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Lot 124
ALISTAIR CRAWFORD limited edition (56/85) hand-coloured lithograph - view through a window, entitled 'Wales', signed and dated 1985, 19 x 28cms Provenance: mid-Wales private collection Auctioneer's Note: Crawford taught at Aberystwyth University (1973-2000), the view is from his home in Bow Street near Aberystwyth Presentation & Condition: no problems, framed and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 170
CERI RICHARDS CBE mixed media - Artemis drawing her bow aimed at a faun while her hounds attack, indistinctly signed and dated 1965, artist's studio stamp, 46 x 67cms Provenance: Betty Evans Collection, former President of CASW (see catalogue foreword) Presentation & Condition: no problems other than pin holes in corners, later framed, mounted and glazedPlease note that this lot may be subject to Droite de Suite at 4% of the hammer price (Please see terms / enquire)
Lot 233
An assortment to include: two bow-fronted corner brackets, one Edwardian in mahogany, the other in the French style and painted; an early 20th century Barbola-style circular dressing table mirror with easel back; a modern malachite-style double photograph frame; an Italian hand-decorated figure model; a Gurkha kukri in scabbard and an early to mid-20th century English dressing-table-style clock having silvered chapter ring with Arabic numerals and gilt-metal frame (8)
Lot 208
HIDARI ISSAN: A FINE WOOD NETSUKE OF GENTOKU By Hidari Issan, signed Hidari Issan 左一山Japan, Edo (Tokyo), c. 1850, Edo period (1615-1868)Published: Bandini, Rosemary (2020) The Larry Caplan Collection of Japanese Netsuke, pp. 34-35, no. 15.Gentoku, one of the three heroes of the Han dynasty, is seated on a low Chinese stool, his head bowed in concentration as he studies a scroll. One sleeve is pulled back over his shoulder revealing a pauldron and his soft robes are hitched up at one knee to show feather-edged leg armor. The stool is standing on a tiger skin pelt and Gentoku’s right leg is resting on the unfortunate animal’s head. Himotoshi through the tiger skin pelt and signed HIDARI ISSAN.HEIGHT 3.9 cmCondition: Very good condition, only one tiny chip to edge of the tied bow on the head.Provenance: Ex-collection Larry Caplan, Toronto.According to notes by Raymond Bushell in reply to enquiries by Larry Caplan (reproduced by Rosemary Bandini in Euronetsuke journal no. 54.) Hidari Issan moved to Tokyo around 1850 devoting himself to carving and the study of literature. From the style of this piece, which immediately reminds one of Tokyo carvers such as Tokoku or Jugyoku, it is evident that Hidari Issan must have carved this piece during this time.
Lot 209
JUGYOKU: A FINE WOOD AND STAG ANTLER NETSUKE OF ENSHI By Jugyoku, signed Jugyoku 壽玉Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)A very finely carved wood netsuke depicting young Enshi, stood up, holding a jug and lifting his deer hide cloak, the horns of the stag fittingly inlaid in stag antler. The fur of the deer hide is finely engraved and shows polished spots naturalistically simulating the fur coat pattern. Typical and large himotoshi through the back and signed JUGYOKU within a polished reserve.HEIGHT 4.6 cmCondition: Excellent condition.Provenance: European collection.Enshi (in Chinese Tan Zi), is one of the twenty-four paragons of filial piety, a classic text of Confucian filial piety written by Guo Jujing during the Yuan Dynasty (1260-1368). Enshi's parents had an eye ailment that could only be cured by deer's milk. His family was too poor to buy the expensive milk, so Enshi disguised himself like a deer in order to get milk directly from does in the herd near his home. One day as Tan Zi was playing amid the deers, the animals suddenly ran for the trees, leaving Tan Zi alone in the middle of the meadow. He looked towards the path and saw why the deer had fled. Hunters, bow in hand, stood in the shade, prepared to shoot some venison. Just in time he stood up (the moment depicted in the netsuke) and explained to them his story and the hunters escorted him safely back home.Literature comparison: A similar example by Ryukei is illustrated in Atchley, Virginia / Davey, Neil (2006) The Virginia Atchley Collection of Japanese Miniature Arts, p. 118, N154.
Lot 210
ICHIYUSAI: AN IVORY NETSUKE OF ENSHI By Ichiyusai Naoharu/Naomitsu, signed Ichiyusai 一遊齋Japan, Edo (Tokyo), c. 1830-1850, Edo period (1615-1868)Depicting Enshi lifting his deer hide cloak with some vigor, the garment patterns and deer fur neatly incised and inked. Himotoshi through the back and signed ICHIYUSAI.HEIGHT 4.2 cmCondition: Good condition with minor wear to inked and stained details, as visible in the images provided. Some age cracks.Provenance: French private collection.It is not possible to distinguish between Ichiyusai Naoharu and Naomitsu. Both makers are known for their very fine manju netsuke, while katabori pieces are rare.Enshi (in Chinese Tan Zi), is one of the twenty-four paragons of filial piety, a classic text of Confucian filial piety written by Guo Jujing during the Yuan Dynasty (1260-1368). Enshi's parents had an eye ailment that could only be cured by deer's milk. His family was too poor to buy the expensive milk, so Enshi disguised himself like a deer in order to get milk directly from does in the herd near his home. One day as Tanzi was playing amid the deers, the animals suddenly ran for the trees, leaving Tan Zi alone in the middle of the meadow. He looked towards the path and saw why the deer had fled. Hunters, bow in hand, stood in the shade, prepared to shoot some venison. Just in time he stood up (the moment depicted in the netsuke) and explained to them his story and the hunters escorted him safely back home.
Lot 217
SHUGETSU III: A WOOD NETSUKE OF EBISU AND DAIKOKU By Hara Shugetsu III, signed Shugetsu 舟月Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)The two lucky gods side by side, Ebisu carrying a large treasure bag (takarabukuro) which contains Daikoku, who is holding his mallet and wearing his characteristic hat. The underside with two asymmetrical himotoshi, the larger of oval shape and ringed in ivory, and the finely incised seal signature SHUGETSU.WIDTH 4 cmCondition: Very good condition with minor surface wear, the tied bow at the back of Ebisu’s hat with an old worn-down chip to one side.Provenance: Spanish private collection.Literature comparison: Three netsuke by Shugetsu III with near-identical seals are listed (two are illustrated) in Meinertzhagen, Frederick / Lazarnick, George (1986) MCI, Part B, p. 766.
Lot 23
A TALL IVORY NETSUKE OF A TARTAR ARCHER UnsignedJapan, late 18th century, Edo period (1615-1868)Finely carved standing with the feet pointing in opposite directions, wearing an elaborately patterned robe with wavy collar, key-fret band, and cloud and wave designs, carrying a quiver of arrows on his back and holding a bow tightly to his side with his left hand, the right hand raised toward his shoulder, his head turned upward to the side, the face showing a fierce expression with large bulging eyes, inked pupils, a broad nose with flaring nostrils, and a wide-open mouth, two asymmetrical himotoshi to the back. The ivory bearing a fine patina.HEIGHT 11 cmCondition: Excellent condition with only minor surface wear and expected natural age cracks.Provenance: German private collection.The Tartars were a race of Mongolian nomads, occupying areas in Northern China. They tended to drive south in the winter and invaded China and Japan in the 13th century, finally founding the Yuan dynasty (1279-1368) in China under Kublai Khan, a grandson of Genghis Khan.Auction comparison:Compare with a closely related netsuke at Bonhams, Fine Japanese Art, 12 May 2016, lot 245 (part lot, sold for 4,375 GBP).
Lot 2085
Zandra Rhodes silk chiffon evening dress printed stylised scallop shell design and bead and sequin bodice and bead panels, Frank Usher iridescent blue sequin and beaded v neck silk chiffon top with padded shoulders and a black lace lined blouse with jet effect buttons, pussy bow, Nolan Miller, Dynasty collection Condition Report: Rhodes dress - holing to hem mainly, caused by moth brown discolouration and staining marks all oversize large- underarm- 104cm, neck to hem 140cm undersleeve 51cm Frank Usher size L undearm 118cm neck to hem Black lace blouse underarm 107cm, hem to neck 62cm and sleeve 61cm
Lot 2087
Valentino black and white check tweed short jacket and a Valentino skirt and blouse ensemble in crepe de chine, in red and white polka dots with Valentino logo the blouse with pussy bow, and a Valentine Bougade black chenille skirt ensemble Condition Report: Valentino jacket button missing from front right, one spare button present, full threads pulled would benefit from a dry clean Size - 110cm underarm neck to hem 51, sleeve 58cm Valentino blouse underarm 140cm, sleeve 67cm, neck to hem 76cm skirt waist - 90cm waist to hem 6o cm both light wear would benefit from a clean black cardigan underarm 96cm neck to hem 67cm sleeve 61cm , skirt - 78cm waist 62cm long, light wear, 1 gilt chain is snapped to front
Lot 2090
Burberry classic Trench Coat, cream colour, with check lining , together with a 1970s Biba satin blouse with balloon sleeves, and pussy bow, an a 1930s Marabou feather stole.Condition Report: Size Regular 48 under arm 54cm back of neck to hem 114cm, sleeve approx 62cm Condition - light signs of wear, light mark at back of neck, Blouse - signs of wear, make up marks, light marks near left armpit, and wear to fabricsize underarm to underarm 48cm, back of neck 66cm, 72cm longStole lining split in places
Lot 272
George III mahogany bow-front sideboard, top with moulded edge, single drawer above two deep cellarette drawers, each with brass ring pull handles and bone escutcheons, all standing on four moulded square section legs.Width 130cm (51in), Depth 52cm (20in), Height 91cm (36in).Condition report: Condition overall good, small watermark to top front.
Lot 338
Victorian mahogany bow front chest of drawers, 105cm x 55cm x 107cm Condition: Overall fading especially to top and front, top with staining, scratches and discolouration, losses to veneer on left top corner, lifting to veneer on right side, three large drawers with losses to cockbeading, further losses to around base and feet. General overall scratches and scuffs. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 379
A PAIR OF LOUIS XV MARQUETRY ENCOIGNURE each with a mottled marble top with a moulded edge over a door, each with a marquetry panel of birds perched on a ribbon descending from a bow surrounded by a garland of flowers, on a ground of dots, the moulded angles, the undulating aprons and the feet with ormolu mounts, 70cm wide x 45cm deep x 88cm high
Lot 173
AFTER ERNEST RANCOULET (FRENCH 1870-1915) a pair of patinated bronze figures modelled as Diana and Cupid, she with crescent moon, he with bow, each on a waisted circular socle, inscribed 'rancoulet' and mounted on a circular marble plinth, 28.5cm high Condition Report : good condition, nice quality, weight and patina, no real issues Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 344
ROBERT DOUGLAS BURT (fl.1921-1937) Fishing Boatson a Calm Sea Oil on canvas Signed 'R D Burt' lower left, remnants of James Bourlet & Sons Limited gallery label verso 61cm x 50cm Condition Report : overall craqueleure and thick impasto, patched repair on bow of right boat, some dirt below. a few holes on edge of canvas - nail heads on stretcher beneath? Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 287A
Georgian Style Fine Quality Apprentice Piece Repolished Bow Fronted Mahogany Chest of Drawers, Standing on Bracket Feet of Classic Proportions of Heavy and Solid Construction, Features Moulded Reed Edged Top and Bottom Borders, All Drawers with Moulded Edges and Original Knobs. Measurements - Height 9.5/8 Inches - 23.80 cms, Width 8.5 Inches - 21.25 cms & Depth 7.1/8 Inches - 17.75 cms.
Lot 12
A late 19th century French yellow gold and guilloche enamel pendant fob watch, by Le Roy and Fils, the round case with green enamel decoration, centred with a pearl, within a border of pearls, the cream dial with blue Arabic numerals, the inside case engraved 'To the Queen, Le Roy & FIls, 57 New Bond Street, London, Paris, Made in France', suspended from a 9ct yellow gold bow-shaped bar brooch, marked PP Ld, watch case 2.4 cm diameter.Condition report: 20.4 grams
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117418 item(s)/page