A Bow Porcelain Leaf-Shaped Dish, circa 1765, of oval form, painted with a flowerspray within a brown line rim, the handle with flowerhead finial10.5cm longFor a similar example see Adams (Elizabeth) & Redstone (David) Bow Porcelain, pg.177 where it is discussed that dishes of this shape were made in sets to be attached to a centrepiece.Fixing peg beneath handle missing. Losses to the flowerhead terminal. Small flakes to the rim. Firing crack to the underside. Firing flaw inside the bowl. Some minor surface wear.
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A contemporary bow fronted Mahogany cocktail/drinks Cabinet, the upper portion with a mid height glass shelf, the base with an opposing doored cupboard and all doors having cross-banding, central oval inlaid panels, the top with a tooled green leather surface and protective plate glass, 29'' wide x 19'' deep x 48 3/4'' high and with internal illumination.
An unusual probably 19th c. Mahogany bow fronted Sideboard of small dimensions, the upper full width drawer having a bow front and with a small drawer below to either side, raised on tapering square legs, 42 1/2'' wide x 22 1/4'' deep x 32 3/4'' high, some losses but a number of fragments are present.
Letitia Marion Hamilton (Irish 1878-1964): Seabirds above a Rocky Coast, impasto oil on board signed with initials 34cm x 44cmCondition Report:Overall good condition; paint stable with no losses; board with a concave bow, some craquelure and vertical striation in the sky. Would benefit from a light clean.
George Smith (Scottish 1870-1934): Cattle and Sheepdog in the Farmyard, oil on board signed 29cm x 39cmCondition Report:Good condition, well presented in quality swept gilt frame (minor losses) - ready to hang. Behind glass, no signs of overpainting visible under UV light, slight convex bow to the board.
Collection of 19th Century Victorian and later jewellery to include a pique work tortoise shell round brooch, bohemian garnet jewellery suite to include festoon necklace, cluster brooch, cluster earrings, silver marcasite and garnet brooch, Victorian roundel brooch, marcasite set bow brooch and a silver mourning brooch. Tortoise shell brooch measures 4cm diameter.
Group of antique and art deco jewellery to include a silver white and black paste bow brooch, silver art deco paste dress clip, opal three stone brooch, silver butterfly wing brooch, silver and green stone bar brooch, marcasite set scottie dog brooch, stone set pocket watch key, silver hallmarked whistle and gold plated mechanical pencil. Bow brooch measures 5.5cm wide, opal brooch measures 2.8cm wide.
A beautiful hand paint color, and ink on paper woodblock vertical print. Edo Period, features a beautiful woman placing a pink ribbon bow around a feline's neck. Print is designed by ukiyo-e artist, Utagawa Kunisada (Japanese, 1786-1865), also known as Utagawa Toyokuni III. Print placed on mat board. Mat: 14"W x 20"H. Print size: 10"W x 14.75"H. Artist: Utagawa KunisadaCountry of Origin: JapanCondition: Age related wear.
* Clothing. A gold brocade dress, 1840s, gown of gold figured brocade, woven with large flower sprigs in red and green, fitted bodice with v-shaped waist, metal hooks and stitched loops to front opening, and lined with cream twilled cotton, elbow length sleeves with chiffon flounce, close-gathered open-fronted skirt with inset calico pocket to right-hand side, rear of bodice with figured red bow and pleated train detail, occasional unobtrusive small marks (including some faint spotted red marks to train), bust 70 cm (27.5 ins), waist 56 cm (22 ins), sleeves 31 cm (12.25 ins), length 128 cm (50.5 ins)QTY: (1)
* Victoria (1819-1901). Queen of Great Britain and Ireland. A deconstructed jacket, 3 parts of a crimson velvet jacket, elaborately embellished with gold soutache braid forming large feather design and sewn to castellated edge, comprising bodice in 2 parts, bust 112 (44 ins), length 74 cm (29 ins), and a wide sleeve, 48 cm (19 ins long), a few small marks, together with:Irving (Sir Henry, 1838-1905). A bow tie belonging to Sir Henry Irving, white fine cotton twill bow tie, a little discoloured, 9.6 x 88 cm (3.5 x 34.75 ins), together with a pressed carnation, and a telegram from Martin Harvey to the secretary of the Dramatic and Literary Club, Grand Hotel, Birmingham, reading 'Warm greetings to all and many regrets at inability to be present', contained together in a Grand Hotel envelope inscribed 'Worn by Sir Henry Irving Friday 7th October 1904 Birmingham', plus 2 manuscript letters from Diane Pimm pertaining to provenance QTY: (2)NOTE:According to an accompanying (later) note this was a favourite jacket of Queen Victoria: 'given to a servant at Osborne House but cut up to stop her wearing it! This was often done by the Queen apparently.' Indeed, another garment lacking a sleeve which belonged to Victoria - a black mourning bodice - passed through these rooms last year. It seems reasonable to suppose that the Queen, whilst wishing her clothes to be repurposed - particularly for the benefit of those who served her - would have thought it unseemly for her staff to be seen wearing them.Provenance for bow tie: Given by Sir Henry Irving to George Claridge, a waiter at the Grand Hotel in Birmingham; bequeathed by George Claridge to his niece Dorothy Pimm (née Claridge); given by Dorothy Pimm to her daughter-in-law Diane Pimm; given to the current owner - private collection, Derbyshire.The Irving Literary and Dramatic Club, otherwise known as The Irving Club, devoted its attention to the study of dramatic literature and orchestral music, holding meetings once a week.Sir John Martin-Harvey (1863-1944) joined Henry Irving's Lyceum Theatre company in 1882, and worked there for 14 years, often playing the lead role on tour that Irving had played in London. He took over the management of the Lyceum Theatre from Henry Irving in 1899.
Clothing. A Regency silk pelisse, circa 1810-1820, hand-stitched high-waisted cream silk coat, with frilled round collar and long sleeves, latter gathered and puffed at the shoulders, with crossing bands, and gathered double frill cuffs, cream zig-zag braid trimming to collar, cuffs, front edges, hem, and narrow self bow to rear of waist, scattered holes and marks, collar becoming detached, 10.5 x 2 cm darn to lower left of right-hand front panel, sleeves 56.5 cm (22.25 ins), length 109 cm (43 ins), together with a Regency yellow silk dress, with puffed sleeves and padded hem trimmed with gold metallised lace embellished with spangles and beads, and a Regency yellow silk bodice with long sleeves terminating in quilted cuffs, both somewhat worn QTY: (3)
* Miniature. A pair of tiny Eskimo shoes, circa 1855, hand-stitched sealskin Inuit boots, rubbed, and with some small holes, 4.5 cm (1.75 ins) long, with a manuscript note in black ink pertaining to their history, contained together in a later mosaic work box, together with:A straw boater trade sample, Lincoln Bennett & Co., Sackville Street, Piccadilly, London, early 20th century, small straw boater hat, trimmed with wide black grosgrain ribbon terminating in a bow at one side, maker's name printed on inside, height 7 cm (2.75 ins), width 15 cm (6 ins), length 18 cm (7 ins),Gentlemen's shoes cobbler samples, circa 1930s, 2 hand-made miniature lace-up leather shoes for men (laces partly lacking), one of brown leather with cap toe, the other of black leather, the former containing a wooden last, and other miniature items, comprising: a pair of miniature football boots, each annotated on sole 'E.J. 1959'; a pair of miniature leather clogs (lacking laces), length 8.5 cm (3.25 ins); a pair of miniature black boots; a pair of Victorian or Edwardian child's leather clogs with wooden and metal soles, length 15 cm (6 ins); 3 small purses; 3 dolls' hats; and a souvenir miniature wooden last from Italy, lettered 'Brunate'QTY: (21)NOTE:Rare survival of a pair of miniature Eskimo shoes which have a touching history, according to the accompanying note: 'Model of Esquimaux shoes (actually water tight) often attached to the dress of the mother in memory of a departed child. Procured when Grandfather (E.A.W.) was a missionary in Hudson's Bay district, 1855 (circa).'Prestigious London hat makers Lincoln Bennett were the leading maker of gentlemen’s headwear in the 19th and early 20th centuries. They supplied hats to members of the royal family and were said to have covered more aristocratic crowned heads in their time than any other firm in the world. Between 1876 and 1893 they won various gold medals at exhibitions in Philadelphia, Paris, Sydney, Melbourne, Calcutta, Adelaide, London and Chicago.
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117845 item(s)/page