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A quality 19th Century Victorian walnut and inlaid sideboard credenza of demi lune form having a single blind fronted door with inlaid decoration concealing a shelved interior. Inlaid floral decoration to the freeze with flanking bow fronted glazed doors to each side. Brass banding and decoration throughout with all being raised on half bun feet. Measures: 107cm x 149cm x 38cm.
A quality 19th Century Victorian James Shoolbred & Co mahogany ladies bonheur du jour of great small proportions. The desk with a raised section back having fitted interior with sections and a single glass inkwell, all canceled by a hinged cover. The rectangular top being bow fronted having a green tooled leather writing skiver above a single drawer below having ebony and ivory inlaid handles with bowed dropleafs to each side. Raised on square tapering supports with carved floral decoration and spade foot. Stamped to the drawer JAS SHOOLBRED & CO Ltd. Measures 87cm x 62cm x 47cm.
A group of three 19th Century African Tribal antique Ethiopian hand carved wooden headrest / head rest comprising a large example with bow shaped rest with woven handle raised on domed base, double headed axe form one on domed base and another bone shaped on domed base. Largest measures: 21cm tall.
7 pairs of ladies shoes - Ferragamo sling back shoes in black and white marked 6 B approx 4 English size, boxed, Bruno Magli court shoe in dull yellow with bow detail size 37, Harrods burgundy court shoe with patent toe cap and heel size 36, boxed, and dust bag, and Paco Herrero Matador pumps with Cuban heels with shoe trees, size 36 ,pair of satin gloves, Carvela silver lame peep toe evening shoes size approx 4, and a pair of Salvatore Ferragamo black crocodile effect shoes marked 61/2 (unworn) English sized 4 1/2 boxed and a pair of J Renne silver evening shoes
Erickson Beamon leather rose pendant and chain, Erickson Beamon cross pendant rosary and charm chain necklace, in original box, Roberto Cavalli bangle inlayed with soft coral and abalone shell panels, with a structured bracelet set with blue and black paste stones in black metal, bow collar necklace set with paste and faux pearls and a pair of paste drop earrings
An Adult and 2 children's Kilts in red, blue and green check and childs leather Sporan 1930s Morning Suit Comprising Frock coat, trousers with alterations, black waistcoat, grey linen waistcoat and white tie front waistcoat, and white bow tie KiltsChilds w60cm x 43cm, 2nd Childs w66cm x 57cm and Adult w84cm x 69cm Child's kilt smallest with numerous areas of moth damage which do not detract due to check material, other child's - some moths, light staining, nibbling to hem Adult Kilt- 2 areas of repairs, small bit of moth damage and wear to leather trims and some other marksFrock coat - bit of wear on edges, lining a bit grubby 110cm underarm, sleeves 61cm Jacket a few marks and light stains and mottling to lining of tails would benefit from a cleanWaist coat with tiny moth hole front right near pocketTrousers waist 96cm , inside leg 86.5cm, Trousers been let out at the waist, condition some light staining in places but not very visible due to the pattern of the weave
1940s bronze cocktail dress with raised spotted design and bat wing sleeve with bow design to waist and a black sleeveless satin evening dress with deep pockets, sequin musical symbols and matching sheer jacket and a Mint green full length dress and jacket Bronze dress - wear to underarm, waist 63cm, length 114cm , underarm 104cm good overall condition.Black dress areas where stitching coming undone to waist and pocket area, good wearable condition Jacket numerous area of pin holing and areas where stitching coming undone to left shoulderSize dress underarm 96cm, waist 84cm length middle of neck line to hem 134cm
1940s navy full length cocktail dress with bat wing sleeves, with ruched draped fabric to waist area terminating in a bow design to back, skirt composed of multiple panels, skirt longer at back to front adding to draped effect and a 1940s black and gold lame sleeveless evening dress with draped fabric embellishment Navy dress - approx 94cm underarm, waist 70cm, length back neck to hem 133cm front from v neck to hem 102cmCondition - light fading to shoulders, couple of pin prick holes in areas, fading to arm pit and edge of sleeves, seam to seat slightly coming undone and loose threads on bow and fasteners, light wear to hem, overall clean condtionCocktail dress numerous holes and signs of wear underarm 96cm, waist 80cm , 155 length
Chanel twin set and trousers labelled Chanel uniform in black cardigan with double pockets with motif to one and pussy bow tie to neck. Cardigan marked small 82cm underarm sleeve 42cm long from underarmlight bobbling, appears to have had light wear, evidence of a few dog or cat hairs waist band also with mark Trousers - Jermyn Street, label, size 10 Trousers would benefit from a clean Trousers waist 79cm inside leg 68cm Tea shirt size label bit grubby, bobbled round the collar and few grubby marks tea shirt marked small underarm 90cm Please see extra photos
Kitty Copeland Shot silk effect dusty pink sleeveless 1960's shift dress and coat, together with a vintage high necked, full length, long sleeved, very full skirted cream lace wedding dress with ruched bow and short train Pink suit (12) grubby, missing one gilt buttonwedding dress approx. 30 bust, 25 waist, light stains to front and to lining in armpits
Cojana 1980s iconic blouse with pussy bow to neck featuring blue birds in flight as worn by Princess Diana, a Joseph tricot jumper with cherub and floral design, 2 ball gowns one Frank Usher in lavender grey and one Albi in black, olive green dress with pink geometric pattern, olive long skirt and jacket in silk and camisole top, Etienne Aigner striped dress, baby silk blouse mop of pearl buttons oversized, cream silk blouse, fuchsia pink Collier Campbell collarless jacket and a shocking pink oversized jacket by Paul Costello and a Lunn Antiques white cotton nightdress (16)
A GOLD, RUBY AND DIAMOND BRACELET, BROOCH AND EARCLIP SUITE, CIRCA 1940The bracelet of double Brazilian linking with a central stylised bow motif formed of pavé-set circular-cut rubies, pierced goldwork, issuing further Brazilian-link chains connected at intervals with gold and brilliant-cut diamond spheres, the clasp star-set with circular-cut rubies, the brooch and earclips of matching design, diamonds approximately 4.60 carats total, brooch signed Van Cleef & Arpels NY, numbered 8839, lengths: bracelet 18.6cm, brooch 6.5cm, earclip 5.0cm (3)For further information on this lot please visit Bonhams.com
A 'HAPPY DIAMONDS' NOVELTY PENDANT NECKLACE, BY CHOPARDDesigned as a teddy bear with a brilliant-cut diamond bow tie, the eyes accented by similarly-cut diamonds, a glazed panel revealing three 'floating' brilliant-cut diamonds, the arms, legs and head articulated, on a belcher-link chain, diamonds approximately 0.60 carat, signed Chopard, maker's mark, accompanied by a jewellery certificate and guarantee from the retailer, lengths: pendant 5.9cm, chain 59.6cmFor further information on this lot please visit Bonhams.com
Hidemitsu: A Japanese Parcel Gilt Bronze Figure of an Archer, he stands wearing an armoured Do beneath his elaborately decorated robes, his daisho at his waist, his bow in his left hand with arrow ready to ire, gilt signature panel to the reverse Hidemitsu (Shuko) saku, height 44cms, Meiji PeriodCondition Report: Lacking wood stand. Tachi originally pegged in place but needs relocating. Rubbing to side of face by arrows flights.Condition Report Disclaimer
A Japanese Parcel Gilt Bronze Figure of an Archer, the armoured warrior kneels with one leg extended and his bow fully drawn, he wears armour beneath a jinbaori elaborated gilding with Mon, wheels and decorative motifs, the eyes in silver and shakudo wash, signed in a gold plaque (?) kazu saku, height 34cms, Meiji PeriodCondition Report: Some wear to both hands, slight abrasion to right cheek. Sword missing from his belt. General wear and dirt. no wood standCondition Report Disclaimer
A Bronze Model of a Horse, it stands four-square, its well-modelled head erect, the mane and tail well rendered, a saddle-cloth bound around its middle with an elegant bow on its back, the genitalia startlingly well depicted beneath, height 23.4cms, Meiji PeriodCondition Report: Some light scratches, two points of verdegris, wear to hooves.Condition Report Disclaimer
Thomas Jacques Somerscales (British, 1842-1927)'The Nitrate Ship' oil on canvas99.7 x 130.8cm (39 1/4 x 51 1/2in).Footnotes:ProvenancePrivate collection, UK.ExhibitedLondon, Royal Academy, 1908, no. 914.LiteratureA.A. Hurst, Thomas Somerscales Marine Artist, his Life and Work, Brighton, 1988, col. ill. no. 84, pp. 137-138.M.E. Leek, The Art of Nautical Illustration, a Visual Tribute to the Achievements of the Class of Marine Illustrators, Minneapolis, 1991, pp. 110-111.Born in Kingston-upon-Hull in 1842, Thomas Jacques Somerscales had joined HMS Cumberland as a naval schoolmaster by the time he was 21, a career he pursued on various ships, until he contracted a fever and was discharged from the Royal Navy in Valparaiso in 1869. He soon began teaching in the Artizan School, Valparaiso, and exhibited a series of landscapes in Santiago in 1872. Indeed, for a long time all he painted was landscapes and it is for this genre that he is still best-known in Chile today. There was a fairly close-knit British community, largely Scottish, in Valparaiso, into which Somerscales had been readily accepted. When war broke out between Chile and Peru in 1879, Somerscales began painting the naval battles and there was soon a tremendous demand for marine pictures depicting Chile's recent naval history. This was a turning point in his artistic career and from that time on he became a marine painter first and foremost; indeed, it was to be his sea pictures on which his international reputation was founded. In 1890, his daughter Alice died and this tragic event led to great strains within the family. Added to this, his eldest sons were reaching university age and Somerscales was also thinking of his mother, back in Hull, who had never met his wife and children. At the end of 1892 he sold his house in Valparaiso and returned to England.When he arrived at Liverpool he had been away for nearly 30 years and he was now 50 years old. The enormous reputation which he had enjoyed in Chile had been left behind and he was a completely unknown artist in his own country. In the following year he exhibited his first picture at the Royal Academy, London, which was considered a 'tour de force' by the critics. The question on everyone's lips, however, was 'Who is Thomas Somerscales?' He showed the famous (and oft reproduced) 'Off Valparaiso' at the R.A. in 1899, no.943, which was purchased for the Chantrey Bequest for £250 and is now held in Tate Britain. He continued to visit Chile on and off until 1915, when he returned to Britain for the last time. He died in Hull in 1927.The present work was exhibited at the Royal Academy, London, in 1908 and is arguably the finest canvas of a four-masted barque that Somerscales painted. More of a ship portrait than the artist's usual seascapes, the painting is executed with a far greater sense of realism and a high attention to detail that he reserved for his most impressive works. The vessel is seen running downwind with the staysail drawing aback and the jib blanketed by the square sails which are full and drawing. The mainsail is already clewed up and her cables are shackled to their anchors, spray can be seen dripping from them on her starboard bow. In the great expanse of water, the solitary bird observed off her starboard seems a symbolic reminder of the loneliness of the ocean. With so much rust on her hull, it is likely that she is approaching port in foreign waters after a long period at sea. Captured at the moment the vessel is ascending, this is a remarkable study of the interplay of light and shade on the vessel's hull, her sails and the ocean.For further information on this lot please visit Bonhams.com
Montague Dawson (British, 1890-1973)America increases her fleet: The USS North Carolina signed and inscribed 'The North Carolina Battleship/Commissioned apl 1941/& a new type of US Destroyer/Dawson' (on the reverse)oil on board, en grisaille36.5 x 52.7cm (14 3/8 x 20 3/4in).Footnotes:ProvenancePrivate collection, Guernsey.LiteratureThe Sphere, 3 May 1941, no.2154, p.138-139 (illustrated).'The U.S.S. North Carolina, the new 35,000-ton battleship, just completed well ahead of schedule (behind) and one of the very fine new Destroyers, with excellent lines (in foreground). Both these vessels have the typical American bow.' The Sphere, no.2154, p.139.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ISLAMIC SILVER COIN - PERGAMON, MYSIA CISTPHORIC TETRADRACHM , MYSIA, pergamon, circa 166 - 67 BC, cistophorus ( silver, 25.7mm, 12.46g, 2.7mmh) circa 123-104, cista mystica from which snake coils; around, ivy wreath with fruits. REV, two snakes coiled around a bow case; between snake heads, monogram. to right, thyrsos entwined by a serpant, kliener, hoard 7. pinder 101. very fine and lustrous extremely fine.
A rare Manchu Chinese woman's silk bow shaped hat, late Qing dynasty, circa 1890, 42.5cm wide This hair style attributed to these hats is known as 'high handle style', see Verity Wilson, Chinese Dress, Victoria & Albert museum, pages 64 and 67. Provenance: Linda Wrigglesworth's private Collection, London 晚清 黑缎大拉翅一件拍品来源:英国著名丝织品古董商Linda Wrigglesworth私人收藏 Condition Report: in overall good condition with slight wear commensurate with age Condition Report Disclaimer
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117845 item(s)/page