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Lot 1
Cruikshank (George). Prince of Shuma,illustrated by the designs of George Cruikshank, 2 parts [all pub.] bound in 1, 1823-24, ten etched plts. to each, some spotting, lacks orig. wrappers to Part 1, orig. printed wrappers to Part 2. retained (soiled and relaid), two pencil sketches mounted to inner wrappers, one showing a broom seller and the other of a man's head with old pencil attribution to Cruikshank or Robert Seymour, contemp. polished calf, rebacked, rubbed, together with Cruikshank (George, Illust.), Mornings at Bow Street., by J. Wight, 3rd ed., 1825, twenty-two woodcuts, incl. frontis, a.e.g., bound without orig. wrappers in contemp. half morocco gilt by Zaehnsdorf, rubbed on spine and joints, both 8vo, plus My Sketch Book, No.9 only (of 9), 1836, four hand-col. etched plts., a little soiled at margins, orig. printed wrappers, slightly frayed, torn on spine, slim oblong folio, plus other George Cruikshank interest (20)
Lot 1
*Johnson (Jack, 1878-1946). Signed postcard black and white photograph, c. 1914, showing Johnson full length in boxing pose in the ring, with inset portrait of him in hat and bow tie, signed across the image 'yours truly Champion Jack Johnson', printed caption to lower foot, written message to verso [not by Johnson], franked and dated 'Paddington, 21 Oct ?14', trivial marks, overall VG. A very scarce signature. Johnson defeated Tommy Burns in 1908 to become the world's first African-American heavyweight champion. After an interracial marriage and his defeat of several white hopefuls, Johnson was convicted in 1913 under contrived circumstances for violation of a federal law. He fled to Europe and remained a champion in exile until he lost in 1915 to Jess Willard in Cuba. (1)
Lot 1
AN EARLY GEORGIAN WALNUT-LEGGED GROS-AND-PETIT-POINT NEEDLEWORK-COVERED WING ARMCHAIR, having a flat-topped padded back centred by a panel of a shep-herdess seated beside a tree in a meadow, with her dog and two sheep, within foliate scrollwork and flowerheads on a mustard ground, between simple wings becoming outscrolled arms, with matching upholstery, the bow fronted seat centred by a floral panel (depleted), within matching surround and seatrail, on carved scroll-backed cabriole front and rear legs, with pad feet
Lot 1
A PAIR OF FINE QUALITY EARLY 20TH-CENTURY MAHOGANY-FRAMED OPEN ARMCHAIRS in the George II style, each having a rounded upholstered back and bow fronted seat between foliate-carved "shepherd's crook"-form open arms with foliate-carved supports and scroll terminals, the carved seat apron on foliate trefoil-carved cabriole front legs with claw-and-ball feet, the rear legs with pad feet, label beneath of "KEAN & SCOTT Ld/BIRMINGHAM"
Lot 1
A MID 19TH-CENTURY RAY-SKIN CUTLERY BOX of bow-fronted design, the sloping hinged cover with original lacquered brass backplate bale carrying handle, a compartmentalised wine plush-lined interior, the front with original clasp and escutcheon, on four brass bun feet, 122.5cm x 14cm x 35cm high, (8.8in x 5.5in x 13.8in) (lifting to ray-skin)
Lot 1
N**** PLAZA, PARIS, (early 20th century). "THE LAST OF THE MOHICANS", A FRENCH COLD-PAINTED SPELTER FIGURE OF FENNEMORE COOPER'S EPONYMOUS HERO, standing in the act of stringing his bow, signed N. PLAZA, and affixed with Fabrication Francais, Paris, medallion on ogee moulded base with key-fretted border, entitled in black letter, 85cm, (33.5in) high
Lot 1
A late Victorian moonstone and diamond heart-shaped brooch/pendant, centred with a heart-shaped moonstone carved with a classical cameo depicting the young Apollo, set within an old-cut diamond border and with a ribbon tied bow surmount, set throughout in silver and gold and with a removable brooch fitting.
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117861 item(s)/page