A Regency mahogany and ebony line inlaid bow fronted sideboard, with two central drawers flanked by two deep drawers on turned legs, h. 89 cm, w. 152 cm, d. 61 cm CONDITION REPORT: Marks and staining to top. Quantity of veneer and line inlay missing. One later drawer lining. Splitting to the sides. General wear and tear.
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Kingdom of Pergamon, Eumenes II AR Tetradrachm. Circa 197-158 BC. Laureate head of Philetairos right / Athena seated to left, left elbow resting on shield, crowning ΦΙΛΕΤΑΙΡΟΥ with wreath; trident to outer left, AΣ to inner left, bow to outer right. Westermark Group VII (V.CXLVII/-); SNG Copenhagen -; SNG von Aulock 1361; SNG France -. 16.51g, 33mm, 12h. Good Very Fine. Light tone, scattered minor marks in fields, underlying lustre. Very rare variety. From the G.J.P. Collection, purchased c. 1920s.
Kingdom of Macedon, Alexander III 'the Great' AV Quarter Stater. Lampsakos, circa AD 328-323. Head of Athena right, wearing Corinthian helmet / ΑΛΕΞΑΝ-ΔΡΟΥ in two lines above and below bow and club; conjoined foreparts of two horses in central upper field. Price 1361; SNG Berry 147. 2.14g, 10mm, 9h. Very Fine. Extremely Rare, no examples present on CoinArchives with this symbol.
C. Poblicius Q. f. AR Serrate Denarius. Rome, 80 BC. Draped bust of Roma right, helmet decorated with corn ears and control mark above head, ROMA behind / Hercules strangling the Nemean lion, club at his feet, bow and arrow on left; C•POBLICI•Q•F on right. Poblicia 9; Crawford 380/1. 3.75g, 19mm, 7h. Extremely Fine. Ex Numismatica Ars Classica 51, 5 March 2009, lot 711.
Kingdom of Macedon, Perdikkas III AR Diobol. 365-359 BC. Head of bearded Herakles facing right, wearing lion's skin headdress / Club and bow crossed, Π-Ε-Ρ around; all within shallow incuse square. Gemini VI, 10 January 2010, lot 63 (same dies); otherwise apparently unpublished; cf. SNG Alpha Bank 237-8; BMC 3 (Perdikkas II); Traité II, 805 and pl. CCCIII, 18 (same). 0.96g, 11mm, 7h. Very Fine. Toned. Extremely Rare.
Achaemenid Kings of Persia AV Daric. Time of Darios I to Xerxes II, circa 485-420 BC. Persian Great King or hero in kneeling-running stance to right, holding spear and bow; quiver over shoulder / Rectangular incuse punch. Carradice Type IIIb A/B. 8.37g, 18mm. Extremely Fine. From the Alban Collection.
Maximianus AV Aureus. Rome, AD 293-294. MAXIMIANVS AVGVSTVS, laureate, draped and cuirassed bust right / HERCVLI VICTORI, Hercules seated facing on rock, head to right, lion's skin on lap, holding club with left hand; bow and quiver resting to right; PR in exergue. RIC -; Depeyrot 5B/5 (these dies); Calicó 4682 (this obverse die). 6.02g, 20mm, 7h. Near Mint State. Insignificant trace of double striking on obverse; exceptionally bold reverse. Ex Jean P. Lambros Collection, J. Hirsch XXIX, 9 November 1910, lot 1347. Given the title ‘Herculius’ by Diocletian, Maximianus’ role was always that of the military might to Diocletian’s stategic planning. Whilst the title reflected the adoption of Hercules as the heavenly father of Maximianus and thus, his familial ties to divinity, it was also representative of his role as junior emperor. Taking the cognomen of ‘Jovius’, Diocletian assumed familial ties to the more authoritative deity of Jupiter, as the father of Hercules, and so indicated his superiority over Maximianus as the director of imperial policy. The reverse depiction of Hercules on this gold aureus displays this imperial theology with the inscription HERCVLI VICTORI (“Hercules the Victor”). Whilst this issue suggests military success, Maximianus was beginning to falter in his role as a military instrument of the empire. His failed invasion of Britain in 289, against the ever-increasing threat of Carausius, led Diocletian to conclude that their divinely sanctioned diarchy was insufficient to manage the Empire. Constantius was appointed to the office of Caesar in the West and Galerius was granted the same position in the East, establishing a Tetrarchy that would relieve Maximianus of his military responsibilities. This coin was most probably produced in response to the increase in bureaucracy that the appointment of two new Caesars in 293 will have occasioned, as well as the ever present needs of the army protecting the eastern frontier of the Empire.
Cilicia, Soloi AR Stater. 425-400 BC. Amazon, nude to the waist and seen from behind, kneeling to left and stringing her bow, wearing bonnet and with her gorytos at her hip; to right, facing head of satyr; monogram in exergue / ΣΟΛΕΩΝ, large bunch of grapes; [below right, fly]; all within incuse square with linear border of dots. BMC 3; SNG France 128; SNG Levante 40; SNG von Aulock 5858. 10.68g, 20mm, 12h. Very Fine.
Karia, Achaemenid Period AR Tetradrachm. Circa 341-334 BC. Persian king or hero in kneeling-running stance right, drawing bow; Aramaic ṣ to left, two Aramaic 'ayin' to right / Warrior, wearing kyrbasia, on horseback right, thrusting spear he holds aloft in right hand; star above. Konuk, Influences, Group 8, 2 and pl. XXX, 22; cf. Meadows, Administration 327; Mildenberg, Münzwesen –; SNG Ashmolean (Caria) 381. 13.52g, 25mm, 8h. Very Fine. Rare.
P. Clodius M. f. Turrinus AR Denarius. Rome, 42 BC. Laureate bust of Apollo right; lyre behind / Diana standing facing, with bow and quiver over shoulder, holding lighted torch in each hand; P•CLODIVS M•F across fields. Crawford 494/23; RSC Claudia 15. 3.58g, 20mm, 5h. Extremely Fine. Lightly toned and lustrous.
An unboxed 1953 Sutcliffe Submarine (Unda-Wunda), approx 23cm long, bearing a good ' Cornonation 1953' decal on the top of the bow, generally G, with the clockwork mechanism appearing to function well with the non original key supplied. Also included in this lot is a boxed Marx 'Sparking Climbing Tractor', of tinplate construction with some plastic parts approximately 24cm in length. The tractor has a detachable metal dozer blade, rubber tracks and a fixed key. Overall appears F/G with a working mechanism and comes in a P/F box.
British Royal Artillery 1879 Pattern Sword Bayonet, fine example with black leather two piece grips, steel knuckle bow and pommel. Press catch release button. Sawback blade with central fuller. War department acceptance stamps to the blade and crowned VR. Housed in the original leather scabbard with steel mounts. Blade length 65 ½ cm.
STAR TREK: DEEP SPACE NINE (TV 1993-1999) - Quark (Armin Shimerman) Costume Quark’s (Armin Shimerman) costume from the sci-fi television series Star Trek: Deep Space Nine. The barkeep of 'Quark’s Bar', named after himself, frequently wore his vibrant outfit throughout the fourth to the seventh season. The outfit consists of a colourful brocade tailcoat with metal clasp closure, a brown sleeveless jumpsuit, a diamond brocade waistcoat with zipper, and a green patterned shirt with vertical bow tie, all held together with an assortment of Velcro and pop fasteners. A 'Deep Space Nine' wardrobe label inside each garment reads 'Armin #2', with the jumpsuit label reading 'Armin #1'. Also included is a pair of brown painted ankle boots (size 43). All remain in good condition. VAT Status - Margin
AUSTIN POWERS IN GOLDMEMBER (2002) - Mini Me's (Verne Troyer) Blue Velvet Costume A costume worn by Mini Me (Verne Troyer) in the Jay Roach comedy sequel Austin Powers in Goldmember. Mini Me wore his costume as he, Austin Powers (Mike Myers) and Foxxy Cleopatra (Beyoncé Knowles) infiltrate Dr Evil’s (Mike Myers) submarine. The costume is comprised of a blue velvet two-piece suit, white shirt, a pair of black leather Chelsea boots, a silver ball chain with two male symbol pendants, two pairs of red ribbed socks and three white leather belts. The suit features blue mother of pearl buttons on the front and cuffs, and a psychedelic, striped lining. The shirt features a lace front and cuffs, with a detachable lace bow tie. The interior jacket pocket is labelled ’Vern‘ and the inside of each boot is marked "Hero". The custom-made costume is accompanied by various wardrobe tags and a New Line Cinema letter of authenticity. VAT Status - Margin
TITANIC (1997) - Autographed One Sheet Poster A framed autographed one sheet poster (M condition)from James Cameron’s historical drama Titanic. This style A one sheet shows the faces of Jack (Leonardo DiCaprio)and Rose (Kate Winslet) above the bow of the Titanic. The one sheet is signed by DiCaprio, Winslet, Gloria Stuart, who portrayed Old Rose, and director James Cameron. The poster resides in a wooden frame with a hanging wire mounted on the back. Dimensions: 104 cm x 69 cm x 1 cm(41" x 27 ¼" x ¼") VAT Status - OMEGA
VAN HELSING (2004) - Van Helsing's (Hugh Jackman) Hero Functioning Crossbow Van Helsing's (Hugh Jackman) hero crossbow from Stephen Sommers’ horror adventure film Van Helsing. Van Helsing was given his gas-powered automatic crossbow by its inventor Friar Carl (David Wenham), and used it in his battle with the brides of Dracula (Richard Roxburgh), killing the vampire Marishka (Josie Maran) after dipping its arrows in holy water. The intricately made weapon was produced by Applied Effects and features a machined-metal body with fold-out plastic bow arms, wooden grips and resin ram’s head detailing. Additional resin detailing is applied to the butt stock’s faux-gas tank and along the bow arms, with metal crosses in the pistol grip. The crossbow’s drum magazine is made of metal and plastic, with individually finished and fixed arrows within. The bow strings are bound together and finished to look like taut, wound leather. Fully functional, the chain-driven action is powered by a 12-volt battery located in the butt stock, which powers the weapon through a connector between the stock and the pistol grip. Pulling the trigger drives a chain which simulates the firing of the bow string, with the spring-loaded magazine rotating with each movement of the action. The weapon disassembles into three components with folding bow arms and sights. The weapon displays only minor scratches to the metal body through use on the production and is supplied in its own custom-made transit case. . It is accompanied by a 16" x 11" poster used in the promotion of the movie. Dimensions (assembled): 90 cm x 81 cm x 27 cm (35.5" x 32" x 10 ¾")As this item contains electronic components, every effort has been made to describe them accurately; however no guarantee or warranty is made as to functionality, lifespan or safety of those components. It is entirely incumbent on the new owner to satisfy themselves as to their safe use and maintenance. VAT Status - Margin
THE GRAND BUDAPEST HOTEL (2014) - Mendl's Cake Box A Mendl’s cake box from Wes Anderson’s Oscar®-winning comedy The Grand Budapest Hotel. The renowned patisserie boxes make appearances throughout the film, notably as a method of smuggling tools to the imprisoned Gustave (Ralph Fiennes) to aid his escape. Constructed from thick card, the box is laminated pink and the shop’s name is printed on five sides in red ink with the address underneath. The box is held together with a length of blue cotton tied in a bow on top. It remains in very good condition. Dimensions: 13 cm x 13 cm x 13 cm (5 ¼" x 5 ¼" x 5 ¼") VAT Status - Margin
An enamelled fob watch, white enamel dial with an arabic numeral chapter ring in a yellow metal outer and inner case stamped 14K, outer case decorated with green enamel depicting a phoenix and set with nine rose cut diamonds, top wind movement, watch is suspended from a yellow metal bow with swivel fitting.
Early 20th century gentlemen's gold half hunter pocket watch with Swiss button-wind movement, the white enamel dial with subsidiary seconds, the gilt metal cuvette cover inscribed 'Exam'd by Goldsmiths & Silversmiths Company 112 Regent St. London', in gold (18ct) case, 50mm diameter CONDITION REPORT Total gross weight 86.8 grams. The case is not hallmarked but stamped 18K and 750. The cuvee cover is gilt metal and has a presentation inscription, the bow is gold plated. The front of the case is dented with some losses to the enamel. Dial perfect. Currently running and hands adjust correctly. Original engraved monogram to reverse. Shallow dent to the back, no dents to the sides
Rare late 17th / early 18th century folding pocket bow triple seal corkscrew for scent or medicine bottles, the folding brass frame with acanthus 'ears' and revolving intaglio impressions of the profile bust of a man in a wig - believed to be King Louis XIV of France, a crest with a crowned sun (?) flanked by flaming heart torches and a cherub with crowned flaming heart, 7cm when extended, 4cm when closed CONDITION REPORT Good original condition. There is a threaded hole where the helix hinges, which is vacant, indicating something is missing. Nice patination overall
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117845 item(s)/page