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Lot 628
Maple & Co - a glazed top bow fronted inlaid cabinet. With musical instrument inlay, harebells, convex glass etc, standing on six legs, 183cm high Condition Report: H183cm x W92cm x D46cm. Overall in good condition and structurally sound. There is an area of veneer loss around the back of the left side. Small area of edging is not present to the front. The keyholes on the left and right sides are worn. A small number of minor knocks to the edges of the wood, including one on the top. Some very small chips to areas of the veneer. Would benefit from a clean. Colours bright. Some spots of residue however no apparent staining. Key present. No signs of worm or restoration. Glass is intact.
Lot 514
A Minton's China Works Tile, moulded with a classical maiden and three cupids, olive glaze, impressed factory marks,41cm by 20cmWedgwood Tile, moulded with a ribbon bow, dagger and roses, deep pink and brown glazed, impressed factory mark,39cm by 16cmAnother Tile, moulded with a boy carrying a chalk board, 30.5cm by 15cm (framed) (3)
Lot 772
AN ANCIENT BRONZE SHIELD 36cm wide Together with a Chinese bow and quiver 19th century bow 89cm long, quiver inc. arrows 79cm long And a tribal model of a canoe 19th century Hide and wood 91cm long And a wooden carved rod, possibly a blow pipe 62cm long Provenance: The shield probably Sotheby's Prior Park, Bath Somerset, 29th October 1998, lot 204a "A bronze shield, cast with radiating lines, incomplete" from where purchased by Robert Kime Condition Report: All with Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Shield- as per cataloguing incomplete and with surface wear and losses. Greenish tinge throughout. Canoe- loss and damages to skin/hide cover and to wooden frame- parcel tape and water marks Bow and quiver- quiver lacking top and ends- arrows damaged, bow looks to be a laminate horn and wood bow- cracked and wornPlease see additional images for visual references to condition which form part of this condition report. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 209
A French Sevres style enamel gilt metal mounted snuff box, quatrefoil shaped with pink ground overlaid with gilt trailing flower decoration, the cover centre painted with oval panel depicting a classical female figure with bow and arrow en grisaille and signed Risar? lower left within a gilt wreath frame, the body with trailing floral banding, the base with underglaze blue interlaced Ls and date letter B between, approx 9cm long Further details: cracks to base
Lot 64
VICTORIAN 9CT GOLD MIZPAH BROOCH 3.6cm long comprising two yellow gold hearts decorated with applied rose gold ivy leaves and 'MIZPAH' lettering, on a steel pin with C hook clasp, and attached safety chain decorated with a gold ribbon bow, stamped 9ct. In original fitted case. Weight 3.0 grams
Lot 174
Three amber necklaces, together with a hallmarked 9ct gold opal brooch, a hallmarked 9ct gold cameo broocha hallmarked 9ct gold bow brooch, three pairs of opal ear studs, hallmarked or assessed as 9ct gold, a hallmarked 9ct gold opal pendant, a bird brooch stamped '9CT', gross weight 32.1g, two pairs of cubic zirconia ear studs, stamped '14K', gross weight 2.4g, and a white metal brooch
Lot 18
An Elgin National Watch Co. 14ct rose gold cased crown wind full hunter pocket watch. The movement signed and numbered 4561395, the signed 42mm white enamel dial with Roman numerals and subsidiary seconds, the case inner back stamped WARRANTED 14K U.S. ASSAY, maker B.W.C. CO 736245, foliate engraved case, 9ct bow, case 53mm, 125.4g.
Lot 44A
An unusual gunmetal-cased double-dial calendar crown wind fob pocket watch. The 28mm white enamel dial with black Arabic numerals, the case back with day, date and month apertures, unsigned Swiss lever movement, case 35mm, with a celluloid faux tortoiseshell adapter to a wristwatch.No bow. Currently winds and runs. The adapter is easily removable.
Lot 1007
A very rare pair of Bow Porcelain candlesticks, circa 1750, in the white, each modelled as a cherub supporting a vine branch forming a candle sconce and drip-pans, atop a wrythen acanthus eight-point plinth, 22cm high (2). Note: The heavy-lidded eyes are typical of an early modeller known as the 'Muses Modeller'. Literature: see Tilley, 1957, pl.LXVII, No.203, p.127. A similar pair from the Taylor Collection sold by Christie's in 2007 appear without the candle sconces
Lot 2252
A Victorian mahogany two-section centre-standing museum display cabinet on stand, with side opening glazed doors, bow-glass panels, two slides and raised on cabriole legs with applied carved decoration. Attributed to F.Sage & Co. of London. 108x167x70cm. Good condition for age. No visible maker's or retailer's stamps, attribution is due to the engraving on the latches. Circa 1880-1900, judging by fittings. No keys. Various marks, scratches, and signs of use. Split in pull-out slide. Base of top section may have been replaced.
Lot 2577
A Georgian bow front chest of 2 short and 3 long drawers. 104x106x56cm. Appears to have been stored somewhere damp - drawers are stiff. Some evidence of historic repair to drawer linings and feet. Splits to both sides. Some all over areas of veneer loss. All over surface wear and scratches.
Lot 298
MAHOGANY BOW FRONTED CHEST OF DRAWERS, with ivory key escutcheons and box wood inlayThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference G8HPYZDX 114cm wide Several escutcheons damaged. One brass handle damaged. Large splits to both side panels. Repair to one of the bracket feet. Top has been stripped. Normal signs of wear as per age and use. Mid 19th century.
Lot 170
A Douglas Hayward double-breasted mohair dinner suit made for Sir Roger Moore in A View To A Kill1985Comprising a dinner jacket with black satin peak lapels each with a buttonhole, flared double vents, straight jetted pockets and four-button cuffs and one pair of trousers both in midnight blue, the jacket and trousers each labelled 'Hayward - 95 Mount Street, London W1Y 5HG', and typed 'Mr. R. Moore', dated '6.6.84' and numbered '17394'; identical to the suit worn by James Bond in the Eon Production A View to a Kill, for the pre-title sequence including the dinner scene, the fight in the Eiffel Tower and the subsequent car chase through the streets of Paris,Footnotes:'Taxi! Follow that parachute!'James Bond [Sir Roger Moore] in A View To A Kill (1985)The infamous Eiffel Tower chase seen is one of the most dramatic to feature in Sir Roger Moore's reign as James Bond. An identical suit to the present lot is first seen when Bond meets a French private detective named Achille Aubergine (Jean Rougerie), at the fine dining restaurant in the Eiffel Tower. Aubergine discusses with Bond Zorin's horses and discloses that he is holding a horse sale later in the month. Moments later, Aubergine is assassinated at the table by May Day, played by Grace Jones.After the initial shock Bond immediately chases May Day as she races up the tower but is not quick enough to intercept her and she parachutes off in front of him. Bond continues his pursuit and descends the tower in the lift, before stealing a Renault taxi and giving chase through the streets of Paris. During this, the car is split in two and Bond is arrested by French Gendarmerie. May Day later lands on a boat travelling along the river Seine helmed by Zorin, and is able to escape.According to the family all the suits worn by Sir Roger Moore to the films' premieres were production made and from the set, with more than one of each being made for the productions. Sir Roger Moore is seen wearing this suit to the Royal Premiere for A View To A Kill on the 12th June at the Odeon Leicester Square, London. The premiere was attended by Princess Diana and other stars including Grace Jones, Christopher Walken, Cubby Broccoli, Duran Duran, Bob Geldof and Patrick Macnee.Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 175
A Joseph Abboud wool and silk single breasted twin button dinner suit for Sir Roger MooreLabelled 'Joseph Abboud', with cover buttons to jacket and cuffsFootnotes:Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 176
A Douglas Hayward bespoke double breasted dinner suit for Sir Roger MooreLabelled 'Hayward, 95 Mount Street, London W1Y 5HG, Roger Moore' and dated '29.04.02', with silk lapels and purple braces, with a quantity of Sir Roger Moore's business cards to inside pocketFootnotes:Douglas 'Doug' Hayward (1934 – 2008) was not just a tailor to the stars (of whom he dressed many, including David Niven, Clint Eastwood, Sir John Gielgud, Michael Caine, Terence Stamp, Rex Harrison and Steve McQueen to name a few) but also the tailor for many films. He made the suits for Michael Caine and Noel Coward in The Italian Job and for Sir Roger Moore in James Bond. He wasn't just James Bond's tailor, however, but also Sir Roger's personal tailor and they struck up a great friendship, regularly lunching at Scott's on Mount Street. John Lennon once sang ''A working-class hero is something to be', in his song of the same name, about Doug Hayward. He was unable to gain a cutter's job on Savile Row due to his Cockney accent, so instead joined fellow showbiz specialist tailor Dimitrio Major, whose clients included Peter Sellers, in Fulham where he developed a service mentality and his career flourished. When choosing his own premises, he shunned Savile Row in favour of a house at 95 Mount Street in Mayfair. Arguably as well known for his celebrity friendships as much as for his tailoring, the impact Doug Hayward had on the style and fashion of London, especially in the Sixties and Seventies, was great.Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 177
A bespoke Italian dinner suit for Sir Roger MooreUnlabelled in black wool with silk lapels and single button fastening, together with invitations to the Doctor Dolittle World Premiere on Tuesday 14 July 1998 found in the inside pocket and a box of matches from Sheraton Park Tower, KnightsbridgeFootnotes:Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 178
Two black silk bow ties belonging to Sir Roger MooreMade by Turnball & Asser of Jermyn Street, the other by Harrods, Knightsbridge93cm (36 1/2in) long overall(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 210
A Francesco Smalto double breasted dinner suit for Sir Roger MooreLabelled with name 'Mr Moore Roger' and dated '7.10.99', with silk lapels, covered buttons and black bracesFootnotes:Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 41
A double-breasted mohair dinner suit reputedly by Angelo Roma and believed to have been made for Sir Roger Moore in The Spy Who Loved Me1977Comprising a bespoke dinner jacket with wide silk peaked satin lapels, six silk satin buttons, jetted pockets, three cuff buttons and no vents, the flared trousers with silk trim, a single jetted pocket to the back right, both unlabelled, in midnight blue; identical to the suit worn by James Bond in the Eon Production The Spy Who Loved Me, at the Mojaba Club and the following day during the cat-and-mouse sequence with Jaws at the Karnak temple complex at Luxor,Footnotes:'The lady will have a Bacardi, on the rocks''For the gentleman, a vodka martini: shaken, not stirred''Touché'James Bond [Sir Roger Moore] and Anya Amasova [Barbara Bach] in The Spy Who Loved Me (1977)James Bond wears an identical costume to the present Lot throughout the Mojaba club scene in Cairo with Max Kalba, and where he shows his hand to Bond girl Anya Amasova, played by Barbara Bach, by identifying her as Major XXX. The suit is further visible in the following scenes, shot in broad daylight, where the pair are transported to an Egyptian Temple in the back of Jaw's Telephone Service van. It is at the temple that the nerve-wrenching, and sometimes comical cat-and-mouse scene unravels between the three characters.Italian designer and Roger's personal tailor Angelo Vitucci, of Angelo Roma, was hired to design Rogers' bespoke suits for The Spy Who Loved Me and Moonraker following on from Cyril Castle and elaborating on his classic Bond looks. Vitucci's goal was to modernise James Bond's wardrobe by giving the character a quintessentially 1970s style. It is understood that in both films Vitucci designed for, James Bond is seen in near identically styled dinner suits. A distinguishing feature between them being the jetted back pocket on the dinner suit for The Spy Who Loved Me, as noted in 'From Tailors With Love: An Evolution of Menswear Through the Bond Films' by Peter Brooker and Matt Spaiser (2021). More obviously the dinner suit in Moonraker - which is worn during the cable-car scene with Jaws and Doctor Holly Godhead - appears to be black, in contrast to the midnight blue suit visible in the day scenes in The Spy Who Loved Me. It is interesting to note that Barbara Bach's navy silk evening gown worn in The Spy Who Loved Me compliments Bond's suit, as does the black Givenchy jumpsuit worn by Lois Chiles in Moonraker while filming the cable car action scene. For the production more than one suit was made for use during filming. It is widely known that Sir Roger would keep some of his James Bond suits from the productions and re-wear them. John Glen, the Editor of The Spy Who Loved Me has recalled 'I had to go on one occasion [to Moore's house in Denham] to get a suit to take out to Egypt. I spoke to him on the phone and he said 'If you go up the stairs and there's a special room which has got some suits in it.'' According to the family all the suits worn by Sir Roger Moore to the films' premieres were production made and from the set. This suit is identical to the one he is seen wearing at the Royal Charity Premiere for The Spy Who Loved Me screened at the Odeon Cinema Leicester Square, London on the 7th July 1977. He was accompanied by his wife at the time, Luisa Mattioli and two of their children, Deborah and Geoffrey. Princess Anne was in attendance that evening along with a host of celebrities including Sir Michael Caine, Nanette Newman, Barbara Bach, Cubby Broccoli and Lord Mountbatten.Please note that the shirt and bow tie are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 71
A Douglas Hayward single-button mohair dinner suit jacket made for Sir Roger Moore in Octopussy1983The jacket labelled 'Hayward - 95 Mount Street, London W1Y 5HG', typed 'Mr. R. Moore', dated '13.7.82' and numbered '16123', comprising a single-breasted dinner jacket with notched lapels faced satin, a single button with jetted pockets, double vents and three black horn button cuffs, identical to the jacket worn by James Bond in the Eon Production Octopussy; the trousers labelled 'Hayward 95 Mount Street, London W1Y 5HG' typed 'Roger Moore', dated '17.7.84' and numbered '17481', in black with satin trim and built-in cummerbund waistband which fastens to the right,Footnotes:'I don't suppose you would care for a night cap?'James Bond [Roger Moore] in Octopussy (1983)An identical suit jacket is worn by James Bond at the dinner he attends while being held captive by Kamal Khan, during which the pair have an uncomfortable exchange. The meal is attended by Magda played by Kristina Wayborn. Following the dinner Bond escapes Khan's palace by dissolving the bars on his bedroom window and has changed into a safari suit.More than one suit would have been production-made and used during the filming of this scene. It is unknown why the trousers are not dated from the same period, however they correspond to the design that was used in the production of other suits. The trousers in this lot are from two years later and produced by Hayward during the filming of A View To A Kill.Sir Roger Moore wore this suit jacket at the British premiere of the film release on 6 June 1983 at the Odeon Cinema Leicester Square and was attended by the Prince and Princess of Wales.Please note that the shirt, bow tie and pocket handkerchief are for illustrative purposes only and are not included in the lot.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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117861 item(s)/page