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THE SMITHS/MORRISSEY - Saying you'll be ready for The Smiths disco with this collection of 12 x 12", 4 x LPs and 5 x 7" would be a massive understatement! Sevens include Stop Me If You Think You've Heard This One Before (US original 9 28136-7, never released in the UK - Ex+/Ex) and Bigmouth Strikes Again (RT 192 - Ex+/Ex+). LPs are Hatful Of Hollow (UK ROUGH 76 - Ex+/Ex printed inner), Louder Than Bombs (9 25569 1 US double comp - Ex+/Ex+ with printed inners), Rank (US SRC pressing 1-25786 - Ex+/Ex+ or archive copy with printed inner) and The Old Guard - BBC Tapes 1983 - 1986. Twelves include What Difference Does It Make? (RTT 146), Sheila Take A Bow (RTT 196 printed inner), Bigmouth Strikes Again (RTT 192 original inner and sticker on sleeve), The Peel Sessions (grey labels SFPS055), Ask (US pressing), Shakespeare's Sister (RTT 181 original printed inner), The Boy With The Thorn In His Side and I Started Something I Couldn't Finish (RTT 198). Records are seldom under Ex+ with the sleeves largely Ex to Ex+.
MANCHESTER ARTISTS 7" - "And on the sixth day god created Manchester." A mad collection of 33 x 7" and 1 x CD box set from artists hailing from Manchester and its surrounding districts. Artists/titles include Joy Division - Non In Vendita (private Italian SCONC 001 with superb 108 page lyric book), A Certain Ratio - All Night Party (2nd pressing Fac 5 - Ex/Ex), The Freshies -Fasten Your Seat Belts, The Paperboys - This Is How I Feel (MC 007, the Cheadle based band's only release), The Smiths (x3) Bigmouth Strikes Again (RT 192), Sheila Take A Bow (RT 196) and Girlfriend In A Coma, Minny Pops - Dolphin's Spurt, Red Lorry Yellow Lorry, Noel Gallagher's High Flying Birds, Mirrors Over Kiev, The Charlatans and The Passage. Condition is largely VG+ to Ex+.
Ω A collection of silver and tortoiseshell mounted dressing table items, to include: a hand mirror, maker's mark obscured, Birmingham 1915, inlaid with husk decoration, 28.6cm (11 1/4in) long; two globular glass bottles with silver and tortoiseshell mounted covers by William Comyns, London 1909 and 1913, inlaid with bow and foliate decoration, 10cm (4in) diameter; another glass bottle; two glass jars; four brushes; and other items Provenance: Purchased Sotheby's, 23rd October 1997, lot 109 Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
Ω Johann Philipp Ferdinand Preiss (German, 1882-1943), a cold painted bronze and ivory figure, designed by Paul Philippe (French, 1870-1930), of a seated violin player, the young woman wearing a green tinted dress, on an integral stepped rectangular base, signed in the maquette Phillippe and RuM for Rosenthal & Maeder , 31cm high (missing violin and bow) Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor: The fire and the flame , Suffolk, 2005, p. 49 (centre of the photograph). Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
A collection of items to include a silver gilt enamel and foiled enamel pendant c.1900, a Continental silver and blue guilloche enamel fob watch with matching bow, an Austro-Hungarian silver brooch, a sterling silver yellow enamel feather brooch, two filigree brooches, a white metal filigree metal sphere necklace, etc.
An 18 carat yellow gold open face pocket watch, the ornate gold dial having a Roman numeral chapter ring and subsidiary seconds dial in an engine turned outer case with central cartouche and inner case hallmarked Chester 1857, key wind movement No. 42712, diameter of dial 40mm, case 43mm, no personal inscriptions or monogram, gross weight including movement and metal bow to top (excluding plate over movement) approximately 70.3gms
Pair of George III style mahogany bow-front chests of drawers, the tops with broad cross-banding and boxwood stringing, moulded edges, fitted with five long graduating drawers, brass bale handles, bracket feet, width 87cm, depth 55cm, height 103cm; a similar but smaller chest of drawers; and a pair of bedside table, (5).
An Edwardian satinwood and chequer inlaid bow-fronted kneehole dressing or writing table:, the quarter veneered top with a concave fronted and pierced brass galleried superstructure with two hinged drawers, containing five short drawers in the shaped kneehole apron with inlaid simulated dentil banding, on square tapered legs, terminating in brass cappings and castors, 130cm (4ft 3 1/4in) wide.
A matched pair of Chelsea bonbonnieres: modelled as a lady and a gentleman's head, she wearing a blue, pink and yellow trimmed mob-cap with an iron red bow to the back, he wearing a fur-trimmed pale green hat with three feathers, the interiors painted with floral sprays, each with gilt-metal mounts and moss agate hinged cover, circa 1760, 6.5 cm. high, 7 cm and 7.5 cm. long [minor glaze spotting].* Provenance: He with paper label for Stoner & Evans, 3 King Street, St. James' Square, S.W.She with paper labels for 'Exhibited Chelsea Town Hall 1924 Loan: L.F. Harrison Esq.' and 'Chelsea Exhibition 1948 no. 62'.* Notes Literature: John Cushion 'English Porcelain' page 16, plate 4.cf. G.E.Bryant 'The Chelsea Porcelain Toys' 1925, page 158 plate 45/2 and page 166 plate 49/4.
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117861 item(s)/page