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Click here to subscribeAn early Victorian mahogany bow front chest. Fitted with two short and two long drawers on bracket feet, height 97cm, width 104cm, depth 53cm.Wear and rubbing to the tops and edges, small amount of sticking to the drawers, small chips and losses to edges of drawers, no evidence of worm. Joints are solid.
Madonna - Picture disc collection, to include Rain, WO190TP, Jump, W744T, Interview picture disc, Bak 2042, Fever, W0168P, Girl Gone Wild, Crazy For You, WA 6323, Celebration, Crazy For You, W0008P, The Girlie Show, WOK 5568.1/PD, Bye Bye Baby, Interview Picture Disc, BAK 2104, Take A Bow, W0278P. (12)
A trefoil and bow ornament set with green paste, with three pear-shaped green paste in claw settings, to a textured mount with bow and floral motifs, together with a loose trefoil collet setting set with one green paste, yellow metal unmarked, testing 15ct, overall measures 9.4 x 3.0 cm, total weight of items 13.7 grams.
Three period gem-set brooches and an Edwardian nephrite jade necklace; including a Victorian seed pearl brooch, in the form of a swallow and crescent, hinged pin stem with C-catch and safety chain, yellow metal unmarked and tests 15ct, measures 2.3 cm across; an Edwardian seed pearl and cushion-cut aquamarine brooch, of floral design within a circular frame, fitted with pin stem, C-catch and safety chain, 2.4 cm across; a garnet bar brooch with scrollwork design, hallmarked '9ct', 4.1 cm in length; the Edwardian lavaliere necklace comprising a heart-shaped nephrite jade pendant with applied foliate motifs in gold, embellished with pink paste nad seed pearls, to bow surmount and suspending from a lozenge-shaped nephrite jade panel, attached to cable chain and completed with a tube clasp, hallmarked '9ct', drop length of chain measures 18.0 cm, pendant overall measuring 5.5 x 2.6 cm; Total weight of items 19.8 grams (4).one seed pearl missing from the crescent brooch
A probably Dutch late 18th-century rectangular silver tobacco box with "Cupid's Bow" ends, bearing import marks for London 1900 together with a set of unidentified Continental hallmarks, the hinged cover with repousse decoration of gardening cherubs.4.3 ozt, 13.5 cm long x 6 cm wide x 4 cm high.Private estateSome softening to the detail but no holes
Group of four hand painted European porcelain plaques depicting portraits of Jeanne Françoise Julie Adelaide Recamier and Grafin Sofia Potocka as well as a cherry picking woman and a group of figures in a garden. Each plaque housed within an ornate giltwood Rococo style frame. Included is one giltwood wall decoration in the form of a tied ribbon bow.(Artworks) Sight; height ranges from 2 1/2 in to 5 1/4 in; width ranges from 2 in to 3 3/4 in. Framed; height ranges from 8 1/4 in to 10 1/2 in; width ranges from 6 1/2 in to 8 in. (Giltwood decoration) Height: 6 in x width: 10 in x depth: 2 in.
David Bowie: A 'Scary Monsters' Album With Signed Lyric Sheet,1980,RCA UK pressing, BOW LP 2, PL 13647, black label, the inside lyric sheet signed and inscribed in black ink by Bowie in 1995, To Pete! My THANKS, David Bowie '95, with certificate from davidbowieautograph.com,Footnotes:Provenance:According to information provided by the vendor, the sleeve was signed and addressed to Peter Marsh who worked for EMI, 1995.For further information on this lot please visit Bonhams.com
After Johanna Meier-Michel, Austrian (1876-1933) "Lady leaning on a Column," two toned bronze figure, an attractive young nude lady in seductive pose, with bright red hair against a reeded column surmounted by Cupid Cherub with bow and arrow on an oval stepped base, stamped with initials, Limited 14 (250) cast by R.K.P. Int. Corp. 1980, approx. 41cms (16"). (1)
François Louis Thomas Francia, French 1772-1839- The Nelson at the Stocks at Woolwich in 1814; pencil, pen and brown ink, and watercolour on paper, 13.9 x 20.2 cm. Provenance: Collection of William Drummond.; Private Collection, UK. Engraved: By W. B. Cooke, 'Views on the Thames', 1829 (see National Maritime Museum, Greenwich, London, PAI2011). Note: HMS 'Nelson' (1814) is shown near to completion at the Royal Dockyard in Woolwich in 1814. Francia's watercolour shows the bow and starboard side of the vessel surrounded by scaffolding with men working on her final fitting out. One team carries a decking plank up a ramp to where another length is being hauled up to an open gun port. Four flag staffs are erected on the top deck in preparation for the launch ceremony. On a gantry in front of the bow, a man operates a rope hoist while other figures stand on the foredeck above the figurehead of Nelson. Planks lie in the left foreground and, to the right, a wooden-wheeled cart delivers more timber. A couple with a child stand at the foot of the ramp and a large crowd is gathered at the top on a viewing platform under the stern gallery. The river and a row of dockside buildings can be seen in the background.Please refer to department for condition report
Louise Rayner, British 1832-1924- Barron's Woollen and Rag Store, The West Bow, Edinburgh; watercolour and bodycolour heightened with gum arabic and white on paper laid down on board, signed 'Louise Rayner.' (lower left), 40.8 x 30.6 cm. Provenance: with M. Newman, St James's, London.; Private Collection, UK, since 1962.; By descent. Note: This attractive four-storeyed house with its overhanging eaves was used by a number of 19th-century artists and photographers as the centrepiece of their depictions of the West Bow. The West Bow, a winding street leading uphill from the Grassmarket to the junction of Castle Hill and the Lawnmarket, was the only route of access to Edinburgh Castle from the south, until the building of the George IV Bridge in the early 19th century. Louise Rayner travelled around Britain during most summers in the 1870s and 1880s, using her journeys as inspiration. She was celebrated for her detailed watercolours of street scenes, such as the present work, in which the quaintly old-fashioned architecture is enlivened by the presence of foreground figures going about their everyday tasks. A watercolour of the same view sold recently at Lyon & Turnbull, Edinburgh, 10 June 2021, lot 13 (£11,250).Please refer to department for condition report
A late 19th/early 20th century enamel, diamond and pearl locket pendant, the circular panel applied with a ribbon bow of old and lasque-cut diamonds, to a turquoise blue enamel ground with white enamel border, edged with pearls, glazed compartment verso, gold and silver mounted, (pearls untested for origin), in retailer's case, length 3.5cmDiamonds are well matched and fairly lively, most of the stones with a typically greyish appearance due to possible foil backing, some stones with small chips or surface-reaching fractures. Scuffs and small chips/nicks to enamel but no obvious enamel losses. The pearls are mostly baroque in outline and all have surface wear, with some blemishes, creases and surface imperfections. The mount has surface wear, scuffs, nicks and patchy tarnishing and the glazed aperture has surface wear. Metal standards are untested. Gross weight approximately 8.5gm.
A mid Victorian yellow gold oval hinged bangle, the top applied with a bow motif with beaded decorationdiameter by hinge 5.2cm, 23.1g Condition: The inside diameter is 5.2cm. Outside diameter 5.8cm. There are a few knocks and dents,some of which are as illustrated in additional images . Opens and closes well. Appears to be higher carat yellow gold.
Three Geoffrey Baxter for Whitefriars vases, 1960sto include a red "Bark" pattern example, design number 9691, a small orange textured bow fronted "Nailhead" vase and a kingfisher blue "Nailhead" square vase, (3)red vase height 15cm, orange vase height 12cm, blue vase 17cmCondition:The red vase in good condition. Orange vase with small chip to its top edge. Blue vase in good condition.
An Edwardian amethyst and diamond-set pendant necklace the articulated pendeloque amethyst within a surround of old single-cut diamonds, the bow surmount similarly-set to the associated openwork flowerhead cluster set with old brilliant-cut diamonds, suspended from the fine fancy link chain necklace pendant length 7.5cm, necklace length 39cm, combined weight 16.0 gCondition:
A RARE REGENCY WHEEL BAROMETER WITH TIMEPIECEBy Francis Berquez, 17, Vere Street, Cavendish Square, London, circa 1820Ivory Declaration: 4UZ54CPCThe case with swan-neck pediment, fitted with hydrometer scale, above a lift-out bow-front thermometer, and with 5in white enamel dial (restored) signed, with blued steel ‘Breguet’ moon hands, the lower part with 10 1/2in. circular silvered barometer dial, each with brass cast bezel and convex glass, the base with level dial signed F. BERQUEZ, Watch & Clock Maker To His Royal Highness THE DUKE OF CAMBRIDGE No 17 Vere Street Cavendish Square LONDON, the timepiece movement with narrow rectangular plates, silk suspension with adjustment from the front, anchor escapement and gut fusée 107cm highThe barometer has been recently restored, the case repolished, the timepiece movement cleaned. The mercury-filled glass tube functions. Overall it presents very well.
A REGENCY BOW-FRONTED BRASS-MOUNTED MAHOGANY STICK BAROMETERSigned Bate, London100cm highPROVENANCE: The Waterhouse CollectionPlease see the following for further details: Autumn at Bellmans | The Waterhouse Family CollectionOverall in good condition. The case has been repolished at some point. The mercury-filled glass tube appears in good order. There is a small loss to the right-hand side of the foot of the half vase on the cistern cover.
AN EARLY VICTORIAN 18CT GOLD CASED KEY WIND OPENFACED GENTLEMAN'S POCKET WATCHThe gilt fusee movement with a lever escapement, detailed to the backplate J.Earnshaw High Holborn, London, gilt dust cover, the enamelled dial with black Roman numerals and with subsidiary seconds, London 1838, case diameter 49.1mm, with a replacement base metal top bow, gross weight 116.3 gmsCondition report: Movement is running, dial is in good condition, case rubbed with general wear, the back lacking definition to the engraving.
A BELLE EPOQUE DIAMOND BOW SET BROOCHmounted with graduating old mine cut, rose and eight cut diamonds (estimated total diamond weight 4.66 carats) the central diamond is rub over set and estimated 0.95 carats, with scalloped filigree detail, mille grain edge, l a pin and and hook fitting, with safety chain, unmarked white metal, gross weight 16.8 grams.Condtion report - general good condition, some minor repair work visible. Central stone measures - 5.53 x 5.69 x 4.45 mm All stone weights, colour and clarity are assessed within mounts and of our opinionBrooch measures 5 X 3.5 cm
MATCHED SET OF TWELVE GEORGE III STAINED ASH DINING CHAIRS LATE 18TH CENTURY the squared backs with arched top rails above leaf carved splats, over stuff-over seats raised on square tapered legs joined by stretchers; to include two armchairs and ten side chairs, six with straight seat rails and six with bow-front seatsDimensions:Side chair 54cm wide, 92cm high, 43 deep
LARGE GEORGE III OAK AND FRUITWOOD BANDED DRESSER LATE 18TH CENTURY the moulded cornice above a shaped frieze over three enclosed shelves flanked by bow-front shelved niches over fielded panel cupboards and spice drawers; the base with three deep frieze drawers over four further fielded panel doors and two further drawers, raised on ogee bracket feetDimensions:204cm wide, 220cm high, 52cm deep
A VICTORIAN CAMEO AND DIAMOND PENDANT BROOCHThe carved hard stone cameo, in a surround of old cut diamonds, with a locket back, and fittings for a brooch and pendant, in silver and gold, with an antique box.Condition report - Good condition for age, there is evidence of repair and lead solder to the bottom by the bow.Locket functions wellGross weight 17.7 grams Box is worn
A REGENCY INLAID MAHOGANY BOW FRONT CHEST OF DRAWERSWith five drawers, 103cm wide; 50cm deep; 111cm highProvenance: The Property of a Noblewoman Condition report: Overall in reasonably good, functional conditon. The handles are replacements. Various inevitable scuffs, scratches, dents, small chips and marks commensurate with wear, use and age. Including a few veneer chips to the edges - the most obvious shown in the extra image. The top with a few marks, minor variation in colour, scuffs as to be expected. Minor shrinkage crack to the leftside and a few veneer cracks to the top of the feet.
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