* Ceremonial uniform belonging to Josslyn Seymour Egerton, worn as First Page of Honour to Queen Victoria, 1894-1901, comprising: a scarlet wool frock coat made by L. & H. Nathan, with wide dark blue velvet turn-back cuffs with false sleeves of muslin trimmed with lace, 2 pockets with flaps, royal cypher brass buttons, and edges trimmed with gold braid, ivory silk ribbon aiguelette with bow to right-hand shoulder, lined with cream silk (beginning to perish in a few places), maker's gilt-lettered label at nape; a cream satin silk waistcoat, with buttons and braid as before, rear panel perishing; a pair of cream wool front-fall breeches, buttons stamped 'Nathan, 17 Coventry St' (3 detached), with cypher buttons and thistle, rose, and shamrock-decorated buckles at knees, a few small marks; a white fine cotton lawn dress shirt, the sleeves sometime detached, some foxing and marks; a black tricorn hat trimmed with red ostrich feathers and gold braid, with black moiré silk ribbon bow embellished with plaited gold braid and a royal cypher button, lined with lilac silk (with 'J. Egerton' name tape tacked in); a pair of black patent leather shoes, rubbed and creased, and with some paper residues, right shoe with black grosgrain bow (lacking to left shoe), pair of additional yellow metal shoe buckles present (one with black bow a little torn); 2 pairs of stockings; a pair of fabric and leather braces, various sizes, and a ceremonial sword by E. Thurkle, Soho, London, steel blade etched with VR cypher and decorative scrolls, blade with maker's name and stamped on edge 'London Maker', gilt metal crossguard with beast heads, ivory grip and gilt metal horse head pommel, gold bullion sword knot, blade length 54 cm (21.5 ins), contained in white leather scabard with engraved gilt metal mounts, overall length 69 cm (27 ins), together with a framed sepia studio photograph of Josslyn Egerton dressed as a Page, by Alice Hughes, 52, Gower Street, London, with framer's label 'W.M. Power' on backboard, plus: a navy blue wool frock coat embellished with gold braid and silk bows, made by Henry Poole & Company, Savile Row, with manuscript paper label pinned at nape 'Old Uniform of the Bleus[sic]. Household Cavalry worn by Sir Alfred Egerton as fancy dress'; 2 ceremonial sashes, 1 with stylised royal armorial in elaborate embossed and metalwork embroidery; and a belt, all contained in a black metal trunk, lettered on lid 'J.S. Egerton', 24.5 x 68 x 34.5 cm (9.75 x 26.75 x 13.5 ins)QTY: (a trunk)NOTE:Ivory Act registration reference: YTNGTZ1T.Provenance: Josslyn Seymour Egerton (1883-1946) was the the vendor's grandfather. Josslyn Seymour Egerton was the third and eldest surviving son of Colonel Sir Alfred Mordaunt Egerton, KCVO, CB, and his wife, the Honourable Mary Georgina, eldest daughter of William Richard Ormsby-Gore, second Baron Harlech. He was educated at Eton from 1896 to 1900 and at the Royal Military Academy Sandhurst. He served as First Page of Honour to Queen Victoria between 1894 and 1901, before embarking on a military career during which he served in the Coldstream Guards, rising to the rank of Major. His mother was lady-in-waiting to HRH The Duchess of Connaught and to HRH Princess Patricia of Connaught.
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the signed white enamel dial with Roman numerals and subsidiary seconds dial, with presentation inscription to the inner case dated for 1897, high quality English lever free sprung movement, with unusual articulated bow, 50mm dia., 140 grams.. *CR The watch does appear to be working, however, we do not guarantee that our watches are in full working order when offered for sale, hairline crack in the dial between 3 and 4 o'clock.
Ladies 18ct rose gold fob watch, red enamel dial with numbered hour markers with red enamel back with fleur-d-lis decoration, with a twin chain connecting to a red enamel bow clasp set with three small diamonds with fitted case Condition reportThe winder is missing , overall in good condition.
French Viola by H Derazey, circa 1860, labelled ' H Derazey A Mirecourt,' Branded Internally H Derazey, Length of back '407 mm, varnish of a orange brown colour, with nickel mounted bow, 66 grams in old leather case Condition reportInsipid cracks in bass bar area on table , and stemming from treble sound hole. Back, scroll and ribs ok, signs of wear from use and age.There is no sign of an internal sound post patch repair Bow with crack from button on shaft. Dark line along back, can not see any patches internally and seems to follow the grain.
A collection of dresses including: a long peach velvet evening dress by Global, 1960s, fully lined, metal zip, scooped neckline, sleeveless. A full length coral lace evening dress, metal zip, a satin bow at back and front of the high waist, elbow length sleeves (torn on the bodice). A pale pink cocktail length dress in woven brocade-type fabric, elbow-length sleeves and neckline embellished in silver and pink beadwork. A 1920s style repro dress with shoestring straps, and white tassels embellished with bugle beads, 1960/70. A cobweb lace dress with bolero top, tulle overlap and coffee-coloured lining, size 6-8. A pink tulle strapless calf-length dress with pearlised sequins and boned bodice by Debut. A full length pink nylon evening/bridesmaid's dress, metal zip, mid to late 1960s with floral embroidery on the high waist and elbow length sleeves, a double train from the back has a row of nylon roses at the waist. An Abigail's Party nylon/chiffon style long dress with kimono type sleeves and a braided rope style middle, nylon zip, deep frill at the bottom, 1970s. (8)
A ladies 9ct bow bar brooch with lobster clasp, later base pin, suspending a ladies 9ct rose gold open faced pocket watch, no to dial 234301, numeral markers, case approx 25mm, keyless wind, case back marked 1889 to 1899, combined total gross weight approx 16.7gms in original leather bound case General condition: will not wind, wear and tear commensurate with age Note: regarding watches/pocket watches please note movements untested, functionality untested, for more information request a condition report with specific questions or please view in person
A dark brown squirrel fur stole, early 1950s, made by the National Fur Company (lining faded and two small holes, no damage to fur). A small fur collar. A faux fur hat, pillbox style with brown box at back and fabric crown (2 small marks on fabric). A dark brown mink fur hat with floret detail on front. 2 strips of beaver lamb (cut-offs) and a silver fox collar, another small collar and a piano key protector with olive green satin lining and embroidered piano keys on the front with a blue bow detail. (Q)
A collection of ladies cloths to include: a purple spotted maxi dress, 1970s, with a daisy chain trimming; a blue high waisted party dress, mid 1960s; a blue pleated nylon shirtwaister with sheered waist and blue trim design; a cobalt blue and white floral early 1960s dress; a peach nylon negligee, 1960; a green and white spotted 1960s dress by Linda Leigh with full skirt; a brushed nylon floral long-sleeved dress with blue, pink and white floral 1960 decoration; a teal wool jacket with a lined design, fur collar and bow fastening, late 1960s; a bottle green Indian style, heavily embellished robe/dress with long sleeves, 1970s; wool shawl in autumnal shades, 1980. Also a collection of hats to include: a large velvet hat with rose flower; a multi-coloured chiffon hat in shades of pink/yellow/green by Trikki for Edna Wallace, early 1960; deep blue velvet hat by Connor with a shredded effect flowing from the Beanie hat, 1960s; a red and white hat swathed with shredded effect in trailing pieces, late 1950; a Mitzi Boutique cream brimmed hat with chocolate brown binding round the crown in zigzag pattern; a fine stiff tulle picture hat with a lace design pattern and tiered crown with a satin band and ribbon round the crown, 1970s; a sage velvet beanie hat with a button on the crown (Q)
'Strictly Cha-Cha-Cha! A deep pink beaded sleeveless top embellished in pearlised sequins and beads in a scalloped design. A gold and pink 1920s style loose beaded dress with butterfly motif design and bugle bead decoration in gold. A pink long top with clear iridescent sequins, made in China, fully lined with a white beaded diagonal design of pearls and sequins and scalloped hemline, late 1950/early 1960. A powder pink sleeveless beaded top completely covered in round pink pearlised beads with looped beads on hemline, 1950/60. A shell pink beaded collarless jacket with a metal zip, embellished in pink sequins and white beaded floral motif with three-quarter sleeves, fully lined, by Cordell. A pale pink sequin 1920s style dress; the V neckline has a hexagonal design in grey and gold trim with pattern carried through to the lower skirt and hemline, fully lined, by Miss Selfridge. A pale pink long dress with scooped neckline, high waist trimmed with pale pink satin bow, decorated with sequins and rosebud and blue leaf design, mid 1960. A mauve collarless short-sleeved chiffon jacket embellished in mauve/pink sequins and edged in a panel of pearls and beads, fully lined in grey, 1960s. (8)
A mixed collection of Continental and other white metal possibly silver items to include; 1) A rectangular cigarette box with stylised border/rim, hinged lid opening to show wooden interior. 2) An 800 marked silver cigarette case with yellow metal relief initials to front, hinge opening and 800 marks to inside. 3) An 833 marked small simple designed circular pin tray with ribbed edging. 4) A Continental white metal beaker with embossed tree, fruit and bow design. 5) A circular lidded powder pot, with engraved Dog to top, possible Egyptian marks to underneath. 6) A rectangular snuff box with gilt interior and engraved design, also with engraved City scene to inside of lid and dated 1932-1934 Krakow - Barany. 7) A curved possibly Egyptian white metal hip flask with screw-able cover. 8) A possible Egyptian circular dish, ribbed border and "Wedding Anniversary" inscription to centre. Total Weight (excluding cigarette box): Approx. 1034 grams (33.2ozt) Further Details: Some tarnishing, general wear, etc.
Strictly a Barbie collection of gowns to include: a dress made for the ballroom, a full skirted strapless dress of pink chiffon with boned bodice embellished with gold and silver sequins and skirt sprinkled with sequins. A pink velvet kimono designer robe decorated with silver thread and copious sleeves. A pink slub satin high-waisted evening/bridesmaid's dress, with daisy chain braid around the high waist and scooped neckline, chiffon sleeves and four pearl buttons on each cuff. A mid 1960s shocking pink long dress by Dulcie Britain in embossed fabric, high waisted with bow detail, sleeves and scooped neckline. A pink chiffon/nylon ballgown with skirt embellished in cabbage roses on tulle and sculpted bodice heavily decorated with pink stones and seed pearls, by Sherri Hall. A coral pink velvet dress in a high waisted 'A' design long skirt with fluted sleeves, 1960/70, rounded neck and zipped back, size 14 (marks on edge of right-hand sleeve). (6)
A collection of handbags to include: a 1940s travelling writing case in dark green (no damage inside but the Rexel outer is worn); an off-white twin-handled bag sporting a large bow, zip inside and separate shoulder strap. A mid-blue leather bag with a side flap back and front, shoulder strap, zip fastening. A black Radley bag with shoulder strap, two zip compartments inside, side flap on front and half side flap to back. Another black Radley bag featuring a metal Scottie dog sitting in a Lucy Locket pocket on the front, wide shoulder strap. A tan Ollie & Nic bag with floral lining, zip fastening and two zipped compartments on the front. A large mock patent (floral) and suede bag in black with tassel fastening. A red/green and navy leather flapped purse. A leather clothes brush with a zipped top. (9)
Tribal - a West African leather quiver containing nine arrows: probably first half 20th century, the bamboo arrows with barbed iron tips (51 to 59 cm long) the quiver with woven and incised geometric decoration and leather tassels and shoulder strap, (64 cm long); together with a wooden bow with painted cord wrapped grips (132.5 cm long).
Shapland & Petter (Barnstable) - a circa 1900 mahogany and marquetry Art Nouveau display cabinet: three-quarter galleried top centred with a a central arch decorated with a mushroom-shaped marquetry formed from tulip motifs and flanked by two similar marquetry roundels; central bow-fronted glazed section with a half-height serpentine shelf, flanked by two further convex glazed sections; four outset turned columns flanking a central cupboard space with further conforming floral marquetry and serpentine front; each side with three vertical turned dividers; square-section lower legs terminating in square feet; the original brass lock stamped 'S. & P.B.' (LWH 114 x 40 x 197 cm). * Condition: In good condition overall, with good original colour and surface overall, with no fading. The top of the cabinet does have some scratching and wear to the polish across the surface. Key is present. Two small, sharp indents to the right hand edge of the lower shelf and a few small dings to the edges of the centre lower shelf. The back panel of this central lower shelf has a horizontal scratch towards the lower edge.
A bow-fronted mahogany bachelor's chest of small proportions and in late 18th century style (20th century reproduction): crossbanded and boxwood-strung caddy-top; brushing-slide and four full-width strung drawers; shaped apron and slightly splaying French-style bracket feet (LWH 76.5 x 51.5 x 79 cm)
A Fine Keith Townsend 1:20 Scale Model of the Twin Screw Steam Yacht Esperance, English, Modern,Built by K.N. Townsend of Cumbria in 2007, to a scale of 1:20, serial number 001.The black painted hull with twin brass screws, deck with brass handrails, shaped tiller, helm, deck house with curtaining, navigational lamp, chimney, retractable mast, and pennant; the roof featuring six roof ventilators, with interior cabin and engine room, and decorative whistle to the back of the funnel; the model supported on two brass brackets on green slate base on mahogany baseboard, the whole within brass and Perspex display case.The base with metal plaque engraved with the maker's signature, and date and history of the vessel: 'Twin Screw Steam Yacht Esperance 1869, the oldest vessel on Lloyds yacht register and first twin screw steam yacht famous as Captain Flint's houseboat in the film Swallows & Amazons. This is a 1/20 Scale K.N. Townsend'.Inventory includes a remote control, fitted toolbox with accessories, and a file comprising the accompanying certificate of authenticity signed and dated by the maker, and related documents on operating and caring for the model. the model 21in x 41in x 7in (53cm x 104cm x 18cm)the case 24 1/2in x 45in x 12in (62cm x 114.5cm x 30.5cm) overallFootnotes:The present model is a fine example by one of the most respected ship scale model makers of the 20th century, Keith Townsend. It also holds the distinction of being the first model of 'Esperance' constructed by Townsend, certified with the number 001. The careful construction and keen attention to detail are clear throughout the model. The full size vessel 'Esperance' is believed to be the first twin screw steam yacht according to the Lloyds' Yacht Register, and is the oldest boat recorded on the Register ahead of 'Raven'.The full size vessel was constructed on the Clyde by T.B. Seath & Co to serve the Furness industrialist H.W. Schneider. Due to the all-weather use demanded by her owner at Bowness, the bow of 'Esperance' was heavily raked in order to break through light ice. By the end of the 19th century, ownership of 'Esperance' had changed to that of the Ferry Hotel, which used the vessel to transport guests to the hotel for afternoon tea, or up the lake for services at the nearby Wray church.In popular culture she is perhaps best known as the beloved houseboat of Captain Flint in Arthur Ransome's 1930 novel Swallows and Amazons, with the vessel actually being used in the BBC adaption. In his acclaimed novel, Arthur Ransome describes the vessel as 'a long narrow craft with a high raised cabin roof, and a row of glass windows along her side. Her bows were like the bows of an old-time clipper. Her stern was like that of a steamship'. In 1941 the 'Esperance' sank in the lake but was salvaged from the water by T.C. Pattinson.The full size vessel of 'Esperance' is currently in the collection of the renowned Windemere Jetty Museum, and the Victorian façade of the Esperance pier also survives to the present day.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Philip John Ouless (British, 1817-1885)The Jersey brig Hamon outward bound from the Channel Islands with an inbound packet steamer off her starboard bow signed and dated 'P.J. Ouless. 1857' (lower right)oil on canvas46 x 66.4cm (18 1/8 x 26 1/8in).Footnotes:The merchant brig Hamon, 188 tons, was built by (Le) Vesconte & Vautier in their Havre-des-Pas yard at St. Helier in !857 and named for one of her joint owners Hamon & Blampied (Blampied being her first master). After a seemingly short career, she disappears from record after 1859, possibly wrecked but more likely sold and renamed.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
An early 19th century yew high-back Windsor armchair, Nottinghamshire, circa 1830 The hooped back with pierced and shaped fir-tree type splat, flanked by four spindles, arm bow with under-scroll ends, turned-baluster front arm supports, elm saddle seat, on ring-baluster turned legs with ball feet, joined by a crinoline stretcher, 54.5cm wide, 105cm high, seat height 45cm
A 14th century pewter pilgrim badge, probably Thomas Becket returning from exile, circa 1350-1400 Appears to depict Becket’s return from France in December 1170, the saint depicted centre of the rigged clinker-built vessel, with look-out at the bow, width 25mm, height 25mm For a comparable badge see The Museum of London Collection, acc. no. 82. 8/3
An early 19th century green-painted ash and elm Windsor armchair, West Country, circa 1810-40 Having a hooped stick back, the arm bow with incurved front arm supports, saddle-seat, on turned and low short baluster-turned front legs, plain turned rear legs, all joined by a crinoline stretcher, with particularly long rear 'torpedo' returns, height 96.5cm, width 60.5cm, seat height 42cm
A George III primitive ash and elm comb-back Windsor armchair, Welsh, circa 1780 With horse-shoe shaped arm bow, on nine turned spindle, the central spindle also carved to the centre with a fletching/heart, the half-circle, flat-fronted and slightly dished thick seat on four hand-shaped legs, height 69.5cm, width 62cm, depth 36.5cm, seat height 42.5cm Legs appear replaced
A George III ash comb-back primitive Windsor armchair, West Country, circa 1800 The tall back of seven long spindles, surmounted by a gently bowed stay-rail, and raising through the three-part horse-shoe shaped arm bow, raised on six further spindles, and incurved front arm supports morticed through the sides of the particularly deep saddle-seat, on four hand-shaped splayed legs, height 114cm, width 60.5cm, depth 54cm
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117845 item(s)/page