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Lot 2264
A good quality Edwardian Mahogany Sideboard, the gallery back with brass curtain rail, moulded top, central flight of three graduated bow fronted mahogany lined drawers having brass ring handles, flanked by oval panelled doors, standing on square tapering legs with spade feet. 60`` wide x 60``high x 22`` deep.
Lot 581
A George III flamed mahogany long case clock with fluted and brass reeded columnar hood, full length arch door, moulded base with cupids bow apron, the 30cm square dial having a moving shipping scene painted to the dial and engraved THE ROYAL ANN over applied spandrels, chapter ring having Roman our and Arabic minute numerals, seconds ring and date crescent and applied makers pane William Carter, London, 8 day movement striking of bell, 224cm high.
Lot 105
SIR WILLIAM `HAMO` THORNYCROFT (1850-1925) Artemis and Her Hound, dated 1909, a bronze cast from a model by Hamo Thornycroft of a scantily-clad huntress carrying a bow and drawing an arrow from her quiver, with greyhound at her side, on a naturalistic base, inscribed `Hamo Thornycroft Sc` to the top of the base, inscribed and dated `Hamo Thornycroft 1909` to the side of the base, initialled `HT` twice, and titled `ARTEMIS` to the front of the base, all on a green marbled rectangular base, the bronze 25" high, 13" wide, 6 3/4" deep. Note: Originally modelled in 1879, when Thornycroft was heavily influenced by the poet and literary critic Edmund Gosse, Artemis was one of the first examples of `The New Sculpture`, seeking to re-examine Classical sculpture for a new age. In 1880 Thornycroft showed a life-sized plaster of Artemis and Her Hound at the Paris Salon. Subsequently The Duke of Westminster commissioned a life size marble statue which was exhibited at the Salon in 1882 before being installed at Eaton Hall in Cheshire. Artemis and Her Hound was well received by the critics, and one noted that `a great advance was proclaimed...by the epoch-making "Artemis"...The attitude and arrangement are altogether admirable, as well as original...from every point of view the group is beautiful`. A half-size bronze version of Artemis was exhibited by Thornycroft at the Royal Academy in 1911 [1799] and another bronze statuette at the Royal Scottish Academy in 1917-18. Literature: S. Beattie, The New Sculpture, New Haven: Yale University Press, 1983, p. 149 E. Manning, Marble & Bronze, The Art & Life of Hamo Thornycroft, London: Trefoil Books Ltd., 1982 M. H. Spielmann, British Scupture and Sculptors of To-day, London, 1901, p.39
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