Chopard: A Lady's 18 Carat Gold Diamond Set Wristwatch, signed Chopard, model: Happy Diamonds, ref: 4097/1, circa 1995, quartz battery movement, champagne coloured dial, diamond set bezel, glazed outer aperture with five floating diamond collets, bow shaped lugs set with baguette diamonds, back cover with hand setting pusher button and numbered 4097/1 474173, Chopard 18 carat gold bracelet, bracelet clasp set with one small diamond, with Chopard boxes and three spare gold bracelet links24mm wideCase and bracelet with surface scratches, diamonds look all complete, glass is clean, hand setting correctly when pushing the case back button, movement in going. Total watch weight 51.9g. Three spare bracelet links weight 3.4g. Bracelet length including the watch case is 16.5cm long approximately.
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A Diamond Bow Brooch, circa 1850the stylised ribbon bow motif set throughout with old cut diamonds, in white claw settings, total estimated diamond weight 18.50 carat approximatelymeasures 5.2cm by 5.0cmThe brooch is in fair condition commensurate with age, there are chips and nibbles to the diamonds and there is evidence of lead solder to the reverse, the left hand ribbon section is loose. It fastens with a pin and revolver catch. It bears no hallmark nor stamp but in our opinion would test as gold and silver. The approximate qualities of the diamonds are; colour J/K/L, clarity SI2/I1/I2/I3. Gross weight 21.4 grams. CR made 25.09.23.
An unusual probably 19th c. Mahogany bow fronted Sideboard of small dimensions, the upper full width drawer having a bow front and with a small drawer below to either side, raised on tapering square legs, 42 1/2'' wide x 22 1/4'' deep x 32 3/4'' high, some losses but a number of fragments are present.
DOCTOR WHO (T.V. SERIES, 2005 - PRESENT) - The Doctor's (David Tennant) Pocket Watch Biodata ModuleThe Doctor's (David Tennant) pocket watch biodata module from BBC sci-fi television series Doctor Who. Used in conjunction with the Chameleon Arch, the watch stored memories and abilities until its case was opened, whereupon these would be returned to its owner. It was first seen in the 2007 episode "Human Nature", where it stored The Doctor's essence.The watch is made of metal and resin, with a face that features an intricately engraved Gallifreyan design. The reverse has circular holes and indentations of various sizes, and the top displays a silver-coloured bow, crown and pendant. This item does not open or contain mechanical components, as it was used in sequences where the watch remained closed. The lot shows minor signs of production wear, including scuffs. Dimensions: 7.5 cm x 5 cm x 2 cm (3" x 2" x 3/4")Estimate: £3,000 - 6,000 M View all lots from DOCTOR WHO (2001)Bidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
INDIANA JONES AND THE TEMPLE OF DOOM (1984) - Thuggee BowA Thuggee bow from Steven Spielberg's action-adventure sequel Indiana Jones and the Temple of Doom. Mola Ram's (Amrish Puri) Kali-worshipping cultists used their bows to shoot arrows at Indiana Jones (Harrison Ford) while he dangled from a broken rope bridge outside Pankot Palace during the film's climax.The bow is made of lightweight fibreglass and features a lamb's head at each tip. It does not include a bowstring and exhibits minor scuffs, scratches to the paint, and a chip below one of the lambs from production use and storage. Dimensions: 106 cm x 26 cm x 4.5 cm (41 3/4" x 10 1/4" x 1 3/4")Estimate: £2,000 - 4,000 M View all lots from INDIANA JONES AND THE TEMPLE OF DOOM (1984)View all lots from INDIANA JONES - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.
THE HUNGER GAMES: CATCHING FIRE (2013) - Katniss Everdeen's (Jennifer Lawrence) Bow and QuiverKatniss Everdeen's (Jennifer Lawrence) bow and quiver from Francis Lawrence's dystopian sci-fi sequel The Hunger Games: Catching Fire. Katniss used her bow and quiver throughout the film, notably when she destroyed the arena's protective force field by shooting it with an arrow attached to an electrified wire.Based on a Hoyt Buffalo recurve bow, this custom-made bow comprises resin and rubber parts, and is finished in gunmetal paint and faux carbon-fibre tape, with a black nylon bowstring. The quiver is made of black canvas with silver-painted resin rims, a shoulder strap, and a waist strap with a metal clip fastening. Both items exhibit intentional distressing in addition to scratches and paint wear from production use. Dimensions (bow): 141.5 cm x 13 cm x 5 cm (55 3/4" x 5 1/4" x 2")Estimate: £20,000 - 40,000 M View all lots from HUNGER GAMES, THE: CATCHING FIRE (2013)View all lots from HUNGER GAMES SERIES, THE (2012-2015)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
THE AVENGERS (T.V. SERIES, 1961 - 1969) - John Steed's (Patrick Macnee) Bowler Hat with Macnee-autographed PhotographJohn Steed's (Patrick Macnee) bowler hat from Sydney Newman's series The Avengers with a photo autographed by Macnee. Secret agent Steed wore his signature bowler hat in various colours throughout the series as part of his signature suit. The series gained a cult following, airing in over 90 countries by the end of its run, and launched a sequel series, a radio series, novels, comics, and more.This brown fine fur felt bowler hat custom-made by Herbert Johnson Hatters of London was originally given by Macnee to the Michael Bolton Foundation for a charity auction, and features a brown ribbon band, white silk lining, and a brown leather sweatband along with Herbert Johnson labels and a size tag labelled "7 1/8 58." Also included is a black-and-white photograph of Macnee autographed by the actor in blue ink and inscribed with a note to the Michael Bolton Foundation. The sweatband bow exhibits fraying. Dimensions: (photograph) 40.75 cm x 28 cm (16" x 11")Estimate: £10,000 - 20,000 Ω View all lots from AVENGERS, THE (1961-1969)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN (2009) - Ruby SlippersA pair of ruby slippers from Shawn Levy's Night at the Museum: Battle of the Smithsonian. Kahmunrah (Hank Azaria) tossed aside one of the Smithsonian's famous ruby slippers from The Wizard of Oz when he discovered it did not actually contain rubies. The Night at the Museum franchise includes three live-action films, an animated film, a video game, and a stage musical currently in the works.These slippers, replicas of those worn by Judy Garland in the 1939 film, feature red translucent sequins applied throughout, matching bows, cream-colour leather linings (one labelled "I. Miller Beautiful Shoes Made in New York"), and applied orange felt bottoms replicating the same modification seen on the real ruby slippers that currently reside in the Smithsonian museum. Also included are two paper tags meant to look like aged Federal Archive tags and a Letter of Authenticity from Stephen H. Jarrett, who created the slippers for the film. The slippers exhibit wear from use and handling, including some repair to the right shoe's bow and sequins.Estimate: £15,000 - 30,000 Ω View all lots from NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN (2009)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
SHERLOCK HOLMES (2009) - Sherlock Holmes' (Robert Downey Jr.) Screen-matched Violin and BowSherlock Holmes' (Robert Downey Jr.) screen-matched violin and bow from Guy Ritchie's action-adventure film Sherlock Holmes. Holmes played his violin in several scenes, including Irene Adler's (Rachel McAdams) visit to engage him in a case. The instrument was custom-made for the production and both items can be screen-matched: the violin through markings and imperfections in the body near the neck, and the bow through the pearl inlay in the frog.Made from wood, the violin has a deep brown varnish, with a hand-carved lion-head scroll. The bow is a similar colour, with mother-of-pearl decoration. The strings remain semi-taut and the violin has some scratches on the back. Dimensions: 73 cm x 25 cm x 9 cm (28 3/4" x 9 3/4" 3 1/2")Estimate: £3,000 - 6,000 M View all lots from SHERLOCK HOLMES (2009)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
BACK TO THE FUTURE PART II (1989) - Marty McFly's (Michael J. Fox) Stetson TrilbyMarty McFly's (Michael J. Fox) Stetson trilby from Robert Zemeckis' sci-fi sequel Back to the Future: Part II. One of only two made for the film, the trilby was worn by Marty throughout his return trip to 1985, while pursuing the stolen Grays Sports Almanac.Created by the John B. Stetson Co., this hat is crafted from felt with an interior leather sweatband that has a printed message reading, "Made by Stetson Especially for Michael J. Fox". The trilby has a 1 3/4" brim and features a black hat band with a bow tied on the left side. Marty's hat shows some wear due to production use and age, with small abrasions to the fabric.Estimate: £10,000 - 20,000 M View all lots from BACK TO THE FUTURE PART II (1989)View all lots from BACK TO THE FUTURE - ALL ITEMSBidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
VOYAGE TO THE BOTTOM OF THE SEA (1964-1968) - Replica Seaview Submarine Model MiniatureA replica of the Seaview submarine model miniature from the television series Voyage to the Bottom of the Sea. Cast from the original surviving outer hull bow, this miniature was developed for the 1995 documentary "The Fantasy Worlds of Irwin Allen."Constructed of resin and fibreglass/carbon fibre composite, this model miniature submarine was airbrushed with five shades of grey to give the appearance it had in the "Flying Sub" configuration. It features lathed-acrylic light covers with electronics designed to illuminate the conning tower, navigational lamps, flood lamps, and tail lights. The interior contains numerous machined metal components for a bubble effect and parts that require free movement. The observation area features a clear plastic window. This lot exhibits some discolouration, notable residue, a buildup of grime, loose components, component fragility, and the electronics remain untested. Dimensions: 259 cm x 51 cm x 43.25 cm (102" x 20" x 17")Special shipping required; see notice in the Buyer's Guide.Contains electronics; see electronics notice in the Buyer's Guide.Estimate: £5,000 - 10,000 US View all lots from VOYAGE TO THE BOTTOM OF THE SEA (1964-1968)Bidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.
1 Extra Large 20th century Bimini glass pictorial button.This beautiful example of English glass from the collection of Nikki Deal is silver lustered on a white glass base and depicts a winged male figure with a bow and arrow. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
30 Medium size 19th/20th C. black glass including sheet overlay.This beautiful card of assorted black glass buttons includes a very nice and more scarce sheet overlay brass escutcheoned head, beautiful tints, faux fabric, a great realistic shaped bow and much more. Have a real close look at this award winning card. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
1 Medium size 20th century Plique A Jour enamel button.This lovely blue Plique A Jour enamel button in the shape of a heart is made of copper and depicts a decorative bow design. This example was made by the artist EJ Peeler (Broadhead) and is a nice example of a pictorial (not a pattern nor a realistic) enamel button. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.
A Hallmarked Silver Cased Openface Pocketwatch, the white dial with black Roman numerals and seconds subsidiary dial; together with another openface pocket watch (case damaged) and a hallmarked silver cased hunter pocketwatch, inside case personalised "W. Halhead Butcher Kendal" (lacking bow). (3)
HMS KELLY BATTLE OF NORWAY GROUP TO CLARK AB RN1939/45 Star, Atlantic Star, Defence Medal, War Medal, LSGC = J/87432 CH, B22521 A E Clark AB (official correction to 'ar' in Clark), Imperial Service Medal = Albert Edward ClarkCondition GVFAlbert Edward Clark was born in Tottenham, London in 1902. He joined the Royal Navy in April 1918.He joined HMS Kelly just as she was leaving the dry dock. Kelly was involved in one of the most famous actions of WW2. Captained by Louis Mountbatten, she took part in the battle of Norway in 1940. On the night of 9th / 10th May, she was torpedoed by E Boat S31. Due to the damage inflicted, Kelly was unable to operate under her own steam. She was towed back to Port by the tug Great Emperor. During the journey, which took four days, the ship was repeatedly attacked by E boats and by the Luftwaffe. The film 'In Which We Serve' starring Noel Coward was based on the story of HMS Kelly. It seems that Clark was possibly wounded during the action as he never again served on board a ship or a shore establishment. After leaving the Kelly, the next entry on his papers shows he was discharged on 8th January 1944. Which accounts for his Loyal Service badge. For his service during WW2, he was awarded the 1939 to 45 Star, Atlantic Star, Defence Medal and end of War. The medals are in their original box with entailment slip. He was also awarded the Fleet reserve LSGC and a EII Imperial Service Medal, which comes with award certificate and box. The group comes with a number of photographs once showing him wearing a Bosnian whistle which is present with the group, pass for HMS Kelly. Three Neptune scrolls named to Clark are also included.A reformed character to get the LSGC, he was imprisoned for being AWOL in 1921 and punished in 1926, having his wages forfeited! The following report by Lord Louis Mountbatten, Captain (D); 5th Destroyer Flotilla, was submitted to the Admiralty on the 20th May 1940: "I had to decide how long to remain hunting this submarine without prejudicing my chance of rejoining the BIRMINGHAM before she made contact with the enemy. I knew from the aircraft sighting report that we were very near the position of this submarine and felt she should be destroyed if time permitted. When, however, at 2018/9 [9th May] an enemy report of four minelayers, three destroyers and one torpedo boat was received from aircraft, I immediately proceeded with the KANDAHAR at 32 knots to rejoin the BIRMINGHAM, who was only just in sight on the horizon and signalled that she had increased to 28 knots. At 2050/9 a destroyer was sighted on the horizon. She turned out to be the BULLDOG, who requested permission to join me, having lost her own force to the Northward after being ordered to sink a floating mine. She came in astern and was endeavouring to catch up. At 2052/9 a Dornier was sighted and fire opened.8. The visibility was fairly good to the Eastward and very good to the Westward, but hazy to the Northward. At about 2230/9 the visibility to port (i.e. to the Northward) became very bad, a bank of mist having formed. At 2242 I ordered speed to be reduced from 32 to 28 knots to allow the BULLDOG to catch up. At 2244 a blurred object was sighted by a number (including myself), about three to four cables on the port beam in the mist, and almost simultaneously I saw the track of a torpedo pass under the bridge.9. After an appreciable delay the torpedo exploded and the ship took up a list of some 12 to 13 degrees to starboard. Details of the damage and the immediate steps which were taken to control it are given in Appendix I.10. With the flames, smoke and escaping steam nothing more was seen of our assailant, nor of the KANDAHAR, who had been close astern. The BULLDOG, however, had been a mile astern and soon appeared in the gloom. I ordered her to drop depth charges to the Northward, being uncertain at this time in my own mind whether our assailant had beena submarine or a Motor Torpedo Boat. I later established beyond doubt that it was at least one, if not two, Motor Torpedo Boats, and since they were never in sight until after they had fired I feel sure that the Dornier we had been firing at had been directing them behind the fog bank by W/T.11. The BULLDOG obtained a good contact and fired a pattern, after which she returned to our aid. At this moment a large vessel appeared out of the fog at high speed, and just missed the BULLDOG. It is presumed that this was the BIRMINGHAM, as she made the "VF" reply on passing.12. The BULLDOG proceeded to take me in tow in the fog which had now become very thick. I consider that the handling of the BULLDOG was a supreme display of seamanship and ship-handling, in that she had the KELLY in tow and was proceeding ahead by 2340/9 less than one hour after the explosion and during which she had carried out a submarine hunt. (For this I consider the greatest credit to be due to her Commanding 0fficer, Lieutenant Commander J.P. Wisden).13. With an excessive bow trim and heavy list, and with the starboard gunwhale awash the KELLY was extremely cumbersome in tow but it was possible to bring hand steering into use, which was of some slight help. HMS Kelly under tow in the North Sea, as seen by one of the Coastal Command aircraft that went to her assistance 11th May 194014. At about 0010/10 [10th May] the noise of a powerful internal combustion engine was heard, and almost immediately a very large white Motor Torpedo Boat appeared out of the fogand rammed the BULLDOG's starboard quarter. She then opened fire with a small pom-pom or large machine gun, but was evidently out of control as she next rammed the KELLY. She struck the KELLY at the break of the forecastle and charged down my starboard side, carrying away the whaler, motor boat and motor boat davits, and knocking guard-rails and the starboard torpedo davit overboard.15. She left behind some parts of her hull and a large clip of ammunition which was handed to the Admiralty Constructive Officer who inspected the ship on her arrival at the Tyne. Her engine was heard to stop, then splutter and finally die out, and although the fog was so dense that she could not be seen, she must certainly have sunk.16. Sometime later the noise of another Motor Torpedo Boat was heard in the fog. We all expected that this second Motor Torpedo Boat would be able to get the KELLY since it was clear that she would be able to sight me first in the fog, but I had machine guns and pom-pom manned in readiness. Fortunately, however, she disappeared without sighting the KELLY.17. The tow consisted of the BULLDOG's 3 1/2inch wire and two shackles of the KELLY's cable. By skilful handling the BULLDOG succeeded in making Westing clear of the danger zone at about 6 knots.18. At 0310/10 the KANDAHAR appeared by herself and at 0430/10 I stopped to allow her to put her starboard quarter alongside the KELLY's starboard quarter and take off my wounded and those men (chiefly of the engine room and wireless departments) who would not be required for fighting the ship, since all machinery was out of action. With no lighting or heating arrangements and a shortage of water and with the sick bay wrecked, the facilities for attending to the more seriously wounded on board the KELLY were not good.19. During the transfer of the wounded the first German aircraft appeared and all guns were in action in both ships as the wounded were carried over.View the rest of the story here.
A COLLECTION OF IMPERIAL GERMAN BADGESenamel Iron Cross embossed 'Wir Mussen Singen 1914', with a wearing pin to the reverse, maker marked ' Gesetz Geschutzt'; together with an Iron Cross 1st Class on silver oak leaf wreath, a high-quality piece that a veteran likely wore; a miniature 1914 Iron Cross 2nd Class on a fob clasp; and a Veterans Ribbon Bow, possibly worn by a fallen soldier's female next of kin (4)
* VICKY CASSIDY (SCOTTISH b. 1965), THE BEE'S KISS mixed media on paper, signed mounted, framed and under glass image size 50cm x 70cm, overall size 73cm x 92cm Note: Vicky (Victoria) Cassidy is a Scottish artist who trained at Glasgow School of Art. Her delicate mixed-media artwork often bring together Eastern themes, figures and text. This painting is inspired by Robert Browning's poem "In a Gondola":'The moth's kiss, first! Kiss me as if you made me believe You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide ope I burst . The bee's kiss, now! Kiss me as if you enter'd gay My heart at some noonday, A bud that dares not disallow The claim, so all is render'd up, And passively its shatter'd cup Over your head to sleep I bow.'
An Art Nouveau German silver fish service for 12 by Berlin silversmiths, H. Meyen & Co. The handles with a repousse bow and laurel swag design, the blade engraved with ribbon and laurel swag motifs. The matching fish serving set engraved with fish and laurel swag design. Stamped 800, german assay marks and back of forks stamped H. Meyen & Co. Longest 28cm Gross weight 1754g
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117845 item(s)/page