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A gold, diamond, yellow diamond and carved ruby set brooch, circa 1940, in a stylized bow and entwined design, collet set with the principal cushion shaped diamond at the centre, further set with five circular cut yellow diamonds and otherwise set with small cushion shaped and rose cut diamonds and with carved rubies, decorated with foliate motifs, (one diamond and one carved ruby lacking), gross weight 43.2 gms.
A lady's pale blue enameled and imitation pearl set, keyless wind, openfaced fob watch, the jeweled lever movement detailed Swiss Made Visible No 2, detailed within the case back Argent Dore 0.800, Swiss, the enameled dial with black Roman numerals, fitted to a pale blue enameled bow brooch, a pair of diamond set four stone earring top fittings and a pair of blue gem set earrings.
Silver and other jewellery, comprising; a collar necklace, in a triple curved bar link design, on a snap clasp, sixteen neckchains and necklaces, six bangles, seven bracelets, three pairs of cufflinks, with one box, twenty pendants, lockets and charms, eleven rings, a lady's marcasite set bow brooch watch, a brooch with a matching pair of earrings, each in a curved design, three pairs of earrings, various odd earrings, a bead necklace and sundry.
A Sèvres biscuit porcelain miniature bust of Charles III, 19th century, wearing a long wig and an elaborate tied bow at his neck, raised on a circular socle, incised 'AB' to the reverse, and a Sèvres biscuit profile plaque of Marie Antoinette mounted on a velvet base in a wooden frame, incised 'Sevres' to the shoulder, 12.5cm max. (2)
Three Meissen figures of animals, modern, the first a goat kid standing with front hooves on a broken and upturned Meissen bowl, another of a young donkey, with head back and braying, left in the white, the last of a cat wearing a blue bow round its neck and crouched in a playful pose, blue crossed swords marks, 15.5cm max. (3)
A pair of Bow figures of Summer and Autumn, c.1765, from the Rustic Seasons series, Autumn modelled as a man sitting stop a basket of grapes, a glass in his left hand, Summer as a lady sitting beside a beehive, a cascade of flowers tumbling from her lap, raised on tall scrolling bases picked out in blue and puce, minor damages, 16cm. (2) Provenance: from a private collection in London.
An early Bow famille rose plate, c.1752-55, the well painted with an insect in flight above flowering chrysanthemum and leafy bamboo issuing from blue holey rockwork, the rim with three sprays of lotus, and a coffee cup, perhaps Christian's Liverpool, similarly decorated with a bird perched on a flowering peony branch, cracks, 24.5cm max. (2) Provenance: from a private collection in London.
A rare Bow peach-shaped jug or sauceboat, c.1752-56, left in the white and applied with sprays of flowering prunus, together with a saucer, three coffee cups and two small mugs or cans with similar decoration, damages, 13cm. (7) Cf. Nicholas Panes, British Porcelain Sauceboats, fig. 109 for a similar example of the peach-shaped jug. Provenance: from a private collection in the Cotswolds.
Three English porcelain blue and white creamers, c.1760-75, two Lowestoft, one of strap-fluted form, painted with a vignette of a Chinese fisherman, on a promontory, the other fluted and painted with a pagoda beneath tall trees, the last Bow and painted with a dwelling beneath a pine tree, some damages, 12.5cm max. (3)
A Liverpool blue and white creamer or small sauceboat, c.1765, painted with Oriental landscapes within moulded panels, a Bow creamer painted with a fisherman within similar moulded panels, and a Pennington's helmet-shape sauceboat, painted with a bird perched on a long branch above a band of moulded acanthus leaves, raised on a circular foot, some damages and restoration, 15.5cm max. (3) Provenance: from a private collection in the Cotswolds.
A Lowestoft blue and white teabowl and saucer, c.1770, painted with Oriental flowers and foliage issuing from within a hatched fence, a Bow coffee cup and saucer painted with the Mansfield pattern, and another Bow coffee cup painted with small dwellings, some damages, 12.2cm. (5) Provenance: from a private collection in the Cotswolds.
Two Bow blue and white dishes, c.1760, one a large leaf shape, the other oval with a shaped moulded rim, both painted with fruiting grapevine and small flying insects around, pseudo Chinese character marks, and a Derby blue and white dish, moulded with fruiting vine and painted with a spray of peony, damages, 28.5cm max. (3) Provenance: from a private collection in the Cotswolds.
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117845 item(s)/page