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Lot 178
A Royal Worcester porcelain 'Graceful Arts' group,comprising 'Poetry', 25cm high, 'Music', 23cm high, 'Embroidery', 24cm high, and 'Painting', 23cm high, printed marks, all numbered 951 (4)Condition ReportEmbroidery is heavily cracked throughout. The bow to the back of Painting's dress is detached, with remnant historic glue visible. The remaining two are in a good condition, with no apparent cracks or chips.
Lot 343
▴ Mary Fedden RA (1915-2012)'Red Sunset'offset lithograph in colours, 2000, signed 'Fedden' in pencil l.l. and numbered '344/550' l.r., published by Bow Art with blind stamp l.l.35 x 49.5cm, unframedCondition ReportPreviously rolled in tube, tiny crease upper left edge, otherwise in good order.
Lot 419
A Dutch painted bow front corner cupboard,c.1800, decorated with 'The Nativity', later pierced brass plate hinges57cm wide38.5cm deep92cm highCondition ReportOld timber shrinkage crack to lower part of the right-hand door.Some paint loss to lower areas and edges of the side panels.splits to timber in back panels.Key is present and lock works.
Lot 472
A mahogany bow front chest on chest,20th century, with two short and three long drawers, in two sections, raised on splayed feet,77.5cm wide 49.5cm deep149.5cm highCondition ReportWith three keys, all drawers have locks. Colour is good overall. Some knocks to the base edges of the splayed feet.
Lot 503
A gilt framed girandole, 19th century, ribbon bow cresting 50vm wide73cm highCondition ReportOriginal gilding with some gesso cracks and loose parts to the ribbon bow crestingAn old repair to the join with the sconce arms and frameThe mirror plate with overall degredationPlease see the additional images.
Lot 204
A George III mahogany, satinwood inlay and ebony strung sideboard, Thomas Sheraton period circa 1780, bow front, slight overhanging top above a long frieze drawer over a kneehole drawer, flanked by identical cupboard and wine cooler drawer, raised on tapered supports. 95cm H x 215cm W x 81cm D Provenance:Purchased for £3,650 from W.R.Harvey & co (Antiques) LTD, 67/70 Chalk Farm Road London in 1982.
Lot 164
Franklin Mint - A boxed diecast 1:48 scale Franklin Mint 'Armour Collection' B11B265 #98109 Ju87 Stuka Dora Luftwaffe'. The model appears to be in Mint condition and is housed in an Excellent overall window bow with detached flap covering cellophane window. The model also comes with its original Franklin Mint packaging box which appears Fair Plus with taping and pen annotations. (This does not constitute a guarantee)
Lot 165
Franklin Mint - A boxed diecast 1:48 scale Franklin Mint 'Armour Collection' B11E074 Messerschmitt Me262 V2 Ed.V . The model appears to be in Mint condition and is housed in an Excellent overall window bow with detached flap covering cellophane window. The model also comes with its original Franklin Mint packaging box which appears Fair Plus with taping and pen annotations. (This does not constitute a guarantee)
Lot 347
Princess of Power - MOTU - Mattel. A carded 'Bow' #2328 1984 Appearing in Excellent condition, card appears to have been taped. A boxed, sealed Clawdeen appearing in Excellent condition. Clawdeen is a super rare item from the POP / MOTU range. A real gem for a collector. (This does not constitute a guarantee).
Lot 16
A 9CT GOLD CAMEO BROOCH AND THREE PAIRS OF EARRINGS, an oval carved shell cameo depicting a lady in profile, in a milgrain collet setting with rope twist surround, fitted with a brooch pin and safety clasp with additional safety chain, hallmarked 9ct Birmingham, approximate dimensions length 38.5mm x width 31.2mm, a pair of creole hoop earrings with lever fittings, stamped 375, a pair of hollow hoop earrings, stamped 9ct, and a pair of imitation drop pearl earrings with yellow metal bow detailed post and scroll fittings, stamped 9ct, approximate total gross weight 15.8 grams (condition report: general light wear, the earrings would benefit from a gentle clean, overall condition good)
Lot 32
TWO POCKET WATCHES, the first a George IV open face key wound pocket watch, Roman numerals, subsidiary seconds dial at the six o'clock position, silver case, approximate case width 50mm, inside case back hallmarked 'Vale & Rotherham' Birmingham 1823, movement signed 'Ja - Loraine Newcastle', together with a silver case hallmarked 'Vale & Rotherham' Birmingham 1823, approximate gross weight including movement 169.5 grams, the second watch a full hunter ladys pocket watch, hand wound movement, dial signed Lake View WC Roman and Arabic numerals, subsidiary seconds dial at the six o'clock position, gold plated floral engraved case, approximate case width 36mm (condition report: general moderate wear, not currently working at the time of cataloguing, hands missing, bow missing from second watch)
Lot 373
TWO ROYAL CROWN DERBY TEDDY BEAR PAPERWEIGHTS, comprising Teddy Bear (Blue Bow Tie), height 12cm, introduced in 1997, retired in 2007, and Schoolboy Teddy, height 8cm, introduced in 2001, retired in 2006, both having gold stoppers and red printed marks (2) (Condition Report: both appear in good condition with occasional minor light scratches, otherwise no obvious damage)
Lot 502
A GROUP OF MUSICAL INSTRUMENTS AND A REPRODUCTION BUSH 'SUNRISE' RADIO, comprising a Prince classical guitar model 400, a cased violin (case, violin and bow are all damaged), a Honolulu Ukulele Banjo (two missing strings), the Bush radio, height 35cm x width 25cm (4) (Condition Report: obvious damage mentioned in description, the radio has not been tested, the case has scratches and bumps on corners)
Lot 169
Ca. 100-300 AD. A bronze die for casting mounts in the form of a bust of Cupid (Greek Eros) with fleshy features and curly hair. His chubby cheeks portray the features of youth, his stylised wings between his shoulders. In Roman mythology, Cupid was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as a follower or acolyte of the goddess Aphrodite. Size: L:34.8mm / W:26.8mm ; 62.61gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Lot 170
Ca. 100-300 AD. A bronze figurine of a young Eros, depicted in a standing pose, naked. He is striding forward with his left leg advanced, his right arm stretched holding a patera. His eyes articulated, his lips parted, and a cascade of wavy hair frames his chubby face. He carries a quiver on his back. In Roman mythology, Cupid was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as a follower or acolyte of the goddess Aphrodite. Size: L:63.4mm / W:39.5mm ; 37.5gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Lot 250
Ca. 100-200 AD. A gold finger ring of a thin hoop with fine granules to each shoulder. The bezel centred by an intaglio depicting a figural representation of Cupid facing left. In Roman mythology, Cupid (known as Eros to the Greeks) was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as an follower or acolyte of the goddess Aphrodite.Size: D:16.51mm / US: 6 / UK: L 1/2; 2gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1990s
Lot 274A
Ca. 300 BC. An interesting pair of La Tène I type bow brooches, each with a deep bow, pin to reverse, and a foot with a lateral catch. The La Tène culture is a predominantly Celtic culture belonging to the Iron Age, also known as Iron Age II. It developed between ca. 450 and 25 BC. Its name comes from the La Tène archaeological site discovered in 1857 at Marin-Epagnier, on the shores of Lake Neuchâtel in Switzerland.Size: L:40.2-50.5mm / W:21.3-33.5mm ; 8gProvenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1980s;
Lot 274B
Ca. 300 BC. A pair of La Tène I type bow brooches, each with a deep bow, sprung head, and a pin to reverse. The La Tène culture is a predominantly Celtic culture belonging to the Iron Age, also known as Iron Age II. It developed between ca. 450 and 25 BC. Its name comes from the La Tène archaeological site discovered in 1857 at Marin-Epagnier, on the shores of Lake Neuchâtel in Switzerland.Size: L:37.9-40mm / W:18.1-18.7mm ; 9.56gProvenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1980s;
Lot 3
Ca. 400-200 BC.A terracotta votive of hollow form depicting a young male. His young visage comprises of large almond-shaped eyes, incised pupils, a prominent aquiline nose, full bow -shaped lips, naturalistic ears and a slender neck. He is shown with characteristic Etruscan wavy coiffure beneath a long veil. The unarticulated verso forms the veil which also covers the crown of his head. For similar see: Bonhams28 November 2019, lot 81.We are a dynamic company proud of the innovations we can bring to the traditional Ancient Art market. This is one of the first catalogues in the world to offer NFTs/DOTs of Ancient Art. Apollo Art Auctions and Coinllectibles, world leaders in digital art markets, have started working on this collaboration to bring Ancient Art together with digital content. Lots 1 to Lot 5 in this catalogue have been specially chosen due to their beauty and fantastic provenance to be transformed into DOTs. The buyer of each lot will receive both the physical and digital assets, which gives ownership over the DOT that making it a liquid access on both traditional and virtual marketplaces.From Coinllectibles Coinllectibles™️Coinllectibles Coinllectibles™️ is a technology company supporting the collectibles industry with a focus on rare memorabilia and artworks that exist and have intrinsic value in the real world, whether tangible or intangible in nature. Coinllectibles™️ applies blockchain, marketplace, metaverse and DOT technologies as tools to enhance the real-world collectibles industry. The technology underpinning DOTs (digital ownership tokens) has multiple functional use cases that Coinllectibles™️ is applying to areas including art and collectibles areas. A DOT (Digital Ownership Token) is a proprietary DOT format that provides a gold standard of rights and title of ownership of a digital asset, securely underpinned by smart contracts and legal documents stored on the blockchain, each with a unique identification code and metadata, also beneficial title to the relevant Collectible to which it is pegged.Size: L:340mm / W:235mm; 5.2KgProvenance: Ex. New York Gallery; previously part of collection of Dr. Angelo R. Bergamo, NJ., Ex. Christies NYC, June 1993. Thermoluminescence Report from Oxford Authentication LTD. Exhibited: Olympia Art & Antiques fair, London June 2022.
Lot 325
Ca. 500-600 AD. Ca. 500-600 AD A pair of bronze radiate bow brooches, with a semi-circular head featuring five radiating knobs; the head is connected by an arched bow to a polygonal plate and a bulging sub-rectangular terminal. The whole of the front of the brooch is covered with incised ring and dot motifs; the reverse is undecorated.Size: L:Set of 2: 170mm / W:85mm ; 193.5gProvenance: Private UK collection; From an old Oxford collection formed in the 1990s. Exhibited: Olympia Art & Antiques fair, London June 2022.
Lot 59
Ca. Early 3rd century AD. An over life-sized portrait, gracefully sculpted, the Empress portrayed as a mature woman, her oval shaped face is smooth with a round dimpled chin. Her bow-shaped lips gently ajar, her characteristic bulging almond-shaped eyes articulated with kidney-shaped pupils and drilled irises, her upper lids drooping, the bridge of her slender nose merging with her gracefully-arching brows, their feathering lightly incised, her hair parted in the centre and cascading in undulating waves, framing her face and concealing most of her ears, with a thin braid above the waves, all pulled back into an elaborate braided chignon, with a wispy tendril in lower relief before each ear, and a single tendril falling on the left side of her neck. These details given by the sculptor are a testament to the portrait’s realism and heighten the contrast between the gentle, relaxed, motionless face of the subject and her wavy, heavy, voluminous hairstyle. This portrait thus reflects part of the daily life of Roman women. Item comes with a professional historical report from Ancient Report Specialists. Christie’s, Antiquities 8890, 5th October 2000, lot 241. Yale University of Art: Accession Number 2010.143.1. Musee de Louvre, Accession Number: MNB 783: MA 1104. Cf. Hans Jucker and Dietrich Willers, Gesichter: Griechische und römische Bildnisse aus Schweizer Besitz, exh. cat. (Bern: Archaeologisches Seminar der Universität Bern, 1983), 166-67, no. 68, ill.Flemming Johansen, Roman Portraits: Ny Carlsberg Glyptotek, 3 vols. (Copenhagen: Ny Carlsberg Glyptotek, 1994–95), vol. 3, p. 28.Size: L:555mm / W:270mm ; 35.07kgProvenance: Private collection of a London doctor; previously with a London Ancient Art Gallery; Acquired from an old Suffolk, UK collection, 1980s. Formerly in 19th C English collection (based on the restoration techniques and information provided by the vendor).
Lot 90
Ca. 100-200 AD. An oval rock crystal intaglio depicting a right-facing female bust, flanked by quiver and arrows. The latter led to identifying this female portrait as a depiction of the Roman goddess Diana. The intaglio is set in a possibly later gold ring comprising a simple yet elegant design. In Roman art, Diana usually appears as a huntress with a bow and quiver, accompanied by a hound or deer. In Rome, the most important temple of Diana was on the Aventine. This temple housed the foundation charter of the Latin League and was said to date back to King Servius Tullius (6th century BC). Another important centre for the worship of Diana was Ephesus, where the Temple of Artemis (or Diana) was one of the Seven Wonders of the World. For a comparable example, see Richer Gisela M. A., Catalogue of Engraved Gems. Greek, Etruscan and Roman, (Met Museum), Plate XXXIX, 282.Size: D: 17.32mm / US: 7 / UK: N 1/2; 6.78gProvenance: Property of a London collector; formerly in a Japanesse collection formed in the 1990s.
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117845 item(s)/page