A French Gold Enamel and Diamond Set Pocket Watch, signed Romilly a Paris, circa 1790, gilt fusee verge movement signed and numbered 6457, pierced balance bridge, enamel dial with Roman and Arabic numerals, diamond set half hour markers, pierced diamond set hands, case with leaf decorated enamel outer borders, back cover with outer enamel dots and a guilloche enamel chapter and a central diamond set motif, pendant numbered 6457, 35mm wide, with later attached 9 carat gold bow broochCondition report: Case with green enamel missing to the leaf decorated outer borders, back cover with two large chips to the purple enamel chapter and scratches in parts, one enamel dot surface looks slightly missing, diamonds to the back cover are all visible, some green enamel is missing to the centre, dial with hairline cracks and scratches, dial with one large chip next to the winding hole, dial with all diamonds look complete, winding smoothly, movement in going order. Total watch weight including later attached bow and small chain is 42.6g.
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117418 item(s)/page
An 18 Carat Gold Open Faced Pocket Watch, 1878, single fusee lever movement numbered 91618, dust cover, enamel dial with Roman numerals, seconds dial, elaborately engraved case with flower head and scroll decoration to the sides and back cover, case maker's mark JR and numbered 91618, Chester hallmark for 1878, 49mm wideCondition report: Case with surface scratches, bow is slightly worn, glass with scratches, dial with hairline cracks, hand setting correctly and winding smoothly, movement is clean, balance is swinging slowly, movement in going order. Total watch weight 118.5g.
English School (17th/18th century)Portrait of Capt. Lawrence Parson (died at Newton in 1673) according to label verso, half length wearing armourOil on canvas, 66cm by 47cmCondition report: In fully and relatively heavily restored condition. Evidence of likely two phases of restoration, consistent retouching overpainting and strengthening broadly throughout with some additional finer elements to detailing within the armour and bow tie. Relined, cleaned and revarnished. Some surface dirt, discolouration and deterioration to varnish in places, stretcher shadow, fine evident cracquelure which is fairly pronounced in places and maybe liable to lift and peal. Tiny white coloured flecks across the surface, mostly contained to background left and background right centre. Odd minor surface scuff, abrasion, some of the retouching and restoration has deteriorated and is evident by eye etc.
A Bow Porcelain Rice Bowl and Cover, circa 1758, of ogee circular form, painted in underglaze blue with the Golfer and Caddy pattern, painter’s mark 9, 10.5cm diameterProvenance: With Albert AmorCondition report: Two small areas of restoration the rim of the bowl. Short hair crack to the rim of the cover. Two small foot chips to the bowl. Some typical minor surface wear and staining.The cover sits rim to rim rather than inside the bowl like would be seen with a Chinese original, also the pattern on the bowl is heavily blurred contrasting with the well painted and fired cover, the pieces therefore could be a marriage.
A Pair of Bow Porcelain Plates, circa 1760, painted in underglaze blue with chinoiserie landscapes on a powder blue ground with panels of landscapes and foliage, pseudo Chinese marks in underglaze blue, 19.5cm diameter; A Similar Sauceboat, circa 1765, of fluted form, painted in underglaze blue with the Desirable Residence pattern, 19.5cm long; and A Shell Shaped Pickle Dish, painted with fruiting vine, 7cm long (4)Condition report: One plate with rivetted repair, one with rim chips. Sauceboat with typical minor rim chips. Pickle dish with section broken out and restuck.
A Longton Hall Porcelain Vase, circa 1758, of rococo scroll moulded form applied with naturalistic foliage, painted by the Trembly Rose painted with flower sprays within purple borders, 12cm high; and A Bow Porcelain Plate, circa 1765, of octagonal form, painted in famille rose type enamels with a flower spay and sprigs within a turquoise border, 21cm wide (2)Condition report: Vase with typical minor loses. Plate with rim chips and hairline crack.
A Mahogany Bow Fronted Stick Barometer, signed Lacy, London, circa 1800, bow fronted well figured case with ebony inlaid borders, urn shaped cistern cover, concealed mercury tube with single vernier silvered dial signed, 96cm high Condition report: Trunk with small crazing crack marks, case with small scratches, later perspex panel with scratches, dial is discoloured and needs re-silvering, visible mercury in the tube.
A Worcester Porcelain Large Tea Bowl and Saucer, circa 1758, painted in underglaze blue with the Dragon pattern, painted mark in underglaze blue, tea bowl 10cm diameter, saucer 16cm diameterFootnote: See Branyan, French & Sandon Worcester Blue and White Porcelain 1751-1790, pg.181 where the origin of this pattern is discussed and that the presence of crescent marks on some later Bow examples suggests that the Bow factory was copying Worcester pieces rather than the Chinese originalsCondition report: No chips, cracks or repair. Very minor surface wear located mainly to glaze scratches in the well of each piece.
A Pair of Worcester Porcelain Dessert Plates, circa 1770, painted with sprays of flowers on a blue ground gilt with scrolls and strapwork, seal marks in underglaze blue, 19cm diameter; A Bow Porcelain Sauce Boat, circa 1765, of fluted oval form, painted in underglaze blue with the Desirable Residences pattern, 15.5cm long; A Liverpool Porcelain Tea Bowl and Saucer, painted in underglaze blue with a version of the Cannonball pattern; and A Worcester Porcelain Sparrow Beak Jug and Cover, printed in underglaze blue with the Fence pattern (6)Condition report: Dessert plates with some stacking wear to gilding and other minor surface wear. Sauceboat, saucer and cover with small rim flakes as well as numerous foot and rim chips with resultant staining. Some crazing. Jug with chips to the rim of cover and pitting to glaze. Saucer with two rim chips. Some glaze pitting to plates. Typical minor wear throughout. No restoration.
A Chaffers Liverpool Octagonal Porcelain Coffee Cup, circa 1760, painted in underglaze blue with the Jumping Boy pattern, pseudo Chinese marks in underglaze blue, 6cm diameter; and A Bow Porcelain Tea Bowl, circa 1760, painted in underglaze blue with a European river scene depicting figures and boats beneath a wavy rim, pseudo Chinese marks in underglaze blue, 7.5cm diameter (2)Footnote: For a similar Bow tea bowl see The Watney Collection, Phillips New Bond Street, 22 September 1999, lot 25 where it is discussed that this pattern is derived from Japanese copies of Dutch delftware pieces decorated in the manner van FrytomCondition report: Very minor surface wear.
A Pair of Derby Porcelain Mansion House Dwarves, 19th century, each modelled as a portly figure, one with a staff, his conical hat inscribed DON JUAN'S LIFE IN LONDON, the other with broad-brimmed hat inscribed Auction of Elegant Fancy Toys, Auction Makt, Corn Market, on mound bases, both incised No.227, one with painted crown and Derby mark in red, 17.5cm and 18.5cm highCondition report: First with loss to bow on hat, other minor chips and enamel flakes. Second with minor flakes and wear, glaze pitting and a firing tear to the front of his legs
A Bow Porcelain Coffee Cup, circa 1752, painted in underglaze blue with the Cross-Legged Chinaman pattern; A Similar Teapot, of ovoid form, painted with flowers in a garden, 15cm long; and A Bowl, circa 1775, painted with stylised buildings and trees, 11cm diameter (3)Condition report: Cup with firing fault to footrim. Teapot missing cover and with some staining throughout. Bowl with tiny glaze flakes.
A Bow Porcelain Sparrowbeak Jug, circa 1755, of baluster form with flared foot, painted in underglaze blue with a European landscape with figures and boats below a wavy border, 8cm highFootnote: See Adams (Elizabeth) & Redstone (David) Bow Porcelain, pl.92 for a dish painted with a similar pattern derived from Japanese copies of Dutch delft pieces decorated by van Frytom. See also Godden (Geoffrey) English Blue and White Porcelain, pg.64 for a similar jug dated to circa 1760Condition report: Some good restoration to small chips to spout and foot.
A Bow White Porcelain Figure of Harlequin, circa 1755, modelled sitting on a tree stump, his right hand raised to the rim of his hat, his slapstick under is left arm, on a square base, 12.5cm highFrom the Collection of Mrs Hoff of Hoff Antiques, Kensington High Street, LondonFootnote: For a similar example see Bradshaw Bow Porcelain Figures 1748-1774, pg.115The Bow model bears some similarities to the Meissen figure from the Duke of Weissenfel's series modelled by Peter Reinicke. In his Northern Ceramics Society article Some Rare Porcelain Harlequins, Dr Bradshaw suggests that the source for the model may be an anonymous Ausberg engraving of around 1700, also used at Meissen around 1750. Bradshaw states that a set of the engravings was sent to Count von Brühl, director of the Meissen factory, by his friend Count Johann Charles von HennickeCondition report: Some restoration to brim of hat, right arm and shoulder, left hand and slapstick. Some flakes to base and extremities.
An early 20th century photograph of a group of gentlemen by a horse drawn charabanc, 15.5cm x 21cm, by A. Griffiths of 98 Armagh Road, North Bow, London, framed and glazed CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images. PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
W D John, Swansea Porcelain, The Nantgarw Porcelain Album, and William Billingsley (1758-1828), His Outstanding Achievements as an Artist and Porcelain Maker, The Ceramic Book Company, Newport, respectively 1978, 1975, and 1968, together with Frank Stoner, Chelsea Bow and Derby Porcelain Figures Their Distinguishing Characteristics, The Ceramic Book Company, 1955. (4).
Bazar de Christian Lacroix Lady's Two-Piece Suit, in green metallic, mauve and burgundy stylised check, comprising a short wrap skirt (size 42), and a tailored long-sleeve jacket with collar, button fastening and side pocket detail to the front, size 40; Giambattista Valli Cream Silk Mix Sleeveless Dress, with scoop neck and cut out back with bow detail (size 44) (2)Condition report: UK size 36 - small
A group of five nickel mounted violin bows, one branded 'Erich Steiner', another 'Nach Vuillaume', and one other 'W. Dollenz Leipzig', together with a bow case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A violin with single-piece back, length of back excluding button 35.5cm, cased with two bows, together with another violin, length of back excluding button 33.5cm, cased with a bow.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
20TH CENTURY WALL MIRROR,with cherub and bow decoration, by Alan Wallis Designs, England, along with a modern table lamp (2)Condition report: Both pieces made of prominently resin and cold cast porcelain. Mirror dimensions: 24cm x 21cm, lamp height 32.5cm (including fitting). Some surface wear, in keeping with age and use. No discernible damages.
dating: Period (1603-1867) provenance: Japan, Iron, 32-plate Suji kabuto with gilded Tehen and Mabezashi with gilt-copper Maedate, Ko Manju Shikoro with four plates laced in Kon-ito Sugake Odoshi, big Fuchigaeshi with Mon. Iron Menpo (missing mustaches) with no Yodarekake.Good quality, iron Ni mai Do with horizontal, articulated plates, dark-lacquered Sode, the right Kote is missing (to use the Yumi), iron Kusazuri, black-lacquered Haidate and suneate (not pertinent). Complete with Yumi. Small missing parts and defects. Dummy included. It is a good-quality armor, dating back to the Edo period, used more confortably without the right Kote. height total with bow 210 cm.
dating: 17th Century provenance: Tuscany, Tiller made of walnut-wood, well-shaped pommel, a pierced decoration at the back. Iron bow with stamp at the center. Iron mounts with with pierced inlays under the nut. Bow, trigger and sight with carvings, pyramidal tip. Original rope, slightly damaged. length 99 cm.
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117418 item(s)/page