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Lot 1
A Meissen figure of a nodding pagoda late 19th century seated cross-legged with nodding and moveable head and hands his smiling face with moving tongue and long-lobed ears wearing a tied robe painted with indianische Blumen a white ruff with a blue bow at his neck and yellow slippers crossed swords mark in underglaze-blue incised No. 756 impressed 86. 14.5cm. 5.75in. one hand restored a small restored chip to rim of the dress A similar pair of nodding pagodas was sold in these rooms on 14th December 2004 lot 50
Lot 1
A Liege wheel-engraved facon de Venise goblet circa 1680-1690 the cup-shaped bowl engraved with a continuous woodland scene of Pyramus and Thisbe to one side a statue of Cupid holding a bow set on a pedestal set within a water fountain a small running lion nearby set on a collar above a hollow compressed baluster knop and merese flanked by plain sections over a wide conical foot with folded rim 15.5cm. 6.125in. minute chip to inside of rim For the form in Dutch glass see that from the Krug Collection B.Klesse Sammlung H.Krug cat. no.100
Lot 1
Arne (Thomas Augustine) The Airs with all the Symphonies in the Opera of Artaxerxes, correctly transpos'd for the German Flute Violin & Guittar, printed for J: Johnson opposite Bow Church Cheapside, c. 1763, eng. title and 36 pp. eng. music, some minor marks and marginal soiling, disbound with covers, oblong 4to Arne's Opera Artaxerxes was first performed at Covent Garden on 2nd February 1762. (1)
Lot 1
The Strad, A Monthly Journal for Professionals and Amateurs of all Stringed Instruments Played with the Bow, approx. 200 orig. issues, a broken run, 1976-2003, b&w illusts., ads. etc., all orig. printed wrappers, mainly slim folio, together with The Opera Quarterly, 25 orig. issues, a broken run, Summer 1983-Autumn 1991, plus 13 orig. issues of Early Music, 1973-89, and 38 orig. programmes for Glyndebourne Festival Opera, a broken run, 1956-98, all orig. printed wrappers, folio, generally VG (3 cartons)
Lot 1
A Violin, 20th century, bearing label 'Joseph Muller, Schonbach 1906. Two piece back, 35.4cm long; Also a miniature apprentice violin, the case with label ' la premier piece de l'apprenti Martin Culher de la Royale Vienna Atelier Paris complete en Octobre 1907. 19cm long with a bow and case. (4)
Lot 1
GEORGE ENGLEHEART (1752-1829) PORTRAIT OF A LADY, PROBABLY MISS JUDITH PARSONS Bust length, wearing a blue dress with white scarf and a bonnet with a blue bow, watercolour on ivory, oval, in a gold frame set into an octagonal ebonised frame with gold slip and gilt metal border 5 x 4cm, Provenance: By descent in the family of the sitter. G. C. Williamson (George Engleheart, publ. George Bell and Sons, 1942, p.109) records that a Miss Parsons sat to Engleheart in 1778.
Lot 1
A VICTORIAN DIAMOND BOW BROOCH Set with a central old brilliant-cut diamond weighing approximately 1.75 carats, with a further fourteen brilliant-cut diamonds weighing approximately 5.00 carats in total, all within a surround of rose-cut diamonds, set in silver and backed in gold. 6cm. wide. .
Lot 1
A Mid Victorian diamond brooch circa 1870 the stem set with slightly graduated cushion shaped old brilliant cut diamonds with a similarly set bow wound around to a target cluster top set in three rows with further old brilliant cut diamonds mounted in gold backed silver. This brooch was given to Rica Goodall by her godmother Lady Florence Alexander the wife of the Victorian theatre actor and producer Sir George Alexander. Rica herself was the daughter of Frederick Goodall RA (1822-1904) the Victorian painter of British and French landscapes and most successfully Egyptian scenes. Thence by decent.
Lot 1
A preserved roach by W. Barnes of Barnsbury naturalistically set with a blue grey background gravel base and reeds in a gilt lined bow front case gilt titled ‘Roach’. Paper label interior top left titled ‘Roach taken by J. Sanders at Enfield September 18th 1910. Weight 1 lbs 3oz’ and W.Barnes paper label interior top right 29cm high 45cm wide 13.5cm deep
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117861 item(s)/page