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Maharajah Kharak Singh, armed with sword, shield, bow and quiver, standing in a landscape North India, circa 1840gouache and gold on paper, laid down on an album page with gilt-decorated inner ruled margins and outer borders with naturalistic floral motifs in the Mughal style painting 145 x 86 mm.; album page 220 x 140 mm.
A COLONIAL HARDWOOD SIDEBOARD, probably Ceylonese, early 19th century, inlaid with bone, with a bow front top over three drawers and a shaped apron with turned pendant drops, on square tapering legs ending in spade feet, 154cm wide x 65.5cm deep x 97cm high Provenance: Formerly in situ in the British High Commission, Bogota, Colombia Uploders Place, Bridport, Dorset
A Victorian walnut veneered freestanding corner whatnot on four graduated bow fronted tiers with inlaid urn detail raised on turned supports, 140 cm high; together with an oval wall mirror with bevelled edge plate within a carved and moulded foliate frame, later used or presented on a profusely carved eastern folding table base
An Art Deco style walnut veneered freestanding cocktail cabinet, the front elevation with rising partially hinged lid over a fall quarter veneered front enclosing a mirror lined interior, over cut out receptacles over a pair of bow fronted cupboard doors enclosing further cut out receptacles and raised on squat cabriole supports (believe previous owner to be Lord and Lady Stamp of Chelsea)
* Staffs. A collection of African staffs including Zulu, including a knobkerrie with spherical head and long shaft, 67cm long, various figural staffs including one carved with a soldier and inscribed 'Major J.W.D. Wilson, 1980 Bechvana A.P.C.', 85cm long, plus an African hardwood bow, 170cm long etc (Qty: 14)
* Dress. A printed cotton day dress, circa 1840s, pink and green floral pattern on a mottled dark cream and white ground, lined with muslin, tucked bodice with central vertical ruffle, terminating in a v-shape at waist, fastened with brass hooks and stitched loops, and some press studs, long sleeves with narrow cuffs, some holes, repairs, and later stitching, length 128 cm (50.5 ins), bust 83 cm (32 ins), waist 68 cm (27 ins), sleeves 52 cm (20.5 ins), plus a hand and machine-stitched cream moiré taffeta loose gown with high waist and cap sleeves, mid-late Victorian, press stud fastenings to front opening of bodice, shoulders covered by integral cream lace cape with arm slits, black velvet bows to latter and large matching bow on reverse of dress, hem trimmed with three bands of black velvet ribbon, and edged with the same, some wear, discolouration, and staining, length 163 cm (64 ins), bust 99 cm (39 ins), plus a late Victorian hand-stitched long cream wool skirt, gathered at waist and with linen waistband (lacking button), large tuck to hem above a wide embroidered scalloped floral border, worked by hand in cream silk thread, some light marks and one or two small holes, length 87.5 cm (34.5 ins), waist 64 cm (25 ins) (Qty: 3)
* Painted fabric. Three pieces of hand-painted fabric, English, 18th century, three matching cotton fragments, painted by hand in shades of bue, pink, purple, and black, on a natural cotton ground, two hand-painted with a cornucopia of flowers, one with additional joined piece below featuring bows and swags, some small holes (with occasional stitched consolidation) and light toning, largest 92.5 x 53 cm (36.5 x 21 ins), smallest 46.5 x 57 cm (18.25 x 22.5 ins), each stitch-mounted onto a double backing of cotton and linen, the other painted with a large oval posy of flowers tied with a bow, forming part of a large lined cushion cover, faded and lightly toned, 53 x 43 cm (21 x 17 ins), together with a hand-painted Regency bridal stole, circa 1800, silk gauze, delicately painted in shades of pink, blue, brown, green, and purple, and incorporating onlaid beads and spangles, with a heart-shaped foliate wreath at each end enclosing a pair of love birds and a quiver of arrows, above a floral swag and bows, with foliate border around edge, lined with muslin, and edged with cream satin ribbon, spotted, worn, and fragile, with losses, 359.5 x 41 cm (141.5 x 16.25 ins), with pinned paper label inscribed in early manuscript 'My dear Mother's work C. Williams' and below in another hand 'For Arthur Seymour Hope his Great Grandmother's work EHope 1877', plus another early manuscript label attached with thread 'Painted by M. F. Weinne(?) Seymour's Gt Grand Mother her Wedding Scarf', plus a set of three hand-painted decorative wall hangings, early 20th century, watercolour on silk gauze, depicting dog roses and butterflies, chrysanthemums and virginia creeper, and wisteria respectively, spotted and worn, 175 x 52 cm (69 x 20.5 ins), together with another slightly larger wall panel similar, painted in thick gouache on silk satin, depicting violets and heather, paint flaking in places, each backed and sewn onto batons (Qty: 8)
* Embroidery. A large silk rococo bed cover, early 18th century, large bed cover, lavishly embroidered in coloured silk threads, and incorporating silk ribbon onlays, on a pieced pale blue silk ground, with wide border comprising courtly figures, including a falconer in doublet and hose carrying a bow and a figure with a dog, urns of flowers, exotic birds, including a peacock, scrolls and volutes, and palmette and drawer handle motifs, hand-stitched in padded satin stitch, long and short stitch, latticework, etc., mainly in shades of dark cream, yellow, pink, and green, silk fringed edging, backed with later gold brocade, and interlined with old linen, with velcro stitched along one edge and old rufflete tape along another, generally worn, with silk ground perished and loss to stitching and ribbon in places (some period darns), occasional light staining, one side with three pairs of original gold metallic tassels (a pair at each corner and one in centre of side), one pair near-detached, tassels lacking on opposite side, 157.5 x 203 cm (62 x 80 ins), together with an embroidered altar cloth runner, probably Spanish, late 18th/early 19th century, hand-stitched in metallic silver thread and coloured silks on a gold silk ground, depicting a central 'IHS' and sacred heart motif within flower garland and sunburst, and a basilica at each end, with three spires and rose window, silk ground perished in places (but embroidery mainly intact), backed with yellow satin, tack holes at edges, 48 x 251.50 cm (19 x 99 ins), plus two pieces of metallic embroidery, comprising a sacred cloth of silver bullion embroidery and spangles on a pale turquoise satin ground, with fringed edging, late 19th century, and a mirror/picture frame of gold metallic thread and spangles, early 20th century (repurposed base fabric with printed date 1918 on verso) (Qty: 4)
* Scapulars. Two embroidered devotional scapulars, Continental, late 18th century, two scapulars, both composed of two small joined panels hand-embroidered in coloured silk threads on a cream satin ground: the first with an oval woodblock print of the Virgin & Child on one panel, within double-looped metal thread border, surrounded by stitched floral decoration, and with stitched cross within oval on other panel, surmounted by a crown and surrounded by a foliate wreath, on a ground of semé spangles embellished with metal bullion embroidery, each with brown fabric backing and edged with fine twisted cord, each 6.5 x 5 cm (2.5 x 2 ins), the two panels joined by a parallel pair of cream silk ribbons (perished in places); the other with identical image of the Virgin & Child on one panel, surrounded by embroidered heartsease flowers, and with a sacred symbol on the other panel, embellished with stars and topped by a cross, on a semé dot ground with flower sprays, each with brown fabric backing, and metalled edging, each 7 x 5.5 cm (2.75 x 2.25 ins), the two panels joined by a parallel pair of cream satin ribbons woven with gold leaves (sometime stitched together in a bow) (Qty: 2)NOTESRare early scapulars, most likely worked by a member of a religious order in a convent, and worn as a symbol of piety believed to be invested with blessings.
* Fans. A pair of hand-painted fans, 1920s/30s, two handscreen fans of hand-painted cream velvet, one depicting a swallow in flight, and the other a cuckoo in a tree, each hand-stitched to an oriental printed paper fan (both slightly damaged at base where handle joins), leaf and handle of each embellished with silver metallic tinsel thread, handles with picot-edged pale blue satin bows, 31 x 18.5 cm (12.25 x 7.25 ins), together with a pair of early 20th century circular patchwork hand screens, with turned wooden handles, each with hexagonal star motif in centre in red, cream, and black, surrounded by crazy patchwork of various fabrics edged with feather stitch, backed with puce pink silk (slightly perished in a couple of places), twisted cord edging, olive green silk bow on handles, 40 x 23.5 cm (15.75 x 9.25 ins) (Qty: 4)
Geometric Union Cases, 1-145, Common, A P Critchlow & Co, Church Window, before 1858, 79mm x 68mm, Ambrotype, ninth-plate, Lady with bonnet/hood, tinted; 3-355, Common, Holmes Booth & Hayden, Geometric Oval Centre, circa 1860, 76mm x 65mm, Ambrotye, ninth-plate, seated boy; 3-414, Rare, Peck & Halvorson, Scroll, J Smith, 1860s, 70mm x 81mm, carte de visite, 40mm x 30mm, seated lady with shawl and bonnet; 3-384, Common, Samuel Peck & Co, Scroll, before 1857, 64mm x 75mm, ninth-plate; 3-460, Scarce, Samuel Peck & Co, Scroll, before 1857,48mm x 54mm, sixteenth-plate; 2-80, Common, Samuel Peck & Co, Grapes & Scroll in Oval, Frederick C Key, before 1857, 76mm x 65mm, Ambrotype, ninth-plate, Portrait of boy with bow tie; 3-448/3-446, Very Rare, Littlefield, Parsons & Co, Geometric/Geometric Scroll, circa 1858, 46mm x 54mm, sixteenth-plate, Portrait of young lady; 3-538, Very Rare, Geometric Circular, circa1860, 43mm diameter; G
Pair of rectangular gilt carved wooden frames with bow surmounts housing French coloured engravings, pair of antique framed coloured plates, ' Flight into Egypt ' and ' Hieroglyphics of a Natural Man ' and two black and white antique engravings, ' George, Prince of Denmark ' and another antique engraving
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117861 item(s)/page