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A 19th century mantel clock, the white dial set with Roman numerals, with an overarching scrolling foliate metal mount surmounted by an emu, each side suspending a large carved egg, possibly emu, one depicting a man seated before a camp fire, the other depicting a kookaburra and emu, the whole mounted on a stepped wooden base, underneath a glass dome, height of dome approx 45cm, together with two painted bisque figures depicting Classical maidens seated on naturalistic bases, one possibly Demeter, carrying wheatsheaf, the other possibly Artemis, carrying reeds under one arm with a bow and a quiver to her back (all af) (3). CONDITION REPORT The clock is lacking its hands and the dial is at an angle. One of the foliate branches to the clock is broken off but present within the dome. The left hand ostrich egg is cracked. The overarching mount is leaning backwards.The figure carrying reeds has had the upper part of her bow broken off, as well as the arrows from her quiver. The figure carrying the wheatsheaf missing something from her hand and to her wrist.
Three violins comprising a 3/4 size two-piece back violin with bow in felt lined case by Rushworth & Dreaper Musical Instrument Makers Islington Liverpool, one other violin with two-piece back with bow in a similar case by the same maker, and a further full-size violin with two-piece back, in need of repair, within a wooden case (3).
A Georgian mahogany bow-fronted chest of two short and two long drawers, with shaped apron and raised on outswept bracket feet, 80 x 107 x 48cm (af). CONDITION REPORT Overall solid but used condition, there is notable sun fading to the top surface, except for a large circle to the centre, further scuffs, scrapes, stains, fading, etc, commensurate with use and age.Bottom frieze is faded and scuffed, no missing veneer,
Thirteen modern and vintage sterling silver (925) pill and trinket boxes, one in the form of a sweet in wrapper, one in the form of a purse, one in the form of a shell, book, three circular examples, a square example with embossed African scene, one with theatre masks, one with visible hallmarks for Sheffield 1977 and one inset with a marcasite bow, combined approx 5ozt (13).
An Edwardian silver candlestick, the urn shaped sconce with festoon decoration above a square tapering stem and square base, decorated with ram's mask, ribbon bow and bellflower garlands, Birmingham 1906, later converted for electricity and fitted with a pheasant's feather covered shade, height of candlestick 25cm, total height 54.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George V silver posy basket with pierced tied ribbon bow handle above pierced sides within a ribbon and reeded rim, Chester 1914 by Jones & Crompton, height 20cm, a set of six silver coffee spoons, each terminal enamelled in a different colour, Birmingham 1937 by William Hail Haseler, cased, a silver trophy cup, the front engraved with the 'London Athletic Club' crest, London 1912, height 11.3cm, and two other items of silver, including a Fiddle pattern caddy spoon, Sheffield 1830 by Robert Gainsford, length 10.5cm, total weight 310g, together with a silver toddy ladle with twisted whalebone handle, length 33cm, and a plated napkin ring.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A white gold, aquamarine and diamond pendant necklace, the tied ribbon bow motif mounted with circular cut diamonds supporting a large pear shaped aquamarine drop, on a circular link neckchain with four circular cut diamonds mounted at intervals, detailed '750 Italy', on a boltring clasp, detailed '750', weight 11.2g, aquamarine weight approx 8.72ct, total diamond weight approx 0.70ct, length 46cm, with a case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A gold, sapphire and seed pearl pendant, circa 1910, in a circular openwork design, the swing centre mounted with four sapphires with a seed pearl set bow surmount, detailed '9c', length 3.5cm, on a gold oval link neckchain with beaded divisions at intervals, on a cylindrical clasp, detailed '9ct', length 36.5cm, total weight 4.4g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 1970's floral print in pink mauve and green colourways, empire line design, 3/4 sleeves, elasticated cuffs, maxi length and a frilled hemline with an over dress, in a red and green floral print design, around the shoulders are two bow fastenings and three red button fastenings, there is a split down the back of the over dress, designed by Gina Fratini made in England, size 12
A French Louis XVI style giltwood fauteuil, c.1900, the oval back with curled ribbon decoration and bow cresting, over swept, foliate capped arms on fluted, foliate carved sabre supports, the stuffover seat and back in pale tapestry style upholstery, faults, raised on turned, fluted legs with toupie feet, 38 ½in. (97.75cm.) high, 24 ½in. (62.25cm.) wide.
John Fairbairn Fannen (British, 1847-1904), The Ocean Liner "Elbe" struck by the Steamship Crathie, 31st January 1895. oil on canvas, signed J. Fannen lower left and dated 1896. Queenan, Sunderland canvas stamp, modern gold reproduction frame. 20 x 33in. (50.8 x 83.8 cm.). * Notes: Painted in 1896 the year after the tragic sinking of the German ocean liner SS Elbe after being struck by the Scottish steam ship Crathie in the North Sea. The SS Elbe had left Bremerhaven for New York early on 30th January 1895 with 354 passengers on board. That night conditions in the North Sea were freezing and there were huge seas. As conditions worsened, she discharged warning rockets to alert other ships to her presence, but these were either not seen or ignored by the steamship Crathie en route from Rotterdam to Aberdeen with general cargo and twelve crew. The Crathie collided with the Elbe at 5.30am on the morning of 31st January 1895 striking her on the port bow with such force that she began to sink immediately. Most of the passengers were asleep when the captain gave the order to abandon ship. Only two lifeboats were launched, one of which capsized as a result of too many passengers trying to squeeze into the boat. There were just twenty survivors. The Crathie was also badly damaged in the collision but managed to struggle on to Rotterdam. Asked why he had not stayed to help and pick up passengers from the Elbe, the captain said that he ship would sink and besides it appeared to him that the Elbe was sailing away from his position..
Two Michael Sutty porcelain Samurai Warriors, one modelled holding bow (missing arrow) and one holding a yari (missing sword), black and gold glaze, both limited edition 8/50, the tallest 25in. (63.5cm.) to top of bow. (2) * The model with bow - sword has been bent in places, still intact, missing pieces as description on both, no chips or cracks found, no paperwork.
Two albums of postcards inc: military RP shipping (maritime) and other WWI interest (HMS King Alfred in a gale, King Alfred's Bow Gun, Lulworth Camp 1912, Mount Vernon Hospital Northwood, embroidered silks), Procession Inauguration of the President Monrovia, artist signed, Darlington scenes, Eden Terrace Chilton Ferryhill RP, Phoenix Series, semi nudes, Gold Coast Awoonor woman, Dinsdale Railway Station, etc.
A George VI mahogany bow front table,crossbanded in satinwood and inlaid with paterea, two long drawers, on turned legs,89cm wide51cm deep82.5cm highProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Condition ReportShrinkage crack to top, small loss of veneers to one corner and borders at both back corners. Later handles with shadows to the drawer fronts.
A carved and painted wooden bow rocking horse,19th century, the horse carved with a decorative harness and with later brown paint,130cm wide37cm deep93cm highProvenance: The Gordon Gridley Collection, London.Condition ReportBow misshapen so doesn't rock.Possible old damage repair to the base of the neck, base boards split, knocks, dents and chips throughout.
A SILVER BEAKER, POSY VASE, AND OTHER ITEMS, embossed floral and foliate beaker with a wavy rim, hallmarked 'William Hutton & Sons Ltd' London 1956, a single posy vase, tapered polished stem on a round weighted base, hallmarked 'A T Cannon Ltd' Sheffield 1977, a large circular swirl brooch hallmarked Sheffield, two white metal filigree brooches both unmarked, a white metal and abalone shell dragonfly brooch stamped 'Alpaca Mexico', a small silver bow brooch hallmarked Birmingham, a Tudor rose enamel stick pin stamped 'Mizpah' to the reverse, a boxed pair of oval cufflinks stamped '9ct & silver', approximate gross weight of weighable silver 95.1 grams
MOSKAU Zigarettenetui, 84 zolotniki, um 1923. Rechteckiges Etui mit scharniertem Deckel, mit einer großen Schleife sowie 2 Elefanten dekoriert, auf der Rückseite Andenkengravur 'Schwiegerpapa Weihnachten 1923', Drücker mit einem blauen Glasstein, Innenvergoldung, ungedeutete Meistermarke, ca. 2x12,5x8,5 cm, Gewicht ca. 212 g. Drücker etwas locker, Alters- und Gebrauchsspuren.| MOSCOW Cigarette case, 84 zolotniki, around 1923. Rectangular case with hinged lid, decorated with a large bow and 2 elephants, souvenir engraving 'Schwiegerpapa Weihnachten 1923' on the back, pusher with a blue glass stone, gilding inside, uninterpreted maker's mark, ca. 2x12.5x8.5 cm, weight ca. 212 g. Pusher somewhat loose, signs of age and use.
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117845 item(s)/page