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Lot 223
A set of twelve Chinese sancai glazed figures of warriors, Ming Dynasty (1368-1644) the biscuit and partially glazed warriors modelled as foot soldiers wearing armoured tunics, partly enamelled in green and ochre on canted square bases, two holding circular shields, two holding beaters, five holding spears, one holding a bow, one holding a sword, the last holding a pair uli form throwing clubs, their unglazed detachable heads modelled with plumed helmets, some with traces of red staining, 9½in. (24cm.) high. (12)
Lot 624
A mid-19th century French ormolu drum shaped mantel clock surmounted by a scantily clad classical female holding a torch and teasing a cherub with bow standing below, the tapering rectangular pedestal base with ram mask mounts and trailing husks, with pierced classical decoration behind, on 4 pad feet, with white enamel dial and 8 day French movement with count wheel striking on bell, numbered 297, height 13½"
Lot 629
A mid-19th century ormolu and porcelain mantel clock surmounted by a classical vase finial with flowers and grapes and 2 reclining cherubs, one with a sickle and sheaf of wheat, the other with a tazza and a bunch of grapes, the rounded rectangular base set with polychrome panels depicting cherubs, flowers and musical instruments, on ornate turned brass feet, the white enamel dial painted with bow and garlands and lettered 'Thos Agnew & Sons, Paris'; having 8 day French drum movement striking on bell, under oval glass dome, on ebonised base, height of clock 15"
Lot 313
An Italian diamond, yellow sapphire and 18ct bi-coloured gold pendant necklace by Unoaerre, the central feature a white gold ribbon bow set all along with round brilliant and single cut diamonds suspending a short knife-edge bar with oval cut yellow sapphire pendant, to a fine yellow gold belcher link back chain, with Italian assay marks and manufacturer's marks; width and length of central feature 1.8 and 2.1cm, length of necklace 53cm; cased
Lot 409
A diamond bow brooch together with a seed pearl floral spray brooch, the ribbon bow with asymmetric ends set all along with single cut diamonds and to the centre with a larger round brilliant, clasp with safety catch, width 2.6cm, in period gold tooled leather box; the spray brooch with a loosely gathered posy of flowering stems and ivy leaves set with graduated seed pearls (one lacking), in yellow precious metal stamped '14', length 5.7cm (2)
Lot 52
A Bow blue and white tea bowl and a polychrome coffee can, the exterior of the former painted with Chinese islands and the latter with pink and blue flowers growing by a mauve rock (2) (D) The tea bowl has a nibbled rim and the glaze to the interior is worn. The can has a filled rim chip and hair crack consequent to the chip
Lot 54
A Bow leaf shaped dish together with a Chelsea Red Anchor dish, the first painted with flowers centrally to its mauve ribbing within green edging, dagger and anchor mark, 20cm (98 in) wide, the second painted with sprigs and spraysof coloured flowers within the two handled red lined wavy rim, red anchor mark, 21cm(8.25 in) wide (2) (D) The Bow has a faint star crack within the foot rim. The Chelsea has been cracked across and neatly glued. it has a chip on one of the points of the rim
Lot 853
George Murgatroyd Woodward (British, 1760-1809), possibly engraved by Cruikshank The Symptoms of Drinking, 1790 - The King; Our Old Friend; Integrity to Those who wear the Robes of Justice; Delicate Pleasures to Susceptible Minds; The Queen and Family; and The Democrats Thoughout the World inscribed "G M Woodward Del" and with title, published by Wm Holland N 50 Oxford St engravings (6) - considered as very rare by Suckling and Co of Cecil Court 24½ x 18cm (9 x 7in) George Woodward was born in in Derbyshire - he enjoyed drawing caricatures of his friends and neighbours and began to acquire a reputation as a caricaturist. He moved to London in 1785 and began to publish his prints. In 1790 he published a set of six caricatures under the title ‘Symptoms of Drunkenness’. Woodward was a friend and drinking companion of his fellow artist, Thomas Rowlandson. Woodward died at the Brown Bear public house in Bow Street, London, in November 1809, of dropsy, with a glass of brandy in his hand. He was buried at the expense of the landlord. His work is represented in the collections of the British Museum, the Cartoon Art Trust and the V & A; the Derby Local Studies Library, the Fitzwilliam Museum, Cambridge, and Leeds City Art Gallery. All unframed, paper crinkled and some browning.
Lot 108
Four 18th century English coffee cups, a can and a tea bowl, the Bow coffee cup painted with flowers and rocks, the can previously attributed to Bow with flowers, the blue and white coffee cup attributed to Christian's factory, Liverpool, one of the cups attributed to Worcester with flowers and the other with Chinese figures, the tea bowl with underglaze blue leaves overpainted in red and green and gilt, possibly Liverpool (6) The can has a firing crack in the rim. the blue and white cup has slight nicks to its rim. The tea bowl has slight nicks in the foot rim.
Lot 1096
An imposing French bronze and ormolu mantel clock, 19th century, the scroll mounted shaped base with 10.5cm enamel dial inscribed 'W.R.Cave', with moon hands and typical drum movement, all surmounted by Cupid with bow and quiver of arrows 63 x 52cm (25 x 20in) movement in need of attention; Cupid currently loose; surface dusty and worn in places
Lot 1185
A George III mahogany serving table, with bow ends, satinwood border and ebony line inlays, fitted two drawers, cast brass handles, on tapering square legs and spade feet 84 x 193 x 72cm (33 x 75 x 28in) Provenance: The Estate of Lady Barran, Kensington Square, London Many small veneer losses and all handle parts are present for the drawer Country House condition
Lot 1194
An Irish Regency mahogany bow front sideboard, with pedimented panel back, inlaid and crossbanded in satinwood, fitted two blind frieze drawers, undershelf and on tapering square legs 116 x 166 x 75cm (45 x 65 x 29in) Provenance: Country House, County Cork, Ireland and thence by descent Timber shrinkage crack in the top and possible reduction of the legs
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117861 item(s)/page