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A Victorian cast iron stick stand With two leaf embracing apertures raised upon a C scroll and leaf support with a shaped drip tray 64cms high x 46cms, and a Falkirk No: 33 cast iron stick stand of upright rectangular form with a shaped fan shape top above a bow front plinth base. 75 x 38cms (2) CONDITION REPORT: No registration mark on the cast iron stick stand.
An early 18th Century long case clock with a 27.5cm brass dial signed Woolley Codnor With date aperture blued foliate hands, Roman and Arabic numerals, leafy mask spandrels, the single train movement with outside count wheel striking on a bell, the case with a cavetto cornice above a bow front three quarter moulding, the hood with applied out set columns moulded frame to glass panel, the well figured slender trunk with an arched door raised upon a shaped plinth base 196cm high, 47cm wide, with pendulum one weight and door key. CONDITION REPORT: Lot 2250: The oak case, cavetto cornice in good condition, frieze good condition, some restoration to the top of the left hand capital of the column, lower column aged but possibly replaced, piece of moulding missing at the back of the left hand side supporting the column, measures approximately 3cm x 2cm. The plinth at the bottom of this column possibly replaced, right hand side piece of moulding missing in a similar place to the left hand side, measures 3cm. Long door not warped hinges tight, lock to door replaced and keeper replaced, roundel above the escutcheon possibly left for a handle, lacking original shaped plinth, original back board with roundel holes where it has been fixed to a wall. Plinth, footboard old but question whether it is original, good colour.
School of Albany Violin, with one piece figured back, red / brown varnish, together with a bow and a good figured walnut and canvas covered case labelled John Arthur Bearne case, length of back of violin 351mm This Lot is accompanied by a Letter from L.P. Balmforth dated 1933 regarding the attribution of the violin.
Meissen ewer symbolic of Earth, from the set of elements (Earth, Air, Wind, Fire) originally modelled by J J Kandler, crossed swords, incised 309 and impressed 81 to base, mid 19th century, 68cm high Condition report: Four of the feet from the main figures missing, as well as a dog's foot. Also lacking is part of the tree beside the faun, as well as the faun's horn. Damages to Diana's bow, the corn leaf handle and the applied flora. the neck has been broken and restuck with cruedly applied paintwork. Small chip the nose of the boar.
FERDINAND PREISS. TWO IVORY FIGURES OF CHILDREN, C1930 on onyx base, 16.5 and 19.5cm h, signed F Preiss ++Boy - old discoloured repair to the archer's bow, no cracks or chips. The onyx base with small corner chip on the reverse. Girl - old replacement hand and lacking the bird, otherwise fine condition, no cracks or chips. The onyx base in fine condition. In the same private family ownership since the 1930s
A ROBERT 'MOUSEMAN' THOMPSON OAK MONK'S CHAIR, C1930 the arm bow carved with two monks or saints' heads, leather seat, 79cm h, carved mouse 'signature' The Monk's chair was originally designed for the Library of Ampleforth College in the 1920s. Early examplesm such as the present lot are carved with two monks or saints heads ++We understand that this chair has always accompanied the desk in the preceding lot and like it, has never been previously offered for sale. In well used but sound, complete and original condition. Not repolished
Cartier: an early 20th century platinum, diamond and carved rock crystal bow brooch, the two parts of the bow made of transparent rock crystal plaques with linear carving of scrolls and flowers, bounded by lines of single cut diamonds, and the central knot formed by ring of similar diamonds around a millegrain collet set old round brilliant cut diamond; clasp with safety catch, and separately attached safety chain; pin stamped Cartier, French dog's head mark for platinum struck on both brooch and pin; length 5.5cm, gross weight 13.41g; total estimated weight of diamonds 1.23cts
A Victorian turquoise set bow brooch with removable suspension, designed as an engraved and textured ribbon tied in a fancy bow and suspending a loose knot of similar ribbon, set on the prominent lengths with lines of graduated turquoise cabochons, verso with a small oval glazed panel on one ribbon end, unmarked yellow precious metal tests as 18ct gold; length with suspension 5.5cm, width 4.6cm
A contemporary diamond ring and a blue spinel ring by a similar hand, the first of bow tie form set with a line of four round brilliant diamonds down the centre to tapered shoulders and a plain shank of yellow precious metal, stamped '0750' for 18ct gold, also with distinctive, but not recognised, maker's mark monogram, size O; the other ring set with an emerald cut mid-blue spinel (possibly synthetic), to a modern curvi-linear gallery and shoulders, tapered shank stamped '0750' and with maker's mark (not recognised), size O (2)
A vintage amber bead necklace together with a brooch and pair of earpendants, the graduated rough rectangular lump beads of deep orange-brown colour, with various mineral, organic, and gas inclusions, and many with old surface crazing, with screw twist clasp, length 91cm; the brooch a circular boss of round faceted amber half-drilled beads, diameter 3.8cm; the earrings each with an oval cabochon amber beneath a bow of base metal, later hooks possibly silver, length 4.5cm; gross weight of necklace 68g, of brooch and earrings 16g (3)
A pair of Continental carved coral and 18ct gold earpendants together with a pair of late Victorian earpendants, the first pair each with an oval coral plaque carved with a girl's head in a looped mount suspending a tied ribbon bow then a long coral drop shaped bead, with unidentified maker's and assay marks and further stamped '18k', length 4cm; the Victorian pair of unmarked yellow precious metal, each hook fronted by a bead-edged sphere suspending a bead-edged closed crescent with bright cut decoration enclosing a larger bead-edged harlequin faceted sphere, length 3.5cm (2)
A George III shagreen covered knife box, circa 1800, bow fronted A George III shagreen covered knife box, circa 1800, bow fronted, the hinged and sloping cover with brass swing handle and clasp, the fitted interior with four associated fruit knives and three forks, all with green stained ivory handles, the box 31cm high, 21cm wide
EARLY 20TH CENTURY VIOLIN with two-piece 14" curled back and rosewood pegs, bearing 'Antonius Stradiuarius Cremonenfis, Faciebat Anno 1713', 60.5cm long; together with a 20th century inlaid two-piece 14" curled back, 58cm long; together with one bow, 73cm long, each in a fitted double case (2)
A French ormolu and patinated bronze figural mantel clock The movement with indistinct maker's stamp, Paris, late 19th century The circular outside countwheel bell striking movement with anchor escapement regulated by lenticular bob pendulum with Brocot type rate adjustment and obscured stamped roundel ADRIEN COMMO.., FAB. B'TE S.G.D.G., PARIS over number 43 to backplate, the movement contained within a blue painted sphere applied with gilt Roman hour numerals and arrow-form hands beneath surmount cast as a tied quiver of arrows and a flaming torch, set beside a patinated bronze figure of Cupid resting with his bow onto a shaped tall cavetto moulded platform incorporating floral decorated panels and applied with cast lovebirds to centre, on integral foliate scroll cast feet, 28cm (11ins) high.
A Bow model of a sphinx c.1752-3, modelled reclining on a tall scrolling base, her head turned to sinister, wearing a mob cap, beaded necklace and buttoned lace-edged cuffs, the head broken off and restuck, 12.5cm high. Provenance: The Property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire. This model is traditionally believed to represent the actress Margaret 'Peg' Woffington (1717-60), who lived for many years with David Garrick but repeatedly refused his offers of marriage. Cf. Raymond C. Yarbrough, Bow Porcelain and the London Theatre, col. pl. III for an enamelled pair, which are discussed on pages 49-52.
A Bow plate c.1760, painted in polychrome enamels with a dishevelled bird standing on a grassy area with two other birds in flight or perched on a branch behind, the rim with brightly coloured moths, insects and a caterpillar, within a gilt dentil rim, red anchor and dagger mark to the reverse, 20.5cm. Provenance: Sotheby's, 12th November 1963, lot 19, from the Arnold Collection.
A Bow prunus mug c.1750-54, the cyrlindrical body flaring out to the foot, applied with three sprigs of prunus, the handle with a central groove, a faint incised line to the base, 9cm high. This piece belongs to a group of early objects, sometimes marked with an R, discussed by Anton Gabszewicz, Bow Porcelain: The Incised 'R' Marked Group and Associated Wares , ECC Trans. Vol. 17, pt. 2.
A large Bow blue and white mug c.1752-55, of cylindrical form with a flared foot, unusually painted with a parrot perched on the hand of a moustachioed Chinese figure, a further figure walking behind with a large parasol, the rim with a cell diaper border containing small flowerhead panels, the grooved strap handle with a stylized foliate motif, a large riveted crack, 14.2cm high.
A Worcester leaf-shaped butterboat c.1760-65, painted with the Mansfield pattern, with angular handle, a teabowl printed with the Fence pattern, and a Chinese porcelain armorial saucer, painted with the arms of the Glover family of Norfolk within a hatched diaper border, a short crack to the saucer, 14.3cm. (3) The arms for Glover may relate to Captain Adolphus Glover who captained the East Indiaman, Duke of Cumberland, in 1766. The arms are also known on items of Bow porcelain.
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117845 item(s)/page