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Lot 605
MEISSEN 25-tlg. Konvolut 'Zwiebelmuster', überwiegend 1. Wahl, 20. Jh.: 4 Teller (D. ca. 20 cm), 2 Kuchenteller (D. ca. 18), 4 Kaffeetassen, 4 Unterteller, 1 Kaffeekanne (H. ca. 23,5, Deckelröschen bestoßen), 1 Zuckerdose, 1 Sahnegießer, 1 Stövchen mit 1 Teelichhalter (beide 2. Wahl), 1 Schüssel (ca. 26x27, am Stand minimal best), 1 ovales Schleifentablett (L. ca. 40), 1 Fußschale (H. ca. 15,5), 1 Anbietteller (D. ca. 23,5), 1 Deckelterrine (D. ohne Handhaben ca. 21) und 1 Balustervase (H. ca. 25,5). Gut erhalten, teilweise mit Alters- und Gebrauchsspuren.| MEISSEN 25 pcs. convolut 'Onion pattern', mostly 1st choice, 20th cent: 4 plates (d. approx. 20 cm), 2 cake plates (d. approx. 18), 4 coffee cups, 4 saucers, 1 coffee pot (h. approx. 23.5, lid rose slightly bumped), 1 sugar bowl, 1 cream jug, 1 teapot with 1 tealight holder (both 2nd. choice), 1 bowl (approx. 26x27, minimal bumped to stand), 1 oval bow tray (l. approx. 40), 1 footed bowl (h. approx. 15.5), 1 serving plate (d. approx. 23.5), 1 lidded tureen (d. without handles approx. 21) and 1 baluster vase (h. approx. 25.5). In good condition, some with signs of age and use.
Lot 616
VOLKSTEDT 5 Figuren, 20. Jh. Weißporzellan mit polychromer Fassung und Golstaffage, 5 Figuren auf Rocaillensockeln, 1 Cembalospielerin, 1 Harfenistin, 1 Cellistin, 1 Geiger und 1 Flöter, unterseitig gemarkt, H. ca. 11,5-13 cm. Bögen fehlen, rechter Daumen der Cellistin fehlt, vermutlich war an dieser Stelle der Bogen.| VOLKSTEDT 5 figures, 20th century. White porcelain with polychrome paint and gold staffage, 5 figures on rocaille bases, 1 harpsichordist, 1 harpist, 1 cellist, 1 violinist and 1 flute player, marked underneath, h. approx. 11.5-13 cm. Bows missing, right thumb of the cellist missing, presumably the bow was in this place.
Lot 488
dating: 17th Century provenance: Germany, The central body with voluminous curved deer antler plates, finely engraved with hunting scenes. On one face the effigy of two mounted hunters, with their hounds and with a village in the background, on the other face the effigy of a woman hunter, standing and armed with bow and arrows with a mounted hunter who is trying to hit a wild boar with a spear, both again accompanied by hounds and in a bucolic landscape. The large frame engraved with leaves. Large cylindrical fuse engraved en suite; the body of the tank provided in the centre with curved plates engraved with leaves. Remains of fringe, tassels and fabric straps. Very rare. length 52 cm.
Lot 515
dating: Late 17th - Early 18th Century provenance: Austria, Rifled, octagonal, 12 mm cal. barrel at the nozzle, provided with iron foresight and rear sight, and engraved frame at the breech and nozzle, a well marked shield on the back of the breech featuring the letters 'CH' in relief surmounting a bird, the coat of arms with the same letters on the side, 'C' on the left 'H' on the right. Flat and smooth lock. The wheel is protruding from the plate and is inside an elegant silver-plated metal mount elegantly pierced with two rampant lions framed by racemes. The cock and its spring are engraved, the former with an animal's head, and both with remains of an earlier gilding, like the pan cover. The pan is provided with a long spark arrester. Wooden full stock with a few woodworm holes and richly decorated with engraved bone-inlays. Decorative elements on the right side: greyhounds chasing hares and grotesques with dragon's heads; on the lower side a mask with a devil face and the effigy of a Hungarian style armed warrior (maybe an Hajduk), and the portrait of a gentleman, the butt with other masks and grotesques on the back; the left side again with greyhounds and hares, but also featuring a hunting scene of a fight among a bear and dogs, and a beautiful scene of a fight between a Turkish knight armed with a bow and a raider firing his pistol. Bone butt-plate with remains of a heraldic coat of arms surmounting the inscription 'V de T'. Bone patchbox with remains of grotesque engraving. length 108,3 cm.
Lot 2280
Taxidermy: A Cased Northern Pike (Esox lucius), dated 1953, by John Cooper & Sons, 28 Radnor Street, St Luke's, London, EC, (Griggs), preserved and mounted in a naturalistic setting amidst reeds and grasses, set above a pebbled river bed with flowing weeds below, mounted against a painted graduated green backdrop, enclosed within a typical ebonised bow-fronted three-glass display case with verre eglomise border, 107cm by 19cm by 39.5cm, taxidermist's full paper trade label to interior upper left, gold legend to front glass - ''Pike 15lbs 1oz, caught by J.W. Cooper at Radcot on 14.8.1953''
Lot 2277
Taxidermy: A Cased Perch (Perca fluviatilis), dated 1905, by F. Dickinson, Taxidermist, a large skin mount preserved and mounted within a naturalistic setting amidst reeds and grasses, set above a pebbled and grit covered river bed, mounted against a wash painted backdrop, enclosed within a typical period ebonised bow-fronted display case, 60cm by 13cm by 39.5cm, bearing printed paper legend to interior upper left - "Perch, 2lbs, 7½ ozs, 2 drams, caught by Joseph Walker at the Wharves, 2nd Oct, 1905, F. Dickinson, Taxidermist".
Lot 2281
Taxidermy: A Cased Pair of Common Roach (Rutilus rutilus), dated October 1948, by W.F. Homer, 105 Woodgrange Road, Forest Gate, London, E7, a pair of large skin mounts preserved and mounted within a naturalistic setting amidst reeds and grasses, set above a pebbled and sand river bed, mounted against a pale green painted back drop, enclosed within a typical ebonised bow-fronted three-glass display case with verre eglomise border, 63.5cm by 16cm by 46.5cm, taxidermist's ivorine trade label to interior upper right, gold legend to front glass - "Roach, Caught at Tixall, by W.T. Jones, 12th Dec 1948, 2lbs 8oz, 1 Dr, 2lbs 20oz, 13 Dr"
Lot 1631
A pair of George V silver 2-handled bon bon dishes, Mappin & Webb, Birmingham 1921, shaped circular form with ribbon bow handles, pierced lattice decoration and gilt interior, length 13cm, 3.8oz totalLattice panels have a few very minor dents, otherwise no damage or repair, gilding slightly faded, hallmarks clear and matching
Lot 191
A large taxidermy Brown Trout in an ebonised and gilt bow-fronted Cooper-type display case, mounted in a naturalistic setting of weeds and pebbles, the case bearing the catch details; 6lbs, 13ozs caught on Loch Sheelin (Ireland) 1995, the backboard bearing the taxidermists signature E.D Elliot, 79.5 cm wide x 18 cm deep x 38.5 high
Lot 1080
A Group of Furniture, comprising: A 19th Century Foldover Tea Table, A Canterbury, Two Lamp Tables, A Bureau, Two Small Bow Front Hanging Corner Cupboard, A Two Drawer Side Cabinet, A Pine Single Drawer Table, A Small Oak Drop Leaf Table, A 19th Century X Form Stool and A Satinwood Table (12)
Lot 82
Georg Pencz (1500-1550) - Abraham casting out Hagar and Ishmael / Description: Abraham casting out Hagar and Ishmael; Abraham at center; Hagar wiping away a tear and Ishmael carrying a bow, both moving to left; Sarah standing in a doorway at right, holding Isaac. Signed with monogram at upper left and lettered there 'AGER'. Also lettered 'ABRAHAM' at upper right. From a series of five engravings for the History of Abraham made by Georg Pencz in 1543. / Dimensions: 5,50 cm x 8,80 / Condition: A bit weak impression on laid paper with full plate border and margins. / Literature: / Medium: Engraving /Circa: 1543 140
Lot 2211
Edwardian 18ct gold half hunter keyless lever fob watch, No. 257641, white enamel dial with Roman numerals, back case monogrammed, case by Rotherham & Sons, Birmingham 1906Condition Report: Approx 49.95gm, inner dust cover pendant and bow also 18ct, movement functioning and clean, dial good, few scratches and very small pin prick dent to case, some marks around case opening otherwise good, hands moving freely, case diameter = 36m
Lot 8
* IAN G ORCHARDSON (SCOTTISH 1927 - 1997), DUNOON PIER WITH DEPV TALISMAN AND BOW OF QUEEN MARY II oil on board, signed, titled labels versoframedimage size 46cm x 62cm, overall size 60cm x 75cmLabels verso: T. & R. Annan & Sons, Ltd., Glasgow; Doig & Smith.Note: Four of Ian Orchardson's paintings are recorded in UK Public Collections. Ian Orchardson lived in Saltcoats on the Ayrshire coast where he taught as an art teacher. He then left teaching to concentrate full time on his interest of painting Clyde shipping. He painted a variety of shipping including Steamers and Clippers as well as the series of six famous 'Doon the Water' stops of Dunoon Pier, Gourock Pier, Greenock Pier, Helensburgh Pier, Rothesay Pier and Wemyss Bay.The condition of the picture is good overall, with no visible or known issues.
Lot 1302
A 19th century Scottish mahogany and ebony lined sideboard, the superstructure with two sliding doors and two small drawers over a bow front centre section with frieze drawer and blind drawer below, flanked by two deep drawers, raised on six reeded tapered cylindrical supports, 234cm wide x 113cm high x 78cm deep
Lot 274
A RARE AND LARGE SANDSTONE FIGURE OF RADIATING LOKESHVARA, KHMER EMPIRE, ANGKOR PERIODLate 12th to early 13th century. Boldly carved, the round face with a serene expression, framed by a prominent hairline and flanked by elongated earlobes, with heavy-lidded eyes, thick brows, and full bow-shaped lips. The hair neatly arranged in a high chignon, secured by a string of beads and centered by a diminutive figure of the Buddha Amitabha. The body with eight arms, the upper body and arms covered in bands of small buddhas with larger buddhas placed at the center of his chest and back, as well as above his short pleated sampot secured by a broad belt above the anchor-shaped fold.Provenance: From an old Belgian private collection. Acquired before 1970 and thence by descent in the family.Condition: Good condition, commensurate with age. Extensive wear, losses signs of weathering and erosion, encrustations, few structural cracks, chips, nicks, scratches.Weight: 104 kg (total)Dimensions: Height 125 cm (excl. stand) and 135 cm (incl. stand)Mounted on an associated metal stand. (2)Lokeshvara appears in inscriptions from the Khmer Empire as 'Lord of the Worlds'. Known from the earliest days of Khmer art, it was however during the reign of the Buddhist king Jayavarman VII (1182-1220), that the cult of Lokeshvara enjoyed its greatest popularity. The present figure is characterized by its eight arms and a skin whose pores exude Buddhas that will transmit the benefits of Buddhism to the whole of creation. This radiant chainmail effect symbolizes the universality of Buddhist compassion, in all directions of space and in all worlds. Torso, arms and even hair are entirely covered with a myriad of small images of meditating Buddhas, suggesting the intense compassionate radiance of this bodhisattva and his cosmic character. Masked beneath its envelope of tiny Buddhas, the torso appears slender and elegant, while the legs have a certain robustness typical for sculptures from the reign of Jayavarman VII.Literature comparison:Compare a closely related figure of Radiating Lokeshvara, also dated late 12th to early 13th century, in the Musee Guimet, accession number MG 18139, included in the exhibition Angkir Naissance d'un mythe. Louis Delaporte et le Cambodge, 16 October 2013-13 January 2014. Compare a closely related torso of Radiating Lokeshvara in the Honolulu Museum of Art, accession number 4483.1.
Lot 70
A LACQUERED WOOD FIGURE OF GUANYIN, MING DYNASTYChina, 15th century. Seated in dhyanasana on a beaded double lotus base, the hands held in aakash and varada mudras, wearing loose-fitting robes opening at the chest to reveal an elaborate jeweled necklace of several beaded chains, the face with a serene expression with heavy-lidded eyes and bow-shaped liueps forming a calm smile, flanked by long pendulous earlobes, the hair piled up into a high chignon secured with a foliate tiara centered by a small image of the Buddha Amitabha.Provenance: Dutch trade. A private collection in Portugal, acquired from the above.Condition: Good condition with wear and natural imperfections including minor age cracks and signs of worm or insect activity. One thumb and one finger with old repairs. Remnants of gilt. The lotus stems rising from the elbows are lost. The lacquer commensurate with age and with several layers which have been renewed over a long period of time. The wood with a rich, dark patina.Weight: 1,497 gDimensions: Height 36.4 cm
Lot 31
A THANGKA OF EKADASHAMUKHA AVALOKITESHVARA, EASTERN TIBET OR YUNNAN, 17TH -18TH CENTURY, CIRCLE OF CHOYING DORJE (1604-1674) 西藏東部或雲南十七至十八世紀十一面觀音唐卡Expert's note: In 1645, the Tenth Karmapa, Choying Dorje (1604-1674), fled Tibet, eventually taking refuge in the city of Lijiang (Yunnan province) until his death. There, according to his biographies, he created a copy of a famous set of silk arhat paintings kept at Gangkar monastery in Sichuan province, called the Drakthokma Arhats (Arhats atop Rocks). The eccentric style in which these copies were executed shares some characteristics with the present work. Compared to most Tibetan thangkas, both have a strong Chinese aesthetic, adopting not only traditional figural and floral elements, but also Chinese brushwork techniques and the medium of monochromatic ink on silk, with only few pale pigments added to the present work for accentuation.In fluid lines, this remarkable painting creates a dynamic image of the eleven-headed and eight-armed deity standing in samabhanga atop a lotus dais. His principal hands are clasped together in anjali mudra, the secondary hands radiate around him, holding the dharma wheel, a water vessel, a mala (prayer beads), a lotus blossom, and a bow and arrow, and one held out in varada mudra. He is wearing a layered dhoti cascading in graceful folds as well as a billowing scarf draped over both shoulders, and richly adorned with fine jewelry.Black ink and pigment on cloth, with an ancient silk brocade frame, mounted as a hanging scroll with a wood handle.Provenance: From an old private collection in Budapest, Hungary, acquired during the first half of the 20th century. Condition: Good condition with some wear, soiling, creases and small losses. Some tears and losses to the mounting. The ink is still crisp, the pigments are intentionally pale.Dimensions: Image size 31.2 x 24.5 cm, Size incl. mounting 66.9 x 37.1 cmAvalokiteshvara is backed by a red mandorla with rainbow-colored borders and flanked in the lower register by Green and White Tara seated on lotus thrones, surrounded by a verdant mountainous landscape with large lotus and peony blossoms, and thick swirling clouds beneath the moon and sun.The bodhisattva Avalokiteshvara (Chenrezig) is the patron deity of Tibet, embodying the compassion of all the Buddhas of the ten directions and three times. In the standing form, Ekadashamukha Avalokiteshvara (Eleven faced Avalokiteshvara) is closely associated with Lakshmi, the goddess of abundance and fortune. 西藏東部或雲南十七至十八世紀十一面觀音唐卡布本水墨設色，絲綢錦框，木柄掛軸。線條流暢，十一面八臂觀音站在蓮花台上，主手合十結印，副手呈放射狀，手持法輪、水器、念珠、蓮花、弓箭，另一隻手結施予印。觀音身穿袈裟，下身著長裙，雙肩披帔帛，項圈、長鏈、耳環、手鐲、臂釧裝飾全身。 來源：匈牙利布達佩斯私人收藏，購於二十世紀上半葉。 品相：狀況良好，有一些磨損、污垢、摺痕和小缺損，裱有一些水漬、缺損，墨色依然清晰，顏料變淺。 尺寸：畫面 31.2 x 24.5 厘米，總 66.9 x 37.1 厘米
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120809 item(s)/page