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Lot 155
6 MIXED BOTTLES OF WHISKEY/WHISKYJameson 18 Years Old Triple Distilled Irish (wooden boxed) and Jameson Bow Street 18 Years Old Cash Strength Irish (wooden boxed); The Dublin Liberties Single Malt Aged 13 Years Murder Lane; The Powerscourt Distillery Fercullen Single Malt Irish Aged 18 Years; Fistful of Bourbon Blend of 5 Bourbon Whiskies; Tullamore D.E.W. Old Bonded Warehouse Release Triple Distilled Irish
Lot 100
A PAIR OF STAINED WOOD AND PARCEL GILT PEDESTALS IN GEORGE III STYLE20TH CENTURYPOSSIBLY DESIGNED BY OLIVER MESSELEach of square section tapered form and with acanthus mouldings to the angles122cm highProvenance: Formerly the collection of Oliver Messel at Pelham Place Supplied by Messel to Frederick and Phyllis Watkins for the Bow Drawing Room Condition Report: Each with Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses,The stands have been fitted with lot 99 for the view, there are small brackets to the tops of these pedestals to attach either these or a similar fitting. There are scratches, knocks, chips, rubbing to the surfaces of the pedestals indicative of their age and usePlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 108
A GILTWOOD AND MARBLE TOPPED CONSOLE TABLE IN REGENCY STYLEMID 19TH CENTURYThe white marble top inset with specimen marble tablets above the base, the pierced apron with a scallop shell, confronting C-scroll and flowerheads on scroll legs joined by conforming X-stretcher centred by a platform 80cm high, 150cm wide, 84cm deepProvenance: Supplied by Oliver Messel, possibly from Holmstead Manor Illustrated:J. Lees-Milne, 'Flaxley Abbey, Gloucestershire - III: The Home of Mr. and Mrs. F.B. Watkins', Country Life, 12 April 1973, 'The Bow Room' Condition Report: There are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are losses, observations and restorations including: there are cracks and some repair to the marble top, with some stains, one corner slightly rounded; much of the gilding looks later; some of the joints are loose with the back right leg resting at a slight angle.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 111
A WALNUT SIDE CHAIRLATE 17TH CENTURY AND LATERWith rounded rectangular cane filled back supported by turned columns with pierced dolphin and C-scroll carved crestings, the cane filled seat on moulded scroll supports with turned toes joined by a pierced S- scroll and dolphin carved front stretcher and turned baluster stretchers138cm high, 46cm wide, 37cm deepProvenance: Supplied by Oliver Messel, possibly from Nymans Condition Report: (noticeable worm/loss),(now in Bow Room) Condition Report Disclaimer
Lot 129
A PAIR OF GEORGE III GILTWOOD MIRRORSIN THE MANNER OF MATTHIAS LOCK, CIRCA 1750The shaped rectangular plates in pierced frames carved with C-scrolls, acanthus and bulrushes surmounted by a broken swan-neck pediment centred by a pierced scallop shell, the aprons with confronting C-scroll clasps headed by further scallops155cm high, 76.5cm wideProvenance:Possibly from the Messel family collection Supplied by Oliver Messel to the Bow Drawing Room at Flaxley AbbeyThis pair of mirrors are in the manner of Matthias Lock as published in his Six Sconces (1744), plate 2 (ed. E. White, Pictorial Dictionary of British 18th Century Design, Woodbridge, reprinted 2000, p. 325). The double scroll top features in Lock's designs of the 1740s, and marks the seamless transition from the late baroque to rococo styles (A. Bowett, Early Georgian Furniture 1715-1740, Woodbridge, 2009, p. 294). Such mirrors are known as 'tabernacle frames'; 'tabernacle' being a term for a niche in a wall housing a statue or bust. The first known tabernacle frame designs originated in James Gibbs' drawings of 1721-22 when they were associated with the neo-Palladian style although as in this example they could equally be interpreted with greater freedom.Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, chips and losses,Joints opening to the frame, elements lifting in these areasThe mirror plate appears to be laterDirt and discolouration to the giltwood frame Signs of previous hanging hooks and brackets having been fitted to the rearPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 83
A FINELY CARVED PINE PIER MIRROR EARLY 19TH CENTURY, IN THE MANNER OF MATTHIAS LOCK With shaped rectangular plate, the frame pierced and carved with rockwork, scrolling foliage, pomegrate, flower heads and satyre masks, the cresting with Cupid's bow and arrow, the apron with cornucopia of flowers, 178cm high, 102cm wide Provenance: Formerly the Messel family collection at Nymans Removed to The Padouk Room at Holmstead Manor in 1947 after the disastrous fire and thence by descent to Oliver Messel Supplied by Oliver Messel to Frederick and Phyllis Baden Watkins for Flaxley Abbey Mirrors with opposing satyr head masks are usually attributed to Matthias Lock based on the design published in his Six Sconces (1744, 1768), plate 4 (ed. E. White, Pictorial Dictionary of British 18th Century Furniture Design, Woodbridge, reprinted 2000, p. 325). An etching from the original pattern book consisting of six plates of designs for wall-mirrors and sconces (with brackets for holding candles) is in the Victoria & Albert Museum (27811:6). A pier glass after this design was made for John, 2nd Earl Poulett (1708-1764), for the Tapestry Room at Hinton House, Hinton St George, Somerset (V&A, W.8-1960). Another mirror is at Ramsbury Manor, Wiltshire (R. Edwards, The Dictionary of English Furniture, Woodbridge, rev. edn. 1954, vol. II, p. 339, fig. 72). A pair of English giltwood pier glasses, c. 1760, attributed to Lock is at Uppark House, West Sussex (NT 137655.1-2). A related mirror of similar date is illustrated in G. Wills, English Looking-glasses, London, 1965, p. 87, no. 61. Condition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and losses, Joints opening to the frame, some signs of filler to the jointsThe mirror plate with bloom and depletion, it has age but Dreweatts wouldn't guarantee the originality of the plateThe surface is stripped Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 95
A PAIR OF GREEN UPHOLSTERED SOFAS IN VICTORIAN TASTE20TH CENTURYWith removable seat and back cushions84cm high, 200cm wide, 105cm deepProvenance: Supplied by Oliver Messel Illustrated:J. Lees-Milne, 'Flaxley Abbey, Gloucestershire - III: The Home of Mr. and Mrs. F.B. Watkins', Country Life, 12 April 1973, 'The Bow Room' Condition Report: Overall scratches, knocks and abrasions consistent with age and use.There are losses, observations and restorations including: there are small casters; the cushions feel as though they are feather and down filled but there are no zips to the cushions so it is not possible to be certain.The fabric is of striated velvet type in green and yellow. The fabric is variously sun faded, stained, with one large blue in mark and worn overall with some holes (?mouse?). The fringe was originally glued in place and this glue is no longer holding in places and has discoloured to a brown colour, the fringe is no longer attached in some areas.Please see the additional photographs as a visual reference of condition. Condition Report Disclaimer
Lot 99
A PAIR OF FOUR BRANCH TWO LIGHT FACETED GLASS CANDELABRA 20TH CENTURY IN THE LATE 18TH CENTURY MANNER The tapering stems with ball finials on spreading circular bases, each fitted with two scroll candle branches and two further branches mounted with suspending drops and lustres58cm highProvenance: Formerly the collection of Oliver Messel in the Dining Room at Pelham Place Supplied to Frederick and Phyllis Watkins for the Bow Drawing Room at Flaxley AbbeyThe present lot are mentioned in a 1960 edition of Today magazine when describing the atmosphere of Oliver Messel's Interiors "a Jewel box of a place, with Aubussons, pillars, arches, model theatre sets, and lustres...sparkling, scintillating". In 1963, Vogue described his dining room as 'a creative melange of decorative furnishings..brought together through his personal artistry' Condition Report: Some chips but no serious losses noted. Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The mounts plated but heavily tarnished. Formerly wired for electricity and each nozzle drilled- quite roughly, Some replacement wiring to hold swags on- some chips to edges of raised elements and drops. Will greatly benefit from a clean. Plaster holding mounts in starting to dry up. 1 cup to stem has slippedPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
Lot 184
Steiff exclusive Harrods limited edition musical "Extravagance Bear" - One of only 2,000 pieces made exclusively for Harrods. A 42 cm tall bear made of genuine mohair, fully jointed and fitted with a Swiss musical movement that plays Shirley Bassey's "Big Spender" Wearing a golden coloured satin bow and carrying a Harrods hat box. Stitched nose and claws and numbered ear tag. Bottom left paw signed by Steiff at a Harrods signing event. In original box and outer shipping carton, complete with certificate of authenticity. Bear and box appear in mint condition (This does not constitute a guarantee)
Lot 532
FOUR BOXED COALPORT FIGURINES, comprising High Society Collection, limited edition figurines: Lady Charlotte 1322/5000, and two Lady Sara figurines 2759/5000 (parasol handle loose) and 1653/5000, each with certificates, together with Edwardian Garden Party collection Lady Caroline, from a limited edition of 9500 (small patch of glue over bow on parasol), height of tallest figurine 23.5cm (4 + 4 boxes + 3 certificates) (Condition report: pieces appear in good condition, and as stated, sd to boxes)
Lot 425
A CASED VINTAGE VIOLIN, with a two piece back, bears a printed Antonius Stradivarius label, length of body 36cm x total length 60cm, in a fitted case with bow (requires restringing) (1) (Condition report: requires attention, bow as stated, wear to varnish, some chips to body of violin but generally sound, fitted case split)
Lot 12
A LATE 19TH CENTURY 18CT GOLD POCKET WATCH, a ladys key wound pocket watch, gold tone floral dial, Roman numerals, polished yellow gold case, approximate case width 36mm, case back engraved with floral detail, cartouche engraved 'To Mother 10th Dec 1890', inside case back stamped 18k Swiss control marks, yellow metal dust cover signed 'Camerer Kuss & Co New Oxford St London', approximate gross weight 35.5 grams, together with key and watch case (condition report: general moderate wear, some minor distortion to bow, sets and winds, currently running, timekeeping not tested)
Lot 604
An assembled set of four Bow porcelain busts of the Four Seasons, mid-18th century, comprising Spring and Summer as maidens with corn- and flower-bedecked hair respectively, on baroque pillar supports, Autumn as a faun with fruit and vine bedecked hair (chips to wreath and crack to base), Winter as a bearded figure with doleful expression wearing an ermine trimmed mustard coat, on marbled pillars, sizes range 13.5cm to 14.5cm (4)
Lot 104
Neorenaissance, dekorativer Anhänger mit Steinbesatz und farbigem Email, Silber und Gold, 20,9 g, 8x5,3 cm, Diamanten im Rosenschliff, Korund z.T. synthetisch, Granat, Beryll und versch. Perlen, ca. 1880-1890, Alters- und Tragespuren, 1 Volutenbogen fehlt, Email berieben, rückseitig Spuren von Zinnlot und Grünspanpatina, im antiken Formetui, anbei strukturierte Silberkette, L: 42 cm.| Neorenaissance pendant with gemstones e.g. rose-cut diamonds, corundes (partly synthetic), garnet, beryll, different pearls and enamel, silver and gold, 20.9 g, 8x5.3 cm, ca. 1880-1890, signs of age and wear, 1 bow with volutes missing, enamel partly abraded, backwards signs of tin-solder and patina, including antique shape-case and structured silver-necklace 42 cm.
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117845 item(s)/page