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EDWARDIAN INLAID MAHOGANY BOW FRONTED DISPLAY CABINET, the top with scroll cresting to the short back, set above a glazed cupboard door with lower panel, and conforming pair of side panels, enclosing three fixed shelves to the olde gold lined fabric interior, and raised on square, tapering supports with spade feet, 69" (175.3cm) high, 37" x 18" (94cm x 45.7cm)
Assorted Selection of Collectables and Ephemera to include Golden Jubilee Coins, £5 coins, Brass 'G' paperweight, pocket watch with embossed Rifleman to reverse (not working) with no maker's mark, a Moore & Wright Gauge with box, a Baty thickness gauge, a The Beano Foto album containing a variety of cigarette cards together with men's Combi Braces with Horse Racing scenes, and a Purple Bow Tie (10)
Theatre Programme Selection - a mixed selection includes predominantly at Wolverhampton, 1907 Alexandra Palace 'Golden Legend', Wednesbury Hippodrome 1948, 1944 Hippodrome Dudley 'Quaker Girl' with tickets, 'Oklahoma' with tickets, 'London Takes A Bow', plus some signed 'One For The Road', 'Cards On The Table', 'Seagulls Over', 'The Seven Year Itch', and more, many with tickets included, condition G overall (40)
A black ostrich feather fan, early 20th century, with tortoiseshell sticks and guard stick, with a satin bow to the bale, in original 'J Durelleroy of London' fan box, a white ostrich feather fan, early 20th century, with mother-of-pearl sticks and guard sticks with a white satin bow to the base, in fan box, and three other feather fans, comprising: a cream and taupe ostrich feather fan with taupe bow decoration on an ebonised wooden handle, an ostrich feather 'guard' fan, andanother feather fan with bone sticks (5)
A group of English porcelain teawares 2nd half 18th century, including a Worcester teapot and replacement cover painted in polychrome enamels with Chinese figures in a garden setting, a Chelsea plate painted with a butterfly beside fruit, a Worcester teacup in the Dalhousie pattern, a moulded Liverpool coffee cup, a teabowl and saucer painted with back to back roses, a famille rose saucer with a vase of flowers, and a Bow blue and white bowl painted with a small pagoda on a jetty, some faults, 21.5cm max. (10)
A small group of English porcelains c.1770-80, including a blue and white Richard Chaffers (Liverpool) teabowl with peony and bamboo beside a fence, a Worcester teabowl printed with fruit sprays, a Lowestoft saucer painted with a pagoda landscape, and a Bow polychrome creamer painted with flower sprays, 12cm max. (4)
Three English porcelain butterboats c.1755-70, one Bow and painted in underglaze blue with a flower spray to the well, raised on three peg feet, one Liverpool, possibly William Reid, and of deep leaf shape painted with a flower spray to the interior, the last of unusual leaf shape with a high handle, possibly Derby, left in the white, 9.7cm max. (3)
Two large English porcelain blue and white sauceboats c.1770, the larger Derby printed with Chinese fisherman in landscape vignettes reserved on a pineapple-moulded ground within cell diaper borders, the other Bow and painted with peony branches within floral moulded panels, minor faults, 24.5cm max. (2)
Two Bow Fable candlesticks c.1758, of the Fox and the Stork, the latter with its beak inside the neck of a bottle vase painted with famille rose flowers, beneath flowering bocage, raised on footed bases picked out with puce enamelling, some small damages and repairs, 22cm. (2) Exhibited: Treasury of Bow, Melbourne, Ballarat and Hamilton, Ceramics and Glass Circle of Australia, 2000-2001. Provenance: the Nigel Morgan collection.
A Bow white-glazed model of a lion c.1750-52, seated on his haunches with his left forepaw resting on a low stump, his head turned over his left shoulder, on a low rectangular base, 10.2cm high. Exhibited: Ceramics and Glass Circle of Australia, 7th August 2000 - 8th April 2001, The Gold Treasury, Melbourne, Ballarat and Hamilton Art Galleries. Illustrated: Patricia Begg and Barry Taylor, A Treasury of Bow, p.61, no. 177. Provenance: the Nigel Morgan collection.
A Bow figure of a musical shepherd c.1760, leaning against a tall tree stump and playing a pipe, a satchel slung over one shoulder, his dog recumbent at his feet, 14.8cm. Exhibited: Treasury of Bow, Melbourne, Ballarat and Hamilton, Ceramics and Glass Circle of Australia, 2000-2001. Provenance: the Nigel Morgan collection.
A Bow figure of a male dancer c.1760-65, standing and turning towards his extended right arm, his left foot pointed away from him, raised on a footed base with scrollwork picked out in puce, a small amount of good restoration, 18.7cm. Exhibited: Treasury of Bow, Melbourne, Ballarat and Hamilton, Ceramics and Glass Circle of Australia, 2000-2001. Provenance: the Nigel Morgan collection.
A pair of Bow figures of sheep c.1760, the ram standing with head turned to the right, the ewe grazing, both before flowering bocage on low scrolled bases, both with antique metal fitments to turn them into candlesticks, rising to leaf-moulded sconces and drip pans, small losses and replacements, 18.5cm. (2)
A matched set of Bow figures of the Rustic Seasons c.1765, each modelled seated on a tall footed base, Spring with an abundance of flowers, Summer with sheaves of corn, Autumn with grapevine and a wine glass and Winter huddled over a brazier, one with a red anchor and dagger mark, some small damages, 17cm. (4)
A selection of vintage 20th century timepieces to include and Optima round faced ladies watch in a gold case with roman numerals to the chapter ring and a subsidiary dial, a round faced gold cased ladies watch with mother of pearl inlay to the chapter ring, a Stirling stainless steel watch, a Rexton yellow metal brooch watch with a square face on a hinge pinned bow brooch and a Croton round faced brooch watch. Measures 2.5 cm diameter (face).
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117418 item(s)/page