two weights and pendulum, the movement false plate inscribed Walker

A George III longcase clock, by Henry Walpole, London, 8 day movement striking on a gong, silvered 12 inch arch dial, gilt spandrels, strike silent to arch, date and seconds dial, Mahogany case, slim trunk door, raised panel to the base, Glazed sides to the hood, with hood door lock, with two brass cased weights and pendulum

A George III Longcase clock, Chamlley Newcastle, 8 day movement with 13 inch moon dial, Roman hour numeric, Mahogany case crossbanded with fruitwood and oak Circular design to base complete with weights and pendulum.

A 19TH CENTURY MAHOGANY CASED EIGHT DAY LONGCASE CLOCK BY JOHN SALDANO - LONDON, the brass and silvered dial with subsidiary seconds dial and date aperture, 'strike / silent' dial to the arch, the figured mahogany case with turned pilasters, H 214 cm, twin weights and pendulum

A 19TH CENTURY INLAID EIGHT DAY LONGCASE CLOCK, the painted face with arched dial, subsidiary seconds dial and date aperture, makers name but indistinct - Swansea. the hood and case with inlaid detail, twin weights and pendulum, H 205 cm, S/D

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, the painted face with subsidiary seconds dial, makers name J. Burn, the case with inlaid detail to the door, twin weight and pendulum, H 233 cm, S/D

A 19TH CENTURY OAK LONGCASE CLOCK WITH 30 HOUR MOVEMENT, the circular painted dial with makers name 'Samuel Hill - Sheffield', single weight and pendulum, H 216 cm

A 19th century oak miniature longcase clock with reeded brass moulding, Corinthian columns and bracket feet, white enamel dial and French balance spring movement, height 16.5"

A 19th century pine 8 day longcase clock with arched top and turned pillars to the hood, arched full length door, arched painted dial, by H Dobb, Selston

An 18th century style mid 20th century made dwarf walnut longcase clock, Dutch style with ebonised pillars and brass finials, bombe base with glazed door, silvered brass dial and triple weight driven chiming movement

A late Victorian Gothic carved oak chiming longcase clock, the hood with arched pediment having central finial and pinnacles to the corners, 12inch circular brass dial with subsidiary seconds, three train eight day movement chiming on 4 gongs and striking on a further gong, brass capped weights, the trunk with tracery door, the plinth base with foliate panel on bracket feet 263cm (103in)

A George III black lacquer longcase clock, circa 1770, the pagoda top hood above silvered arched 12inch dial signed 'Samuel Stephens, London', with 5 pillar movement, date aperture, inset seconds dial, Rococo spandrels, the trunk door painted with a central panel of John Wilkes MP, seated with papers beside him bearing the words 'The Liberty of all the Gentlemen & that which sensibly of all the middle Class of the P---- most in need of --' ' and 'To the Gentlemen Clergy and Freeholders of the County of Middlesex' , all raised on a plinth base 233.50cm (91in)

AN EARLY 19TH C INLAID MAHOGANY EIGHT DAY LONGCASE CLOCK, THE PAINTED BREAK ARCHED DIAL WITH LUNAR WORK INSCRIBED THOMAS SHERWOOD DONCASTER, 232CM H

A Victorian Cornish mahogany longcase clock with a painted dial, subsidiary seconds and date, inscribed Truscott St Austell with a swan neck pediment, turned pillars and box base 97"h

A 19th century oak longcase clock with a painted dial and 30hr movement

An oak and mahogany longcase clock, 32cm arched painted dial, the case with a swan neck pediment, shaped rectangular door to waist, 234cm high

A late Victorian/Edwardian rosewood miniature longcase clock, with aneroid barometer and mercury thermometer, with single train movement, height 48 cm, width 40.5 cm. CONDITION REPORT: The clock case is in generally very good condition. Other than a very small nibble to the front left hand corner below the arched pediment there are no real issues with the front or sides of the case at all. The rear of the case has a veneer loss as the top of the arched pediment. The clock door operates as it should. The silvered brass dial is tarnished and rubbed. The hands advance manually as they should. There is a very small chip to the inside edge of the glass behind the bevel and opposite the numeral 7. The thermometer is missing its top bracing hoop but does appear to operate. The silvered dial to the barometer is a little tarnished. The adjusting hand operates as it should. The movement did wind slightly, but is now fully wound. It does tick for a few seconds when the escapement is activated.

An early 19th century oak and mahogany longcase clock, with arched painted dial and 30 hour movement, the case being boxwood strung and mahogany banded and raised on bracket feet, height to top of swans neck pediment 208 cm.

An early 19th century mahogany longcase clock by J. Spittall of Whitehaven, the case with swans neck pediment with Verre Eglomise above the glazed door enclosing the eight day striking movement, the case with three quarter trunk door and conforming base raised on bracket feet. Height 232 cm (see illustration).

An early 19th century mahogany longcase clock, with two-train striking movement by James Marshall, Wishawton, the face with spandrels emblematic of the four seasons and shepherdess to arch, the hood with swans neck pediment, the case with long trunk door and raised on turned feet. Height 228 cm (see illustration). CONDITION REPORT: The clock case is in extremely good condition. It does not require any work. The colour is good and neither door is warped. The clock face is in extremely good condition as is the movement. When weight is applied to both the strike and going train the movement ticks away and strikes as it should. We have both weights and the pendulum. The rod that screws into the rectangular metal shaft that goes through the pendulum bob is broken and requires a small repair. Other than the pendulum the clock is in first class condition.

An oak longcase clock, circa 1930, with three-train spring driven movement, long trunk door and raised on bun feet. Height 187 cm. CONDITION REPORT: The clock case is in good condition all around with only very minor surface scratches and marks. The trunk door is not warped. The movement is fully wound on all three trains. It is also very dirty. It appears to be ticking away but is not striking when manually advanced. The movement does however strike when manually operated. Everything appears to be present but a clean is definitely required.

An early 19th century mahogany longcase clock, with circular dial by James Houston Johnstone, diameter 36 cm, and with two-train striking movement. Height 229 cm. CONDITION REPORT: The case is in reasonably good condition. Neither door is warped. There are some minor nibbles to the top cornice beneath the swans neck pediment particularly in the right-hand top corner. There are also some veneer losses along the crossbanded edge at the base of the hood. The trunk door is not warped. There are minor pieces of moulding missing in various places on the case but no significant losses. There are also some stress fractures and pieces of crossbanding missing to the base front panel. The front bracket feet are original. The clock does not have rear feet. We have both weights and the pendulum. The pendulum suspension is however broken. The movement does strike when advanced. We have not had the clock ticking. The face is a little dirty and has had some overpainting and there are various scuffs and scratches. There is no evidence of any woodworm.

A 19th century mahogany and oak longcase clock, with swans neck pediment above a glazed door enclosing the 13" square painted dial and two train striking movement, with subsidiary seconds dial and date aperture in turn above a short trunk door, the base raised on bracket feet, height including finial 231 cm. CONDITION REPORT: All three finials have paint and gesso losses. The hood has several small sections of crossbanding missing which should be visible on our images. The hood door is not warped. The moulding beneath the hood is loose at the right-hand return. The trunk door has a very slight warp and there is slight timber loss around the lock plate on the carcass edge of the case. The sides of the case and base are in generally good condition with the exception of veneer nibbles around the front feet. The movement is currently ticking away and we have both weights and pendulum. The strike train is erratic. The face is as you see it in our image.

An 18th century mahogany pagoda top longcase clock, circa 1780, with silvered arched dial and eight day movement with strike silent, subsidiary seconds and date dial, inscribed for Lawson, Bishopsgate Street, London, the movement with five pillars, the hood with ball and eagle finials and heart inlaid brass reeded column above a well figured mahogany case, supported upon bracket feet with shaped apron. Height 236 cm (see illustration). CONDITION REPORT: We have both weights and pendulum. The movement winds on both trains and is currently ticking away but not striking when advanced. The silvered brass dial is in generally good condition but a little tarnished. The hood fretwork is in good condition. The piece of moulding missing below the left-hand ball finial is detached but we have the piece. The hood door has cracked glass. The right-hand pillar is a little loose. The left-hand glazed panel has no glass and small nibbles around the window aperture. The right-hand glass is present but again there are small nibbles around the window aperture. The moulding below the hood is in good condition at the front and on the left-hand return. The right-hand return section is currently detached and in two pieces. There is one small veneer loss at the rear next to the wall side. The trunk door is not warped and of good colour. The sides of the case are in good condition. The base has one piece of moulding missing on the right-hand side. We have the detached piece. The sides of the base and feet are all in good condition. The colour of the case is generally good and uniform.

An 18th century and later longcase clock, the square brass dial with silvered chapter ring made for John Silke, Elmsted, with 30 hour bird cage movement, all within an oak case, the dial 27.5 cm square. Height 191.5 cm. CONDITION REPORT: The cornice is in good condition at the front and left-hand return. The right-hand return has the top moulding approximately 50% missing. The hood door and sides are in good order. The trunk door is not warped and the sides of the trunk and base are in generally good condition. The movement is currently ticking away and seems to strike as it should when advanced. It is an early movement. Whilst the movement is clearly a good early one the case has been made up from several cases. The dial is 11 inch square.

Welsh mahogany eight day longcase clock by Griffith Davies of Dolgellau, the hood with wrythen and turned columns flanking a 13.5 ins painted square dial with painted ruin spandrels and painted birds to the centre, subsidiary seconds and Roman numerals, the movement striking on a bell, the trunk with further wrythen columns flanking a rosewood crossbanded door, over a crossbanded flame mahogany box base raised on bracket feet, original paper label attached to the back, height 228cmPlease note our special conditions of sale regarding clocks and watches

Scottish mahogany eight day longcase clock, circa 1820, the hood with two brass finials flanking a painted 14 ins circular dial, signed John Etches, with Roman numerals, four pillar movement striking on a bell, the trunk with a feathered mahogany oval inlaid door, within reeded pilasters, over a feather mahogany box base, crossbanded and with bracket feet, height 200cm Please note our special conditions of sale regarding clocks and watches

George III mahogany eight day longcase clock, the hood with fluted pilasters flanking a 13 ins brass square dial, signed to the centre John Craig, Garrigll, within a chapter ring with Roman numerals, the movement striking on a bell, over a trunk with a flame mahogany door within reeded quarter pilasters, canted box base with ogee bracket feet, height 223cm Please note our special conditions of sale regarding clocks and watches

Oak eight day longcase clock, by John Dison, St Ives, later carved hood and case, with 11.5 ins arched brass dial, signed to the arch and with silvered chapter ring, matted centre with subsidiary seconds and date aperture, four pillar movement striking on a bell, the trunk carved with foliate details over a similarly carved box base, height 214cmPlease note our special conditions of sale regarding clocks and watches

Rare dwarf longcase clock, by Lawson & Son, Hindley, early 19th Century, the hood with swan neck pediment and three turned finials, over reeded pilasters flanking a painted 9.5 ins square dial, signed (rubbed), with Roman numerals, 30 hour four pillar movement, the trunk inlaid with panels of satinwood and ebony stringing, over a box base with canted corners and bracket feet, height 159cmPlease note our special conditions of sale regarding clocks and watches

An Art Deco longcase clock, the brass and silvered dial over a bevelled glazed trunk, the three train spring movement striking on gongs 169cm high

Early to mid 20thC longcase clock with silvered chapter ring, two train chiming movement and glazed bevelled edge door, 205cm tall 

A Modern Mahogany longcase clock with eight-day movement, brass dial and Roman numerals 74" high

An early 20th century mahogany three train chiming Longcase Clock, arch top silvered brass face with Arabic numerals, subsidiary seconds dial at 12, chime and silent and Whittington and Westminster rings, pierced brass spandrels, signature plaque W.B. PIDDUCK & SON MANCHESTER, eight day movement striking on nine tubes, contained in a mahogany case, the glazed hood with swan neck pediment, and decorative fretwork sides with fabric backing, oval bevelled glass door to trunk, typical box base on bracket feet, bears white metal presentation plaque to Henry Halstead J.P from the Haslingden Cotton Manufacturers Association 1919, 236cm high

A blond oak Tempus Fugit longcase clock with pendulum and weights

A 19TH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the painted face decorated with castles, 216cm high (running)

A 1930S OAK LONGCASE CLOCK

A 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK with 30 hour movement and painted dial, 222cm high

Unusual George III oak and mahogany crossbanded longcase clock, the swan neck pediment above an oval glazed door and oval dial, the trunk with a shaped moulded panel door flanked by quarter reeded pilasters and conforming plinth base, the oval painted dial with Arabic and Roman numerals, subsidiary seconds and date dials below a moon phase arch, signed Banister Lichfield, the two train four pillar movement with anchor escapement striking on a bell, the dial approximately 18ins x 15ins

George III oak longcase clock, the arched hood above a rectangular shell inlaid panel door and plinth base, the painted enamel dial with Roman and Arabic numerals, subsidiary seconds and calendar with a two train movement striking on a gong

George III oak longcase clock, the broken arch hood with flanking pilasters above a moulded panel door and plinth base, the gilt brass dial with silvered chapter ring, strike / silent selector to the arch, subsidiary seconds dial and date aperture, signed William Clarke, Whitechapel, London, the two train five pillar movement with anchor escapement striking on a bell

George III mahogany longcase clock with an arched hood above arched panelled door on plinth base, the painted enamel dial with Arabic numerals, subsidiary seconds and date aperture, inscribed Matt Read, Aylsham, with a two train movement striking on a bell

Early 20th Century mahogany longcase clock, the shaped broken arch hood above a bevelled glass door and conforming plinth base, the gilt dial with silvered chapter ring, Arabic numerals and three train weight driven movement

Early 20th Century carved oak longcase clock, the dome hood above a circular dial and moulded glazed panelled door raised on shell carved cabriole supports with paw feet, the brass dial with Arabic numerals and three train weight driven movement

Mahogany longcase clock, the broken arch hood above a bevelled glass panelled door and conforming plinth base, the gilt brass dial with silvered chapter ring, Arabic and Roman numerals with a three train weight driven movement

Early 20th Century oak longcase clock, the shaped moulded pediment with a carved floral cresting above a circular dial and bevelled glass door flanked by barley twist pilasters above a moulded plinth base, the circular brass dial with black Arabic numerals and three train movement

Oak longcase clock circa 1930, the rectangular case with flanking pilasters, the circular silvered dial with Arabic numerals and three train weight driven movement