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Lot 3047
Jesus im Garten Gethsemane, Relief, Blech, gerahmt, 40 x 32 cm; dazu zwei außergewöhnlich schöne, reich ornamentierte Silberblechrahmen mit Messingappliken in den Ecken sowie einer Schleife als oberer Abschluss, mit Darstellung von Peter und Paul, Altersspuren, 38 x 24,5 cm. Jesus in the Garden of Gethsemane, relief, sheet metal, framed, 40 x 32 cm; with two exceptionally beautiful, richly ornamented silver sheet metal frames with brass appliqués in the corners and a bow at the top, depicting Peter and Paul, signs of age, 38 x 24.5 cm.
Lot 2501
Erich Heckel (1883 - 1970), Mädchen mit Schleife im Haar, 1949, Holzschnitt unten rechts signiert sowie datiert '49, Aufl. 421/440, Darstellung ca. 40 x 29 cm. Erich Heckel (1883 - 1970), Girl with a bow in her hair, 1949, woodcut, signed and dated '49 lower right, edition 421/440, image approx. 40 x 29 cm.
Lot 7047
George III mahogany corner washstand, shaped raised back over two tiers, fitted with single drawer (W63cm, H95cm); George III mahogany corner washstand (W55cm, H97cm); George III mahogany toilet mirror, oval swing mirror over bow-front base fitted with three drawers (W64cm, H63cm) (3)Provenance: From the Estate of the late Dowager Lady St Oswald
Lot 7079
Kendal Milne & Co. - late 19th century to early 20th century Hepplewhite design mahogany sideboard, fitted with two drawers with facias decorated with applied carved urns and extending festoons, the flanking bow-front cupboards decorated with further garland mouldings, the right enclosing a cellarette drawer, raised on turned and fluted supportsDimensions: Height: 98cm Length/Width: 199cm Depth/Diameter: 69cm
Lot 357
An early 20th century silver plated dome top mantel clock, the case with trailing bow ribbon hare bell appliques and presentation plaque inscribed 'From the Officers 79th (Highrs) Rn The Royal Scotts 30th April 1924' white enamel dial with Roman Chapter ring and inscribed by retailers 'Brook & Son Edinburgh' eight day French time piece drum movement. L26cm.
Lot 393
Charlie Bears Mr Jingles QVC first exclusive 2006 grey plush teddy bear, CB 173591, 2006/2007, LE 1000, designed by Isabelle Lee, has internal "ting-a-ling" within his head, missing swing labels, missing original blue/purple bow and instead wearing a yellow ribbon, Good Plus to Excellent, 15"/38cm.
Lot 127
The unique design of these clip back earrings make them special. The sterling silver setting is a small flower that forms a bow cascading the sides of the oval turquoise cabochon stone. Dangling from the bottom are two different size etched feathers. Backstamp Sterling. 2.25"l x 0.75"W. Issued: 20th centuryCountry of Origin: United StatesCondition: Age related wear.
Lot 1
Cello 29 7/8" two piece back, ebony fingerboard and fittings, no label, width at upper bout 13 3/4", middle 9 3/4", lower 17 1/2", depth of ribs 4 1/4"; in wooden case with bowEvidence of neck/head graft, some repaired cracks in bass bar area, repaired crack from bottom of right f hole down to purfling and from top of right f hole up to purfling. Repaired crack on back treble side from lower purfling up approx 120mm. Small repair near bottom on back and by centre joint at bottom. Some small repaired cracks to ribs on bass side. Large repaired crack on treble side lower bout rib. End pin apears to have been bushed as do pegs
Lot 33
Alto Saxophone bell engraved 'Made by C G Conn Ltd Elkhart Ind USA' no.M179696 serial number also has 'A' above and 'L' below, frosted silver body and bright keywork, front F floating key missing crook has had microtuner removed; with Berg Larsen mouthpiece stamped '85.1.SMS', in manufacturers hard caseSome small dents in bottom bow including dent in bow capping. Body appears to be straight, some plating wear from age and use. Requires full overhaul.
Lot 36
Alto Saxophone Mk VI By Selmer no.M60840 (1955) gold lacquer with original mouthpiece (tip opening C) ligature and cap; extra engraving around Selmer logo and stamp, front of bell and part of bottom bow; in non-Selmer case with original GuaranteeMinimal wear to lacquer, instrument appears to have had very little use and is in good original condition. Serviceable pads which appear to be original.
Lot 200
NICOLAES MAES (DUTCH 1634-1693) PORTRAIT OF A GENTLEMAN WITH A DOG Oil on canvas 104 x 78cm (40¾ x 30½ in.) Provenance: Private collection, London Galleria Zabert, TurinNicolaes Maes (1634-93) was the son of a wealthy Dordrecht merchant, who was taught to draw by the painter and writer Arnold Houbraken in his native city before going on to study painting with Rembrandt in Amsterdam between 1648/50 and 1653. Maes' career as an artist can be divided into two distinct periods: genre and history paintings, and from 1660, he worked almost exclusively as a portraitist. Maes' sitters were predominantly from the political and mercantile elite. Houbraken wrote that 'so much work came his way that it was deemed a favour if one person was granted the opportunity to sit for his portrait before another, and soit remained for the rest of his life'. A large number of surviving portraits support Houbraken's observation, especially those dating from the 1670s and 80s. This portrait of a gentleman holding a bow in his right hand, and with his mastiff dog at his feet, is one of Maes' preferred poses - a three-quarter-length figure, shown leaning against a tree, rock, fountain or column in a garden or on a terrace with a sunset sky in the background. Renowned for the accurate portrayal of his sitters, the hair (in this example, probably a wig) and clothing generally dominate the image. Maes's mature style was inspired by the Flemish mode of portraiture developed by van Dyck, which had been introduced into the northern Netherlands by artists such as Govaert Flinck, Adriaen Hanneman and Jan Mijtens. Condition Report: The canvas has been relined and presents a layer of dirt. UV light reveals a thick varnish applied unevenly and various retouches. The most evident is the one on the lower left corner, next to the dog's head, which seems to cover what was a crossed shaped tear repair. Another similar repair is situated above, just below the sitter's right arm. The same can be said for a yellowish paint applied across a line of 30cm which starts from the sitter's left shoulder and ends on his hand, possibly a previous tear as well. Other retouches are present, scattered across the painting, mostly visible near the waist of the sitter, near the hand, on the dog, and in certain background areas. There is also a squared layer of paint of about 5 cm length which fluoresces in the top right corner. Condition Report Disclaimer
Lot 49
A FLEMISH MYTHOLOGICAL TAPESTRY OF DIANA THE HUNTRESS LATE 17TH CENTURY/EARLY 18TH CENTURY In a verdure setting with Diana armed with bow hunting waterfowl with dogs approximately 241.5cm high, 261cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Presents well and with a fairly modern backing suggesting it has remedial work and light clean in the last 5 years or so. There are small signs of old and more modern careful stitch repairs and signs of diagonal stitches where backing is fastened on Side borders both with slight disjoint/stitched cut approximately 3/4 of the way up- suggesting either that they have been altered to fit this centre panel- or that the whole has been reduced slightly in height. Colour muting to surface and some rucking and unevenness when hung. Slightly browner area of bank- below left of tress possibly indicative of old stain Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 66
Y A GEORGE IV ROSEWOOD PEDESTAL GAMES TABLE CIRCA 1830 The folding top enclosing an inlaid chess board and inset playing surface, the top swivelling to reveal a compartment 74cm high, 53cm wide, 37cm deep Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some losses, restorations and observations including:There are some cracks and replaced veneers including to the hinge area.There is a small bow to the table top.When open there is a shrinkcage crack across the inset section.Please see the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
Lot 508
Conan Doyle, Arthur His Last Bow Some Reminiscences of Sherlock Holmes John Murray, London, 1917, first edition, bound in red cloth with gilt titles The prize in the BBC's 1979 "Word for Word" competition, with an accompanying letter addressed to Ernest Burnett Hood (Scottish artist, 1932-88, the winner) from Adam Low, BBC Television Centre, June 4th 1979. Condition Report:Available upon request
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117861 item(s)/page