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A Sevres ecuelle, cover and stand, later decorated, the ecuelle and cover decorated with reserves of putti frolicking in cloudy landscapes, a bow, quiver and flaming torch and exotic birds within gilt floral and foliate borders and against a cobalt ground with cailloute gilding, the stand similarly decorated with putti, stand marked with cobalt entwined L`s and central `A` the ecuelle and cover with cobalt entwined L`s, stand 21.5cm diameter, cup and cover 14cm high (3)
John Wood, Exon a walnut longcase clock having an eight-day duration, five pillar movement striking the hours on a bell, the twelve-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five minute markings and fleur-de-lys half-hour markings, with engraved wheatear border decoration, the matted centre engraved with doves in flight and a basket of fruit surrounding the date aperture, with a subsidiary seconds dial, blued steel hands and cast brass ‘female-head’ spandrels and engraved with the makers name ‘John Wood, Exon’, the later associated walnut veneered case having crossbanding to the trunk door, with gilt-wood capitals to the quartered hood pillars, and with three associated brass finials to the flat top, standing on bracket feet, height: 200cm (not inc. finials) * John Wood is recorded as working in Exon (Exeter) in the early 18th century and is known to have had his son James babtised in 1727 in the Bow Meeting House.
A mid/late 20th century walnut veneer bow fronted chest on chest with 6 drawers, one dummied as 2 with small brass drop loop handles and raised on squat cabriole legs, a late 19th/early 20th century bar back side chair with inlaid detail and wicker seat and another rail back side chair with wicker seat
An early 20th century mahogany and boxwood strung bow fronted corner display cabinet, the upper part with shallow moulded cornice and single glazed door revealing wooden shelves with velvet lined back and the lower part with central drawer and flanking dummies above an open alcove with further drawers and cupboards below (as viewed, some handles missing/replaced)
An Oriental blue enamelled and filigree brooch designed as a tied ribbon bow with an amber drop, a brooch in a similar design, a coin cased manicure set, comprising scissors, file and knife, formed from a French five francs coin 1845, and a compact of oval form, the cover with cream coloured decoration.
An early 20th Century violin, bearing printed interior label inscribed `The Maidstone, John G. Murdoch & Co Ltd`, length of back excluding button approx 35.8cm, cased, with a bow, together with another violin with two-piece back, length of back excluding button approx 36cm, cased, with a bow.
A collection of ladies 1980`s fashion outfits to include a gold wool and cashmere collarless jacket with four front patch pockets by Hardy Amies with a bronze silk blouse with pussy bow at neck by Hardy Amies, an Amanda Wakeley fitted collarless jacket, an Yves Saint Laurent Rive Gauche ladies black dinner jacket, a Giorgio Armani tweed jacket with velvet collar, a Giorgio Armani grey jacket, a long blue satin shirt dress by Scherrer Boutique, a Burberry`s raincoat and a black leather shoulder bag with gilt hardware by Paloma Piccaso. (lot)
An Oscar de la Renta black velvet cocktail dress of asymmetric design with shocking pink silk bow to the shoulder and hip, a Gina Fratini black velvet evening gown with red pleated silk ruffles to the shoulder, with matching belt and a Gina Fratini black velvet evening dress with low cut back and long sleeves, puffed at the shoulder. (3)
Murray Arbeid. A silk moire evening gown in plumb and olive green together with 4 other gowns by the same designer including a black velvet evening dress with long sleeves and V neckline, a black rouched satin strapless cocktail dress with purple netting underskirt, an aubergine satin evening gown with large bow details at the shoulders together with a strapless black velvet and silk taffeta cocktail dress with bow detail to the hip. (5) Note. Murray Arbeid Born 1935 studied at the Paris Academy London and in 1952 was apprentice to Michael Sherard, he started his own label in 1954 and had many high profile clients including Diana Princess of Wales.
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117861 item(s)/page