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Lot 35
A diamond and pearl pendant necklace, the pendant formed of bow form, with wave design drop, with round brilliant cut diamond, approx 0.30cts, the pendant itself set with tiny diamonds and a round brilliant cut stone to the centre of the bows, the central stones approx 0.2cts, further set with four cultured pearls, in platinum setting, with gold coloured reverse, on a fine link 18ct gold chain, 12.4g all in, the pendant, 5.5cm drop, 4.5cm W.
Lot 636
A George III mahogany bow fronted chest of drawers, with a plain top above three long drawers, each with oval brass drop handles, above a shaped apron, splayed feet, flanked by brass carrying handles, 88cm H, 62cm D, 116cm W. Auctioneers Note: By family repute this is believed to be formerly the property of the Harewood House Estate.
Lot 303
Various costume jewellery and wristwatches, to include four wristwatches, Seiko ladies wristwatch, Avia gents wristwatch, Sekonda gents wristwatch, Timberland wristwatch, Wedgwood brooch, agate set silver brooch, a pair of silver pen topaz screw on earrings, filigree design gilt brooch and a marcasite bow brooch, in sterling silver setting. (a quantity)
Lot 127
A George III mahogany serpentine front dressing chest, the bevelled rectangular top above a cockbeaded top drawer fitted with a later baize lined brushing slide, mirror and divisions over three further graduated cock beaded drawers with cast brass berry and bow swing handles, between fluted out facing front corners and shaped sides and raised on shaped bracket feet, 103cm wide, 58cm deep, 82.5cm high
Lot 335
EARLY VICTORIAN MOULDED BLACK PAPIER-MACHE MURAL SILHOUETTE of a gentleman looking to dexter long wavy hair tied at the back with a bow and wearing high collar coat, original ring suspension, 4 1/2" (11.5cm) high, A FRAMED EMBOSSED WHITE PAPER IN MEMORIUM CARD 'In memory of the late George Bateman White who died August 22, 1850 aged four years and two months' and THREE OTHER ITEMS including a small Nineteenth Century unframed and unattributed OIL ON CANVAS still life of fruit, 6" x 8" (15.3cm x 20.3cm) (5)
Lot 198
A small Bow candlestick figure of Africa c.1765, modelled as a female blackamoor standing before a recumbent lion and wearing an elephant headdress, her left arm outstretched, raised on a three footed scroll base, the sconce and drip pan picked out in puce and turquoise, an impressed T mark to the underside of the drip pan, a repair to her left arm, 19.7cm.
Lot 92
Literature: Chaffers, The New Keramic Gallery, Vols I and II; Adams and Redstone, Bow Porcelain; William Bemrose, Bow, Chelsea and Derby Porcelain; Anton Gabzsewicz, Made at New Canton; Isleworth Pottery and Porcelain, 2003 Exhibition Catalogue; and 29 other books and catalogues on pottery and porcelain. (34)
Lot 215
A rare Bow figure of a lady c.1755, seated with a bird's nest resting on her lap, holding a single small bird aloft in her left hand, some restoration, 12cm. Cf. English Ceramic Circle Transactions, Vol. 13, Part 3, pl.181 for the same figure in white, believed to be the only other recorded example.
Lot 265
An early Bow octagonal plate c.1755, boldly painted in the famille rose palette with an insect in flight above a large peony spray and holey rockwork, the rim with three further peony sprays, numeral 8 mark to inside footrim, 23cm. Paper labels for the E & J Handley Collection, and the Mrs D MacCallum Collection.
Lot 192
A Bow figure of a lady falconer c.1755-6, after a Meissen model by J J Eberlein, standing and holding a bird aloft in her left hand, a dog recumbent beneath her skirts, raised on a low pad base applied with flowers, some restoration to the left shoulder, 17.1cm. Provenance: the Roy Hogarth Collection. Exhibited: Simon Spero, Fifteen Years Among Furnaces, April 2012, no.38.
Lot 187
A London-decorated figured of a nun c.1755-60, after Chelsea or Bow in imitation of Meissen, seated and reading from a bible or prayer book, wearing a puce mantle over a flowered robe, 12.8cm. Provenance: the Roy Hogarth Collection. The Stephen Hanscombe Collection. Exhibited: Stockspring Antiques, June 2008, Early James Giles, No. 80. The steatic soft-paste porcelain of this model has been previously attributed to Vauxhall and may possibly be linked to a short-lived concern at Kentish Town under the direction of John Bolton.
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117861 item(s)/page