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Lot 96
A 1970s Marksmen Archery TS4 Olympic recurve bow, according to a family member of the (now closed) Marksmen Archery firm, it was used by a member of the Soviet Union Olympic Archery team, with handwritten dedication 'To Jim, Wishing you every happiness and all good things, love Lou, Rich & the crew', 104cm long.
Lot 12
A MASSIVE CLOISONNE ENAMEL BELL, QING DYNASTYChina, 18th-19th century. Of flared form with a lobed bottom edge, an upper register of elaborate taotie masks on a key fret ground above stylized chilong, and a lower register of taotie masks and archaistic elements, separated by a raised bow-string band at the midsection. Suspended from two conjoined dragons at the top, with an apocryphal four-character mark Jingtai nianzhi above the edge.Provenance: From the private collection of a southern French military family, who stayed in Indochina during the first half of the 20th century, and thence by descent in the same family.Condition: Some wear, dings, dents, pitting, minor losses and manufacturing flaws. Two losses at bottom lobes with old fillings. The dragon finial slightly loose. Overall, fine condition and commensurate with age.Weight: 6.2 kgDimensions: Height 42 cmAuction result comparison: Compare with a closely related but considerably smaller cloisonne bell at Christie’s New York in Fine Chinese Ceramics and Works of Art on 16-17 September 2010, lot 1038, sold for USD 15,000.清代銅胎掐絲琺琅鈡 中國，十八至十九世紀。呈喇叭形，中空，撇口，底邊緣呈凸起狀，頂飾交龍鈕，龍背供起成孔。器身以藍色琺瑯釉為地，局部鎏金。銅鈡上部可見饕餮紋，其下部是螭龍紋，之後是神獸紋。 頂部懸掛著兩條相連的龍，邊緣上方有一個寄託款標記“景泰年制”。 來源：法國南部軍人家庭的私人收藏，該軍人20世紀上半葉住在印度支那，從那以後就在同一家庭中世代相傳。 品相：一些磨損、划痕、凹痕、麻點、輕微損失和製造缺陷。 底部裂片已修。 龍頭略松。 總體而言，狀況良好，與年齡相稱。 重量：6.2 公斤 尺寸：高42 厘米 拍賣結果比較：一件相近但小些的掐絲琺琅鈡見紐約佳士得Fine Chinese Ceramics and Works of Art 拍場，2010年9月 16-17日 lot 1038, 售價USD 15,000.
Lot 136
A LARGE PAINTED GRAY POTTERY EQUESTRIAN GROUP, CHINA, EARLY WESTERN HAN DYNASTY, 2ND CENTURY BCThe rider well modeled separately, wearing an implied tunic and neatly incised hair, his expressive face painted in fine detail with various pigments, upright positioned to rein in his spirited horse, its neck arched and ears laid back, the powerful body left unadorned to focalize the observer’s view exclusively towards the beauty of the majestic animal itself. (2) Provenance: A Swiss private estate. Galerie Zacke, Vienna, 16 March 2000. Dr. Mons Fischer, acquired from the above for ATS 120,000 [Austrian Schilling]. A copy of the payment receipt from 16 March 2000 will be given to the winning bidder of this lot. A seasoned private collector of modern and contemporary art, Dr. Mons Fischer has also acquired fine Chinese works of art since the 1980s, eventually building one of the most important collections of its kind in Austria.Condition: Some repair as generally expected from Han dynasty excavations. Losses, fissures, wear, weathering, some dents, and encrustations. Drilled holes from sample-taking. Overall, good condition and fully commensurate with the age of this ensemble.Scientific Report: A thermoluminescence analysis report issued by Oxford Authentication on February 11th, 2020, based on sample number C120a61, sets the firing date of three samples taken at 1500 – 2400 years ago. A copy of the report, issued by Oxford Authentication, is accompanying this lot.Weight: 15.2 kg (the horse) and 2.8 kg (the rider) Dimensions: Height 76.5 cm (the complete set)Literature comparison: The unusually large model of this type of equestrian figure is related to three others of slightly smaller size unearthed in 1965 from a tomb at Yangjiawan, Xianyang City, now in the Shaanxi Historical Museum, and included in the exhibition, Treasure of Chang, Hong Kong Museum of Art, 15 October 1993 - 2 January 1994, number 2, page 52. The tomb is an attendant tomb of Changling, the tomb of Emperor Gaozu and consisted of eleven pits. The equestrian figures here were grouped together in square formations. See, also, the similarly modeled large figure painted with related decoration on both horse and rider, where the horse's head is raised, illustrated in Zhongguo taoci daxi, Gudai taoci daquan (Chinese Ceramics Series, The Ancient Ceramics), Taipei, 1989, page 247. Another model with raised cantle and saddle bow on which a figure related to the present lot sits, Zhongguo gudai bingqi tuji (Ancient Chinese Weapons - A Collection of Pictures), Beijing, 1990, page 154, figures 6-96 and 6-97.Auction result comparison: Compare with a related but smaller equestrian group at Christies New York in Fine Chinese Ceramics, Paintings and Works of Art on 21st March 2000, lot 253, sold for USD 34,500. 西漢早期大型彩繪陶人陶馬，公元前2世紀騎手與馬獨立製作，穿著束腰外衣，頭髮整齊。他的臉上用各種顔料描繪，身姿筆挺，形象生動。馬生氣勃勃，脖子呈弧形，耳朵向後傾，身體强壯，讓人感受到動物雄壯的美。 來源：瑞士私人財產。維也納 Zacke藝廊, 2000年3月16日。 Mons Fischer博士購於上述藝廊，120.000，-奧地利先令。隨附發票副本。Mons Fischer博士是一位經驗豐富的現代和當代藝術私人收藏家，從1980年代開始收藏中國藝術品，最終成爲奧地利中國藝術品重要收藏之一。 圖片：Dr. Mons Fischer 和他的妻子 品相：如漢代出土物品預期的一些修補。 缺損失、裂縫、磨損、風化、一些凹痕和結垢。 因檢測所需樣品採集鑽孔。 總體而言，狀況良好，與其年代相符。 科學檢測報告: 隨附一份2020年2月11日出具的牛津熱釋光檢測報告副本， 采樣編號C120a61。檢測結果表明拍品為1500-2400年前所制。 重量：馬15.2 公斤；騎士 2.8 公斤 尺寸：縂高76.5 厘米 拍賣結果比較：一件相近但更小的陶人陶馬見紐約佳士得 Fine Chinese Ceramics, Paintings and Works of Art 拍場2000年3月21日 lot 253, 售價USD 34,500.
Lot 490
A GILT COPPER-ALLOY FIGURE OF A CROWNED BUDDHA, MALLA, 14TH - 15TH CENTURYNepal, early Malla period, c. 1380-1480. Shakyamuni is cast seated in dhyanasana on a sealed double-lotus base, a vajra before him. The hands in bhumisparsa mudra, wearing a diaphanous robe with a pearled hemline and an elaborate coral-inlaid crown. The serene face with heavy-lidded almond-shaped eyes, a pearl-inlaid urna, gently arched eyebrows, a hooked nose, and bow-shaped lips forming a subtle smile.Provenance: A Swiss private collection. Koller, Zurich, 8th-9th May 2012, lot 112. A private collection in New York, USA, acquired from the above.Published: Himalayan Art Resources, item no. 8035.Condition: Excellent condition with traces of use, casting flaws, occasional light scratches, few nicks and losses, minuscule cracks, some wear to gilt. Original sealing. Superb natural patina.Weight: 3,792 gDimensions: Height 27.5 cmThis magnificent sculpture elegantly depicts the moment in which Buddha Shakyamuni achieves enlightenment. Seated in meditation under the Bodhi tree, Buddha maintains his deep introspective state despite Mara’s attempts to frighten and distract him. Having overcome all of Mara’s threats, Buddha presses a single finger to the Earth to witness his enlightenment.The Nepalese artists of the early Malla period were revered for creating sculpture with “a subtle balance between ornamentation and form.” The present work embodies the “finesse in the handling of detail with remarkable mastery of sculptural form demonstrating the extraordinary virtuosity of Nepalese artists” (J. Casey, Divine Presence: Art of the Himalayas, Barcelona, 2003, p.44).The square face is reminiscent of Pala period prototypes, whereas the finely detailed crown and delicately beaded hem of the robe are hallmarks of the Malla period. The thick, lustrous gilding reveals areas of the rich copper surface beneath, a characteristic revered by connoisseurs of Nepalese bronze sculpture.Malla was the ruling dynasty of the Kathmandu Valley in Nepal from 1201 to 1779. The term "malla" means "wrestler" in Sanskrit. The first of the Malla kings came to power in 1200. The period was a golden one that stretched over almost 600 years, though it was peppered with fighting over the valuable trade routes to Tibet.Auction result comparison: Compare with a closely related figure at Christie’s New York in Indian, Himalayan and Southeast Asian Works of Art on 13 September 2016, lot 217, sold for USD 161,000, and another, dated to the 14th century, at Christie’s New York in Indian and Southeast Asian Art on 19 March 2014, lot 1010, sold for USD 509,000.13% VAT will be added to the hammer price additional to the buyer’s premium – only for buyers within the EU.十四至十五世紀馬拉王朝鎏金銅釋迦牟尼坐蓮像 尼泊爾，馬拉王朝早期，約1380-1480年。釋迦牟尼結跏趺坐坐於雙層蓮座上，身前放著金剛杵，手施觸地印，穿著透明的長袍，施有連珠紋，五葉冠鑲嵌著精美的珊瑚。 寧靜的臉龐，白毫鑲嵌珍珠，雙眉弧線輕挑，雙目低垂，處在禪定狀態中，鼻樑修直，雙唇微抿含笑。 來源：瑞士私人收藏 。蘇黎世Koller拍賣行，2012年5月8-9日，lot 112. 紐約私人收藏購於上述拍賣。 出版：Himalayan Art Resources, item no. 8035. 品相：狀況極佳，有使用痕跡，鑄件瑕疵，局部輕微划痕，很少的划痕和缺失，微小的裂紋，有些磨損。 原始密封。天然包漿。 重量： 3,792 克 尺寸：高27.5 厘米 這座宏偉的雕塑細膩地描繪了釋迦牟尼佛證悟的那一刻。佛陀坐在菩提樹下沉思，天魔曾經企圖阻止釋迦牟尼佛修行證悟，但佛陀仍然保持著內省的狀態，以右手觸地並說：“大地可以為我作證！”，證明他已經成就佛道，魔王才退去。馬拉王朝早期的尼泊爾藝術家因創作雕塑“在裝飾和形式之間達到微妙的平衡”而備受推崇。本作品體現了“在處理細節方面的精湛技藝，精湛的造像形式表現出尼泊爾藝術家非凡的技藝”（J. Casey，《神聖的存在：喜馬拉雅山的藝術》，巴塞羅那，2003年，第44頁）。方形臉使人聯想到帕拉時代的原型，而精美的五葉冠和精緻的連珠紋則是馬拉時代的標誌。厚而光澤的鍍金層露出下方豐富的銅表面區域，鑑賞家尤其推崇尼泊爾的青銅造像這一特徵。馬拉是1201年至1779年尼泊爾加德滿都谷地的統治王朝。“馬拉”一詞在梵語中的意思是“摔跤手”。首位馬拉國王於1200年上台執政。這段長達600年的時期是馬拉王朝的黃金時期，儘管它與通往西藏的寶貴貿易路線作鬥爭。拍賣結果比較：一件相似雕像，售于紐約佳士得 Indian, Himalayan and Southeast Asian Works of Art拍場2016年9月13日 lot 217, 售價USD 161,000；另一件十四世紀的雕像，售于紐約佳士得 Indian and Southeast Asian Art 拍場2014年3月19日 lot 1010, 售價USD 509,000.
Lot 600
A THANGKA OF PEHAR, 19TH CENTURYTibet. Distemper and gold on cloth. The worldly protector riding a white Buddhist lion, wearing a tiger’s skin, with three three-eyed heads and six arms holding attributes, including a bow and arrow, a sword, and a knife.Provenance: Hungarian private collection. Condition: Good condition with wear, soiling, creasing, and few minuscule losses.Dimensions: Size incl. mounting 65 x 35 cm, Image size 35.5 x 24 cmThe deity surrounded below by two blue Pehar riding a white elephant and green lion, respectively, and above by three wrathful deities, two of them on horseback, all with flaming mandorlas. With a silk brocade frame, mounted as a hanging scroll.Auction result comparison: Compare with a related but larger and slightly earlier thangka at Christie’s Paris in Art d’Asie on 9 June 2015, lot 347, sold for EUR 12,500. Compare also with a related but slightly larger thangka at Bonhams New York in Indian, Himalayan & Southeast Asian Art on 11 September 2012, lot 178, sold for USD 21,250.十九世紀白哈爾王唐卡西藏。布面金彩膠畫。保護神騎著白獅，身披虎皮，三首，六臂握著寶器，包括弓箭、劍和刀。 來源：匈牙利私人收藏 品相：狀況良好，輕微磨損，污漬，摺痕和小缺損。尺寸：縂65 x 35 厘米, 畫面35.5 x 24 厘米 拍賣結果比較：一件相近但更大且更早期的唐卡見巴黎佳士得Art d’Asie 拍場2015年6月9 日lot 347, 售價EUR 12,500.；一件相近但更大的唐卡見紐約邦瀚斯Indian, Himalayan & Southeast Asian Art 拍場2012年9月11日 lot 178, 售價USD 21,250.
Lot 601
A THANGKA OF USHNISHAVIJAYA, 18TH-19TH CENTURYMongolia. Distemper on cloth. The three-headed Goddess of Longevity seated in dhyanasana on a lotus throne, a mandorla and a red halo behind her. Her principal hands in dharmachakramudra and holding a vishvavajra, the other six forming various mudras or holding attributes including a bow and an arrow. Surrounded by various deities including Padmasambhava, four Mahakala, and further Ushnishavijayas.Provenance: Hungarian private collection, by repute acquired between 1970 and 1980. Condition: Good condition with minor wear, soiling, creases, and small losses.Dimensions: Size incl. mounting 81 x 59 cm, Image size 64 x 44 cmWith a silk brocade frame and mounted as a hanging scroll with wood handles.Auction result comparison: Compare with a silk embroidered thangka of larger size at Bonhams New York in Chinese Works of Art and Paintings on 12 September 2016, lot 8069, sold for USD 4,375.十八至十九世紀尊勝菩薩唐卡 蒙古，布面膠畫。三首長壽佛母結跏趺坐在蓮花座上，身後有曼陀羅和紅色光背。手施説法印，持有金剛杵，其他手也各施不同手印或持有寶器，包括弓和箭。周圍衆多菩薩，包括蓮花生大師，四位大黑天以及其他尊勝菩薩。 來源：匈牙利私人收藏，據説購於1970至1980年代。 品相：狀況良好，輕微磨損，污漬，摺痕和小缺損。 尺寸：縂81 x 59 厘米, 畫面64 x 44 厘米 絲綢裝裱，挂軸，木柄。 拍賣結果比較：一件絲綢裝裱尺寸更大的唐卡見紐約邦瀚斯Chinese Works of Art and Paintings 拍場2016年9月12日 lot 8069, 售價USD 4,375.
Lot 602
A THANGKA OF USHNISHAVIJAYA, 19TH CENTURYTibet. Distemper and gold on cloth. The three-headed Goddess of Longevity seated in dhyanasana on a lotus throne with offerings placed before her. Below Amitayus and White Tara, a mandorla and a green halo behind her. The principal hands in dharmachakramudra and holding a vishvavajra, the other six forming various mudras or holding attributes including a bow and an arrow.Provenance: French private collection. Condition: Good condition with minor wear, soiling, creases, and small losses.Dimensions: Image size 40 x 28 cmWith a silk brocade frame and mounted as a hanging scroll with wood handles.Auction result comparison: Compare with a related but slightly earlier thangka at Christie’s New York in Indian, Himalayan and Southeast Asian Works of Art on 15 March 2016, lot 212, sold for USD 20,000.十九世紀尊勝菩薩唐卡西藏。布面金彩膠畫。三首長壽佛母結跏趺坐在蓮花座上，面前擺著祭品。 在阿彌陀佛和白度母下方，身後有曼陀羅和綠色光背。 手施説法印，持有金剛杵，其他手也各施不同手印或持有寶器，包括弓和箭。來源：法國私人收藏 品相：狀況良好，輕微磨損，污漬，摺痕和小缺損。尺寸：畫面 40 x 28 厘米絲綢裝裱，挂軸，木柄。 拍賣結果比較：一件相近但更早期的唐卡見紐約佳士得 Indian, Himalayan and Southeast Asian Works of Art 拍場2016年3月15日lot 212, 售價USD 20,000.
Lot 622
THE HOFSTÄTTER PALAIS CARPET, QING DYNASTYChina, 1644-1912. The wool carpet superbly knotted with a central foliate medallion enclosing a charming scene of a warrior showing a grim expression and chasing four boys, one holding a bow and arrow, four evenly spaced phoenixes around the panel against a leiwen ground, surrounded by borders of dots, archaistic chilong, Buddhist lions, and scrolling leafy vines.Provenance: The Reinhold Hofstätter Collection. Reinhold Hofstätter (1927-2013) was a legendary Viennese art dealer, specializing in European Gothic and Baroque art, and considered one of the most eminent experts in those fields worldwide. He built a substantial and varied collection in his lifetime, including old masters, decorative arts, and furniture, which was sold over several years in numerous auction houses, such as Lempertz and Dorotheum. His collection also included Chinese works of art, some notable examples of which have already been sold in these rooms.Condition: Good condition with extensive wear, minor soiling, minor losses, and repairs. For a more detailed condition report, please contact the department.Dimensions: Size 428 x 329 cmAs one of the largest known Qing carpets outside of China, the iconic Hofstätter Palais Carpet has long been admired by collectors and academics alike for its intrinsic beauty, remarkable condition, and illustrious provenance.China has a rich history of wool carpets inextricably linked with the traditions of the pastoral nomads of the Asian steppe. The Mongol Yuan court held carpets in great esteem and adapted their nomadic aesthetic into something unmistakably Chinese. During the Ming dynasty, the arts were highly developed in many areas, including the manufacture of knotted carpets reaching an artistic zenith under the Wanli Emperor (1573-1619). However, the practice continued well into the Qing dynasty and the present lot exemplifies the extremely high quality still achieved during this period.Auction result comparison: Compare with a related carpet of smaller size (361 x 300 cm) and arguably lesser quality at Christie’s New York in The Collection of A. Jerrold Perenchio | Chartwell: An Henri Samuel Commission on 1-16 September 2020, lot 35, sold for USD 47,500. For an example of a Ming carpet of exceptional quality, see the Tiffany Palace Carpet at Christie’s New York in The Exceptional Sale on 14 October 2020, lot 20, sold for USD 1,710,000.來自霍夫斯塔特宮的清代地毯中國，1644-1912年。長方羊毛毯錦地中央開光，一個大男孩追逐着四个男孩玩耍，一个拿着小弓箭。四支鳳凰飛舞，四條吉祥紋帶，可見螭龍、太狮和葡萄藤。 來源： Reinhold Hofstätter（莱因霍尔德·霍夫斯塔特，1927-2013年）是一位传奇的维也纳艺术品经销商，专门研究欧洲哥特式和巴洛克式艺术品，被认为是世界上該领域中最杰出的专家之一。 在他的一生中，他建立了丰富而多样的收藏品，包括歷代大師、装饰艺术和家具，并在许多拍卖行（如Lempertz和Dorotheum）中出售。 他的收藏还包括中国艺术品，其中一些出名的藏品已经在這幾家拍賣行出售。 圖片：Reinhold Hofstätter藝廊，坐落於維也納市中心 圖片：維也納Palais Strudelhof ，Reinhold Hofstätter的舊址，在英國使館旁 品相：状况良好，有大量磨损，少量污漬，少量缺損和小修。 如需要更详细的状况报告，请与部门联系。 尺寸：428 x 329 厘米 拍賣結果：一件相近但尺寸更小 (361 x 300 厘米) 且狀況稍差的地毯見紐約蘇富比The Collection of A. Jerrold Perenchio | Chartwell: An Henri Samuel Commission 拍場2020年9月1-16日 lot 35, 售價USD 47,500. ；一件高質量的蒂芬妮宮中明代地毯見紐約蘇富比The Exceptional Sale 拍場2020年10月14日 lot 20, 售價USD 1,710,000.
Lot 768
A FINE AND RARE CHAM SILVER HEAD OF SHIVAChampa, 10th-12th century. The head displaying the classic iconography of Shiva, the central deity of the Cham people, with long earlobes and piled up locks of hair. The face showing a fine, calm expression with almond-shaped eyes, one uninterrupted bow-shaped eyebrow below the third eye, a broad nose, an elegantly curved mustache, and thick lips forming a subtle smile. Gold and silver Shiva heads such as this one once belonged to mukhalingas but were often separated due to the weak riveting used to fix the heads to the linga bodies.Provenance: Ex-Collection of The Zelnik István Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. István Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe.Published: The Zelnik Istvan Southeast Asian Gold Museum, page 174, Budapest 2013.Condition: Very good condition with minor traces of age and wear.Weight: 260.2 gDimensions: Height 17.2 cm罕見占銀濕婆頭像占婆, 十至十二世紀。這個頭像是濕婆的經典特徵。占婆絕大多數人信奉濕婆。濕婆有著長長的耳垂和精心編織的髮辮。臉部呈杏仁形，雙眼下方有一個不間斷的弓形眉毛，寬闊的鼻子，優雅的弧形鬍鬚，豐滿的嘴唇展現出微妙而平靜的表情。像這樣的金色和銀色濕婆頭像曾經屬於穆卡林迦，使用時會將其固定到林伽上。來源：原The Zelnik István Southeast Asian Gold Museum博物館收藏。比利時Institutional art collection, 購於上述收藏。 Dr. István Zelnik是匈牙利南亞和東南亞研究所所長，前匈牙利高級外交官，他在東南亞工作了幾十年，建立了歐洲最大的亞洲藝術品私人收藏。圖片：Dr. István Zelnik出版：The Zelnik Istvan Southeast Asian Gold Museum, 174頁, 布達佩斯 2013.品相：狀況極佳，有輕微的年代和磨損痕跡。重量：260.2 克尺寸：高17.2 厘米
Lot 182
A group of seven WWII and later medals comprising the 1939-1945 star, the Africa star, Defence medal, two 1939-1945 war medals and a 1953 coronation medal, a ribbon bar with miniature medals, a France and Germany star ribbon (ribbon only), and a miniature lady's civil MBE medal on bow ribbon
Lot 455
Sir Robert Frankland - Russell, 7th Baronet, (1784-1849)"The Cock Tavern in Bow Street, Convent Garden," sepia drawing, Busy Street Caricature Scene with numerous figures, with word bubbles from each of the front characters, approx. 20cms x 26cms (8" x 10") mounted and framed, note on back. (1)
Lot 2742
A late George III mahogany, satinwood and boxwood strung secretaire, circa 1810, slight oversailing rectangular form top, the dummy drawer fall front enclosing interior fitted with a writing surface and an arrangement of pigeon holes and drawers with ivory randles, over three long drawers with brass handles and ivory escutcheon, bow apron raised on splay supports. 142cm H x 132cm W x 53.5cm DCondition Report:Good condition with signs of loss to the veneer, missing with brass mouldings on the handles, signs of wear to the writing surface and general and scratches.
Lot 2811
A George II Mahogany Dropleaf Table, mid 18th century, circa 1850, the rectangular centre with bow edge and two dropleaves to form an oval top with swing action support, above a single frieze drawer with brass ring handle, raised on four cabriole tapering legs terminating hoof feet. 76cm H x 107cm W x 41cm D (125cm with the leaves up)Condition Report:In good overall condition with general aging.
Lot 2814
A George/William IV mahogany crossbanded and boxwood strung bow front sideboard, circa 1830, by Mary & Thomas Willson, 68 Long Acre, London (engraved inside the frieze drawer), slight oversailing top above single frieze drawer flanked by a twin cupboard and cellarette drawer with brass lion mask ring handles, brass keyholes and locks, over a single drawer, raised on tapering supports. 90cm H x 153cm W x 60cm DThomas Willson is recorded as the proprietor of a firm of auctioneers and appraisers established in 1799 at this address, which continued until 1854. Other examples of furniture made from between circa 1780 to 1840 are known to carry this stamp.Condition Report:Good overall condition with general scuffs and scratches.
Lot 115
British School (20th Century) Portrait of a Young Girl with Blue Bow, inscribed Molly Bishop 1937 bottom right, charcoal and watercolour, measurements 62 x 49 cm, frame 77 x 64 cm, together with 20th Century pastel portrait of a Young Girl Carrying a Bouquet, measurements 70 x 56 cm, frame 59 x 44 cm, and Dorothy Bakinglan (20th Century), Sada in a Bridesmaid Dress 1975, oil on board, measurements 75 x 59 cm, frame 87 x 72 cm (3)
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