Late Victorian lady's dress, in brown velvet and cafe au lait spotted silk, with tiered ruched skirt, bustle back with bow and lace trim to collar and cuffs. Wear comensurate with age. Light staining aross lighter fabric areas. Some damage and losses to lace collar. Tearing to right side. Staining to lace cuff.
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including a tourmaline and gold spider brooch, a gold bow brooch set with rose-cut diamonds, a shell cameo brooch, depicting a classical woman, a carnelian and gold ring, a 9ct gold terrier brooch, a garnet, gold and pearl set horseshoe brooch, a garnet, pearl and gold bar brooch, a 14ct gold and jade brooch etc. *Condition: All items with some wear.
mounted with a circular-cut diamond, ruby and sapphire, 5.0 grams, size H, together with a sapphire and diamond cluster ring, set in 18ct gold, size K, a sapphire and diamond three stone ring, set in 18ct gold, size I 1/2, an emerald and diamond half hoop ring, set in 18ct gold, size L 1/2, (one emerald missing), a diamond and gold bow ring, size G, a diamond eternity ring, size M, a shell cameo and gold ring and two 9ct gold signet rings. *Condition: All with some wear and damage.
A collection of jewels and findings, 19th century and later, comprising: three topaz stick pins, longest 7cm; a topaz and yellow paste pendant; a rock crystal and rose-cut diamond bar brooch; an orange paste bar brooch; a pair of collets with a pair of pear-shaped diamond simulants; a bow-shaped clasp set with colourless pastes; a pendant fitting set with red and green pastes, a seed pearl and two moonstones; a collection of eight foil-backed pastes; a flat cut garnet in a collet setting; an empty collet setting bordered with rose-cut diamonds, some deficient; a rose-cut diamond in a closed-back collet setting; and a collection of loose rubies and sapphires weighing a total of approximately 11.00 carats
Black coat and bow tie, grey hair.The small jug modeled for "The Queen's Table," Royal Doulton's exhibit at the United Kingdom Showcase at Walt Disney's Epcot Center in Orlando, Florida. The jug was sold exclusively to Epcot tourists visiting the exhibition during 1982. Royal Doulton backstamp. Artist: Eric GriffithsIssued: 1980 - 1990Dimensions: 7.5"HCountry of Origin: EnglandManufacturer: Royal DoultonCondition: Good
A good George III tortoiseshell and silver inlaid and ivory banded canted small tea caddy Of canted rectangular form, the lid with mother of pearl inlaid stellar decoration and white metal scrolling oval ring handle, the front with oval white metal escutcheon above a white metal piqué bow and mother of pearl inlaid swag and pendant suspended white metal vacant shield-shaped cartouche, the interior with wooden floating wooden lid with white metal oval ring handle, 10.5cm high, 10cm wide, 6.8cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. U9D58D1K. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
A good early Victorian finely inlaid mother-of-pearl and abalone and ivory banded tea caddy Of canted bow-fronted rectangular form with shallow moulded pagoda-top lid, the top, front and sides with elaborate panelled floral bouquet and bird engraved and inlaid decoration, the front with a gilt brass shaped escutcheon, the divided interior correspondingly decorated detachable covers with a turned and engraved mother of pearl flowerhead handles, the moulded foot on turned horn bun feet, with key 15cm high, 20cm wide, 11.5cm deep Footnotes: This lot containing ivory has been registered in accordance with the Ivory Act (Section 10), Ref. 9HN2QVJ5. This lot is subject to the following lot symbols: Y Ф Y Subject to CITES regulations when exporting items outside of the UK, see clause 13. Ф This lot contains or is made of ivory and cannot be imported into the USA or any country within the EU. For further information on this lot please visit Bonhams.com
An Aubusson hunting tapestryProbably 16th/17th centuryWoven in wool and silk, the energetic scene set within a wooded landscape with lions, birds and exotic animals to the left foreground, rabbits, hares and pheasants to the right foreground, a hound in pursuit of deer and a number of animated huntsmen and courtiers to the middle ground between two fortified towns, the whole enclosed by a foliate border with grotesque mask head pendants, scrolls and laurel leaf swags, the bottom corners with full length figures of Diana the huntress with her bow, the upper left and right corners with keeling robed figures, the outerslip adorned with recurring scrolls punctuated with simple floral motifs, 380cm x 194.3cm approximatelyThis lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Frankrijk, 18 kt. gouden armband, 19e eeuw. Opgebouwd uit vier ronde appliques, met in het midden een stervorm bezet met roosgeslepen diamant tegen een blauw fond van guilloche email in een entourage van natuurlijke halve parels (één rond applique mist) De appliques met elkaar verbonden door fantasie schakels. De sluiting strikvormig en gegraveerd en bezet met halve parels. Mt. A & A bruto 60,1 gr. [1] France, 18 k. gold bracelet, 19th century. Made up of four round appliques, with a star shape in the center set with rose cut diamond against a blue background of guilloche enamel in an entourage of natural half pearls (one round applique is missing). The appliques are connected by fantasy links. The closure is bow-shaped and engraved and set with half pearls.
Armani Collezioni, blazer van zwart viscose en zijde fluweel met op het linker voorpand gestikte zijde boogvormige appliques met pailletten It. mt. 40, Nlds. mt 36 [1] Armani Collezioni, blazer of black viscose and silk velvet with silk bow-shaped appliques with sequins stitched on the left front
Cultivé parel collier, jaren '70. Bestaande uit zeven strengen parels (diam. 3.15 mm) aan een 14 kt. gouden strikvormige sluiting bezet met achtkant geslepen diamant (totaal 0.14 ct.) bruto 44,2 gr., l.39 cm [1] Pearl necklace, 1970s. Consisting of seven strands of cultured pearls (diam. 3.15 mm) on a 14 k. gold bow-shaped clasp set with single cut diamonds (total 0.14 ct.)
18 kt. Gouden stijve armband, in twee kleuren goud, 19e eeuw. De voorzijde met een ovaal applique met daarop een voorstelling van een cupido en een dame wijzend naar vlinders, tegen een zwarte achtergrond en omlijst met diepblauw guilloche email, de achterzijde van het applique van parelmoer. De zetrand bezet met halve parels, de schouders gedecoreerd met guirlandes en strik en eveneens bezet met halve parels. De sluiting gemerkt met twee uiltjes; Frans importkeur voor min. 750/000 bruto 46,2 gr., binnenmt. 52 x 49 mm, b. 33,4 mm [1] 18 k. gold rigid bracelet, in two colours of gold, 19th century. The front with an oval applique depicting a cupid and a lady pointing to butterflies, against a black background and framed with deep blue guilloche enamel. The back of the applique with mother of pearl. The bezel set with half pearls, the shoulders decorated with garlands and a bow and also set with half pearls. The clasp is marked with two owls; French import hallmark for min. 750/000
COOPER GARY: (1901-1961) American actor, Academy Award winner. An excellent vintage signed and inscribed sepia 11 x 14 photograph of Cooper in a dapper half-length pose, wearing a polka dot bow tie, and holding a harmonica in his hands. Signed in dark fountain pen ink to a light area of the image, 'To Lucila - With my best regards - Gary Cooper', further adding the words “Sergt York” and date, 1941, in his hand beneath his signature. Some very light, extremely minor wrinkling to the upper edge, otherwise EXIn 1941 Cooper starred in the title role of the biographical film Sergeant York, winning the Best Actor Academy Award for his performance as Alvin C. York, one of the most decorated American soldiers of World War I.
BOW CLARA: (1905-1965) American actress. A.L.S., Clara (“It Girl”), to the inside of a folding 8vo Christmas greetings card, n.p. (Culver City, California), December 1963, to William Wellman ('Dear “Wild Bill”'). Bow expresses her wish that Wellman and his family enjoy a happy Christmas and continues to reminisce, 'I remember with wistfulness the fun we all had in making “Wings” even though the heat was unbearable……and then “Ladies of the Mob”, with bullets flying everywhere…..You were always my favorite director, but you were a hard taskmaster. I think I did my best acting under your direction', and further enquiring if Wellman is in contact with any of his old friends from the Lafayette Escadrille squadron, remarking 'I loved the stories you told me about your duels in the sun with your German counterparts'. In a postscript, signed with her initial C, the actress explains that the card is being sent in care of Wellman's son-in-law James Franciscus, adding 'He is certainly a fine actor and handsome, too'. Accompanied by the original envelope. A letter of good content and association. VGWilliam Wellman (1896-1975) American film director whose 1927 film Wings (in which Bow portrayed Mary Preston) was the first film to win an Academy Award for Best Picture at the first Academy Awards ceremony. Before directing, Wellman was a decorated combat pilot during World War I, serving in the Lafayette Flying Corps of the French Air Force.
BOW CLARA: (1905-1965) American actress. Vintage signed and inscribed 10 x 12 photograph of The It Girl in an appealing half-length pose with one hand raised to her left ear. Signed in green fountain pen ink across a light area at the centre of the image, 'To Jack, what a great fellow! your friend, Clara Bow'. Presented to Jack Wilson, a Paramount studios electrician. Neatly mounted to board and with some surface marks and evidence of previous tears to the image, since restored to a reasonable standard and only very slightly affecting the conclusion of Bow's signature. Accompanied by two vintage unsigned 9.5 x 7.5 photographs, the first depicting Bow seated in a full-length pose at a table signing photographs for a group of male crew members who worked on the film Dancing Mothers (1926) including Jack Wilson, standing as the tallest man in the back row, and the second photograph depicting Paramount's Astoria studio where the film was shot. Some surface creasing and other minor faults to the two unsigned photographs. About G, 3Clara Bow portrayed Kittens Westcourt in the black and white silent drama film Dancing Mothers (1926), marking her debut performance for a Paramount Pictures film.
Attributed to Pier Paolo Anesi (1697-1773)A wooded rocky river landscape with figures, oil on panel, 21 x 27.5cmThe panel has a convex bow, with some worm holes visible to the back of the panel, not apparent from the front. The corners are bumped/worn with minor associated paint loss. Inscribed A. Naysmith verso. Minor surface dirt and varnish discolouration. Some possible retouching/overpainting to the clouds. Not examined under UV light.
William Shayer (1787-1879)The Day's Catch and A Rest by the Wayside, a pair, one signed, oil on panels, 45.5 x 36.5cm With Appleby BrothersDay's catch - has a vertical scratch to the centre, just above the donkey, and further small scratches and abrasions. Slight cracking to the paint and a convex bow to the panel. Patchy varnish discolouration. Pair - paint surface a bit dull and flat, with some cracking and shrinkage, minor blistering to the darker areas, minor frame abrasions and varnish discolouration. Not examined under UV light.
A CULTURED PEARL AND DIAMOND STYLISED GRAPE BUNCH BROOCH/PENDANTThe cluster of graduated cultured pearls with a polished gold coloured bow shaped surmount, with brilliant cut diamond accents, stated to weigh 0.15 carats total, stamped K18Size/dimensions: 9.3cm longGross weight: 42 grams Provenance: From the Private Collection of a titled familyCondition Report: The pearls have a bright lustre, white body colour, the diamonds are all present and correct, bright and lively. The setting has some light wear Condition Report Disclaimer
A CULTURED PEARL, EMERALD AND DIAMOND SUITEThe necklace with varying rows of graduated cultured pearls to emerald and eight cut diamond foliate panels, with a central cultured pearl fringe, to an emerald set bow shaped clasp, together with a matching bracelet, with central foliate emerald and eight cut diamond panel to six rows of cultured pearls, with emerald bar spacers, together with matching ear pendants, and a foliate emerald and diamond dress ring, unmarkedSize/dimensions: necklace 43cm long, bracelet 18.8cm long, 5.4cm wide, finger size KGross weight: 115.8 grams Provenance: From the Private Collection of a titled familyCondition Report: The suite has some light wear, there is some tarnishing to the backs of some of the settings which appears to be originating from the French wire covered strand ends, the pearls have varying skins, some with some flaking and splits, most have good skins, some slight variation in body colour from cream to creamy white. Diamonds and emeralds are all present and correct. The diamonds are quite bright, and the emeralds have typical inclusions. The diamond weight is approximately 1.05 carats total. The strands may benefit from being restrung. The settings are unmarked, but a sample is testing as 14 carat +.The pearls in the necklace graduate form 2.2mm to 4.5mm, the necklace drop graduate from 3.1 to 6.5mm x 7.5mm. Bracelet cultured pearls measuring 2.6 to 3.2mmEarrings cultured pearls 2.7mm to 4mmCondition Report Disclaimer
A GEORGIAN AND LATER GOLD, DIAMOND, PEARL AND HAIR WORK BROOCH/CLASPThe oval hairwork panel with rose cut diamond bow and swags with a central M, beneath a glazed dome, within a 19th century half pearl and old mine cut diamond surround, approximately 0.36 carats total, to a blue and white enamelled scalloped borderSize/dimension: 3.7cm longGross weight: 25.1 grams Please note the pearls are untested and unwarranted as natural pearl.Condition Report: The panel may have come from an George III piece, circa 1790, the slide setting made to fit it in the first half of the 19th century, the brooch fitting has been later added. Some scuffs commensurate with age and use. Condition Report Disclaimer
A PAIR OF LATE 19TH CENTURY AND LATER DIAMOND AND PEARL EAR PENDANTSThe pearl drops with rose cut diamond set caps, suspended from a pair of rose cut diamond set bow shaped pediments, with later shepherd's hook fittingsSize/dimensions: pearls approximately 5.9mm x 7.7mm, ear pendants 3.2cm longGross weight: 4.3 gramsOffered for sale with a Gemmological Certification Services Gemmological Report No 5783-2214, dated 06.04.2023, stating: Variety Natural Nacreous PearlEnvironment SaltwaterCondition Report: The ear pendants have numerous repairs, using lead solder and yellow solder. The hooks are later, they are stamped 750, and the joining loops look replaced. One earring is missing three small rose cut diamonds, the other is missing one. One of the pearls has been drilled all the way through, whereas the other is not completely drilled. One of the diamond caps has a hole verso, and the other doesn't. The pearls are a silvery white colour with good luster, they are quite well matched. Condition Report Disclaimer
A VICTORIAN SILVER STAMP BOX IN THE FORM OF A KEYSAMPSON MORDAN & CO., LONDON 1892With a crown shaped bow, a knopped stem, the square bit opening to three compartments26cm (10 1/4in) long324g (10.4 oz) Condition Report: Marks are clearHinge goodEnd unscrewsNo engravingLight scratches and wear commensurate with age and useCondition Report Disclaimer
AN EDWARDIAN SILVER SHAPED OBLONG FRUIT BASKETELKINGTON & CO., LONDON 1908With a cable twist border, the wirework body applied with a cast floral, bird and bow band, on four scroll feet41cm (16in) long1786g (57.4 oz)Provenance: From the Private Collection of a titled familyCondition Report: Marks well struck WobblesA dent to the rim near one foot, foot possibly reattached No apparent repairs to wirework No personal engraving Some heavier scratches to surface Light scratches and wear commensurate with age and use Condition Report Disclaimer
A George III style bow front mahogany dressing table, in the French taste with shaped top, three drawers, the front with fluted corners, the reverse with shell carved detail, acanthus carved cabriole legs, width 101cm, depth 58.5cm & height 74cm. Condition- some surface marks and slight knocks, some slight separation of the timbers to the top, handles appear to be original, some signs of filled holes to the smaller drawers, slight loss to frieze.
A collection of David Bowie / Queen / The Rolling Stones LPs, 12" and 7" Singles. Queen titles to include; It's A Hard Life (1984 12" Picture Disc Press, 12 QUEENP 3), The Works (LP), Greatest Hits (LP), I Want To Break Free (7"), Thank God Its Christmas (7"), Radio Ga Ga (7"), Hammer To Fall (7") as well as other titles. David Bowie Titles to include; Young Americans (1983 Europe 7" Reissue, BOW 506), TVC 15 (1983 Europe 7" Reissue, BOW 509), Lets Dance (LP), China Girl (7"), Ashes To Ashes (7"), Fashion (7") as well as other titles. The Rolling Stones titles to include; Start Me Up (7") Waiting For A Friend (7"), Jumpin' Jack Flash / As Tears Go By (7"), Not To Fade Away (7") as well as other titles. All conditions vary from Very Good Plus Excellent with generally Very Good Plus to Excellent sleeves. (45)
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