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Early 19th century Mittenwald violoncello, unlabelled, the two piece back of very faint medium/fine curl with similar wood to the sides, the head of plainish wood, the table of a broad width grain and the varnish of a reddish-brown colour on a golden ground, 29 3/8", 74.60cm, with nickel mounted violoncello bow and hard case*This instrument is sold with an insurance valuation from Bristol Violin shop dated 15th November 2005
Old violin bow with plain ebony frog, 50gm (without hair, lapping, button and face); also a modern gilt metal mounted violin bow spuriously stamped, 50gm (without hair and lapping) (2)-Additional images for Lot 2227 (11/12/2020) are available at the following link: https://we.tl/b-1RxCL0mzAE These links are continuously updated. Please feel free to check back as requests come in.
French silver mounted violin bow by Georges Barjonnet and stamped Roger Gerome on the handle and Made in France under the handle behind the frog, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 57gm (without hair)-Additional images for Lot 2274 (11/12/2020) are available at the following link: https://we.tl/b-IrERuTIkDi These links are continuously updated. Please feel free to check back as requests come in.
Interesting 19th century double purfled violin labelled Gio Paollo-Magini..., with further geometric purfled inlay to the back, the one piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a light reddish-brown colour on a golden ground, 14 1/2", 36.80cm, silver mounted bow, case
English violin bow stamped L. Panormo circa 1830, the stick octagonal, the ebony frog inlaid with pearl eyes and with an ebony adjuster, 48gm (with partial hair and lapping)-Additional images for Lot 2285 (11/12/2020) are available at the following link: https://we.tl/b-EIJqtivO45 These links are continuously updated. Please feel free to check back as requests come in.
Good old nickel mounted double bass bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two nickel bands, 148gm-Additional images for Lot 2264 (11/12/2020) are available at the following link: https://we.tl/b-l5WKvN628b These links are continuously updated. Please feel free to check back as requests come in.
Good French violin by and stamped J. Nicolas Fils, A. la Ville, de Cremonne to the inner back, the one piece back of faint medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 14 3/8", 36.50cm, case *This violin is sold with a nickel mounted bow stamped L. Bausch
Two 19th century ivory mounted violin bows; also a child's ivory mounted bow, 19" long and a French half size violin bow with no frog (4)-Additional images for Lot 2283 (11/12/2020) are available at the following link: https://we.tl/b-fGRfr1M7YG These links are continuously updated. Please feel free to check back as requests come in.
Good contemporary Liandro Di Vicenza double bass by and labelled Anton Posch, Master Art Model Bass Violin, Fifth Five String Tuning Model 38" Mensure, Made Expressly for Samuel Kolstein & Son, Ltd. Anno 2015, bow stamped A. Zeller, padded transit bag *This double bass was partly made in Prague and completed in New York. The number five string currently tuned in fifths (low CGDAE high), *This instrument is also sold with a Stagg folding double bass stand , set of D'Addario Helicore Orchestral strings for 4ths tuning and various papers from Kolstein violin shop
Interesting pochette or dancing master's kit, the trapezoid shaped body with geometric pierced sound hole and foliate carved border, with further carving to the scroll front and inscribed with the monogram TH and dated 1830 behind the peg box, 18.5" long overall, with modern Chinese small bow
* An early 20th century steel 2 1/4" bow spring vermin trap, 21cm, together with three other similar traps. (4)Condition report: From ‘A Broad Collection from a lifetime by The Broads’ - a large single-owner collection of rural bygones and museum-quality taxidermy from some of the most renowned ‘animal and bird preservers’ from the Victorian era and later. Read more about the collection here.
Attributed to J. Cooper and Sons, a circa 1900 taxidermy Common Carp (Cyprinus carpio), mounted in a naturalistic setting within a gilt banded bow-front display case, w.70, d.19, h.36cm.Condition report: Case in generally shabby condition with a lot of natural wood showing through, both glass end panels loose but present.
1929 Norton 490cc Model 16HRegistration no. not UK registeredFrame no. S38229Engine no. 45162•Landmark model for Norton•An older restoration•Last run in September 2020Norton relied on proprietary engines in its formative years - winning the inaugural Isle of Man TT with a Peugeot-engined machine - before introducing its own design of power unit in 1907. The long-stroke sidevalve single displaced 633cc and the new model it powered became known as the 'Big 4'. Smaller capacity versions followed and in 1911 the '500' adopted the classic 79x100mm bore and stroke dimensions that would characterise the half-litre (actually 490cc) Norton for the next 50 years.Norton's new sidevalve was among the fastest in its class, being the first machine under 500cc to be officially timed at over 70mph, which was some going for 1911. The following year Norton-mounted Jack Emerson easily won the 150-mile Brooklands TT against a field of more experienced competitors (setting three long-distance records in the process) having ridden his machine down from Hull! Small wonder that the slogan 'Unapproachable' began to be applied to the Norton singles at around this time. Tuner/rider D R O'Donovan's work at the Weybridge track resulted in a flood of new speed records, including 81.05mph for the flying kilometre in April 1914, the first occasion 80mph had been exceeded by a 500cc machine. O'Donovan's successes led to the introduction of tuned 'Brooklands' models, and these highly developed sports versions continued into the 1920s. The 490cc engine was revised for 1914 and the following year gained a new frame with lowered riding position together with the option of a Sturmey Archer three-speed gearbox. When fitted with chain drive, the 490cc sidevalve single became the 'Model 16' in Norton's numbering system, and then changed to '16H' in 1921 when a new lower frame was introduced. Norton's trusty 16H sidevalve would be continuously up-dated for the next 30-plus years before taking its final bow - along with the Big 4 - in 1954. Restored in 1959, this 16H was last run in September 2020 and is described by the private vendor as in generally good condition, with patinated brightwork. The Norton is currently resident in Sweden and comes with Swedish registration/'MoT' paperwork, a maintenance instruction book, and a (copy) manual. A pillion seat and a pair of leather panniers are included in the sale, and it should be noted that the exhaust system is that of a 1930 model 16H. Footnotes:As with all Lots in the Sale, this Lot is sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness, and originality prior to bidding.This lot is subject to the following lot symbols: NN If purchased by a UK resident, this machine is subject to a NOVA declaration, undertaken by Bonhams upon a successful sale, to facilitate the registration of the machine here in the UK.For further information on this lot please visit Bonhams.com
Collection of silver to include a late Victorian silver open salt cellar, pierced body with applied ribbon and bow swag decoration, raised on four bun feet, blue glass liner, makers William Hutton & Sons Ltd, London 1898 together with a similar silver pepperette, baluster form with pierced body, riboon and bow swag decoration, blue glass liner, makers William Hutton & Sons, London 1899; a silver five bar toast rack raised on four paw feet, makers Naylor Brothers, London 1957; silver coffee spoon; silver topped pepperette and a white metal pepper mill modelled as a lighthouse (6)
A 9ct gold aquamarine and split pearl necklace, the pear shape aquamarine drop suspended from a bow and split pearl line, with trace link chain sides, maker's mark 'DWT' hallmarks for London, 1990, length 42.5cm, gross weight 8.7g.Condition report: Overall condition goodLight scratches and abrasion in keeping with occasional wearAquamarine a medium blue with good saturation and clarity
A pair of emerald, seed pearl and diamond earrings, each designed as a circular shape emerald and seed pearl heart shape drop, suspended from a brilliant cut diamond and seed pearl bow surmount, length 3cm, gross weight 2.7g.Condition report: Overall condition good to fairWith hook fittings for pierced earsScratches and discolouration in keeping with wearSome abrasion to gemstones visible with magnificationEarrings unmarked, metal untested
An early 20th century enamel and diamond festoon necklace, the rose cut diamond bow and blue enamel swag alternating links suspending nine old cut diamond collets, with detachable fancy link chain sides and hook fastening, estimated old cut diamond weight 4.10cts, length 44.5cm, gross weight 38.8g.Condition report: Overall conditon good to fairScratches and discolouration in keeping with age and wearDiamonds bright and fairly well matched - diamond collets all drawing colour face up, some more noticeably than others, clarity ranges from SI to P2Some evidence of repair to reverse of necklacePiece unmarkedMetal untested, looks to be silver and 9ct goldTwo end drops removedDetachable fancy link chain later additionSome light scratches and nicks to enamel work
Ehrenzeichen 2. Klasse des österreichischen Roten Kreuzes mit Kriegsdekoration, mit Miniatur, jew. an Damenschleife Silber/Buntmetall, mehrfarbig emailliert. Jeweils mit Sicherheitsnadel und Damenschleife. Ungemarkt, Altersspuren. Zustand: II + Badge of honour 2nd class of the Austrian Red Cross with war decoration, with miniature, in each case at a lady's bow Silber/Buntmetall, mehrfarbig emailliert. Jeweils mit Sicherheitsnadel und Damenschleife. Ungemarkt, Altersspuren. Condition: II +
A George/William IV mahogany crossbanded and boxwood strung bow front sideboard, circa 1830, by Mary & Thomas Willson, 68 Long Acre, London (engraved inside the frieze drawer), slight oversailing top above single frieze drawer flanked by a twin cupboard and cellarette drawer with brass lion mask ring handles, brass keyholes and locks, over a single drawer, raised on tapering supports. 90cm H x 153cm W x 60cm DThomas Willson is recorded as the proprietor of a firm of auctioneers and appraisers established in 1799 at this address, which continued until 1854. Other examples of furniture made from between circa 1780 to 1840 are known to carry this stamp.Condition Report:Good overall condition with general scuffs and scratches.
A George III mahogany crossbanded dressing mirror, circa 1800, in the manner of Thomas Sheraton, Satinwood decorated throughout, brass urn finials on tapering supports holding a rectangular looking glass, above a bow front base fitted with three frieze drawers fittings of brass lion mask handles, ivory escutcheons, raised on carved bracket feet. 62cm H x 57cm W x 31cm D
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117861 item(s)/page