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Click here to subscribeA 19th Century Indian Talwar, the 82.5cm curved steel blade double edged for the last 22cm, the steel Shah Jahani type hilt with terminal of an animal's head with moving tongue, with leather scabbard; a Similar Talwar, with 64cm broad single edge steel blade and steel Udaipuri type hilt with shaped knuckle bow, with floral printed cloth covered scabbard (2)
A 19th Century Indian Talwar, the 89cm single edge steel blade with two narrow fullers to the back edge, the steel Udaipuri type hilt with pierced knuckle bow, with purple velvet covered scabbard; a Similar Talwar, with 73cm single edge steel blade and steel Udaipuri type hilt with shaped knuckle bow and leather covered scabbard (2)
A Rare 18th Century Austrian Combined Flintlock Pistol and Sword by F Sturm, Salzburg, the 10cm steel cannon barrel octagonal at the breech and signed F.STURM IN SALZBURG, set to the right side of the 54cm single edge fullered steel blade, engraved on the left side with a running wolf, the brass stirrup hilt with shell guard, foliate engraved knuckle bow and scroll quillon, with antler grip, overall length 67.5cm
A Victorian burr walnut glazed side cabinet, circa 1880 A Victorian burr walnut glazed side cabinet, circa 1880, with bow front side cupboards, inlaid with scrolled stringing and harewood highlights, the front and side with gilt metal mounted turned pillars and beading to edges, fitted velvet covered interior and shelves, 112cm high, 130cm wide, 47cm high
A Sheraton revival satinwood elbow chair, early 20th century A Sheraton revival satinwood elbow chair, early 20th century, painted with swags, urn and flowers to open shield shape back, with scroll arms, bow front seat and tapering square legs painted husks and paterae, 104cm high, 60cm wide, 50cm deep
A Beswick Beatrix Potter figure, Tom Kitten & Butterfly, BP-3c, and 21 others, including Tabitha Twitchett and Miss Moppet, BP-3c, and Tommy Brock, BP-6a (22) Condition report Report by NG Pigling Bland, BP-6a, no visible damage or repair Mr Benjamin Bunny, lilac coat, BP-3b, no visible damage or repair Mrs Rabbit, BP-3c, no visible damage or repair Foxy Whiskers Gentleman, BP-3c, no visible damage or repair Tom Kitten & Butterfly, BP-3c, no visible damage or repair Peter Rabbit, BP-3c, slight rub to one ear Benjamin Bunny, BP-6A, no visible damage or repair Aunt Pettitoes, BP-3c, no visible damage or repair Little Pig Robinson, BP-3b, no visible damage or repair Jemima Puddleduck, BP-3b, no visible damage or repair Tommy Brock, BP-6a, no visible damage or repair Gentleman Mouse Made a Bow, BP-6a, no visible damage or repair Jeremy Fisher, BP-3c, Mrs Tittlemouse, BP-3c, no visible damage or repair Taylor of Gloucester, BP-3b Mrs Tiggy Winkle Takes Tea, BP-3b, no visible damage or repair Mr Jackson, BP-3c, no visible damage or repair Timmy Tiptoes, BP-3c, no visible damage or repair Poorly Peter Rabbit, BP-3c, no visible damage or repair Goody Tiptoes, BP-3b, base scratched Tabitha Twitchett and Miss Moppet, BP-3c, no visible damage or repair Flopsy, Mopsy and Cottontail, BP-3c, no visible damage or repair
A rare Bow moulded sauceboat, c.1750, the silver shape moulded with garlands of flowers and decorated with gilt peony sprays, raised on a circular foot moulded with further flowers, the handle formed as a scaly dragon with ears pricked and mouth agape to reveal his tongue and fangs, his narrow wings gripping the rim of the sauceboat, a chip to the end of his tail, a little restoration to the rim, 20cm across. Cf. Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, p.41 for a plain example, which references a gilded example illustrated in Frank Hurlbutt, Bow Porcelain, pl.5. In her article for the Smithsonian Museum catalogue of 2008, Sarah D Coffin illustrated an identical sauceboat alongside a silver sauceboat with dragon handle dated 1742 and designed by Charles Freidrich Kändler who, it has been suggested, could be the brother of the Meissen modeller, Johann Joachim Kändler.
A Bow blue and white sauceboat, c.1752-55, the flat-bottomed form painted in a bright blue with the Desirable Residence pattern of small pagodas amidst tall trees and flowering shrubs, the interior with a tied scroll motif, a few small rim chips, 18cm. Provenance: from a private collection in the Cotswolds.
A small Bow elongated octagonal dish, c.1760, the central rectangular panel painted with a figure in a boat, the rim with fan-shaped landscape panels and small floral roundels, reserved on a powder blue ground, pseudo script mark, a short crack, 8.2cm. Provenance: from a private collection in the Cotswolds.
Two Bow octagonal blue and white plates, c.1755-60, both decorated with arrangements of bamboo, peony and millet, one with peony and other flower sprays to the border, the other with stylized floral panels reserved on a hatched diaper ground, star mark to the latter, 22.5cm max. (2) Provenance: from a private collection in the Cotswolds.
A Bow blue and white plate, c.1750, painted with the Broken Scroll pattern, the unfurled manuscript depicting flowering peony issuing from holey rockwork, and a Dublin delftware plate decorated with the same design, the latter cracked, 22.5cm. (2) Cf. Peter Francis, Irish Delftware, pl.12 and pp.105-106 for a discussion on the influence of Bow porcelain on Dublin delftware. Provenance: from a private collection in the Cotswolds.
A large Bow blue and white octagonal dish, c.1752-55, painted with a figure in a sampan beside a bridge linking pagodas and small islands issuing chrysanthemum, prunus and pine, the rim with Oriental flower sprays within a narrow hatched diaper band, some damages, 33cm. Provenance: from a private collection in the Cotswolds.
A Bow blue and white sweetmeat or pickle stand, c.1755, formed as three deep scallop shells raised on moulded rockwork applied with shells and seaweed, painted to the interiors with stylized cloud scrolls, the rims with ruyi heads, some damages, 22cm across. Provenance: from a private collection in the Cotswolds.
A Bow figure of Autumn, c.1760-65, modelled as a vintner seated on an upturned basket of grapes, holding a goblet in his left hand, his apron draped over his left leg beneath which rests a bottle, raised on a tall scrolled base in gilt and turquoise, red anchor and dagger mark, his right hand lacking, 17.2cm.
A large and rare Bow white-glazed model of a lion, c.1750-52, with head turned and resting his right forepaw on a tree stump, the tip of his tail curled over his right rear leg, his face finely modelled with an anthropomorphic frown, a small chip to one toe, 23cm long. Cf. Peter Bradshaw, Bow Porcelain Figures, pl.55 for a similar example which featured in the Brian Haughton Gallery's exhibition, Nature's Triumph; Botanical Themes on Porcelain, item 1.
A George III mahogany inverted bow front sideboard The shaped crossbanded top with a tubular brass gallery over three crossbanded drawers with brass loop handles, one a cellaret drawer, standing on panel inlaid tapering square section legs with spade feet. 188 cm wide. CONDITION REPORTS: Some scuffing/scratching, some staining, general wear, some slight veneer bubbling/losses, general wear.
A Georgian inlaid mahogany painted and parcel gilt demi-lune side table The top with a central patera and a band of bow tied swag inlays above the painted and parcel gilt base, the frieze with further bow tied swags above the acanthus headed reeded tapering legs. 109 cm wide. CONDITION REPORTS: Some veneer losses, scuffing, scratching and staining, some minor splits, some small patch repairs, some gilt and paint loss, some moulding losses, general wear.
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