A GROUP OF CONTINENTAL CERAMIC FIGURES, including a pedestal twin handled pot pourri vase and cover, hand painted decoration to the raised flowers and putti, height 20cm (chips to some of the flowers), a pair of Rudolf Kammer porcelain figures of grape sellers, heights 16.5cm (jug handle reglued), a Tiche porcelain pierced oval vase with central bow, on four scroll feet, length 24cm, a figure group of girl and boy with farm cart and poultry (horse has broken fore leg) and another figurine (chips to flowers, sleeves and finger missing) (6) Condition report: as description)
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British School, early 20th c - Portrait Miniature of a Young Woman, half length, in a bonnet with blue ribbons, ivory, oval, 84mm, giltmetal frame applied with roses and a bow, in hinged white shagreen case Good condition, the silk / fabric to the interior of the case stained and slightly frayed
A Victorian mahogany bow front chest of drawers, the top with moulded lip above central blind drawer flanked by two faux drawers, two short figured and three long cockbeaded drawers under, flanked by panelled pillars, turned feet, turned wooden handles, 116cm w, 116cm h Veneer fillets inset to top, extensive scratches, cracks and wear, some veneer losses, cracks to side, moulding loss, other general wear
A jappaned dressing table, c1930's, the top with bow centre, decorated with figures and fishermen in an extensive mountainous and tree filled landscape, the bow centre drawer with seated figure, bird and building in stylised landscape above a bling fret panel flanked by a pair of conforming square doors, on gilt foliate painted cabriole legs with pointed pad feet, 78cm h; 146 x 56cm and a chinoiserie triptych dressing table mirror with pierced pagoda cresting, the moulded frame hatched, foliate and bell painted, on squat gilt painted cabriole legs with pointed pad feet, 93cm h (2) Wear to decoration, particularly on front lip. Other abrasions scratches and wear. The mirror with general overall wear, chip to two feet
A Regency mahogany bow front chest of drawers, the top applied moulded lip, fitted two short and two long cockbeaded drawers with bowed apron and splayed bracket feet, 92cm w, 92cm h Top with extensive water damage, losses, veneer damage, cockbeading missing, veneer to right foot absent, reduced in height
Ventriloquism/Ventriloquy - a mid-20th century ventriloquists dummy in the form of a gentleman, wearing a black dinner suit, the painted papier mâché head with mechanisms for the inset side glancing blue glass eyes and mouth piece, long brown wig, carved and painted wooden hands, the lapels on the black dinner jacket picked out with coloured threads and matching bow tie, white ruffled shirt and black trousers, 105cm high (suitcase not included) Provenance - reputedly used by the vendors Father and Uncle who entertained/performed with the dummy at Boys Brigade in Sheffield in the 1950's
A tribal paddle, 149cm long a knobkerrie, two walking sticks and a bow CONDITION REPORT: Condition information is not usually provided in the description of the lot, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com
An early 19th Century bow rocker rocking horse with flying gallop posture, outstretched legs attached to the rockers by the hooves, the horse with carved eyes and original gesso, now painted dapple grey, later mane and tail, leather saddle, 99cm high, 188cm long/Note: restored by Rocking Horse Elite, Essex/Literature: see pp 236 David Kiss, A Kiss of Rocking Horses CONDITION REPORT: Condition information is not usually provided in the description of the lot, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com
A Stred bow rocker rocking horse with original mane, tail and saddle, later stirrups, the bow rocker with four slats, 64cm high, 110cm long/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot, but is available upon request. Further images and some condition reports can be viewed on our online catalogue at www.chorleys.com
METAL - LPs. A superb collection of 28 LPs. Artists/ titles include Saracen inc Heroes, Saints & Fools (MPRGR 492), Change Of Heart (NEAT 1016). Witchfynde inc Stage Fright (ABOUT2), Give 'Em Hell (ABOUT1). Iron Maiden - Live After Death (RIP1). Demon inc The Unexpected Guest (CAL 139), The Plague (CLAP LP6). Anthrax - Persistence Of Time (ILPS 9967). Angel Witch - S/T, Myofist - Thunder In Rock, Bitches Sin - Predator, Axe - S/T, Raven inc Wiped Out, Rock Until You Drop. Bow Wow - Warning From Stardust. Tank inc Power Of The Hunter, This Means War. Shiva, Fist, Diamond Head, Samson, Verity, Manowar, Axe Nemesis. Condition is superb Ex to Ex+.
TWO SILVER DESK TAPER CANDLESTICKSThe first George IV octofoil by Robert Hennell II, London 1821, with a conical extinguisher, a shell-capped loop handle, a detachable hexafoil sconce, engraved with two crests, 11cm (4 1/4in) long; the second Edwardian circular by Hukin & Heath (John Thomas Heath & John Hartshorne Middleton), Birmingham 1904, with a bark effect finish, the seal with an unengraved matrix and a 3-shape handle, 7.5cm (3in) high, 187g (6 oz) grossThe first with the crests displayed together by descendants of Sir William EDEN (1718-1755) 3rd Baronet of West Auckland and 1st Baronet of Maryland, America (created 1776) and his wife, who he married in 1737, Mary DAVISON (1718-1794) who was born at St Mary la Bow, Durham the daughter and heir of William DAVISON (1673-1794) by Dulcibella MORTON (1677-1737).Sir William EDEN was born at St Bayley, Durham the son of John EDEN (1677-1728) by Catherine SHAFTO (1684-1730). Notably his eldest son Sir John EDEN (1741-1784) of Winderstone, Co. Durham and 4th Baronet of West Auckland, was governor of Maryland, America, were the EDEN family had earlier property interests, however he died unmarried and the main EDEN line then descends via his younger brother William EDEN (1745-1814), also of Winderstone, who in 1789 was created Baron Auckland. This William EDEN, 1st Baron Auckland, married Eleanor ELLIOTT (died 1814) and they had together 14 children, many of whom lived and may have used these crests, most notably they are: George EDEN (1784-1849), 2nd Baron Auckland, who was created Baron Eden of Norwood and Earl Auckland later in 1839. He died unmarried and the title of Earl became extinct; Robert EDEN (1799-1870), later 3rd Baron Auckland, who in 1825 married Mary HURT.The most likely person to have commissioned the engraving will be William EDEN (later Earl Auckland) who was born at Beckenham, Kent. He was MP for Woodstock (1810-14), at which point he inherited his father's barony. He was Master of the Mint and 1st Lord of the Admiralty and in 1836 was appointed Governor General of India. The family held two major estates in Co. Durham at Winderstone and Beamish (now Beamish Museum). A notable descendant was Sir Anthony EDEN (1897-1977), Prime Minister of the United Kingdom. Condition Report: General overall condition good with minor nicks and surface scratching commensurate with age and use. Marks both goodCondition Report Disclaimer
Quantity of vintage hats, including a blue felt Breton hat with blue bow, a black beret by Ejmode, London with feather accessory, a black felt mushroom hat, a cream wedding hat, and a brown, cream and black hat (lining needs repairing), together with a furry pink beret, beige beret, a cream and navy blue feather hat and a black and cream feather hat, housed in a circular hat box.
A rare pair of Invicta blue wool plush teddy bear and elephant, the bear with clear and black glass eyes with brown backs, pink plush ear lining, brown stitched nose and mouth, swivel head, jointed limbs with pale brown velvet pads, squeaker and original blue bow --14½in. (37cm.) high; and a similar elephant with white, brown and black opaque glass googly eyes
A rare Merrythought Cuddlepup (Girl) circa 1934, the bulldog with beige and white wool plush head, hands and feet, orange and black glass eyes, black stitched nose, open pink velvet mouth, unjointed with felt body, original blue and pink dress with white bow tie, pale yellow woven label on foot and card wishbone label --16¾in. (42.5cm.) high (bald spot of left sole of foot and slight fading)
A 1930s artificial silk plush Mr Elephant, white plush head, ears and hands, clear and black glass eyes with red painted backs, unjointed body, red velvet integral trousers and removable jacket, yellow felt waistcoat front, collar and bow-tie, integral shoes and spats --14in. (35.5cm.) high (front faded)
A 1920s Bing teddy bear, with golden mohair, clear and black glass eyes with brown backs, pronounced clipped muzzle, black stitched nose, mouth and claws, swivel head, jointed limbs with seam down back of leg and felt pads, hump, growler and recent red waistcoat and bow tie --25in. (63.5cm.) high (bald spots, general thinning and wear, a little damage to pads)
An early Victorian mahogany bow front chest of two short and two long drawers with turned knob handles and raised on turned bun feet, 88.5cm wide x 51cm deep x 81cm high together with an Edwardian walnut and stainwood inlaid Sutherland table, 54cm wide x 52cm highCondition report: Chest of drawers with loose piece of banding to the side, still present, chip to side of one turned knob handles, minor surface marks and wear; Sutherland table with surface stains and marks
A Georgian brass and wire mesh fire fender 100cm wide x 40cm deep x 77cm high together with a small 19th century bow fronted fire fender, 35cm wide x 43cm high and a further mesh and brass folding fender (3)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
A pair of bow fronted mahogany four drawer bedside chests on plinth bases, 37cm wide x 45cm deep x 68cm high (2)Condition report:Surface marks and scratches all over consistent with age and use, some deeper scratches to bedside chest tops, minor chips to edges of plinth base, one chest with larger chip to front
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek '????????') with a pointed bevelled blade, bow-shaped guard, rectangular grip, and openwork pommel; custom-made stand included. The sword has been profesionally restored and conserved.The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) — inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:490mm / W:80mm ; 420g
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek '????????') with a pointed bevelled blade, bow-shaped guard with lateral flanges, rectangular grip, and flat pommel; custom-made stand included. The sword has been profesionally restored and conserved. The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) — inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:498mm / W:57mm ; 410g
Ca. 600–400 BC. Scythian / Hellenistic. A well preserved short iron sword of the akinakes type (Greek ????????') with a pointed blade, bow-shaped guard, rectangular grip, and a crescent moon-shaped pommel; custom-made stand included. The sword has been profesionally restored and conserved. The akinakes, a short straight sword, became very well known to fifth-century BC Greeks, who recognised it as 'the Persian sword' (Herodotus 7.54.2), and collected them as part of their war booty (Herodotus 9.80.2) – inventories show that a good number of akikanes swords were dedicated on the Athenian Acropolis as a votive offering to Athena (Miller 1997, 47). Akinakes swords can be identified on the reliefs at Persepolis, the capital of the Achaemenid Empire, where men in Persian dress can be seen wearing it thrust through the knot of their robes. Akinakes were also used by the Medes, Scythians, the Caspii, and later by the Greeks themselves. Akinakes were made most commonly of iron, but some examples survive in gold, which Herodotus (8.120) tells us were a standard royal gift: Xerxes, for instance, gave a gold akinakes to the Hellespont along with a gold phiale and a bowl (Herodotus 7.54.2). To find out more about akinakes swords, see Miller, M. C. (1997). Athens and Persia in the Fifth Century BC: A Study in Cultural Receptivity. Cambridge: Cambridge University Press, 46–48. Provenance: Private Oxfordshire collection; Formerly acquired on the European art market from pre-2000 collections. Size: L:444mm / W:60mm ; 460g
Late 19th Century Ladies' Costume, comprising a brown silk full skirt with gathered waist; a royal blue jacket with multi-button fastening to the front, ribbon applique trim to bodice and sleeves, wide flared sleeves, pleated detail to the reverse and bow, together with matching full skirt; purple shot silk dress with long sleeves, scallop and button detail to the bodice, full skirt (3)
A Late 19th Century Ladies' Evening Dress, in cream silk with short net and lace pleated sleeves, floral appliqués in silk and metallic threads to the bodice, a faux bow to the waist incorporating metallic and silk threads, the front of the skirt has pink and other coloured flowerheads applied to the centre opening and along the hem, net insert to the centre of the skirt, labelled 'Julia de Pomeroy Court Dressmaker 18 Conduit Street', pink silk lining to the skirtCondition report: . It is split and stained underneath each arm, the lace is slightly discoloured and shows wear, some of the flowers to the front are peeling at the corners, the lace to the reverse is very worn and some splits, the cream silk skirt appears to be in good orderBust 34"Waist 25"Length 59"
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117845 item(s)/page