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Regency portrait of a boy with a bow and arrow in silhouette, attributed to CH Hudson, 1811, painted on glass, together with a collection of silhouettes, armorials and plaster relief, believed to be members of the Pitt family. (7)CONDITION REPORT: CH Hudson: some marks and discolouration to the paper (not removed from frame). The silhouettes have some creases, the paper is yellowed, marked and dirty.
AN OLD 'CHUNG DZI' TIGER EYE AGATE BEADHimalayan region, presumably Tibet, around 500-1000 CE or later. Bow-shaped, opaque bead with beautiful milky-white and grayish-brown stripes. Well-polished and with central drilling showing ancient toolmarks. 'Chung dzi' beads are believed to have been created in ancient times by bead makers from agate or chalcedony and were worn as protective amulets. The prefix chung in this instance refers to a specific type of stone material that has unique healing properties.Condition: Good condition with some expected, age-related wear. Displays a patina that only develops after being worn for many centuries. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 15.6 g Dimensions: 5.1 cm
A SMALL OLD 'CHUNG DZI' BANDED AGATE BEADHimalayan region, presumably Tibet, around 500-1000 CE or later. Small, bow-shaped and half translucent bead of a warm color palette, ranging from honey yellow to milky white with some darker brownish and black inclusions. Well-polished and with central drilling showing ancient toolmarks. 'Chung dzi' beads are believed to have been created in ancient times by bead makers from agate or chalcedony and were worn as protective amulets. The prefix chung in this instance refers to a specific type of stone material that has unique healing properties. Condition: Very good condition with some minor weathering commensurate with age. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Weight: 6 g Dimensions: 3.5 cm
A COPPER ALLOY BRONZE FIGURE OF PRATISARATibet or Nepal, 1900-1930. The copper alloy bronze figure of Pratisara with blue and red pigments along with a sealed off base with a double vajra. Seated in dhyanasana posture on a lotus pedestal, wearing a dhoti, detailed with ornaments. Pratisara with her four faces, showing a third eye (urna) and a stern facial expression, adorned with an elaborate diadem and her eight hands in different mudras, holding an arrow, a bow, a vajra, a lasso and other attributes.Condition: Overall good condition with usual traces of age and wear and minor dents. Provenance: Austrian private collection.Weight: 4669 g Dimensions: Height 31.3 cm
A LARGE GILT BRONZE FIGURE OF CROWNED BUDDHA SHAKYAMUNIChina, late Qing Dynasty (1644-1912). Shakyamuni is cast, seated in dhyanasana on a double-lotus base, the hands in bhumisparsa mudra, wearing a long flowing robe finely incised with foliate designs, richly adorned with beaded jewelry with turquoise, coral and glass inlays. The serene face with heavy-lidded almond-shaped eyes, circular urna, strongly arched eyebrows, hooked nose and bow-shaped lips forming a subtle smile is flanked by long ears decorated with inlaid, lotus-shaped earrings. The hair arranged in a high chignon behind the elaborate, seven-leaved crown with animal emblem. The base is not sealed.The sculpture elegantly depicts the moment in which Buddha Shakyamuni achieves enlightenment under the bodhi tree. Having overcome all of Mara's threats, Buddha presses a single finger to the Earth to witness his enlightenment.Condition: Very good condition with traces of use, casting flaws, occasional light scratches, some wear to gilt. Original patina. Provenance: American private collection, acquired in 1990 from an older British collection according to the current owner. Weight: 6.4 kg Dimensions: Height 35.5 cm13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
Parker Knoll - A retro vintage 20th Century British Design oak framed easy lounge chair / rocking fireside chair having an open scroll worked frame with brown plush button backed upholstery. All raised on shaped legs and supports over bow rockers. Marked for Parker Knoll. Measures approx 97cm x 61cm x 86cm.
A collection of 20th Century and antique jewellery to include a Victorian bog oak bird brooch (AF), A stamped 800 bow brooch decorated with guilloche enamel with a purple stone suspended below, a silver hallmarked flower brooch set with white stones (hallmarked Birmingham 1945), a green agate set brooch (AF).
WW2 Royal Australian Navy Reserve group of items to Lieutenant Commander John Stuart Mould GC, GM. A group of items from the estate of this highly decorated officer to include his Bomb Disposal trade badge, RANR buttons, RN buttons, boxed compass, bow pens, brass screwdrivers, a single Kriegsmarine button, other buttons etc. https://en.wikipedia.org/wiki/John_Mould
Poire à poudre mogholeInde, XVIIe siècleEn forme de nef composé de deux parties, en ivoire sculpté en haut relief d'un décor zoomorphe, avec monture, anneaux de suspension et chaînette en métal. La bouche est formée de quatre têtes de gazelle, émergeant de trois félins. La seconde partie, en moyen relief est à décor de gazelles, félins, lièvres encadrés de branches fleuries.( Bouchon rapporté, usures).L. 27 cmUn certain nombre de pièces comparables à cette corne à poudre sont connues, dont certaines peuvent être retracées dans les inventaires européens jusqu'au XVIIe et au début du XVIIIe siècle. Un exemple particulièrement élaboré se trouve dans la collection du prince électeur Johann Georg II de Saxe en 1658. A Mughal ivory powder horn, India, 17th/18th centuryOf bow shape, composed of two joined sections, carved in relief, the mouth with a double gazelle's head one emerging from the mouth of a tiger, the gazelles being attacked by felines, the other half of the horn decorated in lower relief with hunting scenes. With loops and a chain.Collection particulière française, par descendanceThe Metropolitan Museum of Arts, New York, Accession Number: 07.71A. Okada, L'Inde des Princes, Musée Guimet, 2000, pp. 64 et 65Splendeur des Armes orientales, 1988, p. 106Historisches Museum Dresden, collection of Elector Johann Georg II of Saxony entered by 1658, no. 439.
CHANEL Pumps, Gr. 38,5 C. Satin-Modell aus Seide in Schwarz mit Schleifen-Detail und appliziertem CC-Logo. Absatzhöhe 9cm. SB anbei. Guter Erhalt.| CHANEL pumps, size 38,5C. Satin model made of silk in black with bow detail and applied CC logo. Heel height 9cm. Dustbag enclosed. Good condition.
MIU MIU Bluse, Gr. 38. Hellblauer Crepe mit schwarzem Umlegekragen aus Samt, Schleifen-Dekor mir Steinbesatz am Kragen. Verfärbungen an dieversen Stellen vorhanden. | MIU MIU top, size 38. Light blue crepe with black velvet turn-down collar, bow decoration me stone trim on the collar. Discoloration in dieversen places present.
YVES SAINT LAURENT VINTAGE Kleid, Herstellergröße 36. Materialmix aus schwarzem Paillettenstoff und opulentem Saum in Rosa. Dekorativer Ausschnitt mit Schleifendekor. Sehr guter Erhalt.| YVES SAINT LAURENT VINTAGE dress, size 36. Material mix of black sequin fabric and opulent hem in pink. Decorative neckline with bow decoration. Very good condition.
An Edwardian taxidermy pike, stuffed and mounted in naturalistic setting within a bow fronted glazed case, hand painted gilt and black title to lower front pane 'Pike 22½. Caught by B. O. Brace. at Wroxham. Jan., 29th, 1930.', black painted frame and case with two hanging loops, 119.5 by 41.5cm high, 13cm deep at narrowest edges, 24cm deep at widest central point, together with a photocard of Mr Brace holding the recently caught pike. (2)
A yellow and white metal, pearl and diamond sweetheart brooch, featuring two hearts suspended below a bow with a total of 84 rose cut diamonds, in cut-down grain settings, with a 5mm dyed pink button pearl to the centre of each heart and a hook and pin fastening, diamond dimensions between approx 1.4 x 0.55mm and 1.8 x 0.8mm, total weight estimated as 0.46 carats, brooch width 25mm, gross weight 3.9g, not marked but tested as 15ct and silverCondition report: Several diamonds are fractured.The pearls are cracked.
A yellow metal sweetheart necklet, comprising a central leaf and bow shaped section with a heart suspended below, the heart set with seventy-six 1.6 to 1.7mm seed pearls (two deficient), attached to an oval trace link chain with cylinder style clasp, overall length 430mm, width of chain 1.8mm, gross weight 10.6g, not marked but tested as 18ct
19th century English school - Bust portrait of a gentleman wearing a black tunic and silk ruff, miniature watercolour on ivory, 72 x 57mm; together with one other of a gentleman wearing a bow-tie, miniature watercolour on ivory, 48 x 42mm, the whole in pinchbeck mount and housed in further leather easel travel case (2)
An Arts and Crafts oak Sideboard in the manner of William Cowie for Shapland and Petter, the upper section with central foliate motif flanked by three panes of convex glass either side, above the bevelled rectangular mirror, pierced decorations of hearts and other shapes. The bow front encompassing two drawers, above two doors each with carved foliate motifs with central carved bracket between, all raised on bracket feet, 60in wide (152cm) x 22¾in (58cm) deep x 69½in (176cm) high.
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117861 item(s)/page