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Lot 1287
A Victorian Mahoany Marble Top Pedestal Pot Cupboard, 35cm by 72cm; together with a George III mahogany corner wash stand and an oak bow front hanging corner cupboard, crossbanded in mahogany and fluted pilasters (3)Pot Cupboard - some splits to the plinth and general superficial marks, overall good conditionWashstand - with splits to the top and scratching to the under tier Corner cupboard - in good condition, 73cm by 46cm by 97cm
Lot 353
Englische Standuhr mit IntarsienEngland, ca. 1850, Westminster- und Whittington-Schlag, Stundenschlag auf Gong, Stundenschlag auf Gongstäben, Viertel-Stundenschlag auf Gong oder Glocken, 8-Tagewerk, 3-Gewichter, Sekundenindikation, Gehäuse Massivholz, furniert, mit Intarsien und Messingdetails, Uhrwerk Messing, Zifferblatt Messing und Edelstahl, Stundenzahlen römisch, Sekundenzahlen arabisch, Kopf mit verglaster Tür, abnehmbar, kannelierte Halbsäulen und Zapfenbekrönung Messing, eintüriger Pendelkasten mit Vasen- und Schleifenintarsien, 237,5 cm x 56,5 cm x 34,5 cm, gangbar, Werk reinigungsbedürftig, Pendelzug zu weit hochgezogen, mit Alters- und Gebrauchsspuren, Furnierschäden und BestoßungenEnglish grandfather clock with inlaysEngland, ca. 1850, Westminster and Whittington strike, hour strike on gong, hour strike on gong sticks, quarter hour strike on gong or bells, 8-day movement, 3-coasters, seconds indication, case solid wood, veneered, with inlays and brass details, movement brass, dial brass and stainless steel, hour numerals Roman, seconds numerals Arabic, head with glazed door, removable, fluted half columns and cone crowning brass, single door pendulum case with vase and bow inlays, 237,5 cm x 56,5 cm x 34,5 cm, gangable, movement in need of cleaning, pendulum train raised too far, with signs of age and wear, veneer damage and bumping
Lot 145
HOMEI: A SUPERB TOKYO-SCHOOL IVORY OKIMONO OF MINAMOTO NO YORIMITSU AND KINTAROBy Homei, signed HomeiJapan, Tokyo, Meiji period (1868-1912)Charmingly carved as the 'Golden Boy' Kintaro standing next to the stout Minamoto no Yorimitsu. Sheltered by the brave and courageous Yorimitsu who takes him under his helm, the boy looks on cheerfully and is carved holding a battle axe and a hare with eyes inlaid in coral. Yorimitsu stands tall, one hand holding a bow, the other around the Golden Boy protectively, his sword secured in his obi and to his back the ornately carved utsubo quiver engraved with various mon-roundels. Both dressed in elaborate voluminous robes, intricately incised with foliate and geometric designs. Signed to the base HOMEI.HEIGHT 19.8 cmCondition: Very good condition with minor typical wear. A repair to the bowstring. Provenance: From a private collection in Belgium. This item is included in the commissioned private catalogue, titled 'The Nibajama collection,' item no. 179.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2023/BE00305/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 393
YOSHITOMO: AN IVORY MANJU NETSUKE OF OTA DOKANBy Yoshitomo, signed YoshitomoJapan, c. 1860-1880Published: Atchley, Virginia / Davey, Neil (2006) The Virginia Atchley Collection of Japanese Miniature Arts, p. 151, no. N160.Of circular form, the thick manju netsuke finely carved in shishiaibori and painted in sumi, one side depicting the military commander, Ota Dokan, standing and clutching a bow to his side and about to don his jingasa, a quiver strapped to his back, the reverse with a young woman kneeling on the ground and extending him a sprig of yamabuki (yellow wild rose) as she respectfully bows, their garments decorated with foliate motifs. The cord attachment through the eyelet peg housed inside the central himotoshi. Signed to the back YOSHITOMO.DIAMETER 5 cmCondition: Very good condition with minor wear and tiny surface scratches. Beautiful patina.Provenance: Ex Max Hauter collection. Ex-collection Virginia Atchley, California, USA.The story of Ota Dokan is based on a well- known pun. The hero, caught in a sudden heavy rainstorm, stopped at a farmhouse and asked a country girl for a raincoat (mino). She withdrew briefly and returned, offering him a spray of yellow roses (yamabuki) on a fan. Infuriated, Ota Dokan rushed away and only later did he remember the well-known poem and marvelled at the girl's knowledge and subtleness. The poem is of Japanese love and translates, "Though the yamabuki has many petals, I grieve that it has no seed (mino)," implying she had no raincoat to spare.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 22NL305849/20). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Lot 6144
Late 19th century French 8-day striking carriage clock with a rack strike repeat on a gong - in an anglaise brass case with an oval escapement viewing glass and bow shaped carrying handle to the top of the case, enamel dial with Roman numerals, minute markers and steel spade hands, two train going barrel movement with a replacement platform lever escapement and original matching leather carrying case with strap. Original double key.
Lot 2023
A LATE VICTORIAN WALNUT AND SATINWOOD INLAID DISPLAY CABINET with shaped cornice over bow front glazed door flanked by narrow glazed panels and sides on base with two long drawers flanked by cabinet doors on splayed square tapering supports joined by shelf, 216cm high x 118cm wide x 45cm deep Condition Report:Available upon request
Lot 2037
AN EARLY 20TH CENTURY LOUIS XV STYLE BRASS ORMOLU MOUNTED VITRINE DISPLAY CABINET with galleried marble top over single bow fronted glazed door painted with lady and gentleman dancing flanked by glazed side panels with painted nature scenes on cabriole supports, 140cm high x 67cm wide x 33cm deep Condition Report:Available upon request
Lot 856
Amor als Räuber hinter einem Rosenstrauch Auf profiliertem, marmoriertem Rundsockel hockender, hinter einem Rosenstrauch lauernder Amor mit federgeschmücktem Hut, in den Händen Pfeil und Bogen haltend. Polychrome Malerei mit Goldstaffage. Entw. Heinrich Schwabe. Modell-Nr. L 106. Rest.; Schwertermarke. H. 16 cm. A porcelain figure of a cupid with bow and arrow. Restored. Crossed swords mark.Meissen. Um 1900.
Lot 1126
A collection of five boxed The Rupert Bear Collection ceramic figurines by Royal Doulton including Rupert's Silver Trumpet, Rupert Finishing Arrows & Stringing His Bow, Bingo's Huge Firework, Algy Pug Looking Like Robin Hood & Edward trunk Pretending to be an Outlaw - all with certificates of authenticity
Lot 6
AFTER TANG YIN (1470-1523): 'COURT LADIES AND BOYS'China, Qing dynasty (1644-1912). Ink, watercolor, and gouache on silk. Mounted on a silk brocade coated paper sheet. Finely painted, with several children playing in a palace pavilion surrounded by potted plants, a painted screen, and a garden, attended by a teacher and caretaker. The caretaker carries a small child which is holding a ruyi scepter in one hand and a double gourd in the other. Depicted are three boys playing with a bow and arrows. The teacher sitting at the writing desk with an elderly boy next to her, pointing with the back of her stylus at a manuscript laid out before them. Inscriptions: Along the upper right-hand edge dated, ‘On a fall day in the year of Wuyin,’ and signed ‘Tang Yin.’Provenance: West Berkshire, United Kingdom, local trade. By repute acquired from a private estate.Condition: Wear, creasing, soiling, tears, some staining, small touch ups, and losses. The silk brocade with wear, creasing, small tears, and stains.Dimensions: Image size 77 x 45.2 cm, Size incl. mounting 106 x 58 cmTang Yin (1470-1523) is one of the most famous painters in the history of Chinese art. He was a pupil of the great Shen Zhou and a friend of Wen Zhengming. Tang Yin is regarded as one of the painting elites, ‘the Four Masters of Ming,’ which includes Shen Zhou, Wen Zhengming, and Qiu Ying. Tang was also a talented poet and scholar. Together with his contemporaries Wen Zhengming, Zhu Yunming, and Xu Zhenqing, they are known as the ‘Four Literary Masters of the Wuzhong Region,’ modern day Suzhou.
Lot 56
Sir Charles Bennet Lawes-Wittewronge, 2nd Bart., (British, 1843-1911): A carved white marble figural group of Venus and Cupid (Opus 2)The semi-clad goddess looking down on the standing winged putto, his face upheld and clutching his bow, her folded robe and jewelled belt draped across her raised left knee, her hair dressed in an elaborate curling chignon, her foot resting on a rustic outcrop, on square integral plinth base, signed to the front left corner LAWES and inscribed and dated to the right rear corner OP 2 1873, 157cm high, 72cm wide, 56cm deep overall approximatelyFootnotes:ExhibitedThe Royal Academy, Annual Exhibition, 1873, cat.1507.The entry for no. 1507 from the original 1873 Annual (now called Summer) Exhibition catalogue reads as follows:'1507 Female figure and Cupid...C.B Lawes'Sir Charles Bennet Lawes-Wittewronge, 2nd Baronet (1843–1911) was an English rower, athlete and sculptor. Educated at Eton and Trinity College, Cambridge, Charles married his first cousin Marie Amelie Rose Fountaine. After initial successes in the fields of rowing and running whilst at University, he changed direction in the later 1860's, training as a sculptor under the renowned British sculptor John Henry Foley RA (1818-1874) who was a favourite of Queen Victoria's and who made the model for the statue of Albert for the Albert Memorial. Later he trained under the German sculptor Hugo Hagen (1818-1871) before returning to London where he rented a studio in Chelsea. In 1872, he exhibited his work 'Girl at the Stream', the first of twelve exhibited works, at the Royal Academy with later works including 'Daphne' in 1880 and 'The Panther' in 1880. During this period he also won an honourable mention at the Paris Universal Exhibition in 1878. In 1882 he was involved in an infamous libel case with the magazine Vanity Fair concerning the authorship of another sculptor's work and in 1889 he took up competitive cycling. Later in 1901 along side Sir Arthur Conan Doyle, he judged the world's first major bodybuilding competition organised by Eugene Sandow at London's Royal Albert Hall in 1901. In 1906, five years before his death, Laws returned to the field of sculpture, when he executed a bronze group entitled 'The Death of Dirce' based on the Farnese Bull. This work was subsequently realised in more monumental form in marble where it was exhibited at the Franco-British Exhibition in 1908, the same year that as the bronze group was being exhibited at the Royal Academy. The marble is now in the grounds at Rothamsted. After the Law's death, his widow offered the bronze version to the National Gallery of British Art (later the Tate Gallery) where it was installed on an outside entrance where it still stands today.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 64
An elegant Aubusson Mythological tapestryCirca 1650Woven in wools and silk, depicting 'The Triumph of Love,' the central figure of Venus, supported on an elaborate chariot, accompanied by her attendants and Eros with his quiver of arrows and bow, a luscious landscape to the middle distance, on later blue outer slip,245cm x 221cm Footnotes:ProvenanceProperty of a Gentleman.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 19
A mid Victorian ormolu mounted figured burr walnut, ebonised, tulipwood crossbanded, purplewood banded, yew wood, stained sycamore and marquetry breakfront low cabinetCirca 1865, possibly by Holland and SonsWith projecting front angles, inlaid with scrolled strapwork and stylised foliage including acanthus, palmettes and bellflowers, the pair of central re-entrant panelled doors mounted with lotus-leaf moulded surrounds and sunflower paterae angles, each door inlaid with a ribbon tied floral and foliate embellished musical trophy, one trophy including bagpipes, a flute, recorder, panpipes, bow and a ewer, the other incorporating a mandolin, hunting horn, oboe, drum, triangle and a goblet, enclosing two long adjustable shelves, flanked by two glazed doors enclosing four short adjustable shelves, interspersed with four flute inlaid pilaster angles, each surmounted by a Bacchus mask mount wearing a grape and vine headdress, on a plinth base with paterae mounted angles, terminating in six large ring turned feet, approximately: 220cm wide x 55cm deep x 110cm high, (86 1/2in wide x 21 1/2in deep x 43in high)Footnotes:A comparable credenza to the present lot, also dated circa 1865, sold Christie's, London, 12 November 2020, The Collector: Live, lot 298. This example, which is attributed to Holland and Son, has similar Neoclassical (or more accurately Greek) revival inlay, matching and contrasting timbers, closely related ormolu mounts and almost identical placing of the mounts on the carcass.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 236
Four silver pocket watches, Four silver pocket watches, to include a full hunter pocket watch by Thomas Dodson, Liverpool, together with three open face pocket watches by T.R. Russell, Liverpool, Lancashire Watch Co. Ltd., and J.G. Graves, Sheffield, case diameters 48 to 53mm, gross weight 466.1g.Overall condition good to fairThomas Dodson - watch working at time of cataloguing, hallmarks for Chester, 1874, numbered 3547, case monogrammed, movement signed and numbered 3547T.R. Russell - watch working at time of cataloguing, hallmarks for Chester, 1885, numbered 382883, movement signed and numbered 382883J.G Graves - replacement pin to bow, oversized and rusting, possible repair work to hinge, hallmarks for Chester, 1904, movement signed and numbered 773994, not working at time of cataloguingLancashire Watch Co Ltd - watch working at time of cataloguing, hallmarks for Chester, 1901, numbered 108556, movement numbered 108820
Lot 8110
Early 20th century 9ct gold open face keyless lever pocket watch by Zenith, No. 2505344, white enamel dial with Roman numerals and subsidiary seconds dial, case by Dennison, Birmingham 1924Condition Report:Approx 90.25gm, inner dust cover, pendant and bow also 9ct, dial good, movement functioning, hands moving freely, a couple of very light scratches to glass cover, case a few scratches otherwise good, diameter = 48mm
Lot 617
'THE SAND KITE': A SHIP'S WHEEL turned wood and brass mounted with eight handles, 107cm diameter The Sand Kite, previously named the Bow Knight, was a 3000lb dredger famously sunk after colliding with the Thames barrier in 1997.Provenance: The vendor acquired the ship's wheel from the insurance assessor following the claims settlement.
Lot 790
VICE-ADMIRAL SIR WILMOT H. FAWKES (1846-1926) medal in white metal. Obv: Bust in full uniform right. Rev: Starboard-bow view of the "Good Hope". By T Spicer, Samson. Struck c.1905, 102mmA bronze example can be found in the National Maritime Museum, Greenwich.The collection of the late Anthony du Boulay FSA (1929-2022).
Lot 1411
A set of eight George III style carved mahogany dining chairs in the Chippendale taste, first half 20th Century, with decorative cupids bow top rails and pierced splats, drop-in seats upholstered in brown leather, the undersides of back seat rails stamped 'Y1335', raised on ball and claw feet, (includes two carvers), 57 x 50 x 100cm high.
Lot 1022
A late 19th Century French ball or "Bubble" desk timepiece, having a pin-set movement and white enamel face with Roman numerals and blued steel poker hands, in a Swiss white metal case with hemispherical glasses front and back giving an overall globular form, the rear glass having a polished flat to allow the timepiece to sit with the face canted, 68 mm excluding bow and stem, (mainspring a/f, escapement functioning and communicating with hands)
Lot 1024
An 18th Century French verge pocket watch, the movement signed Breguet a Paris and having an lens shaped balance cock, its white enamel face having Roman numerals and gilt hands, in a gilt metal case set with a multitude of paste stones, the case back centred by an enamelled portrait of a young woman with paste hair ornament within a paste-set bezel and wreath, 41 mm excluding stem and bow, (a/f)
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117861 item(s)/page