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A Victorian Eight Day Longcase Clock, Having a painted 14 inch dial with two subsidiary dials, the mahogany hood and clock case is decorated with satinwood stringing, with two odd lead weights and key, 276cm high

A mahogany longcase clock

19th century Oak Longcase Clock, the hood with broken swan neck pediment and brass eagle finial, the painted face marked ' R Gough Yatton Keynell ' with date aperture, lacking back legs, 216cms high

A primitive oak longcase clock case, early 17th CenturyHaving a twin swan neck pediment above a break arched glazed door flanked by reeded columns above the rectangular crossbanded door flanked by reeded canted corners and checkered inlay, above a plain lower board, 214cm.

An early 19th Century Scottish mahogany longcase clock by J Boyd, Glasgow The circular hood with a top hinge enclosing a 33cm circular dial painted with Roman numerals and centred with a subsidiary second dial and the makers name, having a two train movement striking on a saucer bell, above the tapering case applied with half columns over a lower board applied with beading, raised upon a plinth base with bracket feet, complete with two weights and a pendulum, 196cm high.Condition - Condition - Moulding finial above door missing, Second hand missing from subsidiary dialSplit across lower board, Overall good condition.Genuine clock, movement and interior dusty not cleaned for some time.  No guarantees with regards to working order. 

A mahogany cased eight day longcase clock by William Haworth, BlackburnHaving a twin swan neck pediment above a break arch dial flanked by free standing columns, the 30cm gilt metal and silvered dial painted with Roman and Arabic numerals centred with a subsidiary second dial and date aperture below a painted moon phase and the makers name, the two train movement striking on a coil, the flame mahogany case with a shaped door flanked by quarter reeded columns above a panelled lower board raised upon a plinth base with outswept bracket feet complete with two weights and a pendulum, height 246cm.

An early 19th century longcase clock, Wm Foster, Lincoln, painted arch dial with fox hunting scene, twin train 8 day movement, 46.5 by 23 by 210cm high.

A late George III oak longcase clock by H Bunyan, Horncastle, the break arch dial painted with a shepherdess, dial bearing Arabic numerals, subsidiary seconds dial, date aperture, two train eight day movement with hour strike, the case with broken arch pediment to the hood and with plain columns, the trunk door with cross banding, on bracket feet, 46 by 23.5 by 205cm high.

An oak thirty-hour longcase clock signed Powley, Appleby, square brass dial with lunar and date apertures, circa 1760

19th century walnut pocket watch stand in the form of a miniature longcase clock, with a 19th century fusee pocket watch, engraved back plate signed 'Hyman, Bangor' (no casing), H42cm

Late 18th century oak longcase clock, hood enclosed by stepped arch glazed door with two turned column supports, inlaid trunk door, fluted quarter column pilasters, on bracket feet, brass dial with engraved decoration and signed 'W. Moordan, Birmingham', subsidiary seconds and date dials, eight day movement striking on bell, H233cm

Reproduction mahogany longcase clock, stepped arch hood, gilt dial with Roman chapter ring, twin weight driven movement chiming on rods, H186cm Condition Report & Further Details Case in need of some work

19th century oak and mahogany banded longcase clock, enamel dial painted with shepherd and sheep, signed 'Brownsword, Nottingham', eight day movement striking on bell, H220cm

19th century oak and mahogany banded eight day longcase clock, brass dial with silvered chapter ring, signed Coates Wigan, H222cm

A nineteenth century brass-dial eight-day longcase clock bearing Roman numerals having filigree spangrels, the hood with broken-swan pediment and the case with three quarter length ogee shaped door flanked by quarter columns over a stepped base (restoration required) Condition reports provided on request by email for this auction otherwise items purchased `as seen`

Mahogany veneered longcase clock with painted dial face marked W Whaley, Hartlepool Condition reports provided on request by email for this auction otherwise items purchased `as seen`

An early 19th century longcase clock with painted white enamel dial, moon phase, two train movement, the detachable hood with swan neck pediment by I Newby & Co Kendal, to include weights and pendulum

19th Century mahogany and oak longcase clock, the hood with swan neck pediment, arch shaped glazed door flanked by turned pillars, the case with short door flanked by spiral twist split pillars and standing on bracket feet, arched shaped painted dial with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, eight-day striking movement Condition:

Reproduction French walnut cased Comtoise longcase clock having a typical baluster shaped case, arch shaped hood with glazed door and conforming door to the trunk, the embossed brass framed dial with Roman numerals and moon phase, twin weight movement with gridiron pendulum Condition:

AN 8-DAY LONGCASE CLOCK the enamel dial with moonphase to the breakarch, subsidiary date and seconds

A GEORGE III 8-DAY LONGCASE CLOCK the brass dial with silvered chapter ring, centre inscribed 'Phil.p Avenell Farnham' with subsidiary seconds dial and date aperture, strike/silent to break arch, the oak case 47cm wide 235cm high including finial

A PROVINCIAL LONGCASE CLOCK the enamel dial with susidiary seconds dial and date aperture, in oak and crossbanded mahogany case, with an associated 30-hour movement, 44cm wide 212cm high

J THOMSON, DUMFRIES; an early 19th century oak eight day longcase clock, the broken swan neck pediment above arched painted and signed dial, with long door to fluted pilasters and twin base, height 217cm.

An 18th century oak longcase clock by Jeremiah Standring of Bolton with penny moonphase, the twin train bell strike movement with four knopped pillars, the square brass dial signed 'Jere. Standring Bolton', with brass Roman chapter ring and Arabic outer minute track, gilt brass foliate scroll spandrels, the matted centre with foliate engraving, date aperture at six and painted penny moonphase at noon, the case with swan neck pediment over a gilt and ebonised foliate frieze and fluted pillars, the trunk with fluted pilasters to the canted corners and serpentine door, raised on bracket feet, 85¾in. (218cm.) high.* With purchase note dated 1929 from Wollen, M.B.H.I., 137 Granby Street, Liverpool** Condition: Dial: Some tarnishing / scratch marking around chapter ring from contact with minute hand. Silvering to numerals in date aperture worn. Moonphase has some small scratches and heavier scratching / patches of worn paint to starry night section. Case: Chips to both front corners of the cornice and one to top of LH side of the broken arch. Finial later - it sits on a small mahogany bracket which may be a later 19th C addition. Some wear to painted frieze. Flaking to paint and a few small gesso chips to column capitals and bases. Trunk has some fading to colour and polish. Trunk door lock later. Some old scratches to centre of door. Base has a central vertical split to oak - possibly made in two pieces and this is separation. One weight is cast iron, the other lead. Some denting to pendulum. Movement appears original to case. With period winding key.

An 18th century oak longcase clock by George Womersley, the square brass dial signed to centre, with silvered Roman chapter ring with Arabic outer minute track, the centre with painted moonphase with lunar date beneath and engraved date dial at 6, decorated with engraved bellflowers, within gilt brass foliate scroll spandrels, fronting a chain driven twin train movement with outside countwheel bell strike, the case with swan neck pediment with central brass ball finial, over a deep plain frieze on turned pillars, the trunk with incuse arched door flanked by turned quarter columns, on a panelled base with short bracket feet, 86in. (218.5cm.) high.

An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.

A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.

A good early 19th century Scottish inlaid mahogany eight day longcase clock by William Keith of Inverness, the eight day bell strike movement with four turned pillars, the painted arched dial with Roman chapter ring and Arabic numerals to the outer minute track cardinals, signed in an an oval to the arch with foliate, gilt and black bordered cartouche and conforming spandrels, subsidiary seconds dial at 12 and date dial at 6, the case with swan neck top with marquetry rosettes and brass ball finials, the arch centred by three feathers, raised on strung reeded and turned columns, the trunk with lancet arched and thistle marquetry inlaid door, flanked by barber's pole strung pilasters, the flame mahogany base with three feather marquetry and boxwood & ebony strung border, on plinth base, 88in. (224cm.) high.

An early 19th century inlaid mahogany eight day Channel Islands longcase clock by Peter Poignand of St Helier, Jersey, the painted arched dial with Roman numerals, signed (worn), arched date aperture at 6 and subsidiary seconds dial at 12, within painted floral and foliate spandrels, the arch with painted autumn fruits, fronting a twin train four pillar movement with bell strike, the case with swan neck pediment with central turned finial, on turned columns with gilt capitals, the trunk with inlaid lancet arched door flanked by floret and pendant inlaid canted corners, on a cross banded base with bracket feet, 85¾in. (217.5cm.) high.

A George III oak eight day longcase clock, the dial inscribed William Riches Swanton Abbott, the brass dial with gilt spandrels and a silvered chapter dial, the case inlaid with parquetry, the hood with arched door and turned columns between glazed door the case door with inlaid fan decoration

A George III mahogany eight day longcase clock, by Thomas Ashton, Macclesfield, with a swan neck pediment and single door enclosing silvered chapter dial with Roman numerals. moon face mechanism. The clock with a musical 10 bell mechanism and one striking bell. Rusticated case. In the Chippendale style. H245cm W52 D32

An 18th century oak and mahogany eight day longcase clock, silvered chapter dial, gilt spandrels, black Roman numerals and Arabic minute numerals, subsidiary dial, the top with a plaque inscribed 'Meers Hempnall', the hood with a swan neck pediment, the glazed door set between quarter round turned columns, raised on a projecting base, complete with two weights, 220cm high, complete with key

An early 18th Century Chinoiserie black lacquered eight day longcase clock, the brass dial inscribed 'Rob Andrew' London, the brass dial with two winder holes and a subsidiary dial, the door opening to reveal pendulum and a double weighted movement. Note: Front glass and side glass missing.

A George III oak 30 hour longcase clock, the dial inscribed 'Lannie, Carlise' the hood with a single glazed door opening to reveal a silvered chapter dial and gilt spandrels, the case with a single case door and raised on a projecting base, 205cm high

A George III mahogany eight day longcase clock, the silvered dial inscribed 'Thomas Williams, Wrington', the dial with a subsidiary dial and calender movement, the hood with an arched top and applied turned columns

A George III eight day mahogany longcase clock, the silvered chapter dial inscribed 'Charles Gretton, London', the dial with a subsidiary hand, calender movement, the hood with a caddy top, the case with a single door with an inlaid panel

A George III mahogany cased eight day longcase clock, the circular dial inscribed 'Elkington, Brentwood', complete with pendulum

AN EDWARDIAN MAHOGANY LONGCASE CLOCK, WITH ENGRAVED BRASS AND SILVERED DIAL, CHIME, SILENT, ST MICHAEL, WESTMINSTER AND WHITTINGTON, 195CM H

AN EARLY 19TH C OAK THIRTY HOUR LONGCASE CLOCK, THE PAINTED DIAL INSCRIBED JOSEPH MATSON WOOTTON BASSETT, 203CM H X 44CM

AN EARLY 19TH C WELSH OAK EIGHT DAY LONGCASE CLOCK, THE PAINTED DIAL INSCRIBED WILLIAM JONES PWLLHELI, 214CM H X 52CM W

A Georgian oak cased longcase clock, the painted dial inscribed Sam Thorp, Abberley, the 8 day movement striking on a bell, 79 3/4"h

An early 19th century longcase clock, the eight day bell strike movement with a painted dial, date aperture and subsidiary seconds, inscribed Gordon Ballymoney, in an oak case with an arched hood and box base, on bracket feet, 85"h

17th or 18thC oak longcase clock with single hand movement and brass dial

Burslem 19thC flame mahogany cased longcase clock with 8 day movement striking on a bell, 36cm painted Roman dial, moon phase, spandrel corners representing various nations, banding and carved and turned pillars to the case and turned pillars and swan neck pediments to the hood, 224cm tall. 

An 18thC longcase clock, with 25cm Dia. Roman numeric dial signed Lanley Rudgley with raised brass spandrels, in a square hood with long spandrel trunk door, on compressed ogee bracket feet, 30 hour movement, 183cm H.

An early 19thC oak and mahogany longcase clock, the 28cm W square dial signed W M Green Grantham, with Roman numerals, subsidiary Arabic second hand and date aperture, with painted floral spandrels, in swan neck pedimented hood raised above a shaped short trunk door, on splayed feet, 8-day movement, 221cm H.

An 18th century arch dial oak and mahogany cased North Country longcase clock by Smith & Sons of Walton-on-Trent, the dial set with Roman numerals and subsidiary seconds dial, decorated to the spandrels and the arch with hand-painted Mediterranean villa scenes, height 231cm.

A 1930s oak bracket clock striking on twin coiled rods, mounted on a later oak plinth, creating the appearance of a short longcase, height 134.5cm.

An 18thC longcase clock, the 28.5cm W brass dial signed George Bishop, Redmile, with raised spandrels, Roman numeric chapter and date aperture, in a partial oak case with long arched door, 30 hour rope driven movement, c1770, 192cm H. George Bishop moved to Redmile in 1762 with his wife Mary, born Leicestershire 1733.

A George III Cornish oak longcase clock by Benjamin Andrews of St. Austell, with a thirty hour birdcage movement striking on a bell, the eleven inch brass dial with a silvered chapter ring and centre, with Roman and Arabic numerals, with a date aperture and engraved with a naive coastal scene with buildings, clouds and a tree, signed 'Benjn Andrews St AUSTLE', with gilt Rococo spandrels, in a plain case, 210cm high, together with Cornish Clocks and Clockmakers by H. Miles Brown. (2)

A mid-18th century oak longcase clock by Thomas Bevan of Marlborough, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the twelve inch brass dial with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and a date aperture engraved with three birds, signed 'Thomas Bevan Marlborough', with gilt Rococo spandrels, the hood with an inverted bell shaped top, above a blind-fret frieze, with a plain case, 200.5cm high. Provenance: From the estate of the late Michael Gray.

An early 19th century mahogany longcase clock by Stubington of Gosport, the eight day brass movement striking on a bell, with a twelve inch painted arched dial, with Roman numerals, subsidiary seconds dial and a date aperture, signed 'Stubington, Gosport', painted with urns, wheatsheaves and a shell, the case with an arched hood and a conforming trunk door, 206.5cm high. Provenance: Warrens House, Bramshaw.

An ormolu-mounted satinwood-cased Antique miniature longcase clock, 11.5"

An 18th century 30-hour longcase clock, with a 12" arch-top painted dial, and 1 subsidiary dial, striking on a bell, by George Tesseyman Northallerton, oak-cased, H230cm

A 19th century 30-hour longcase clock, with an 11" square brass dial, in later mahogany case, height 201cm

An 18th century 30-hour longcase clock, having an 11" square enamelled dial and 2 subsidiary dials, striking on a bell, signed Benzi Brighton, mahogany-cased, H188cm

A Metamec electric mantel clock; a Walker and Hall mantel clock; a rectangular longcase face, Fardon, Deddington, now electric (3)

A stained pine longcase clock with brass dial signed Ralph Weston, with pendulum only CONDITION REPORT: 10" dial. The clock is 204cm high. The door requires reattaching to the hood. The hood has several splits or gaps between the mouldings. The dial does not sit level on the base board. I cannot see any woodworm. Movement dirty. I found a note within the hood providing some information on the maker, see additional images.

A George III oak eight day longcase clock , with 11 inch brass dial inscribed Thomas Freestone, Bury, height 192cm

An oak eight-day longcase clock, by Everard Billington Harborough, with a loose dial, hands and movement, dial 11in 207cm high