Circa 1950s/60s Full Length Evening Dresses, comprising a pale blue sleeveless Berkertex of Mayfair dress, appliquéd with silver beads and opalescent sequins overall of floral design; similar sleeveless dress by Robert Dorland in a darker silk, with high neck, appliquéd with rows of pink and clear glass coloured beads with drops (size 36); a Herald Fashion similar style sleeveless dress with a sheer chiffon mount, embroidered with floral gold and cream threads, bow detail under the bust; a purple and pink floral brocade sleeveless dress with plum coloured velvet mount to the neck and around the back, panelled A-line skirt; Eastex pale blue sleeveless dress embroidered overall with heads of wheat; pink/mauve Helene New Bond Street London net evening dress with sweet heart neckline, net straps, bodice appliquéd with silver bead and opalescent sequin flower heads, full skirt; blue satin sleeveless evening dress with fabric straps, silver bead and blue sequin appliquéd decoration to the front and back of bodice, A-line skirt; Emenson pale blue dress with capped sleeves, V-neck bodice, panelled full skirt with two trims and bow appliques; dress with white flocked decoration, shawl style collar; pale blue dress with short sleeves scoop neck with multi pleated detail to the bust area, flocked with pale pink flower heads and green leaves, panelled full skirt and bow to the reverse (10) . Berkertex of Mayfair dress - some slight discoulouration around the neckline, back and under the arms, some bead and sequin losses, slight wear overall. Robert Dorland - slight wear overall and very slight discolouration to the under arms. Herald dress - slight wear overall, some loose threads and slight discolouration on the trim on the neckline; Purple and pink brocade dress - straps have been re-attached, velvet is faded and slight wear. Eastex dress - slight discolouration and loose threads to the embroidery. Helene dress - slight discolouration under the arms, straps repaired, replacement zip which needs stitching, slight wear overall. Blue satin dress - slight discolouration under the arms, small mark to the back of the bodice, top of the shoulders and slight wear overall. Emenson dress - slight discolouration around the arm holes, other wise ok. Flocked dress - poss some alterations, slight wear overall and some of flocking is rubbed. Pale blue flocked dress - some discolouration around the neckline, and to flocking including rubbing, slight wear overall.
We found 117861 price guide item(s) matching your search
There are 117861 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
117861 item(s)/page
Assorted Circa 1960's Evening Wear, comprising a black short sleeved knee length dress with v neck, bead drops and black sequin trim; black short sleeved dress with V neck, black silk mount to the collar and waist front, decorated with beads (no belt); black sleeveless fitted knee length dress with pleated bodice and straps; Lydia of London black sleeveless dress with gathered sleeves; black velvet and satin type sleeveless dress with applique bow, set with a paste mount; gold metallic textured sleeveless dress with collars and buttons to the front, matching belt; gold metallic long sleeved dress with turn over collar and faux bodice with bow detail; similar gold evening coat with three quarter length sleeves and neck tie; Blanes black sleeveless dress with wrap style front, drop waist and diamante faux buttons to the side, two tiered silk taffeta trim to the hem (size 16); black sleeveless dress with chiffon and black sequinned mount to the front (10). Black sequin dress; 40'' bust and slight wear. Black beaded dress - 42'' bust, slight wear. Black sleeveless dress - 36'' bust, hem loose at the front and slight wear. Lydia of London dress - 42'' bust, small hole to the back, both bodice side seams have been let out slightly. Black velvet and satin dress - 32'' bust, shoulder seams repaired and several loose threads, the bow needs restitching - some wear to the velvet. Gold textured dress - 36'' bust and slight wear. Gold long sleeved dress - 34'' bust, some thread pulls and slight wear. Gold evening coat - 40'' bust, slight wear, both sleeve holes have part of the seam open. Blanes dress - slight wear overall, mainly to the zip area and lining to the back of the neck is worn and splitting. Black dress - slight wear overall.
Assorted Circa 1980s/90s Ladies' Evening Wear, comprising four items by Droopy & Browns by Angela Holmes dark red wool double breasted jacket dress (size 10), a printed floral cotton long sleeve jacket with buttons to the front (size 14), a wool printed dress with printed Nehru type neck, side fastening bodice, full pleated sleeves, with exaggerated long cuffs and multi buttons, side pockets and matching belt (size 12), a printed cotton long sleeved dress, buttons to the bodice, short gathered skirt (size 12); Tricoville Gold Label electric blue velvet dress, with multi pleated detail around the collar and black silk fabric belt (size 12); Scott McLintock black velvet long sleeved dress with dark blue shot silk skirt (size 8); green silk mini dress with bow to the front and wide gathered straps; a black and yellow ochre large spot chiffon strapless dress with short skirt; a Frank Usher black and silk type dress with alternating panels and sequin front; Sixth Sense black short sleeve dress with V-neckline, fabric belt; Dorothy Perkins black velvet double breasted coat dress (size 14); black velvet and silk taffeta strapless dress with gold applique to the bodice; a Jane Elmer of York strapless evening dress, with multi sequinned and beaded bodice over a pink metallic tiered skirt; a Wallis Exclusive gold and black flocked strapless dress with gathered trim to the waist (size 10); a black Dorothy Perkins full length sheath dress with beads (size 14); a similar dress in sheer fabric; a red dress of similar design with pleated detail to the bust; black jacket embroidered to the lapels and pleats to the waist (18)
Assorted Modern Ladies' Evening Wear, comprising Betty Barclay green silk effect jacket; Windsmoor black silver and gold jacket with diamante mounted buttons; Puccini black cocktail dress with detachable deep pink silk collar; Scott McLintock long black evening dress with wide cream shoulder straps; Fink strapless dress with inserted red panel, red/black bow at the waist with black bolero jacket; Manon gold sequinned camisole top; black halter neck top; bronze and black sequinned camisole top; Collage black velvet embroidered bodice with see through sleeves and top; winter white long sleeve button through dress; cream tuxedo jacket; pale pink silk jacket; black cocktail dress with diamante buttons and silky lapels; Liz Claborne black all in one with black velvet trims(14)
Ted Baker Patent Quilted Handbag, in pale pink with gilt metal buckles, double zipped top, fabric lining, with dust bag, 34cm by 25cm by 16cm; Pair of Dune Black and White Satin Evening Shoes, with peep toes, black suede bow and diamante clip (size 39) and a similar Pair of Dune Black Suede Evening Shoes (size 39), both boxed; Four Salvatore Ferragamo Bags, including a burgundy patent shoulder bag, green leather crescent shaped shoulder bag, dark cream suede hobo style shoulder bag and a navy leather and patent evening bag; Other Accessories comprising a wide leather buckle belt, Rayne black velvet and gold evening bag (one box)
Circa 1930s French Bonnet, labelled 'Cheruit, 21 Place Vendome, Paris' in blue velvet and mounted with pink silk woven with silver threads and pink chiffon, with bow to the reverse; another in Pale Pink Wool printed with floral motifs, silk lining to the underside bearing the 'Cheruit' label and overstamped in red with 'Children's Department'; another Cheruit Dark Blue Velvet Bonnet with silk crown and a band of velvet embroidered with metallic threads in floral design, lace trim and feather applique (3)
British 1803 Infantry and Flank Company Officers Sword. Brass knuckle bow with crown over George III cypher and lion head pommel with wood fish skin covered wire bound grip. Heavily curved etched blade in its brass mounted black leather scabbard, with 2 ring mounts. Locket marked Hunter Edinbr. Condition ReportBrass fittings firmly attached, have dents, hilt is firm on the blade, no rattles, leather stitching is in good order. Some creases to leather.
A Staffordshire pearlware figure of Diana the huntress, circa 1800, standing with her bow and quiver of arrows, square base, 29.5cm. high; also a Staffordshire pearlware group depicting Charity, 18.5cm. high, (2). Condition Report Diana- losses to crescent in hair and to top of quiver of arrows. Glaze chip to nose. Chip to bottom of bow. Shallow chip to inner edge of cape. Minor glaze chips in places.Charity- glaze chips to outside of her right hand.Losses to top of cross held by the child on the right. Glaze chips around top of base at rear.
A matched pair of Bow figures of children dressed as Harlequin and Columbine, circa 1760, each standing in a dramatic pose on a mound base applied with flowers and leaves, Harlequin with red anchor and dagger mark, (a.f), 11.5cm. and 12cm. high, (2). Condition Report Harlequin- restoration to right arm, hand and slapstick. Restoration to little finger of left hand.Chips to applied flowers and leaves.Columbine- restored through waist. Restoration to fingers of left hand and to slapstick.Chips to applied flowers and leaves.
A George III mahogany bow-front barometerBy Adie & Son, EdinburghThe 8in silvered scale with vernier above the trunk with inset thermometer99cm high Condition Report The barometer is in good working condition. The pediment block is a slightly different colour than the stem and there is a new brass hook for hanging. Both silvered scales are tarnished. The bow front fillet below the main dial is a different colour, more orange as is the base fillet. New brass screwed strap across back of cistern cover. Marks and scratches across trunk consistent with age.
A pair of Derby porcelain figures, early 19th century, modelled as a seated boy playing with a `Macaroni dog' and a girl feeding a cat, incised No. 362, blue crossed swords mark, (a.f), each approx. 15cm. high, (2). Condition Report Boy- small chip to bow in hair. Nick to tricorn hat.Right hand lacking. Left hand broken off . Part of it is available but missing fingers. Dog's tricorn has broken off and chipped but is available. lacking right front paw and majority of tail. Small chips to flowers and leaves under chair.Girl- small chip to sleeve. Chip to end of spoon. Cat lacking majority of left front leg. Some restoration to its tail.
An 18th century Continental silver wine strainer, with crowned C mark possibly for Strasbourg 1744, and bee makers mark, possibly for Johann Ludwig Imlin, decorated with Bacchanalian figures, and vines, with goat mask to the base, instruments below the handle and cupid with his bow to the handle, all within rococo scrolls and curls, on a textured ground, the whole with traces of silver gilt, particularly to the bowl, later English import marks, William Moering, London 1900, 12.7 by 8.1cm, bowl 3.6cm diameter, 1.2cm deep, 1.53toz.
An Edward VII silver spirit kettle on stand, of London shape with ebonised bow shaped handle, side hinged lid with ebonised finial, the stand with row of ventilation holes, a hinge to front for pouring, and locking pin on chain to back, removable burner with lift out domed lidded wick holder, raised on four cabriole legs terminating in pad feet, William Hutton & Sons Ltd., 25 by 13.5 by 32.5cm high overall, London 1907, 49.50toz total.
A collection of gold and yellow metal jewellery, comprising a 9ct gold circular locket pendant, 4.6g gross, 23mm, an oval 9ct rose gold locket pendant, 4.7g gross, 20 by 17mm, a 15ct gold chain with barrel clasp, 6.1g, 41cm, a yellow metal chain, 77cm, 7.1g, four 9ct gold or unmarked yellow metal pin brooches, one set with a B, one a bow, one plain, and one of buckle bar form set with turquoise and seed pearls, 41mm, a circular brooch set with filigree decoration and photograph to back, 7.3g, 28mm, 9.8g gross combined, and two black mourning pieces, one an Edwardian oval brooch with a bow and two flowers set with seed pearls, 9ct gold back engraved 'JCM 11 March 1903, 36mm, the other a Victorian oval pendant, inset lock of hair, the gold frame engraved 'JLL Diep March 16th 1871', 39mm long. (11)
An Unusual French Revolutionary Period Riddle Fan, the monture of bone, with some light carving and painting to the upper guards. The double paper leaf, hand coloured, shows two couples in extravagant 18th century dress, the ladies appearing to be beseeching the gentleman to share their affections. Cupid floats on a cloud between them, holding both a flaming torch and his bow and arrow, tokens of Love. To each side the leaf features a vignette containing symbols, enclosed in green and pink draperies. The left section contains the word ''DE'' in capitals, with a yellow pitcher, a spray of flowers, and, possibly, a heart. To the right, the word ''VOEUX'' (wishes), a standard bush, and a yellow crown. Both sections contain what could be a letter ''L''. Thus, this is an example of a riddle fan, the sounds when the symbols are spoken aloud giving the meanings. From the left, ''Elle possède mon Coeur'' from L (elle) po (dessin d'un pot) + ssè (dessin d'un ''cep'' - de vigne) + de + mon (dessin d'un mont) + cœur (dessin d'un cœur), and to the right, ''elle couronne mes vœux '' from L + couronne + mes (dessin d'un arbre de mai) + vœux. The leaf is bordered with gold and a subtle ruby. The verso is plain. Guard length 10.75 inches or 27.5cm. Infinite thanks to Ondine P-P and Georgina L-B of the Circle de l'Eventail, Paris, for their invaluable assistance with this puzzle.. In generally good order and strong. When closed, the sticks in the gorge centre are seen to be bowed. Both guards have a crack near the top but there is no obvious repair. The leaf has light foxing to the verso and one or two folds may have been re-secured.
The Toilet of Venus: A Large Early 18th Century Ivory Fan, the upper guards plain, the lower sections shaped and carved at the shoulder and mid gorge, and particularly at the head, which splays when the fan is open. The single vellum leaf, mounted à l'Anglaise, shows a brightly colourful depiction of Venus at her Toilet, outside on a veranda with imposing Italianate buildings to the background, surrounded by handmaidens, one proffering a large mirror, others seeking to please their mistress, a jewellery box to the foreground, cherubs playing in front of a fountain, the water spouting from the mouth of a large fish. Cupid holds his bow and arrow to the right, to the side of a maiden creating floral displays. The verso is plain. Guard length approx. 11.25 inches or 28.5cm. Together with A Circa 1760's Découpé Fan, the monture of ivory, carved and pierced in classical fashion, the double leaf painted with garlands and sprays of flowers, some traditional, some more of the wild. The découpage follows the top border and down into vertical panels at regular intervals. The verso is painted with simple red flowers. Guard length approx. 10.25 inches or 26cm; finally, An 18th Century Ivory Fan with a pink theme. The shaped guards are carved and painted with pink blooms. The gorge has a look of a pagoda fan at the shoulder, with the top of the sticks forming two or three straight sections not usually seen on such a folding fan. The pastoral scene of a musical gathering, led by Cupid playing his pipe, is painted in shades of pink against a silvered background, and the small object painted on the gorge continue this theme. The verso, silvered, is painted with pink flowers. Guard length approx. 10.5 inches or 26.5cm (3). Good, strong colours retained. Both guards have old nailed repairs with metal plates at the shoulders. Some wear and slight damage mid-leaf bottom edge where the sticks have come detached from the ribs. The second fan has damage to the decoupage. The upper guard lacks the first 5 cm and the other guard looks to have been repaired at the same point. One gorge stick has broken but the section is present, but the colours remain strong. A pretty and feminine fan despite faults. The final fan has a break to the upper guard with a small section missing. That guard is stuck to the first stick in. The silvered leaf is dull, as is the silvering on the guards.
An Interesting Mid-18th Century Ivory and Tortoiseshell Fan, the gorge sticks in ivory with colourful painting of musical instruments and flowers, the guards over laid vertically with panels and shaped sections of pale mother-of-pearl and edged with tortoiseshell, with the addition of tortoiseshell/mother-of-pearl thumb guards. The gorge on the verso has faint traces of a design in gold. Unusually, this fan has two main leaves, with mythological subjects. To the recto, Apollo, God of Music and the Arts, seated by a tree, a goat to his left, a small lyre to hand being watched by several shepherds with their dogs and cattle. To the verso, the leaf features Pan, half man half goat, with most likely the nymph Syrinx, a river god and swan to the left and Cupid with his bow and quiver to the right. Contained in a cream card fan box with Duvelleroy label inside the lid. Guard length approx. 11.5 inches or 29cm.. Lacks one short section of a tortoiseshell thumb guard, and a section of MOP on the other guard. Some rubbing to the folds recto/verso. On each side of the leaf, the first 2 folds in are well rubbed and on the side with the river god this is more evident. Some nicks to upper folds. Otherwise quite strong, good colour.
A Very Pretty Early 20th Century Mother-of-Pearl Fan, in shades of green and pink (burgau), the leaf with cream background net, overlaid with cream silk cut out in places to reveal the net layer. The silk panels alternate in width, and are painted or sequined, narrow panels with blue sequins in bow shapes, wider panels with delicate flowers in pastel shades of blue and pink. All panels have borders of embroidered sequins and a double border along the top and sides enclosed a further row of flower head spangles. Mounted à l'Anglaise with bone ribs. The verso is plain. Previously part-lot 55 in Phillips London on May 19th 1998.. Clean and strong.
Lovers in the Rose Garden: An Attractive Early 20th Century Pale But Shaded Mother-of-Pearl Fan, the stick tips shaped as a T. All mother-of-pearl sections are gilded, with a floral design. The double leaf, the upper layer cut away in places, is painted with a central cartouche showing a suitor doffing his tricorn hat to his lady, whilst walking through the grounds of a large Georgian mansion. Indistinct signature, on the lines of ''E…cf''. To each side, an oval vignette set within a larger section, bordered with tiny sequins. To the left, a painting of a large building with towers. To the right, a similar building but seen from a rural setting. Each oval hangs from a blue ribbon tied in a bow, surrounded by small flowers. Guard length approx. 7.5 inches or 19cm. . Wear to the leaf folds. Light soiling to the verso. This fan has been framed and the frame is available within the hammer price if desired. A few gauze folds are starting to split. Slightly splayed if refolded.
The Molier Circus Fan, 1883, bearing a poem by Gaston Jolivet on the verso. Dated on the recto 17th mai 1883, this fan design is by John-Lewis Brown, born in Bordeaux in 1829. The wood monture, polished on the guards which are also shaped to resemble twigs, bears a double paper leaf. The recto shows scenes from a circus, and is dedicated by the artist ''A son ami Molier'' above the date and his signature. Printed and hand coloured, showing to the left the Ringmaster and his prancing horse, centrally a female performer riding side saddle, holding an open folding fan with leaf showing an arrow within a red heart, and in the foreground, a couple of performers taking their bow after their Act, the lady holding a bouquet of flowers. To the right, above the dedication, a clown with bouffant hair, his body protruding from within a pantomime horse costume with the horse's head and tail and a red cape. On the back, a poem or song in five verses written in blue, in French, appearing to be original rather than printed, entitled ''Salut à Molier'' and signed to the right Gaston Jollivet mai 1883. Guard length 11.25 inches or 28.5cm Ernest Molier, not to be confused with Molière, is an almost legendary figure from the Belle Epoque, a man whose interest in the equestrian arts led him, eventually, in 1880, to open a circus in Paris, 6 rue Bénouville, the 16 ième. Much frequented by Aristocrats, actors and journalists (and featuring them as performers), the circus featured gymnastics, dance and pantomime. Mata Hari once performed there as a horse rider. Gaston Jollivet was a journalist and playwright in the period.. In need of some leaf securing, with most folds either nicked or slightly more along the top edge, and one verso fold lifting, but generally quite sound and the monture is strong.
A Rare Example of An Early 19th Century Letter Case, with four delicately embroidered panels and small-scale intricate ribbon work. Worked on cream silk, three of the panels have a similar design of a floral spray within an undulating border. The fourth panel differs in that the central feature is a suspended oval, a bow tied above, with lines of metal thread. The inside panels, which open to form compartments, lined in cream silk, are edged with a narrow bobbin lace border, which predates the bobbin lace border seen from the exterior.. Clean, strong, probably unused.
A Collection of Mainly 19th Century Embroidery Samples from Europe, showing different techniques. To include: A 19th century cream satin panel worked in 4 panels with pastel silks and metal threads, in a floral design. From the left, a stomacher, uncut. To the right, two smaller panels, perhaps cuffs, and beneath these a longer, slimmer panel perhaps for a belt. All uncut. Backed with cream gauze, the embroidery through both layers. Bearing a cotton label perhaps indicating eastern manufacture; a turquoise blue silk panel embroidered in taupe with a floral spray tied with a large bow, tiny beads within the bow, above a wide border also worked with the beads; an embroiderer's workbag of lilac silk, fitted inside with red satin panels making several pockets for needlework tools, showing different embroidery designs, and a top section of cream wool for needles. On the back, the word ''Brodeuse'' is embroidered in red. Red edging throughout, front button fastening. Silk ribbon handle; a small hanky case, pink satin, embroidered with an 18th century gentleman holding a staff, his face painted and applied silk. Corded braid edging; a small circular panel of mid Victorian floral plushwork, worked on canvas; a panel of ribbon work and silk embroidery, featuring a flower basket full of flowers, surrounded by Fuchsias; another more simple ribbon work example; a woolwork silhouette showing a young couple dancing, worked in black wool on cream; a circular appliqué panel of red wool, the floral appliqué in velvet and cotton, edged with silks; a machine embroidered panel of cream flowers and motifs on soft pink; a 20th century eastern European mat embroidered in orange and yellow with a lace border; a black velvet bag with similar floral embroidery to both sides. The top edge with a crochet border; a circular panel of Sol lace, more substantial than usual and in many colours, with a decorative mustard border; An embroidered bird with elaborate plumage; a cream panel embroidered with flowers and leaves in wool; two Bargello or flame stitch type embroidery fragments, one in silk with metal thread detail, the other in wool on heavier canvas; and a decorative pelmet, probably French, embroidered in pastel silk outlined in gold cord, on white net. Scalloped bottom edge. Approx. 8.5 inches or 21.5cm by 98 inches or 251cm . The panel with the bow lacks some beads to the wide border. Most other items strong, clean, purchased as examples so not always finished pieces. The pelmet's gold cording is in extensive need of re-securing.
An Unusual 19th Century Girls or Doll's Hat, beautifully made with panels of hand-made bobbin lace for the rim, in gold metal thread, and a mix of pastel silk thread and gold metal ribbons for the crown. The crown has a stiff interior, in an oval shape, meaning the hat would perch rather than fit securely on the head. The crown is designed with coiled metal ribbon, and silk embroidery in chain stitch, and finished with a pale green and gold ribbon and metal ribbon below that. The rim, with an outer edge shaped over wire, has a particularly intricate lace inner border, and a scalloped outer edge. Finished on the upper and the underside with a pale blue silk bow. Approx. 7.5 inches or 19cm by 8.75 inches or 22.5cm.. Very good.
WW1 British Miniature Medal group comprising of Military Cross, 1914 Mons Star with bar, War Medal and Victory Medal along with his full size medal ribbon bar for the same and a card bearing his name Major Gerald Evan Spicer MC with spare ribbon, bow to be worn with evening dress and a named receipt from Gieves Ltd from 1952 for mounting medals. Empty box which contained his full size medals. His private papers and tape recorded interviews are held in the Imperial War Museum.https://www.iwm.org.uk/collections/item/object/80003142https://www.iwm.org.uk/collections/item/object/1030006759
A collection of twenty-two Royal Albert Beatrix Potter figures to include 'The Old Woman who lived in a Shoe Knitting', 'Tom Kitten and Butterfly', 'Peter ate a Radish', 'Mr Tod', 'Mrs Rabbit and Peter', 'Miss Dormouse', 'Jemima Puddleduck with Foxy Whiskered Gentleman', 'Mittens and Moppet', 'Peter and the Red Pocket Handkerchief', 'Gentleman Mouse Made a Bow', 'Lady Mouse made a Curtsy', 'And this Pig had none', 'Mrs Rabbit cooking', 'Ribby and the patty pan', 'Peter with Postbag', 'No more Twist', 'Benjamin Wakes Up', 'Pigling Eats his Porridge', 'Hunca Munca spills the beads', 'Peter in Bed', 'Peter with Daffodils', 'The Christmas Stocking', together with three Beswick figures 'Mr Benjamin Bunny' and 'Foxy Whiskered Gentleman', 'Fierce Bad Rabbit' (25).
A mahogany bow front chest of drawers, early 19th century, with two short and three long drawers, on splay feet, height 104cm, width 106.5cm, depth 56cm.Condition report: All drawers operate smoothly apart from the top long drawer which slightly sticks, general wear, small chips to veneer but mostly in good condition, some old worm. Extra images on David Lay website.
A mahogany bow front wardrobe, early 20th century, with a pair of twin panelled doors above a dummy drawer and single drawer on splay feet, height 168cm, 88cm.Condition report: Very small veneer loss below left hand door, slight cracking to veneer on door panel but does not detract from overall look. Signs of wear on feet slight scratches. Extra images on David Lay website.
A VICTORIAN ROSEWOOD INLAID AND PEN WORK BOW CENTRED WRITING TABLE WITH TOOLED LEATHER TOP, ON SQUARE TAPERING LEGS, 74CM H; 106 X 64CM Item heavily faded in places, leather top heavily rubbed and scuffed, numerous scuffs and scratches to edges consistent with age and use, otherwise good solid condition
TREEN. A PAIR OF CARVED LEVER NUTCRACKS, A VICTORIAN BRASS POSTAL BALANCE ON BOW FRONTED WALNUT BASE, A BRASS HANDBELL, AN AGFA CAMERA, TWO POLAROID CAMERAS, A CARPENTER AND WESTLEY PLATED METAL DESK BAROMETER, TWO MAGNIFYING GLASSES, ETC A mixed lot in mostly good condition, including nut cracks
Loading...-
117861 item(s)/page