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Three cultured pearl necklaces and a brooch, necklaces comprise: a graduated triple-row collar with single-cut diamond cluster bow shaped clasp and matching diamond cluster front panel, one row detached, length 33cm; a cultured pearl graduated single-row, to a sapphire and diamond twin cluster clasp, length 51cm; a cultured pearl single-row, to a 9ct gold, cultured pearl single stone clasp, length 46cm; and a cultured pearl cluster brooch/pendant (4)Triple row necklace with one row detached, one pearl loose, clasp secure with safety catch, pearls well matched with good lustre, diamonds bright and lively, too small to accurately grade; single row, clasp secure with safety chain, pearls well matched with cream body colour, medium lustre, diamonds bright and lively, sapphires dark blue; single row, pearls well matched with good lustre, clasp secure with British import marks for 9-carat gold; brooch stamped sterling to reverse for silver, brooch pin secure with safety catch, pearls well matched with medium lustre.
Three diamond and gem-set cultured pearl necklaces, Comprising: a collar composed of seven uniform rows of black cultured pearls to brilliant-cut diamond bow motifs to the centre, length 31cm; a collar composed of eight uniform rows of cultured pearls, to a ruby and diamond bar clasp, length 31cm; and a two row cultured pearl necklace to a diamond cluster clasp set with a heart-shaped diamond, length 38cm. (3)
Three various cultured pearl and gem necklaces, comprising: a cultured pearl single-row necklace, suspending a collet-set cushion shaped sapphire and diamond heart-shaped cluster pendant with diamond-set pendant loop, to a diamond-set cultured pearl clasp, length 45m; a multi-row freshwater cultured pearl sautoir necklace with bead spacers, suspending a heart-shaped panel with baroque shaped grey cultured pearl terminal, to a bow design clasp, length 44cm; and a five row freshwater cultured pearl choker necklace mounted with seven 9ct gold bee motifs of various sizes, length 33cm (3)
An 18ct gold, diamond, sapphire and ruby twin heart cluster ring, designed conjoined heart shaped clusters, one set with a pear-shaped ruby, with brilliant-cut diamond surround, to diamond bow surmount, London hallmarks, 1990, ring size Mgem stones are of good quality, diamonds are approx. colour H-J ring in general good condition
A DERBY FIGURE OF ST. PHILIPCIRCA 1760 Partially coloured and gilt26cm highTogether with a Derby oval box cover, circa 1800, painted with insects and a primula auricular, 16cm wide, paper label for Manheim Antiques, and a Bow bocage figure of a girl, circa 1765, 23cm high (3)Provenance:Property from the estate of the late Joe ConstantineCondition Report: St. Philip has historic firing faults and cracks, hands restored and fritting, box cover is restored to the edge from 12 to 3 o'clock. Bow girl is lacking her right arm, chips and losses to bocageCondition Report Disclaimer
A SELECTION OF STAFFORDSHIRE PEARLWARE FIGURES AND GROUPSVARIOUS DATES FIRST QUARTER 19TH CENTURYComprising: a pair of Sailor groups, one titled Departure and the other Return, on titled bases, 22.5cm & 23cm high; a 'Flight into Egypt' bocage group of Walton type, 25cm high and five other pearlware figuresTogether with a pair of later Staffordshire pottery spill vases of sheepCIRCA 190019cm highProvenance: Property from Plas Llangatock, Crickhowell, WalesCondition Report: Chips and repairs to sailors/Joseph's right arm cracked, donkey with chip to left ear, bocage with losses and repairs/Diana missing half her bow, other chips. This should NOT be considered exhaustive.Condition Report Disclaimer
A MAHOGANY SIDE CABINETINCORPORATING 19TH CENTURY ELEMENTSOf bow front outline90cm high, 123cm wide, 56cm deepCondition Report: Marks, knocks, scratches, abrasions consistent with age and useOld splits and cracks, some chips and lossesOverall solid and stableCleaned and polished appearance overallThe handles appear to be later, there is glue to the interiors of the drawer where these sitThe linings to the doors is later, there are tack marks where the previous fabric has beenThe lock to the door is probably original, there is a key which operates at time of report. There is no key to the drawer, this is unlocked at time of reportThe interior timber to the shelf has signs of screwed repairs, some internal marks Please refer to additional images for visual reference to conditionCondition Report Disclaimer
A late Victorian punch bowl Thomas Hayes, Birmingham 1896, the demi-fluted bowl with chased floral and bow swag border, to a domed circular foot with similar fluted decorationDimensions:Height: 18cm, diameter: 25cm, weight: 29.5ozProvenance:Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family
A pair of George III-style side cabinets,20th century, painted to resemble burr maple, each with an inverted bow front, with silk-lined grille doors and turned supports,106cm wide44cm deep90cm high (2)Provenance: The Estate of Sir Jack and Lady Baer.Condition ReportMinor wear and paint loss, especially to frieze moulding.
Three George III shagreen knife boxes,each with a bow front and fitted with a pierced clasp and handles to either side, opening to reveal the original fitted interior,largest 44cm high (3)Condition Report1. With one foot and one handle missing, shagreen missing to base of rear and further wear and repairs.2. Shagreen split to rear, half the underside missing.3. Shagreen losses to base of inside.All with wear.
A Bow figure of Autumn from the Rustic Seasons c.1765-70, seated on a harvesting basket, spilling grapes and apples, a goblet held in his left hand a bottle between his feet, before flowering bocage, raised on a scrolled, footed base picked out in turquoise and gilt, red anchor and dagger mark, minor faults, 16.5cm. Provenance: the Michael Fontes Collection.
A near pair of Bow figures of the New Dancers c.1760, modelled as a boy and girl posed on tall pierced scroll bases beside a variety of applied flowers, the figure of the girl with a blue crescent mark and red anchor and dagger mark, some chipping, 18.5cm. (2) Provenance: the Michael Fontes Collection.
A matched pair of Bow figures of Autumn and Winter c.1760-65, from the Rustic Seasons, Autumn seated astride a harvesting basket full of grapes, holding a goblet in his left hand, Winter huddled in a fur-lined coat over a flaming brazier, both raised on scrolled, footed bases, minor faults, 17cm. (2) Provenance: the Michael Fontes Collection. Autumn with paper labels for Jas. A. Lewis & Son Inc., and for Seidenberg, New York.
A Bow figure of a Turkish Dancer c.1760, dressed in a flamboyant costume with striped turban and a long fur-lined coat, his left arm outstretched, raised on a low base applied with flowers and leaves and picked out in puce and blue, restoration to the neck and left arm, 17cm. Provenance: the Michael Fontes Collection.
A small or miniature Bow figure of a musician c.1758, seated on a low rocky stump and playing the flute, wearing a red cap and flowered breeches, the low pad base applied with flowers, a little good restoration, 9cm. Provenance: the Michael Fontes Collection. Formerly the Nigel Morgan collection.
A Bow figure group of Summer and Autumn c.1765, from the Adolescent Seasons, modelled as a young girl and boy standing before tall flowering bocage, she holding a sheaf of corn, he with a basket of grapes, raised on a scrolled four-footed base, some restoration, 24.5cm. Provenance: the Michael Fontes Collection.
A Bow figure of Autumn from the Adolescent Seasons c.1765, modelled as a youth standing with ankles crossed, holding a goblet in his left hand and a bunch of grapes in his right, raised on a footed base applied with flowers and leaves, the scrolls picked out in blue, puce and gilt, some losses to the bocage, 19.5cm. Provenance: the Michael Fontes Collection. Paper labels for Jas. A. Lewis & Son Inc, and for Seidenberg, New York.
A Bow figure of Winter from the Adolescent Seasons c.1760-65, modelled as a youth wearing ice skates and standing beside a flaming brazier with his hands tucked inside a fur muff, raised on a scroll footed base picked out in green and puce, some restoration, 18cm. Provenance: the Michael Fontes Collection.
A Bow figure of Pedrolino or Pierrot c.1755, from the Commedia dell'Arte, wearing a yellow costume edged in puce, his arms outstretched, the low pad base applied with flowers and leaves, restored, 14.8cm. Provenance: the Michael Fontes Collection. The figure was first modelled by Reinicke at Meissen, using an engraving by Francois Joullain in Louis Riccobini's 'Histoire du Theatre Italien', published in 1731, and was faithfully copied by Bow.
A rare pair of Bow Commedia dell'Arte figures of Harlequin and Columbine dancing c.1765-70, each dressed in colourful costume and stepping with one foot off the tall pierced bases, Harlequin with a mask suspended from his sash and holding a hat in his left hand, red and gold anchor and dagger marks, some repairs, 18cm. (2) Provenance: the Michael Fontes Collection. Cf. Peter Bradshaw, Bow Porcelain Figures, p.189, pl.194 for the combined figure group.
Three English porcelain figures c.1756-60, including a Bow figure of the Sailor's Lass, wringing her handkerchief, a Bow sweetmeat figure of a black Levantine lady supporting a circular basket on her head, and a Chelsea figure of a musical shepherd, playing the flageolet beside his recumbent dog, red anchor mark, some damages and restorations, 18.2cm max. (3)
Three Bow dishes c.1756-65, one octagonal and painted in Kakiemon enamels with the Two Quail pattern, another of circular scallop-edged form and painted with bold sprays of English flowers, the last oblong with similar floral decoration, red anchor and dagger mark to the last, 23.2cm max. (3)
A pair of Chelsea leaf sauceboats c.1760, modelled with overlapping cos leaves edged in green and yellow, the stalk handles issuing from applied flowers and leaves, and a Bow model of a flower pot issuing a profusion of different flowers from a waisted, banded pot, some restoration, 17.7cm max. (3)
A Bow blue and white tiered pickle or sweetmeat stand c.1760, formed as three joined scallop shells, a circular dish rising from a central pillar applied with further small shells, each decorated with a pagoda landscape pattern within cell diaper borders, raised on three peg feet, 13.5cm high.
A 20th century rocking horse on a bow rocker, the carved and later over-painted/re-painted dappled horse with pricked ears, flared nostrils and open mouth, inset amber and black glass eyes with painted features, the body with outstretched legs on a deeply curved pine rocker base, 93cm high, 175cm long
Beer labels, a mixed shape, size and age collection of 42 labels, Duncan Gilmour & Co, Sheffield (1) Godson, Freeman & Wilmot Ltd, Bow, London (2), Gordon & Blair Ltd, Edinburgh (7), Graham's Golden Lager Ltd Alloa, (19), Gray & Sons (Brewers) Ltd, Chelmsford (12) & Great Northern Brewing, Dundalk, Eire (1) (2 sl marks, gen gd)
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117845 item(s)/page