We found 41749 price guide item(s) matching your search

CHARLES ADDAMSON, MONTROSE. A LATE GEORGE III SCOTTISH FIGURED MAHOGANY LONGCASE CLOCK the hood with swan neck pediment and satinwood panels above a glazed door with turned columns on slender trunk and box base with circular panel, the 12.5" painted arch dial with painted and gilt floral panels and Roman numerals surrounding subsidiary seconds and calendar dials, the arch having a painted figural scene with lions fronting an eight-day weight driven movement striking the hours on a bell205.5cm high not including finialMovement is original to case and complete, it does work but may need a service. The dial is in very nice condition. The case has a split running down the front of the base, with no other losses or damage.

FRA. REDSTALL, OVERTON. AN 18TH-CENTURY WALNUT AND ARABESQUE MARQUETRY EIGHT-DAY LONGCASE CLOCK the hood with projecting moulded cornice above a blind sound fret, moulded side pillars and side viewing windows. The case with figured panelled sides and profusely inlaid trunk door depicting owls, other birds and scrolling foliage with a centre brass framed lenticle, a matching box base and a moulded plinth. The 12-inch square brass dial with cast mask head spandrels signed silvered chapter ring with Roman hours and Arabic minute markings, matted centre with ringed winding holes, cut engraved date aperture and subsidiary seconds dial fronting a five pillar eight-day repeating movement with anchor escapement rack striking on a bell.220cm highThe clock does have its original caddy which is removable. The movement has been blocked up on the cheeks and in our opinion is not original to the case. The dial is original to the movement and looks to have been cleaned in recent years, and is in good working condition. The case again is in very nice condition with no losses. The base has been restored along the bottom approx 4 inches from the plinth. The plinth is also later. Comes with the original pendulum and lead weights.

CHETHAM, MIDDELTON. AN EARLY 18TH CENTURY OAK 30-HOUR LONGCASE CLOCK the case with unusual arched moulded pediment with pierced carved leafwork sound fret above a glazed door and turned columns on a slender trunk with D-moulded door and glazed lenticle on a box base. The 11" square brass dial crown and cherub spandrels and Roman chapter ring surrounding a matted engraved centre with calendar aperture fronting a weight driven movement with knopped pillars and outside countwheel striking the hours on a bell213cm high not including finial

WILLIAM SPEAKMAN, LONDINI FECIT. A LATE 17TH CENTURY 30-HOUR LONGCASE CLOCK MOVEMENT IN LATER HOODED CASE the 10" dial with gilt winged cherub head spandrels and silvered Roman chapter ring surrounding a finely matted centre with calendar aperture fronting a posted framed weight driven movement with anchor escapement and countwheel strike on a bell in oak wall mounted case with arched moulded pediment

John Carr, London: An oak eight day longcase clock, with painted roman dial, two train movement with anchor escapement, arched waist door and panel base, 210cm high. (with weights)

A 19th Century oak and mahogany banded 8-day longcase clock, the painted roman dial with with makers mark (worn), foxhunting scene to arch, the two-train movement with anchor escapement, 210cms high

A 19th century pine thirty hour longcase clock with painted arched dial, height 191cm

A 19th Century mahogany longcase clock having 8 day movement and painted dial, named for R Brodie, Wooler

Fine Arts and Collecting:- Clutton, Cecil, etc (ed)  "Britten's Old Clocks and Watches and Makers", Bloomsbury Books, 1989, dj  Robinson, Tom "The Longcase Clock", Antique Collectors Club, 1985, dust wrapper Cescinsky & Webster "English Domestic Clocks", Chancery House Publishing Limited, 1976, dust wrapper and another related volume Rudoe, Judy "Cartier 1900-1939", published for the Trustees of the British Museum in 1997, dust wrapper Aschengreen, Piacenti Kirsten & Boardman, John "Ancient and Modern Gems and Jewels in the Collection of Her Majesty the Queen", Royal Collection Publications, 2008 with a compliment slip from the Royal Collection Trust Masterpiece of Italian Design Bennet, Ian (ed) "Rugs and Carpets of the World" Ford, P R J  "Oriental Carpet Design" Hack, Herman "Oriental Rugs" Formenton, Fabio "Oriental Rugs and Carpets" Bennet, Ian "Oriental Carpet Identifier", etc (2 boxes) 

Howard Miller Brass faced Longcase clock with numeral dial, complete with weights, clock key and pendulum

An 18th century oak cased longcase clock, the twelve inch brass dial signed JAs Rodger, having an eight day movement, striking on a bell, 204cm high

18th / 19th century Oak 8 day Longcase Clock, the square hood housing a 12” brass and silvered dial with Arabic and Roman numerals, seconds dial and date aperature, made by Charles Raymond of Lide Way, 194cm high

19th century Mahogany Inlaid 8 day Longcase Clock, the hood with swan neck pediment housing a painted dial with Roman numerals and date aperature, 216cm high

A late 18th/early 19th century oak longcase clock, the dial inscribed 'Time Stayeth Not J O Batty Halifax'. 235 cm high.

A carved oak 8 day striking longcase clock with a 12" arched brass dial signed Cuth Darnton Durham - Height 82 inches with secondary dial and date

A 19th Century oak 30-hour longcase clock, the painted dial signed J. Marvin, Sapcote, a/f

G. SUTHERLAND OF STONEHAVEN, MAHOGANY LONGCASE CLOCK, 19TH CENTURY with two train eight day movement, the dial with Roman and Arabic numerals, with subsidiary calendar and seconds dials, night/day lunette, the pillared hood with swan neck pediment199.5cm high

NELSON LOVE OF ANDERSTON, MAHOGANY LONGCASE CLOCK, 19TH CENTURY with twin train movement, the white enamel dial set with Roman and Arabic numerals, subsidiary seconds and calendar dials, painted spandrels and lunette, the pillared hood with swan neck pediment, over a block base and bracket feet, outlined in boxwood222cm high

DAVID CHRISTIE OF ANSTRUTHER, MAHOGANY LONGCASE CLOCK, 19TH CENTURY with two train movement, the white enamel dial with Roman numerals, allegorical paintings to spandrels and lunette, the pillared swan neck hood with orb and eagle finials, the trunk with moulded half columns, the door with acorn finial, over a panelled block base214cm high

OAK LONGCASE CLOCK, 19TH CENTURY with two train movement, the silvered dial with Roman and Arabic numerals, mounted spandrals, the lunette with black enamelled silver roundel depicting a bird of prey, the pillared hood with swan neck pediment and brass orb and ball finial, with glazed trunk and block base222cm high

VICTORIAN MAHOGANY LONGCASE CLOCK, with twin train eight day movement, the white enamel dial set with Roman numerals, with subsidiary seconds and calendar dials, painted spandrels and lunette, the hood with scroll moulded cresting to cornice, the trunk door with acorn moulded finials, the block base on peg feet230cm tall

John Fair of Chirnside, a mahogany longcase clock with 8-day striking movement, dial with Roman numerals, date aperture, the door inlaid with a marquetry urn, c1800 Condition report - Restorations to hood, workings cleaned, new gut, with weights and pendulum.

XIX Century Painted Longcase Clock, dial ** coates with raised centre.

A 19th century longcase clock - George Leach of Salisbury, the painted dial with Roman numerals, subsidiary second hand and date aperture, within an oak and mahogany banded case, with one weight and pendulum, height 206cm.

A Jo? Berrenges, Helston 8 day longcase clock - the painted dial with roses and church vignette, incorporating a subsidiary second dial and date aperture in a distressed painted pine case, height 184cm.

A mahogany longcase clock by Jas Black, Berwick - the painted dial with foliate spandrels and Roman numerals with subsidiary second and date dials, two weights and pendulum, height 212cm.

A 19th century musical longcase clock with 30cm square arched brass dial, the silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and arch signed 'John Ellicott London', fitted with an 8-day twin fusee movement striking on nine bells, in a black lacquered case with chinoiserie decoration, 231cms high.Condition ReportThe visible blue areas on the images are where the lacquer decoration has flaked away as per the additional images

A George III mahogany and line inlaid thirty hour longcase clock, the 13in painted arched dial inscribed 'Josh Harding, Timsbury', 212.5cm high, with weight and pendulum. 

Peter Hitt, Liskeard, longcase clock Peter Hitt, Liskeard, late 18th century longcase clock, 8-day movement striking on a single bell, square brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial with applied brass spandrels, mahogany case, the hood with a moulded cornice and four rope twist columns to each corner, trunk with long door that opens with button release in the form of a doric column, on bracket feet, weights and pendulum included.40cm wide, 22cm deep, 184.5cm highClock ticks and strikes on the hour, with the subsidiary seconds dial moving with the pendulum, however we do not guarantee the working order or time keeping of any timepiece. Please see all additional images of the dial, movement, cheeks and seatboard.

Late 18th-century longcase clock Late 18th-century longcase clock, 8-day movement striking on single bell, painted arched dial decorated with classical urns and swags of flowers, Roman numerals, oak and mahogany crossbanded case, canopy with swan neck pediment, trunk with single long door flanked by fluted quartered columns, box base.height 221cm (87")Movement requiring refurbishment, original seat board, dial scratched with movement of fingers across surface, replacement turned finials.

William Massey, Nantwich Longcase Clock William Massey, Nantwich, early 19th century longcase clock, 8-day movement striking on a single bell with false plate, painted arched with rolling moon an floral illustrations to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, swan neck pediment, glazed door flanked by barley twist pilasters, trunk with figured mahogany panels and barley twist pilasters, inlaid box base with chamfered edge219cm highClock with false plate attached to rear of the dial, right-hand train is knotted and needs loosening. No finials, crack to box base.

Palin, Nantwich Longcase Clock Palin of Nantwich, mid 19th century longcase clock, 8-day movement striking on single bell with false plate, painted square dial depicting Oriental scenes to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, swan neck pediment, glazed door flanked by barley twist pilasters, trunk with figured mahogany panels and barley twist pilasters, inlaid box base with chamfered edge all raised on bracket feet211cm highClock with a false plate attached to the rear of the dial, clock ticks and strikes with pendulum and two weights included. Crazing to the painted face, no finials.

John Shepley, Stockport Longcase Clock John Shepley, Stockport early 18th century longcase clock, 30-hour movement with an outside count wheel striking on a single bell, square brass dial with silvered chapter ring, Roman and Arabic numerals for hours and minutes, subsidiary seconds dial and date aperture, all contained in an oak case, canopy with moulded cornice and square glass flanked by brass capped columns, trunk with quartered columns, box base with raised panel on bracket feet. No pendulum or weight59cm wide, 25cm deep, 219cm high

A 19th century oak and mahogany 30hr longcase clock, the 13" dial signed Griffith Davies Dolgelly. 86½" high. Base panel detached.

A George III oak 8 day longcase clock, the 12" brass dial signed Stepn. White, Alton; the trunk door and base with starburst inlay. 84" high. Pendulum suspension spring lacking.

Oak interlock longcase clock with Westminster quarter-hour strike on gong bars. Second half of the 20th century. Dimensions: H 201 cm. In good condition.

A late 18th/early 19thC longcase clock by John Galbraith of Falkirk, the arched Roman numeric dial with subsidiary seconds, date aperture, and eight day striking movement, in a mahogany case.

An 18thC longcase clock by Henry King of London, the square dial with gilt metal spandrels and Roman numeric chapter ring, eight day movement, in red and gilt raised chinoiserie case, with bracket feet, 205cm high.

Longcase clock (in need of repair) 

J.H. CHAMBERLAIN (1831-1883) GOTHIC REVIVAL LONGCASE CLOCK, CIRCA 1878 carved oak and walnut, inset with marquetry panels, and carved to the roundel with initials TR, the 14" silvered brass dial inscribed HURT & SON, BIRMINGHAM, with seconds dial and strike silent facility, the three-train movement with dead-beat escapement, quarter-chiming on a nest of eight bells and striking the hour on a subsidiary bellDimensions:61cm wide, 248.5cm high, 30cm deepNote: Note: This magnificent clock was designed by the architect, John Henry Chamberlain, and the case was probably made in the workshop of Samuel Barfield, a skilled woodcarver who frequently worked for Chamberlain. A related set of wall shelves and an entire room by Chamberlain, currently on display in the British Galleries at the Victoria and Albert Museum, were removed from The Grove, Harborne. The Grove, demolished in 1963, was one of a wide range of projects designed by Chamberlain and his partner William Martin (1828-1900) in and around Birmingham. Frequently designed in the Ruskinian Gothic style they pumping stations, libraries, schools, shops, churches and chapels as well as a number of private houses. His ideals chimed perfectly with Birmingham's ruling liberals at the time, who sought to transform industrial Birmingham into a cultural centre to rival the great European capitals. One of his finest achievements, the Municipal School of Art of 1885, still stands today in Margaret Street. Chamberlain was one of the earliest practical exponents of the ideas of architectural theorist, John Ruskin and was increasingly influenced by the early Arts and Crafts movement in his later works. His belief in the value of individual craftsmanship and patterns inspired by nature are evident in the profusely carved and inlaid case of the current lot.

Richard Broad of Bodmin - A 20th century mahogany cased George III 'Royale' revival longcase grandfather clock. The clock having crested top over a silvered and gilt metal face with ornate spandrels to each corner and reeded pilasters to each side over a plinth base. Accompanied by pendulum, weights and original literature. Measures 208 x 51 x 28 cm.

A Victorian 19th century Welsh mahogany longcase clock with  arched painted dial inscribed Meredith, Merthyr . Dial with Roman numerals and cathedral hands  having a  subsidiary second’s dial and twin winding hole, 8-day movement striking on a bell, the case with arched hood, rectangular door to waist Circa 1860 William Meredith was working at Merthyr Tydvil from 1852 to 1899; in his earlier years he also signed clocks from Tredegar. Measures 207cm tall.

A GEORGE III OAK AND CROSSBANDED EIGHT-DAY LONGCASE CLOCK WITH ENAMEL DIAL AND ROLLING MOON BY THOS.READ, TARPORLEY

A 19thC longcase clock dial and movement, painted with Roman numerals and with flowers, with eight day movement and date aperture, in associated oak case, 210cm high.

AN IRISH MAHOGANY LONGCASE CLOCK, BY JOHN DALTON, DUBLIN C.1770, the brass dial signed John Dalton, Dublin, with subsidiary seconds dial, date aperture and ringed winding holes, the case with swan neck and urn finial above a carved foliate frieze and Corinthian-capped reeded pilasters, the trunk with carved rosettes to the corners, on ogee bracket feet. 239cm high

AN IRISH INLAID MAHOGANY CASED LONGCASE CLOCK BY EDWARD TOWNLEY, DUNDALK, C.1790, the architectural hood with broken swan pediment and centred with an eagle perched on a brass finial, over an arched glazed panel door enclosing a brass dial with subsidiary second and date dials the chapter ring with Roman numerals and inscribed 'Edward Townley, Dundalk', the dial surmounted with painted moon phase, rotating to painted scene of a three mast ship at sea, above waisted case fitted with panelled door inlaid with conch shell paterae, on platform base with bracket feet. 244cm high, 53cm wide, 26cm deep

A large walnut and marquetry inlaid longcase clock, maker inscribed on dial Joseph Sephton of Prescott, approx. 250cm, movement incomplete.

A Dutch blue and white delftware model of a longcase clock containing a late 18th Century watch movement the case painted with figures in landscapes and flower sprays, the movement by Thomas Haley, London, the circular enamel dial signed Lis Woirol, Paris, the case late 19th century, 31.5cm. high [some damage].

Benjamin Rogers, Chesterfield, an oak longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and flame half-hour markings, the matted centre having engraved decoration, subsidiary seconds dial, date aperture and silvered plaque engraved Benja. Rogers, Chesterfield, with blued-steel hands, with cast-brass four-seasons spandrels to the four corners and engraved border decoration, the flat-top oak case with mahogany cross-banding to the trunk door and base, the hood with blind-fret and turned pillars, height 203cm.

George Adams, Halesowen an oak longcase clock the thirty-hour duration movement striking the hours on a bell with the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals and the maker's name George Adams, Halesowen, with a matted dial centre, date aperture, cast-brass urn corner spandrels and blued steel hands, the flat-top oak case with barley-twist columns to the hood and mahogany crossbanding to the shaped trunk door, height 205cm.

Schwerer, York a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the fourteen-inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials, decorative brass hands and signed Schwerer, York, with painted scenes to the four corners and arch depicting various ruins, the mahogany case having a swan-neck pediment with fluted columns to the trunk and hood, the trunk door and panel to the base with carved decoration, all standing on bracket feet, height 232cm.The Schwerer family were known clockmakers working in York in the early-to-mid 19th century with brothers Matthew at 6 & 14 Stonegate circa 1846-1858, Peter at Petergate circa 1827-40 and Phillip at 38 Stonegate and 99 Petergate circa 1834-46.Reference: Brian Loomes Yorkshire Clockmakers pub. Dalesman 1972.

John Spier, Newton Stewart, a Scottish mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the twelve-inch round painted dial having a subsidiary seconds dial, black Roman numerals, blued-steel moon hands and indistinctly signed John Spier, Newton Stewart, the mahogany case with inset panels and quartered-columns to the trunk and surmounted by a swan-neck pediment to the hood, height 225cm inc. finials.

Benjamin Trist, Brixham a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch arched brass dial having blued steel hands and engraved with black Roman numerals, scroll corner spandrels, and eagle within the arch, subsidiary seconds dial and date aperture and signed in scroll Benjm. Trist, Brixham, the mahogany case with Sheraton style boxwood inlay and stringing, quarter columns to the trunk, columns to the hood and surmounted by a swan-neck pediment with cast-brass finials, height 224cm (inc. finial)Notes: Benjamin Trist is recorded as working in Fore Street, Brixham from before 1830 until at least 1844 with the business under the name of Sarah Trist from 1850. He was quite probably related to the Trist clock makers recorded in Torquay and Exeter.

Peter Green, Apenrade, a Danish walnut moonphase longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-and-a-half-inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and maker's signature Peter Green, Apenrade, the matted dial centre having engraved c-scroll decoration, a subsidiary seconds dial and date aperture, with cast-brass c-scroll spandrels to the four corners and blued-steel hands, the arch with a moonphase disc, the walnut case having quarter fluted columns and raised shaped panelling to the sides, the hood with cast-brass Corinthian capitals to the fluted columns and surmounted by a swan-neck pediment, the base with canted corners and further raised panelling, height 233cm.Notes: Peter Green emigrated from Liverpool to Aabenraa, Denmark, also known by the Germanic name Apenrade, with his family in circa 1745, quite possibly due to the close shipbuilding links between the two sea-ports. He was known working there until his death in 1795. His two sons, William, born 1733 died 1817, and Jonathan, were also clockmakers in the town with William's son Jakob continuing the family clockmaking tradition until his death in 1847. Reference: D. Yde-Andersen, Bornholmere og andre gamle Ure, Pub. Borgens Forlag, 1974. 

WILLIAM DOUGLAS, LARGS; a 19th century Scottish mahogany eight day longcase clock, the circular dial with subsidiary seconds and date, height approx 210cm.Condition Report: Some losses to the case. 1 hand is badly bent.

A 19TH CENTURY OAK AND MAHOGANY BANDED EIGHT-DAY LONGCASE CLOCK by Eames, Arlesford, painted dial 200cm high approx (needs attention)

18th century 8 day longcase clock by Gamwell of Alford in an oak case with a brass dial Ht 210cm

Miniature longcase clock with spring driven mechanism Ht 157cm 

A reproduction mahogany longcase clock with pendulum and weights

A reproduction Tempus Fugit longcase clock with pendulum and weights