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Lot 276
An antique French blue painted bow fronted chest of three drawers with carved apron and bronze painted fittings, on outswept feet, 103cm wide x 62cm deep x 73cm highCondition report: Top drawer with lock plate detached but present, painted with distressed look and quite heavily worn to the front and drawer fronts, chips to the front corners of chest, replaced square of wood to the top
Lot 102
A pair of African rosewood bookends, with elephant mounts, 20cm wide x 15cm deep x 19cm high; a further hardwood figure of an elephant with six young elephants around her feet, 15cm high; a further leather elephant figure, 24cm high; a marble copy of the Uffizi Wrestlers, 20cm high; a porcelain copy of The Three Graces by Canova, 19cm high; a porcelain Staffordshire figure of Tom King, 26cm high; a miniature cello and bow and further itemsCondition report: Bookends with surface marks and scratches, Uffizi Wrestlers with old repair to arm; crazing to glaze of Staffordshire figure; cello in need of restoration
Lot 165
A Victorian mahogany bow fronted chest of two short over three long drawers, the frieze top with ebonised and satinwood inlaid beaded panels and central secret drawer, on low bracket feet, 103.5cm wide x 50cm deep x 97.5cm highCondition report: Losses to back of three bun handles, three of metal lock inserts missing, secret drawer with losses to veneer around edge, larger loss to veneer below frieze, loss of beading below bottom drawer, bracket feet possibly cut down
Lot 170
A Victorian mahogany and satinwood inlay bow fronted chest, of two short over three long drawers, with carved apron on bracket feet, 103.5cm wide x 58.5cm deep x 106.5cm highCondition report: Surface marks and scratches allover consistent with age and use, a couple of deeper scratches to the top, small losses to the inlay of the drawers
Lot 204
An early Victorian mahogany bow front chest of two short and two long drawers with turned knob handles, raised on turned bun feet, 88.5cm wide x 51cm deep x 81cm highCondition report: Chest of drawers with a loose piece of banding on side, a chip to the side of one knob handle, minor marks, scratches and wear
Lot 362
A Georgian style mahogany bow front sideboard the central drawer flanked by cupboards, 153cm wide x 61cm deep x 68.5cm highCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
Lot 190
Circa 100 AD.The solid hoop flat on the interior, rounded on the exterior, expanding to the broad angular shoulders, the bezel centred by an intaglio depicting a figural representation of cupid facing left playing a musical instrument.This ring reflects the traditional style for the depiction of cherubs, with ringlets of youthful hair and a round chubby face. In Roman mythology, Cupid (known as Eros to the Greeks) was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as an follower or acolyte of the goddess Aphrodite.Size: D: 15.27mm / US: 4 1/2 / UK: I 1/2; 5.68gProvenance: Central London private collection of Ancient Art and jewellery; acquired since the 1970s on the UK and European art markets.
Lot 150
Circa 200-300 AD. A beautifully formed hollow gold D-shaped ring with simple band shank which widens at the shoulder to support an oval bezel set in amethyst gemstone, finely engraved with a depicted of Cupid holding weapons. Very fine condition. This ring reflects the traditional style for the depiction of cherubs, with ringlets of youthful hair and a round chubby face. In Roman mythology, Cupid (known as Eros to the Greeks) was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as an follower or acolyte of the goddess Aphrodite.Size: D: 15.4mm / US: 4 5/8 / UK: J; 4.95gProvenance: Central London private collection of Ancient Art and jewellery; acquired since the 1970s on the UK and European art markets.
Lot 346
Tang Dynasty, circa 618 -906 AD A breath-takingly beautiful, modelled horse depicted mid-stride, with head raised, mouth closed, flaring nostrils, and bulging eyes under heavy raised eyebrows, the ears prickled, rounded plume, the features finely detailed with forelocks swept behind towards a trimmed mane falling short of the saddle, well defined muscular legs, tail tied short, seated on a saddle by a well-modelled rider who is in the form of an archer, he wears traditional elaborate robes, holding a bow in his right hand which is by his side, above is quiver, held over his shoulders, his face in a pose of concentration, he wears a double bun topknot hairstyle, his companion or guardian, in the form of a dog, is seated behind him, laying on all four pours. Horses were an important status symbol during the Tang golden age. They were the rewards of victorious military campaigns which lead to imperial stability and wealth. The Tang emperors often described their prized horses in detail commenting on their colouration, conformation, and temperament. The Tang emperors often described their favourite horses in detail commenting on their colouration, conformation, and temperament. This piece has been precisely dated by means of a Thermo Luminescence analysis carried out by Ralf Kotalla, an independent German Laboratory. The samples collected date the piece to the period reflected in its style, whilst also showing no modern trace elements. The TL certificate with its full report will accompany this lot. Thermoluminescence test certificate: 49PR210621. Size: D: mm / US: 530 / UK: 400; 7.2kg. Provenance: UK private collection; formerly acquired in the early 1990s in Hong Kong.
Lot 89
CHRISTIAN DIOR Abendkleid, Gr. 38. Exklusives Abendkleid aus 100% Seide in Rot. Aparte Schnittführung mit Schleifendekor und transparenten Details. Gürtel anbei. Newertig.|CHRISTIAN DIOR Exclusive evening dress made of 100% silk in red. Aparte cut with bow decoration and transparent details. Belt enclosed.
Lot 2185
lever movement stamped Monopoi, bimetallic split balance, enamel dial with Arabic numerals, seconds dial, case maker's mark stamped Monopoi and 14k0.585, numbered 23300252mm wideCondition report: Case with surface scratches, covers with small dents, plated bow is discoloured, case is dirty in parts, plated cuvette cover is discoloured, dial edge with small hairline cracks between 10 and 11 o'clock, hand setting correctly and winding smoothly, movement needs cleaning, movement in going order, total watch weight 97g.
Lot 2195
cylinder movement, enamel dial with Roman numerals, case stamped K18 and numbered 57021, attached ribbon with mounts stamped 9ct43mm wideCondition report: Case with surface scratches and small dents in parts, case back engine turning is rubbed in parts, bow is discoloured, dial is loose, dial with hairline cracks, movement is not winding, movement not working, total watch weight 47g, total ribbon weight 9.8g.
Lot 2196
lever movement, bimetallic split balance with a blued overcoil hairspring, minute repeating with two hammers striking on two outer gongs, enamel dial with Arabic numerals, outer fifth of seconds track, seconds dial, case with two buttons in the band to operate the repeat and chronograph, case stamped inside the covers 18k and numbered 284993, cuvette engraved "Repetition A Minutes Rueff Freres Medaille D Or Bordeaux 1907 La Chaux De Fonds chronographe"50mm wideCondition report: Case with surface scratches and dents in parts, plated bow is discoloured, dial with a hairline crack between 2 and 3 o'clock edge to the dial centre, minute hand has broken off and come away from the centre arbor, seconds hand has come off, seconds hand pivot is not visible when looking in the aperture under a 12x eyeglass, chronograph hand is missing, hour hand is moving when hand setting, movement is fully wound, movement is repeating when pushing the repeat button, movement not working at present, total watch weight 88.3g.
Lot 2197
lever movement signed, enamel dial with Roman numerals, seconds dial, case maker's mark ALD and numbered 456492, Birmingham hallmark for 192948mm wideCondition report: Case with surface scratches and minor dents in parts, front and back cover engine turned decoration is rubbed, front cover enamel is slightly missing to the chapter ring and Roman numerals, front cover glass with scuff marks, gold bow pendant is slightly worn, dial is clean, hand setting correctly and winding smoothly, balance is swinging slowly when fully wound, movement in going order, total watch weight 95.2g.
Lot 520
Albert Moulton Foweraker (1873-1942) GranadaSigned, watercolour, 35.5cm by 51cm, unframedCondition report: Unmounted, unframed and therefore relies some of the characteristics having been handled and not been framed i.e. top left-hand corner somewhat dogeared, edges in general showing some wear especially right-hand side top edge, top right-hand corner slightly dog eared, two slight abrasions, one ever so slightly punctured entirely through the sheet, approx centre and roughly 1cm away from top edge. Images can be supplied. Approximately four small vertical surface abrasions along left-hand side edge and similar along lower edge. Slight concaved bow to sheet. Lightly painted on a slightly muted palette but possibly some fading and general tempering of the colours as a result of light to moderate time staining throughout. Odd tiny foxing spots beginning to form mostly evident in the sky.
Lot 570
School of Nicholas Poussin (1594-1665) French Classical figures in an Italianate landscapeOil on canvas, 49.5cm by 97cmCondition report: In fully restored condition, fairly stiffly relined, cleaned and revarnished. The canvas has a slightly convexed bow. The surface is somewhat flattened and the paint is somewhat thinned in places as a result of the restoration process. Some surface dirt and discoloured varnish, some minor rubbing to edges. Fine cracquelure mostly throughout which is more pronounced in some areas and looking precarious with some further areas where the minor areas of paint have flaked away i.e. within the rocky outcrop far left-hand side and to a lesser extent within the foliage of the trees, left-hand side. Under the application of UV light shows likely two, possibly 3 courses of intervention and restoration with retouching and areas of strengthening across the sky. Large swathes and general strengthening within the darker tones throughout the foreground with some further more sporadic and delicate retouches likely of another date. Possible horizontal tear with associated retouching at the point where the lake meets the grassy foreground just right of centre. A furthermore condensed essentially vertical patch of retouching immediately right of the lower turret and approximately 3cm in length overall. The outlining and shadows and figures have broadly been strengthened etc. For more information please contact the department.
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117845 item(s)/page