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Lot 138
A pair of ornate diamond and 9ct white gold drop earrings, comprising a bow top grain set with small diamonds, suspending an articulated tiered drop of pear cut diamonds each with a central row of small round brilliant cut diamonds total diamond weight approx 2.80 carats, length approx 27mm, on screw fittings, total gross weight approx 6.8gms Further details: good all stones present and intact, minor wear and tear only
Lot 063
A 15ct yellow gold pendant with a bow design at the top and a line of seed pearls leading down to a rectangular cut pink stone, measuring approx. 11.2mm x 8mm x 6.4mm, length of pendant 4.5cm on a 15" 15ct yellow gold chain, total weight 3.77gm, (please note that two pearls have come loose).
Lot 91
A JAPANESE SHINGEN JINGASA (WAR HAT), 1750-1850the wood with alternating vertical panels of black and mottled dark grey lacquer giving the appearance of a suji kabuto (ridged helmet) with an applied tehen kanamono (covering at the top of the helmet) and rear ring for an agemaki (decorative bow); the front with a gold mon (family crest) of the Tachibana family in the form of a citrus tachibana flower. The interior lacquered in red with gold flakes and with padded silk ties; ; The Tachibana family were one of the most powerful kuge (court nobility) families in early periods of Japan~s history.; ; The jingasa is a lighter form of headgear worn by lower-ranking samurai retainers and the ashigaru (foot-soldiers). They were also increasingly worn for ceremonial parades and for the sankin-kôtai processions from regional domains to the shogun~s court in Edo (Tokyo). The name of this style of jingasa is believed to trace back to the samurai warlord Takeda Shingen (1521-1573), who is said to have favoured this shape.
Lot 107
â“‚ A RARE BOW CASE, 16TH/18TH CENTURY, TIBETAN OR MONGOLIANformed of two panels of leather joined by eight iron rivets on one side and a thick sewn seam on the other, the inner left natural, the outer decorated in shellac and gold and black pigments with a central rondel sown with minute flowerheads within octagonal frames, a further matching tear-shaped panel beneath, and the border with a thick band of matching diamonds (the base with a small tear, the outer surface missing a corresponding area of decoration, crazing)67.3 cm; 26 1/2 inA bow case of similar form and construction with related decoration is preserved in the Metropolitan Museum of Art, New York (acc. no. 2003.344). See Larocca, 2006, pp. 192-194, no. 95.Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.;
Lot 12
ELEVEN BOWS AND ELEMENTS OF CROSSBOWS IN CHINESE HAN DYNASTY STYLE BY EDWARD MCEWENthe first three in Asian style, of composite construction with rounded terminals; the second three with ~bird~s head~ terminals and five further bows (unfinished); the crossbows comprising a composite bow, green painted tiller and copper mechanism, and two further tillersthe first: 137.0 cm; 54 in(14)
Lot 14
A CHINESE COMPOSITE FOLDING BOW, QING DYNASTY, 19TH CENTURYwith reflexed limbs, the belly veneered in birch and painted with stylised longevity symbols top and bottom, and fitted at its centre with an iron hinge (losses), together with its later bill of sale126.5 cm; 46 ¾ inProvenance; E. Fairclough, London, 27th January 1969, £18.00
Lot 15
A CHINESE MILITARY STRENGTH-TESTING COMPOSITE BOW, QING DYNASTY, 19TH/20TH CENTURYof robust construction, with reflexed limbs fitted with a single string bridge (the other missing), the belly painted with traditional motifs, flowers and |taiji| symbols enclosed by the Eight Trigrams of the I-Ching, and cork-covered grip (losses, minor repairs)113 cm; 44 ½ in
Lot 19
A CENTRAL ASIAN COMPOSITE BOW, 19TH CENTURY AND FOUR COMPOSITE CENTRAL ASIAN STYLE BOWS BY EDWARD MCEWENthe first of slender construction, of wood covered with birch bark on the inside (broken through and extensively worn, shoulder pads missing); the second covered with green leather on the inner face, decorated with gold scrolls on a dark red ground, dated 1388 AH (1968) and signed in gold; the fourth and fifth with wooden cores, unfinishedthe first: 106.0 cm; 41 ¾ in(5)
Lot 2
A JAPANESE BOW (YUMI), EDO PERIOD, 19TH CENTURY, ANOTHER AND A QUIVER (YADZUTSU), 20TH CENTURYthe first with black lacquered body bound with densely-wrapped rattan over its surface (cracked, small losses); the second of bamboo, retaining some rattan binding; the third of characteristic form, complete with its cover, lacquered black throughout, with a modern standthe first: 217.8 cm; 85 ¾ in(4)
Lot 20
A CENTRAL ASIAN COMPOSITE BOW, 19TH CENTURY AND FIVE CENTRAL ASIAN STYLE COMPOSITE BOWS BY EDWARD MCEWENthe first probably reconditioned by Edward McEwen; the second dated 1388 AH (1968) and signed in gold on a red ground, each terminal with bone shoulder pad; the third lined in green leather on the inside; and the remaining three in various states of constructionthe first: 70.0 cm; 27 ½ in(6)
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