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An English full size violin, with interior printed and ink inscribed label for Thomas Earle Hesketh, Manchester Fecit 1904, with initials within a circle, an ink inscribed label "copy of a Joseph Guarnerius owned by Adolf Brodsky", with well figured two piece back, 58.5 cm overall, together with a 74.7 cm bow, unmarked but mounted in nickel and mother of pearl, all within a fitted case (see illustration).
A French full size Mirecourt violin, circa 1880, with fine purfling front and verso, with well figured two piece back and figured sides, 59 cm overall, together with a 74.5 cm silver coloured metal mounted bow stamped Cuniot Hury, Mirecourt, all within a modern fitted (see illustration). CONDITION REPORT: There is no interior label to this violin. There are no obvious cracks to either front, back or sides. The violin does show signs of wear and tear commensurate with age.
Eight full size violin bows, one stamped Bausch, a Japanese example, the others unmarked. CONDITION REPORT: Four bows are lacking horsehair. Three bows are missing tension nuts. Two bows are missing their ivory/bone tips at the end of the bow. One bow is minis a frog. All bows are very much playworn. There are no obvious breakages to any of the bows.
Five music books, COWLING. ELIZABETH. "The Cello" (1975), "The Dictionary of British Violin & Bow Makers" by Dennis Plowright (1996), "Dictionary of Contemporary Violin & Bow Makers" by Cyril Woodcock (1965), "An Encyclopaedia of the Violin" by Alberto Bachmann (1966), "The Origins of Bowing" by Werner Bachmann (1969).
Five books on violins, HERON-ALLEN. E. "Violin Making As It Was & Is" published by Ward Lock, with upward of 200 illustrations by the author (1885), also a rebound copy, "British Violin Makers" by W. Meredith Morris (1920), "Bows & Bow Makers" by William C. Retford (1964) and "Art Effects - Journal of The Crafts & Craft Books Review" by Lynn Bowes being a potter in the 20th century.
Follower of John Hoppner (1758-1810), Portrait of a young Charley (sic) Cholmondeley, standing in the gardens holding his cross bow, watercolour over pencil, 37cm x 29cm; also a Holmes portrait of John Drummond of Stanmore, watercolour over pencil, signed and dated 1837, 38cm x 30cm, inscribed to a label versoNB: John Drummond of Stanmore, Avon Cottage, Denham and Charing Cross, married Nesta Cholmondely at Sundridge, Kent, June 11th 1789 (2)
Victorian burr walnut drop trunk wall clock, by J Knowles, Birmingham, circa 1860, white painted 29cm dial with Roman numerals, double fusee movement striking on a bell, the trunk with carved floral embellishments, bow fronted base with viewing door, width 46cm, height 76cmPlease note our special conditions of sale regarding clocks and watches
Edwardian mahogany bow front sideboard, in Georgian style, fitted with a central drawer with brass ring handles, above a kneehole, flanked with a circular inlaid cupboard doors with brass ring handles, all raised on tapered square section legs with spade toes, width 168cm, height 92cm, depth 69cm
George IV mahogany toilet mirror, rectangular plate supported on turned and ringed horns over a bow fronted base fitted with three jewellery drawers, each with turned wooden knobs and turned feet, width 70cm, height 64cmProvenance: Purchased from Christopher Pugh Antiques, Chester, 1988 at a cost of £325
Unusual mahogany and inlaid bow front dressing table, in Italianate style, having a central rectangular mirror with moulded edge, pietra dura style green stained border with foliate trails, flanked on either side with a raised panel cupboard door, further inlaid with ivy leaf trails, opening to shelves, the table centred with a terracotta inlay of a dancing muse, bordered with leaf trails in simulated lapis lazuli and malachite, the frieze fitted with two small drawers and centred with a bowfront with boxwood flowerhead roundel, all raised on tapered square section legs, width 136cm, depth 66cm, height 164cm
A late Georgian/early Victorian gold metamorphic pendant and matching earrings, the pendant set with two large pear cut foiled garnet cabochons, the largest approx 18.3 x 14mm and rose cut diamonds in bow/ foliate design, the earrings each set with a pear cut foiled garnet cabochon and rose cut diamonds
A KNOPF TYPE "CREMONA" COPY VIOLIN with two piece back, notched sound holes, the ebony turners and tail with inlaid mother of pearl flowers, bears label "Petrus ... Joseph ... Venemis ... 1740", length of back 14 1/4", overall length 23 3/4", together with a similar unmarked inlaid bow, 29" long, contained in a modern case (3) (Est. plus 21% premium inc. VAT)
A VIOLIN with two piece back, ebony turners and notched sound holes, labelled "... Stradivaurus ... Anno" and inked date 1821, curl stamped "Concert Violin" and star trademark, length of back 14", overall length 23", together with a nickel mounted bow stamped "TOURTE", 29 1/2" long, in a coffin case (3) (Est. plus 21% premium inc. VAT)
A G.W. HOFMANN VIOLIN with two piece back, notched sound holes, ebony turners, printed maker's label, Dublin, signed and dated 1926, length of back 14", overall length 23 1/4", together with an unmarked bow, 29" long, contained in original blue velvet lined and fitted case with Hofmann label (3) (Est. plus 21% premium inc. VAT) Provenance: Sold with original signed mss. letter to a Mr Franklin, dated 1931 setting out the properties of the violin, case and another bow, total original cost 23 12/- 0d
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117845 item(s)/page