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Lot 1487
LEGEND OF ZORRO, THE (2005) - Elena de la Vega's (Catherine Zeta-Jones) Necklace and Gift Box - Elena de la Vega's (Catherine Zeta-Jones) necklace and gift box from Martin Campbell's adventure-romance film The Legend of Zorro. Elena received a necklace from Count Armand (Rufus Sewell) as he proposed to her. This lot consists of a faux pearl necklace featuring a metal and rhinestone bow ornament with a teardrop shaped faux pearl and a black wooden box with a black velvet lining. This lot exhibits tarnishing on the pendant, scuffing on the box, and a loose strand. Dimensions: (box) 11" x 8" x 2" (28 cm x 20.5 cm x 5 cm)Estimate: $800 - 1,600Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.
Lot 240
MOONRAKER (1979) - Glastron Carlson Speedboat - A Glastron Carlson speedboat from the production of Lewis Gilbert's Bond film Moonraker. In the climactic action sequence, Hugo Drax's (Michael Lonsdale) men chased Bond down the Amazon River in speedboats.Four Glastron Carlson CV23HT speedboats were acquired for production by EON Productions for the chase sequence and customized with a specialty silver flake gel coat over gray paint applied during the fiberglass molding process. This is believed to be one of only two to survive from production, having been sold at a boat show in 1979 and held in a private collection ever since. However, as the custom upper canopy visible in the film is not included, it remains unknown if one was ever affixed to this boat, and therefore if it was ever filmed.In addition to its distinctive paint scheme, this operational, gas-powered speedboat features ID number "GCV 10542C," a latching sunshield over the cabin, a "Glastron Carlson" plaque, and a MerCruiser 260 HP stern-driven engine with functional lighting and speaker systems installed. The interior is upholstered with gray leatherette and paneled with varnished wood, and features red velvet and white shag carpeting. A "Moonraker II" decal was affixed to the starboard bow by the current owner. Also included is a Letter of Authenticity from noted James Bond collector and co-founder of The Ian Fleming Foundation, Doug Redenius.Following production, red pinstriping was added. This pinstriping is tape-based, not paint, and can be removed with heat. Due to age and exposure, the boat exhibits rusting to its internal mechanisms, fading to the exterior and wood finishes, and various liquid streaks and grime, but it retains its iconic silver coloration. As it remains stored and registered in Canada, bidders will need to contact Propstore in advance to arrange shipment and transfer of registration. Dimensions: 276" x 83" x 72" (702 cm x 211 cm x 211 cm)Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see notice in the Buyer's Guide.Stored off-site; see off-site storage notice in the Buyer's Guide.Estimate: $30,000 - 60,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.
Lot 563
ARROW (2012 - 2020) - Thea Queen's (Willa Holland) Speedy Bow - Thea Queen's (Willa Holland) Speedy bow from the DC superhero series Arrow. Oliver Queen's (Stephen Amell) half-sister Thea wielded her signature bow as her superhero alter-ego Speedy throughout the series.This three-piece wooden and metallic bow is hand-painted in Speedy's signature maroon and black colorway. Each section screws together at its tip, but they are not equipped for a string, as the strings in the series were created with digital effects. The bow exhibits paint flaking, chipping, and exposed metal from production use. Dimensions: 51.5" x 2.5" x 5" (131 cm x 6.5 cm x 12.75 cm)Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
Lot 801
THE GAME (1997) - Conrad Van Orton's (Sean Penn) Costume - Conrad Van Orton's (Sean Penn) costume from David Fincher's thriller The Game. Conrad wore his suit to his brother Nicholas' (Michael Douglas ) birthday party.This costume consists of a black silk bow tie; a double-breasted, cream-color polyester blazer with three internal pockets; a white button-up shirt; black trousers with a black side stripe; two white silk cord cufflinks in an envelope; a white elastic strap with four buttons; three production tags hand-marked "Sean Penn" and "Take Clean Outfit" and an 8" x 10" (20.5 cm x 25.5 cm) wardrobe department inventory list of "Box 10" for "Conrad Sean Penn." This costume exhibits discoloration.Estimate: $1,000 - 2,000Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.
Lot 202
AN AFRICAN BOW, QUIVER AND ARROWS, LATE 19TH/20TH CENTURY the bow of hardwood, with recurved tapering tips (one chipped), the quiver leather-covered and of cylindrical form, with tassels at the base, complete with a carrying strap and with thirty one arrows, each with iron head, slender tang, and bamboo shaft, the bow 174.0 cm overall (33)
Lot 341
‡ A GERMAN DECORATED SPORTING CROSSBOW (HALBE RÜSTUNG), LATE 16TH CENTURY with heavy steel bow struck with two marks on the inner face, the letters 'HF' on the left and a mill stone on the right, retained by later cords (pom poms and string missing), small iron stirrup, tiller swelling about the nut, inlaid and veneered over much of its surface with engraved staghorn plaques, the top applied with a large plaque over its entire surface, decorated with Jacob and the angel behind the nut, a classical figure wrestling with a stag behind, the cheek-piece with a large staghorn plaque engraved with a king, perhaps Joshua, being shot by classical archers, the sides of the tiller inlaid with a broad border at the top filled with classical figures and animals from the chase, a further border at the base filled with scrolls and snakes and segmental lines between, the underside decorated with female figures including an allegory of faith at the butt (areas of wear, minor restorations), fitted with bone nut, a pair of iron lugs for a cranequin, folding back-sight (added in it working life), scrolling trigger with brass knob, and staghorn butt-plate engraved with the figure of Hope, and the base of the tiller pierced for a cocking rod, 61.5 cm tiller Provenance Joe Kindig Jr. (1898-1971), thence by descent Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
Lot 342
‡ A LARGE GERMAN DECORATED SPORTING CROSSBOW (GANZE RÜSTUNG), LATE 16TH/EARLY 17TH CENTURY, with heavy steel bow retained by later cords with red pom poms (the bow painted black, pom poms and cords loose and worn), small iron stirrup (loose, string missing), strongly formed tiller veneered over its full length on the top and bottom with a staghorn panel sparsely decorated with scrolling foliage, the sides each inlaid in engraved staghorn with bold scrolls of foliage at each end and, in the centre, a mermaid shooting an arrow at a shield held by an armoured merman, the shield charged with three mullets, fitted with iron trigger, a pair of iron lugs for a cranequin, later iron bolt clip, and the base of the tiller pierced for a cocking rod (nut missing, the engraving worn), 74.5 cm tiller Provenance Joe Kindig Jr. (1898-1971), thence by descent Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
Lot 366
‡ A SILVER-MOUNTED FLINTLOCK PISTOL SIGNED NICHOLES, OXFORD, BIRMINGHAM PRIVATE PROOF MARKS, CIRCA 1780 with tapering barrel engraved with a linear frame drawn-out to a loop over the breech, foliate-engraved tang, signed rounded lock, figured walnut full stock inlaid with silver wire scrolls enriched with pellets (butt cracked), iron trigger-guard engraved with a flowerhead on the bow and with acorn finial of early form, iron side-plate chased en rocaille, vacant iron escutcheon, and silver butt-cap cast and chased with a grotesque mask in low relief (later ramrod), 16.7 cm barrel ProvenanceJoe Kindig III (1923-2021), thence by descent Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
Lot 434
A NORTH EUROPEAN CROSSBOW AND A WINDLASS FOR A CROSSBOW, 19TH CENTURY, PROBABLY FLEMISH, the first with robust steel bow (string missing), figured walnut tiller of gun-stock form with carved bolt channel, fitted with a pair of long iron plaques on each side over three-quarters of its length enclosing the nut, fitted with steel spike, iron nut, a pair of iron lugs for a windlass, iron trigger, iron trigger-plate, and iron butt-cap (iron parts pitted, butt repaired), the second comprising rectangular box pierced with two trefoils and a pair of slots on each side, fitted with a brass wheel either side, a pair of slightly curved iron arms and turned wooden handles, the first: 87.5 cm tiller
Lot 458
A FLINTLOCK BLUNDERBUSS PISTOL BY J. & W. RICHARDS WITH BRASS BARREL AND MOUNTS, PRIVATE PROOF MARKS, CIRCA 1800 with brass barrel flaring towards the muzzle and engraved with a band of beadwork over the breech, fitted with top-mounted spring bayonet operated by a sliding catch on the engraved tang, signed stepped border-engraved lock fitted with bevelled cock and bolt safety-catch, full stock, engraved brass mounts comprising solid side-plate, trigger-guard engraved with a rococo flower on the bow and with pineapple finial, spurred pommel engraved with a flowerhead, vacant escutcheon and a pair of ramrod-pipes, and brass-tipped wooden ramrod, perhaps the original, 23.0 cm barrel Provenance Acquired by the owner's father circa 1971.
Lot 460
‡ A 54 BORE FLINTLOCK POCKET PISTOL BY RICHARDS, PRIVATE PROOF MARKS, CIRCA 1780 with turn-off cannon barrel, box-lock action signed on a scroll on the left and decorated en rocaille on the right (safety-catch removed), flat-sided butt inlaid with silver wire scrolls, and sliding trigger-guard safety-catch engraved with a diamond-shaped panel on the bow, 6.2 cm barrel
Lot 108
A SOUTH INDIAN COMPOSITE REFLEX BOW, 17TH/18TH CENTURY, POSSIBLY MADRAS, TAMIL NADU formed of wood, bone and sinew, lacquered over its surface with a red background decorated with traditional ornament in yellow and gold pigments, reinforced with bands of sinew, leather grip, fitted with an iron plaque at the front punched with the number '8', 143.8 cm Roy Elvis catalogue number G19.
Lot 109
A NORTH INDIAN DECORATED REFLEX BOW, 18TH CENTURY of composite construction, the inner face decorated with gilt flowers and foliage on a green ground, the outer face with four panels en suite, and with traces of a signature in black pigment on one terminal, 52.5 cm Roy Elvis catalogue number G5.
Lot 110
A NORTH INDIAN STEEL BOW, 18TH/19TH CENTURY, POSSIBLY, GWALIOR, RAJASTHAN of flat recurved form, with two pairs of flutes on the outside at the top and the bottom, decorated with gold-encrusted flowers and foliage at the top, bottom and centre on each face (small losses), and fitted with a pair of bone grips retained by a pair of rivets, 111.0 cm overall Roy Elvis catalogue number G02.
Lot 205
An Early 19th Century British Seaman's Cutlass, the 66cm single edge curved fullered steel blade stamped 2/4 at the ricasso, the brass hilt with ribbed grip, stirrup knuckle bow with interlaced D guard bar, with brass mounted leather scabbard, 78cm;Orange rust pitting to the blade, with nicks to the edge at the tip. Leather scabbard with some stitch loss and dry cracking surface, brass mounts are loose.
Lot 206
An 18th Century Sword, each side of the 74cm double edge steel blade with a 20cm fuller leading down from the hilt and signed CLEMENS, SOLINGEN, the gilt brass hilt with boat shape guard, crossguard with swollen quillons, stirrup knuckle bow, ovoid pommel and silver wire bound grip, lacks scabbard, 91cmRust pitting to blade, with small edge nicks. Wear to the gilding on the hilt. Lacks scabbard.
Lot 220
A 19th Century Indian Talwar, with 78cm single edge curved steel blade, bronze hilt with pierced shaped langet, baluster grip and disc shape pommel, with tooled leather scabbard; an Indian Talwar, of Persian form, with 69.5cm narrow draw-back curved steel blade, steel ecusson and crossguard, wood grip scales, lacks scabbard; two Indian Talwar, each with curved steel blade, steel hilt with curved knuckle bow, lacks scabbard (4)
Lot 252
A Collection of Eleven Tribal Weapons, comprising two Indian spears, the leaf shape heads inserted into the wood hafts and bound with brass wire, another Indian spear with socket head, four Indonesian wood fish spears, two other Indonesian wood spears, an Indonesian palm wood self bow and an African wood bow (11)
Lot 712
AN ENGRAVED COMMEMORATIVE NAVAL SIDEARM OR CUTLASS FOR THE BATTLE OF TRAFALGARLATE 18TH/EARLY 19TH CENTURY, THE ENGRAVING CIRCA 1805The curved steel elaborately engraved blade inscribed NELSON TRAFALGAR and ENGLAND EXPECTS EVERY MAN WILL DO HIS DUTY, the brass hilt and knuckle bow inscribed BRITANNIA, TRAFALGAR, L'AIGLE 74 and OCTR. 21 1805, the blade 27 1/2inches long (70cm), 83cm in length overall; with leather and gilt-metal mounted scabbardThis naval sidearm likely commemorates the taking of the French ship of the line L'Aigle of 74 guns by a boarding party from H.M.S. Defiance (74). Keen students of the battle will know that prior to the main party boarding reaching L'Aigle, Master's Mate James 'Jack' Spratt (1771-1853) leapt overboard with a cutlass between his teeth and swam over to the French ship, gaining entrance via the stern gun ports. Engaging the French crew single handed, he was only saved by the timely arrival of the British party. Spratt was badly wounded and injuries to his leg meant that in time he would be invalided out of the Navy with the rank of Commander. He wasn't forgotten by the Navy and for a period commanded a signal station in Teinmouth, where he retired and is buried. The entry in the ship's log reads:A certain Mr.Spratt, an active young master's mate, took his cutlass between his teeth and his battle-axe in his belt, called to the 50 other boarders he was leading to follow, leapt over board and swam to the L'Aigle, followed by a few men; he got in at the stern gun port up the rudder chains and was met by some of the crew, who resisted. He swung on a rope to avoid three grenadiers, then killed two with his cutlass and pushed the third down onto a lower deck where the soldiers neck was broken, Spratt landing on top was uninjured. He succeed in cutting his way through and hauled down the Frenchman's colours, and in the act of doing so, was shot through the leg after having deflecting the shot down from his chest with his cutlass.Whilst it would be wonderful if this was the actual cutlass used by Jack Spratt, the vendors have absolutely no evidence that this is case and though with naval ancestors from a later period, have no evidence of a connection to Spratt. The word 'Britannia' engraved on the knuckle bow is likely to generic and unlikely to reference H.M.S. Britannia. That ship, while present at Trafalgar was no where near L'Aigle and in the wrong column on the day. Condition Report: Some wear to the blade and a little historic corrosion. Some damage/deterioration to the scabbard, the scabbard in two parts. Some cracks to the guard. Please see supporting images available upon request. Scabbard to blade is a tight fit. Some cuts to the blade.Condition Report Disclaimer
Lot 294
Circle of Francis Hayman (1708-1776) Portrait of a lady in a white silk dress with blue bow and blue cloak, a string of pearls in her hair, in a painted ovaloil on canvas, in a carved and giltwood frame74 x 62cmProvenance:Presumably by descent within the Jackson family to Elizabeth Jackson, who married Thomas Berney of Bracon,Thence by descent to the present ownerThe sitter by family tradition was Grace Jackson (née Goldstone, c.1750-1798), later Lady Duckett, daughter and heir of London merchant, Gwyn Goldstone of Goldstone, Shropshire, and his wife Grace Duckett. In 1775, she married George Jackson (1725-1822), politician, Deputy Secretary to the Admiralty and patron of Captain James Cook. In 1791, her husband was created a baronet. Upon the death of her uncle, Thomas Duckett, in 1797, her husband assumed the name Duckett to secure the inheritance of the family Hartham estate at Corsham, Wiltshire, becoming Sir George Duckett, 1st Bt. From the dress, however, and fashion of the sitter, the latter cannot be someone born circa 1750. The painting is executed in oil on a canvas support which has been lined. There are localised areas of flaking and loss located at the edges of the picture, associated with framing and impact. The rest of the paint layers are in a good, stable condition. Overpaint is present, visible in ultraviolet light, mainly covering wear and abrasion in the background. The varnish is matte, dull and no longer adequately saturating the paint layers. There are matte spots and surface dirt present.
Lot 317
Dutch School, 1656 Portrait miniature of a lady wearing a black dress with double-layered white collar trimmed with lace and held with a yellow ribbon bow, a lace edged cap in her hairsigned with initials and dated 'I W / 1656' (lower right)oil on silver, oval7.5cmProvenance:Bonhams, London, 19th November 2008, lot 35, as 'The Monogrammist I W', when acquired by the late Barry Lock (1934-2021)Examined out of frame. Small loss top centre along the edge. Some wear and rubbing to the paint layer. Light surface dirt. Under UV, retouchings are present in the background, especially left of the sitter and in the lower centre in her dress. Does not appropriately fit its frame which is too big.
Lot 328
Peter Paul Lens (1714 - after 1754) Portrait miniature of a lady in a yellow dress with lace lawn collar, blue bow at the bodice, blue wide-brimmed hat adorned with white plumes, ropes of pearls in her hair and wrapped around her dresssigned and dated indistinctly 'PLens / 174(?)' (lower right)watercolour on ivory, oval, in a gold frame6cmProvenance:Elle Shushan, Philadelphia, from whom acquired in 2015 by the late Barry Lock (1934-2021)This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No. 655Y328BSlight abrasion and wear to the paint layer along the top and minor losses along the edges. Not examined out of frame.
Lot 65
AN UNBOXED STEIFF MOHAIR MARGARETE'S TEDDY BEAR, No.038518, limited edition No.267 of 3000 of 2008, complete with button and label to left ear, 1909 - 2009 ribbon bow to neck and swing label, height approx.30cm, very good condition, working growler, with a Russ Berrie French Poodle 'Candide' and a Rainbox Designs Paddington Bear, in fairly good condition but has damage to cardboard labels, with a Charlie Bears cloth bag (4)
Lot 591
* A set of four George II mahogany dining chairs, each chair with a cupids bow top rail extending to scroll terminals, over the pierced vase shaped splat back and drop-in upholstered seat, with serpentine apron upon cabriole front legs and pad feet, plain back swept rear legs, 96cm H, seat height 44cm (4)Condition report: All chairs with little or no play in the joints.One chair with replaced front blocks, historic worm in blocks. Second chair with replaced supporting rails, similarly with historic worm. No obvious signs of worm in three of original chair structures.Fourth chair with historic worm to chair feet. Minor splits to rear splats. General dull patina to all chairs. All seat pads possibly later replacements.General minor chips, scuffs, marks and wear, commensurate with age and use.
Lot 670
* A George IV mahogany dressing table mirror, the gently arched mirrored plate upon ring turned uprights and a bow front base with three frieze drawers, outlined with box wood stringing, upon ivory ball feet, 58cm H x 53cm W (some fading, at fault) Please note this lot is offered for sale in accordance with the Ivory Act 2018, Trevanion Auctioneers & Valuers LLP have applied for an exemption licence for the ivory in this lot Ref: NM852FCD
Lot 15
Edward Hopper (American, 1882-1967)The Cat Boat (Zigrosser 4; Levin p.83) Etching, 1922, a very good impression, on wove paper, with partial watermark Umbria Italia, signed in pencil, from an unknown edition size, with wide margins, framedPlate 200 x 250mm (7 7/8 x 9 3/4in)Sheet 343 x 403mm (13 1/2 x 16in)Footnotes:Edward Hopper worked as a commercial artist and magazine illustrator and is well known for his atmospheric, melancholic depictions of life during the American Depression. Between 1915 and 1923 he focussed on printmaking, depicting urban scenes of New York and Paris and the landscapes of the New England coast, where he spent his summers and learnt to sail.In this etching, the viewer is granted a glimpse into the artist's private world, with an evocative image of a cat boat, a small sailboat with a single sail and the mast fixed towards the bow. Hopper built his own cat boat as a teenager and his technical knowledge and practical experience are evident in the rendering of the sailboat, with its exact tilt counterbalanced by the three sailors, the taut sail catching the wind and the waves swelling along the stern, conveying a sense of movement and adventure.His meticulous execution ensured that a perfectly balanced composition was achieved, with the boat and white sail offset against the dark background of the shoreline, confirming Hopper, as former Moma director Alfred Barr remarked, as 'a master of the pictorial drama'.For further information on this lot please visit Bonhams.com
Lot 112
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 100 pounds, 2020. Royal Mint. Proof. Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieFifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 100 POUNDS · 2020 ·. Design by Jody Clark. / Silhouette of a gun superimposed on James Bond's iconic jacket and bow tie; below exergue line Bond's martini order 'SHAKEN NOT STIRRED'. Design by Christian Davies and Matt Dent. Design by Matt Dent and Christian Davies. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 350.Diameter: 32.69 mm.Weight: 31.21 g. (AGW=1 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 92
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 200 pounds, 2020. Royal Mint. Proof. Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieFifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 200 POUNDS · 2020 ·. Design by Jody Clark. / Silhouette of a gun superimposed on James Bond's iconic jacket and bow tie; below exergue line Bond's martini order 'SHAKEN NOT STIRRED'. Design by Christian Davies and Matt Dent. Design by Matt Dent and Christian Davies. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). Mintage: 250.Diameter: 40 mm.Weight: 62.42 g. (AGW=2 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
Lot 558
A good Edwardian Sheraton Revival satinwood inlaid triple wardrobe, of break-bow fronted form, the centre section with a cupboard enclosed by two doors above two short above three graduated quarter veneered drawers, flanked by full-length hanging cupboards within each wing, plinth base, 210cm w x 212cm h x 60cm deep, c.1910
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