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Rare parian-type shoulder head doll, German circa 1865, with painted blue eyes with red dots and fine line for eyelids, delicately rouged cheeks and closed mouth, moulded gold earrings, and moulded black elaborate hair style swept up into bun and with ringlets to back, moulded blue ribbon with pendant to breast plate tied in bow to back, on a cloth body with bisque lower arms and legs, painted black shoes and wearing a blue silk dress with layered skirt and underclothes, 17” (43in) tall, (gilt to earrings rubbed), incised 14,
Good Parian-type shoulder head doll, German circa 1860, with painted blue eyes with red lines for lids, closed mouth, pierced ears with pearl earrings, and moulded blonde hair-style swept into ringlets and with moulded blue bow, on a cloth body with fine bisque lower arms and legs with elaborate brown heeled boots, wearing all-original blue silk gown with bows and pleated trim and underclothes, 15” (38cm) tall,
A fine Bru Jne, size 5 bisque head Bebe, French circa 1880, the lovely pale bisque head with delicately shaded cheeks, fixed blue glass paper-weight eyes with finely painted lashes, feathered brows and shading to lids, closed mouth with hint of tongue, pierced ears and blonde wig, swivel head to bisque shoulder plate with bosom, kid leather body with scalloped edging, and kid over wood upper arms, bisque forearms with sculptured fingers, gusset jointing at hips and knees and painted wooden lower legs, wearing original pale pink silk dress with lace panel and pleats to skirt, decorated with pearls and large bow to back, pink socks, brown leather shoes with ‘Bru Jne, Paris’ stamp and bonnet, incised Bru. jne, 5, 17 ½” (44.5cm) tall,
A painted wooden Noah’s Ark with Noah, Family and animals, German circa 1880, the bow bottomed ark with brown painted hull, stencilled windows and surround and paper border, hinged roof with dove, together with Noah’s family of eight wooden painted figures, sixty brightly painted wooden animals including eleven pairs of animals pigs, camels, giraffe’s, elephants and lions and others, four single animals, three pairs of insects, spiders, beetles and grasshoppers, twelve pairs of birds and four single birds, Ark overall good condition some rubbing and wear, animals generally good perfect condition, ark 18 ½” (47cm) long, 10 ½” (27cm) tall,
60s-80s POP/ROCK - Extensive collection of around 500 x 7" singles and EP's to cover a diverse taste. Artists to include The Smiths (Sheila Take A Bow and Shoplifters Of The World Unite), The Beastie Boys, The Jesus And Mary Chain, Whitesnake, The Damned, David Bowie, U2, Talking Heads, Dexys, Madonna, Guns 'N' Roses, Fleetwood Mac, Bon Jovi, Jesus Jones, De La Soul, Mama's And Papa's, The Hollies, Tremeloes, Cilla Black, Elvis Presley and Dion. Condition is generally VG to Ex.
FLEXIPOP WHITE LABEL PROMOS - Interesting collection of 7 x white label 7" singles. Titles to include Madness - My Girl, XTC - Looking For Footprints, Associates - Even Dogs In The Wind, Bow Wow Wow - Elimination Dancing… and Haircut 100 - Nobody's Fool (Flexipop 17). All records are white labels with titles written on in pen. Condition is generally Ex to Ex+.
A 9ct tri-coloured gold collarette, the white, yellow and rose gold tapering brick link necklace with yellow gold diamond shaped centre, together with an 18ct yellow gold stylised bow necklace, a lady's 9ct gold bracelet wristwatch, a 9ct gold signet ring and a simulated pearl necklace, total weighable gold 39gms (5)
A WORCESTER SCALE BLUE GROUND KAKIEMON COFFEE CUP, A TEA CANISTER COVER, THREE COFFEE CUPS INCLUDING A BOW TWO QUAIL PATTERN EXAMPLE AND A QUEEN CHARLOTTE PATTERN TEA BOWL, C1760-75 6.5cm high and smaller, fretted square, open crescent or unmarked ++All with faults. Handle of Bow cup cleanly broken off and restuck
A LOUIS XVI STYLE GILTWOOD SCREEN, LATE 19TH C 188cm h, 159cm w ++Retaining most of the original gilding, dark and rubbed in places, 2 of the 3 ribbon bow crestings damaged, the machine tapestry to the front of each leaf threadbare in places and very faded. The reverse covered in c mid 20th c pink damask
A BOW FIGURE OF JUNO EMBLEMATIC OF AIR FROM A SET OF THE FOUR ELEMENTS, C1760-64 25cm h ++Minor firing crack under the base, minor flat chip to the turquoise part of Juno's robe and some typical chipping of the flower petals but in our opinion in very good preservation, no substantial faults and no restoration detected
AN ART DECO WALNUT DINING ROOM SUITE, comprising table with shaped stretcher, six chairs to include two carvers and sideboard with central lift top section to fitted mirrored interior, drinks cabinet with pull-out tray over cupboard with drawer to top, flanked by two cupboards with central shelves and fitted drawer to top, table approximate size 184cm x 91cm, sideboard 155cm x 61cm (at bow) x 105cm high
A SMALL 19TH CENTURY MAHOGANY SIDEBOARD in the Gillows style, the rectangular bow-fronted top with two brass urn-topped gallery uprights, a single frieze drawer with serpentine apron and further drawers, raised on turned tapering legs. 81cm(h) x 91.5cm(w) x 51cm(d) CONDITION: Brass gallery rail missing, veneer split to top (front right) stain and marks to top, apron section loose with moulding depletion.
A GOLD POCKET WATCH, ENGLISH, CIRCA 1847 gilt full plate movement, lever escapement with plain three-arm balance, decoratively engraved balance cock, diamond end-stone, gilt-metal dust cap, gold coloured dial, engine-turned chapter ring with raised Roman numerals, the centre with decorative floral engraving, engine-turned subsidiary seconds, 18ct yellow gold case hallmarked throughout William Fielder, London, 1847, case back scroll foliate engraved around a vacant cartouche, plain pendant and bow, movement, dust cap and case all numbered 6999 case 48mm diameter
LADY'S SEED PEARL AND DIAMOND PENDENT WATCH, LATE 19th CENTURY the case decorated with pavé-set seed pearls and rose diamonds the reverse revealing a cream watch face with Arabic black indicators and hands, keyless Swiss movement, Swiss gold marks for 18 carat gold, suspended from a later associated bow brooch, hallmarked Birmingham 1986 diameter 20mm approximately, four seed pearls missing from suspension ring
A CHINESE BONE MODEL OF A FLOWER BOAT, CANTON, SECOND HALF 19TH CENTURY the carpeted cabins with stained furniture and shaded by fretwork pierced panels, the foredeck with figures around a tea table before a verandah and doorway flanked by an inscribed couplet, the upper deck set with plants, the bow with flags and lanterns, on a cloth-covered stand 33.5cm long The couplet reads in translation: The fish is swimming across the green water / The bee is flying into the red heart of the flower. In the 18th and 19th century brightly decorated 'Flower Boats' thronged the waterways of Canton. Although more innocent entertainments were available to gentlemen, such as wine and song provided by the 'flowers' (the ladies on board), in general the term 'Flower Boat' referred to floating brothels, servicing the needs of the foreign sailors and traders, among others. Models of these pleasure craft became popular souvenir items. In about 1803 a model was brought back to England by Richard Hall, a senior merchant of the East India Company. This model is preserved today at the Victoria and Albert Museum (No. A.6-1936). For other comparable models to the present example see: the National Maritime Museum, Greenwich, London, object ID OBJ0437; the Mariner's Museum, Newport News VA, No. MP30; and the Topkapi Palace Museum, Istanbul.
Three Worcester blue and white saucers c.1755-65, two moulded and painted with the Chrysanthemum pattern, the other with the Fisherman and Willow pattern in strap-moulded panels, workman's and open crescent marks, and two Bow saucers, one painted with peony and bamboo, the other with an Oriental river landscape, some damages, 13.7cm max. (5)
Three blue and white plates decorated with the Broken Scroll pattern 18th century, one Chinese porcelain, one Bow porcelain and one Dublin delftware, painted with an unfurled manuscript depicting flowering peony issuing from holey rockwork, the delftware plate cracked, 22.5cm. (2) Cf. Peter Francis, Irish Delftware, pl.12 and pp.105-106 for a discussion on the influence of Bow porcelain on Dublin delftware. Provenance: from the estate of the late Peter James Rankin.
A large Bow blue and white sauceboat c.1765, the exterior moulded with a floral panel to each side reserved on an overlapping leaf ground, painted with a peony spray beneath the spout with similar designs echoed to the interior, the rims with cell diaper borders, some rim faults, 21.5cm. Paper label for Mercury Antiques.
A Bow blue and white teapot with associated cover 1760-65, printed with a figure on a bridge before tall pagodas and trees in a Chinese river landscape, the reverse with bamboo and a fence, the cover painted with Oriental landscape vignettes, the cover matched but still Bow, 17.8cm across. (2) Cf. Elizabeth Adams and David Redstone, Bow Porcelain, pl.80 for a saucer printed in the same pattern. Transfer-printing in underglaze blue never reached the output of contemporary factories such as Worcester, Caughley and Lowestoft.
A ladies Swiss silver (.900) gilt and enamelled fob watch, with matching "tied bow" suspension brooch. The bow light green and floral enamelled (A/F), the back enamelled with a lady carrying baskets, in a countryside setting. The inside of the back cover marked "FAUVETTE HAD". The white dial with black arabic numerals and with a pale blue enamelled surround (A/F), in a fitted velvet box.
A LATE 19TH CENTURY MAHOGANY VITRINE, with central glazed cupboard door with buttressed arched top, over a recess above a bow-fronted drawer over a recess with a pair of turned columns, flanked by a pair of astragal glazed cupboard doors over a pair of shaped-panel doors, raised on cabriole legs terminating in pads. 203cm by 156cm by 41cm
An Art Deco sapphire and diamond bow brooch,with seven graduated old brilliant cut, old Swiss cut and eight cut diamonds, all milligrain set to individual collets, between two rows of calibré cut sapphires. Diamond set laurel leaves to an outer blade edge bar frame, with later rhodium plated finish.
A Victorian diamond and pearl cupid's bow and arrow brooch,with enamelled plaque pendant below. The arrow with rose cut diamond set tip and flights, the bow with graduated rose cut diamonds with a bouton pearl peg set to the centre. A pair of chains split to each side with a polychrome enamel plaque depicting a young girl reading a letter with cupid by her side, with a diamond set laurel and pearl frame. Pearl untested
A gold key wound hunter pocket watch,the dial signed 'E. D. Johnson, London No. 12851'. The case 54mm diameter, probably American, with circular barley engine turned case and blind cartouche to the front cover. Ornate chased pendant and plain bow, white enamel dial, black Roman numerals, gold hands and subsidiary seconds dial. Gold case and cuvette with possibly American marks to indicate 18ct gold, case no. 12851. The movement signed 'E. D. Johnson, 9 Wilmington Square, London'E D Johnson (1816-1889)Edward Daniel Johnson was a respected London watch and marine chronometer maker. He was a founder member and Vice President of the British Horological Institute, which was formed in June 1858.During his early career, he worked out of Shoreditch and watches from this period, c.1849-1856, have the address '2 Ashley Crescent, City Road, London' inscribed on the movement. In 1856, he moved to 9 Wilmington Square, Clerkenwell where he produced the majority of his work. It was durin
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117861 item(s)/page