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19th Century oak and mahogany longcase clock by William Burch of Glastonbury, the hood with swan neck pediment, square glazed door flanked by plain pillars, the trunk with long door and standing on bracket feet, square painted dial with Roman numerals and calendar aperture, 30 hour movement Condition:
Inlaid walnut cased longcase clock, the 24cm brass dial having silvered chapter ring bearing the names Ferron & Burchell, Hertford, single hand and Roman numerals, the hood with blind fret pediment, square glazed door flanked by split pillars, the trunk having a long door with crossbanded decoration and standing on a plinth base, 30 hour movement Condition:
A George III Irish provincial oak and mahogany longcase clock, 33cm square brass dial inscribed James Black, Sligo, Roman and Arabic numerals, subsidiary seconds dial, mask and leafy scroll spandrels, eight day movement striking on a bell, the hood with three orb and eagle brass finials, shaped rectangular door to waist, brass capped columns and quarter-columns, shaped apron, bracket feet, 233cm high, c.1800The maker is probably the James Black who also signed clocks from Dublin 1756-1772 who, like many makers of the time, was occasionally peripatetic
An early Victorian oak and mahogany longcase clock by R. Johnson of Campo Lane, Sheffield, the hand painted enamelled dial with Roman numerals, the arched depicting a farmer with corn sheafs, royal blue spandrels with floral decoration, swan neck pediments terminating with carved daisy, ebony stringing throughout, turned pilasters, stepped to waist with central arched mahogany crossbanded door, ivory escutcheon, plinth base (with key)
A George III oak longcase clock, 31cm square brass dial inscribed John Wyld, Nottingham, Roman and Arabic numerals, calendar dial, 30 hour movement striking on a bell, the hood with dentil cornice, shaped rectangular door to waist inlaid with an eight pointed star, plinth base, 208cm high, c.1775
A George/William IV oak and mahogany longcase clock, 33cm painted dial inscribed Roberts, Derby, the arch painted with a view of the cathedral, titled Derby In 1803, Roman numerals, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, turned pillars, pointed arched rectangular door to waist, plinth base, 219cm high, c.1830
A George III mahogany longcase clock, 31cm arched silvered dial inscribed Robert Smith, London, Roman and Arabic numerals, Strike/Silent to arch to arch, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, lofty pagoda hood, arched rectangular door to waist flanked by brass mounted Doric stop-fluted columns and quarter columns, plinth base, 233cm high, c.1770
A George III mahogany longcase clock, 33cm arched painted dial inscribed Clitherow, Prescot, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment applied with lotus roundels, reeded Doric columns, shaped rectangular door to waist flanked by reeded quarter-columns, ogee bracket feet, 220cm high, c.1805William Clitherow was a member of a well-known Lancashire clockmaking dynasty, and was working at Prescot outside Manchester from 1795 to 1825.
A small walnut eight-day longcase clock, the dial bearing a signature for William Akers, London, with eight-day four finned pillar inside countwheel bell striking movement incorporating anchor escapement regulated by seconds pendulum and finely sculpted steelwork, with a 9 inch square brass dial incorporating subsidiary seconds dial, ringed winding holes and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes within the outer minute track and bearing signature W’m Akers, London to lower edge, with pierced blued steel hands and angles applied with winged cherub mask cast spandrels, in a case with shallow domed caddy over ogee moulded cornice and floral trail pierced fret to frieze above glazed fixed dial surround applied with Solomonic three-quarter columns to front angles, the sides with rectangular windows and conforming quarter columns applied next to bargeboards continuing up past the lintel at the rear, the trunk with convex throat moulding over 35 inch rectangular door veneered with two pairs of book-matched panels within a herringbone banded surround, the sides crossbanded and the base with stepped ogee top moulding over conforming book-matched panel within further crossbanded surround, the whole raised on a moulded skirt, 180cm high
A late 18th / early 19th century oak 30 hour 'Fly Dial' longcase clock by Thomas Fowle, East Grinstead, the painted broken arch dial with Arabic and Roman numerals, flower spandrels and lady with wreath to arch, fly painted to dial, the broken arch pediment above two columns, on pedestal base, H.206cm (a/f)
An Arts and Crafts beaten copper miniature longcase clock, with embossed stylised floral decoration, the circular dial set with Arabic numerals and hammered case, height 36cm. CONDITION REPORT: Dented to the lower section in several places, small gash to the front quarter columns and small dents to the hood, runs when wound.
JOHN EVANS OF LONDON; a George III chinoiserie black lacquered and gilt heightened longcase clock, the moulded cornice above domed brass dial set with silvered circular chapter ring with Roman numerals, with subsidiary seconds dial and date aperture above slender door on plinth base, height 229cm (restored). CONDITION REPORT: Weights and pendulum present, please view additional images on www.the-saleroom.com to ensure ability to see all photos.
An early 20th century longcase clock, the Winterhalder chiming movement, striking on eight gongs with a 12 1/2" brass dial, inscribed Thomas Wells, London, with gilt metal spandrels, subsidiary seconds at 12, silvered chapter ring with Roman and Arabic numerals below, a strike/silent, with three weights and a pendulum, the mahogany case having an arched top, turned pillars, gilt metal Corinthian columns over a glazed, panelled door and box base, raised on bracket feet, 81" h
John Peatt of Crieff. A Georgian oak longcase clock, the brass break arch dial with engraved floral and foliate decoration, chapter ring bearing Roman and Arabic numerals, subsidiary seconds and date dials, eight day two train movement, striking on a bell, the hood with later carved decoration and a pair of columns, brass capped, plain trunk raised on a plinth base, 198cm H, 52cm W, 26cm D.
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41737 item(s)/page