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Lot 163
Good 18ct quarter repeating centre second chronograph pocket watch, hallmarked London 1887, three-quarter plate gilt jewelled lever movement with micro regulator, the white dial with centre seconds, black Roman numerals and subsidiary sixty minute recording dial over constant seconds, repeat sliding button and top wind within a plain case with engraved monogram to the hinged back, 51mm (lacks bow pendant), cased
Lot 604
Austrian ebonised, beech and giltwood Grande-Sonnerie automaton three train mantel clock, the movement striking on gongs, the 6.5" white chapter ring enclosing the dial centre depicting Vulcan's forge with automaton cherubs sharpening and hammering Cupid's arrows, over two opposing lions flanked by mirrored double alabaster columns housed within an architectural gabled case supported upon a bow fronted base and surmounted by a giltwood open winged eagle, 26" high
Lot 139
A WELL-PRESENTED SAILORWORK WATERLINE MODEL OF THE THREE-MASTED BARQUE JOHN WESLEY, CIRCA 1867. with carved and painted hull, simple fittings, wood and cloth 'helmsman' and full suit of shaped and painted tin sails, mounted in a raised and painted seascape within glazed case with painted cloud backboard, model lighthouse off starboard bow and name plate. 25 x 33 1/2 x 12 1/2in. (63.5 x 85 x 32cm.). Built by Alexander Hall & Sons for the London Missionary Society in 1867, the John Wesley was originally a 238 ton composite barque but was later re-rigged as the three-masted barque depicted in this model. For over thirteen years she served the Society's many South Pacific island missions. Eventually hulked in 1899, she sank in 1903.
Lot 155
A 3/16in:1ft scale waterline model of the Royal Navy Admiral's barge from H.M.S. Hood by Bassett-Lowke. with carved hull finished in Navy Blue, white and varnish with white ensign on bow, painted superstructure, brass funnel, name board on cabin, masts and rigging. 2 1/4 x 9 1/2in. (5.8 x 24cm.) overall. Provenance: Commissioned by the vendor from Bassett-Lowke, 1974.
Lot 419
A Chinese porcelain heart-shaped blue and white dish, painted in the style of Frederik van Frytom with two figures standing guard in a harbour, mid 18th century, 12.5cm. Van Frytom (1632-1702) was a Dutch Delft artist whose style was copied by Arita potters in the late 17th century. In turn, these Japanese imitations were copied by the Chinese and by workmen at Bow. Cf. A. Vecht, Frederik van Frytom, p.40 for the original source; also Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, p.63 for the Chinese and the Bow counterparts. Wares of this type are also discussed by Gordon Lang in The Wrestling Boys catalogue for the Burghley House Collection.
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