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Lot 353
A Japanese late Meiji period set of lacquered model weapons on display stands, comprising archer's bow, samurai sword and other weapons, together with a large fabric carp motif, housed in the original pine boxCondition:- bow on stand, overall 58cm with some scuffing to the lacquer base, feather work to arrows mostly eroded, but otherwise good.- sword on stand, overall 40cm, in good condition, does come out from scabbard, mother of pearl inset lances all in good order- lacquer sword with light wear to the gold paint, blade is made of wood- smaller bow is good- carp ornament - very slightly faded- box rather dirty but still retaining original label and inscription
Lot 366
A LATE 19TH CENTURY TURQUOISE AND DIAMOND JARRETIÈRE BRACELETThe articulated fancy-link bracelet of garter design, with a bow-shaped clasp inset with a row of rose-cut diamonds, between borders of cabochon turquoise, with articulated cabochon turquoise fringing to the terminal, inner diameter approx. 6.9cm, fitted case.Gross weight approx. 74.7 grams.The turquoises are well matched and of a medium greenish-blue hue. The diamonds are lively and well matched. General surface wear and some light tarnish in areas. The yellow mount is unmarked and untested. Overall in very good condition, commensurate with age and wear.
Lot 886
A REGENCY ROSEWOOD AND NEEDLEWORK STOOL, the needlework seat raised on opposing X-shaped supports joined by a pair of turned stretchers, the supports with bosses to the down-scrolled ends. Seat 65cm by 59cmLacking a boss to inside of one leg. Two bosses with small losses. No breaks. Crack to top of one bow. Stretchers re-glued at one end. Structurally sturdy. No worm.
Lot 514
A SAPPHIRE, RUBY AND DIAMOND DOUBLE-HEART RINGDesigned as a pair of conjoined hearts, each respectively set with a circular-cut sapphire and ruby, bordered by old brilliant-cut diamonds, beneath a similarly-set bow surmount, to a ridged tapering hoop, diamonds approx. 0.30 carat total, ring size N 1/2. Gross weight approx. 4.3 grams.
Lot 52
18CT (750) YELLOW GOLD BOW DESIGN BROOCH set with central diamond (0.15cts approximately) and six small rubies. 6cms at widest point, 15.3 grams. #Condition Report: Appears in good overall condition with no obvious damage or stones missing. Minor surface wear overall.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 53
14CT (585) YELLOW GOLD BOW DESIGN BROOCH having twin pearl centre (one black and one white) accentuated with three small diamonds and diamond chips. 5cms at widest point, 12 grams. #Condition Report: Appears in good overall condition with no obvious damage or stones missing. Clasp mechanism in working order.Lots marked with # can be posted free of charge on Monday April 27th (please see special terms)
Lot 32
Charles Chaplin signed 7 x 5 sepia portrait photo of a young Chaplin with bow tie and tense look. Has corner crease marks where previously mounted, would matt out and make a nice presentation. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
Lot 315
A 1796 PATTERN INFANTRY OFFICER'S SWORD, 80.5cm blade decorated with scrolling foliage and flower heads, a stand of arms and a rampant lion in the East India Company fashion, all highlighted in gilt on a blued ground, regulation copper gilt hilt with D-shaped knuckle bow, folding side guard, urn pommel, white metal wrapped wire effect grip, contained in its copper gilt mounted leather scabbard.
Lot 319
A VERY SCARCE LIGHT CAVALRY OFFICER'S SABRE BY T. GILL, circa 1780, 80.5cm curved blade with clipped back tip, stamped with a crown over GR to either side and T. GILL on the back edge, steel hilt with D-shaped knuckle bow and slotted guard, ribbed wooden grip, faceted bun-shaped pommel and lower ferrule. This appears to be a very early example of Thomas Gill's work as a sword maker. By repute this sword was purchased from a Canadian Collector who acquired it from an American family who had had it since the American War of Independence.
Lot 321
A SCARCE GRENADIER GUARDS OFFICER'S SPADROON, 80.5cm flattened diamond section blade by Runkel, characteristic copper hilt with D-shaped knuckle bow supported by two scrolling side bars, one set with two flaming grenades, the looping side guard also incorporating a flaming grenade, urn-shaped pommel, wire bound grip, contained in its copper mounted leather scabbard.
Lot 322
A GEORGIAN OFFICER'S SPADROON BY SALTER, 81cm flattened diamond section blade decorated with stands of arms, Royal arms and a crowned GR cypher, further marked POR DIOS POR LA LEY and Y POR EL REY, ornate copper gilt hilt with D-shaped knuckle bow, the heart shaped guard with shell decoration, fluted spherical pommel, copper wire bound grip, contained in its engraved copper mounted leather scabbard, the upper mount with maker's panel, the lower mount a replacement.
Lot 1150
3 Steiff. A 2001-2002 Limited Edition 1/1500 Collector's Bear for 'Teddy Bears Of Witney' - Teddy Bear Xenia (660467). Produced in light blond Mohair, adorned with a silk bow with gold plated framed portrait of the original Steiff Alfonzo and a gold plated button. In a special green box, minor wear, with Certificate 01151/1500. Bear VGC. A 1990 British Collector's 1906 Replica Teddy Bear 33cm (406096). 'Faithful to the original in every detail' finished with 'Finest Mohair Plush', this lovely example again is a Limited Edition of 3,000 pieces, made exclusively for the U.K. Boxed, minor wear, with Certificate 02406/3000. Bear VGC. Plus a 2012 Limited Edition 'Teddy Bear 110th Anniversary PB 55'. (036293). A recreation of a 1902 small dark brown Mohair covered bear, 26cm in with a stitched on white/red card disc with Steiff trademark elephant and '110th Anniversary PB55 Limited Edition' and a gold plated button in the ear. Boxed, minor wear, with Certificate 196/1902. Bear VGC £70-90
Lot 631
§ JANET LEACH (1918-1997) TWIN-HANDLED VESSEL, 20TH CENTURY impressed artist's seal marks, 7cm high; and a PETER HAYES BOW VESSEL, raku, impressed seal mark and incised signature PETER HAYES/ 88, 9cm high; and DAN KELLY VESSEL, of shaped circular form with ripped rim and unglazed, textured surface, 10cm high (Qty: 3)
Lot 544
Y HEAL & SON LTD., LONDON WALNUT BOW-FRONT CHEST OF DRAWERS, CIRCA 1920 the crossbanded top above four graduated drawers with ivory handles, raised on outswept bracket feet, bears ivorine inset maker's label to top drawer edge (Dimensions: 76cm wide, 91cm high, 52cm deep)(76cm wide, 91cm high, 52cm deep)Footnote: Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/
Lot 9
Ca. 1300 – 1500 AD. Rare Medieval silver ring with round hoop; decorated edge; forming thick carved bezel depicting bow , arrow and script. The ring has Holy lands origin and the script in Ancient Greek sugegsts its Eastern origin. The iconographjy is rather interesting - the bow with two crossed arrows is possiblt a Heraldic crest; the crossed arrows are also symbol of unity. Good condition, wearable; D:20.5mm/L:22mm UK W US 11; 7.2g; Provenance: From a private British collection formed before 2000.
Lot 1
A FINE & RARE GENTLEMAN'S SIZE 18K SOLID WHITE GOLD & DIAMOND AUDEMARS PIGUET SKELETONISED POCKET WATCHCIRCA 1980s, ACCOMPANIED BY AP BOXMovement: 17J, manual wind, signed Audemars Piguet, Adj. To Heat, Cold, Isochronism, Five (5) Pos, numbered 15x,xxx.Case: Diameter approx. 47mm, exhibition snap back, original diamond set bezel & bow, outer Roman numerals, signed Audemars Piguet, numbered 93,xxx, 18k hallmarks.CONDITION REPORTDial: Original dial in excellent condition.Movement: Running & functioning at present, timekeeping and accuracy cannot be guaranteed.Case: In excellent condition, with some light scratches due to general use.
Lot 384
Illum Wikkelso - Niels Eilersen Mobler - Model IW3 - A stunning original 1950's Danish retro vintage beech and elm wood rocking chair having a curved back rail with spindle backrest, organic shaped arms over panel seal. All raised on turned legs and supports with bow rockers. Ebonised painted finish. Measures: 90cm x 72cm x 55cm.
Lot 248
Lena Larsson - Nesto - Gradessa - An original 1950's Swedish retro vintage beech rocking chair having a shaped curved backrail with spindle backrest. Curved side rail leading to the arms raised over the panel seat by further spindles. All raised on shaped legs and supports over bow rockers. Measures: 81cm x 44cm x 53cm.
Lot 210
NO RESERVE Ceramics.- Haslem (John) The Old Derby China Factory..., 1876 § Kidson (J.R. & Frank) Historical Notes of the Leeds Old Pottery, one of 250 copies, Leeds, 1892 § Turner (W.) The Ceramics of Swansea and Nantgarw, 1897 § Rhead (G.W. & F.A.) Staffordshire Pots & Potteries, 1906 § Bryant (G.E.) The Chelsea Porcelain Toys, 1925 § Hurlbutt (F.) Bow Porcelain, 1926 § Hayden (Arthur) Spode & his Successors, 1925, plates and illustrations, many colour, original cloth, the last with dust-jacket, most a little rubbed, some spine faded, the first with split to lower joint; and 9 others on British pottery manufactories, 4to & 8vo (16)
Lot 517
PASTERNAK BORIS: (1890-1960) Russian Poet and Novelist of Doctor Zhivago (1957). Nobel Prize winner for Literature, 1958. An excellent and lengthy Autograph Manuscript, four pages, folio, n.p., n.d., in Cyrillic. The text is entitled `Pavlo Tychyna - The First Encounter- Chernigov, 1910´ and corresponds to Pasternak´s full translation into Russian of Tychyna´s work The First Encounter, being Pasternak a literary translator. The manuscript states in part `I remember an autumn day. The sky turned blue. Silver dust seemed to fall from the hot firmament… Lessons had finished, and you could hear the din, the laughing and the music of the harmonica in the seminar classes…´ further saying `..he said into the void, while holding a heap of leaves in his hands. He was black-eyed and was wearing a hat. I grasped anxiety in his eyes… The sun came out again. And the stranger, being about to get up, looked at me as if I were a dear person. How could I not lose my mind!...´ The poetic text further refers to George Sand, Glinka, and a musical concert, stating `After about five days a concert was given in the seminar hall. Students were in charge of taking care of spectators. Guests were arriving, the corridor was full. At the entrance of the hall, the greenery on the balconies hung down as a living garland hiding the frieze. We were on duty among the stewards, either rehearsing the bow, either joking about forfeits or about George Sand… "Don't be shy!" said the art teacher, slightly pushing me, introducing me to his companion: "A very promising poet, if there is a chance, it would not be a bad idea to publish his works. You must have a bunch of poems already?.. The bell rang and everyone started gathering slowly at the hall. Clumsy tuning up was escaping through the door. The horn set the tone for violas, racing with the clarinet. A roar of instruments was sonorous like a brawl. I also tried my oboe… Then the conductor waved his baton, reconciling discordant sounds. Everything froze. Glinka spoke from the suite. From the bottom of the bass, the forest began to rise… Winter was over... There was a spring day without limits around me, and the sun, and this little bird above the field! No! There was also the sweat of the working people, and the glory….that Glinka was praising. That work that tears the limits of time and pulls forward. I thought that Kotsyubinsky was also feeling that storming of notes. At the peak of our powers, we performed "Lark". While playing the oboe, I kept an eye on Kotsyubinsky. He was looking into the distance quietly, like a person at the helm. He knew: there were battles, victories and wars far away, and therefore our beloved creator was sitting straight up, honourable, and looked into the distance...´ Overall age wear, with some professional repairs, mostly to edges. Otherwise About G £6000-9000 Tychyna´s work "The First Encounter" was originally written in Ukranian, and was translated into Russian by Boris Pasternak. It was first published in 1939 by Molodaya Gvardia in Moscow. George Sand (1804-1876) French Novelist who used the pseudonym of George Sand, her real name being Amantine Dupin. Also known for her romantic affairs with artists, including Frédéric Chopin and Alfred de Musset. Mikhail Glinka (1804-1857) Russian Composer. Widely regarded as the Father of Russian music.
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117845 item(s)/page