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Lot 149
A Vintage Sterling Silver Charm Bracelet Loaded with 25 Silver Charms. All Marked for Sterling Silver. Includes Tankard, Ladies Shoe, Whiskey Bottle, Ladies Shower, Castle, Cage, Large Ornate Bell, Old Car, Bottle, Heart Shaped Locket, Eros with Bow, Lantern, Tennis Racket etc. Weight 102.3 grams.
Lot 151
A Vintage Sterling Silver Charm Bracelet Loaded with 13 Silver Charms. All Marked for Silver 925. Includes Spinning Wheel, Young Deer, Telephone, Wagon, Tankard, Stop Sign, Ballerina, Figure with Bow and Arrow etc, Good Detailed Charms. 55.7 grams + A Further Sterling Silver Charm Bracelet Loaded with 3 Excellent Stone Silver Silver ( Citrine ) Charms, All Marked for Silver. 54 grams.
Lot 64
A collection of glassware, including three Whitefriars style vases, two red examples one of textured triangular form 20cm high x 9cm the other of organic wavey form, 25.5cm high and an elongated square aubergine textured example, 30.5cm high x 10cm square together with five octagonal bow and tulip decorated wine glasses and others
Lot 650
Large Collection of - Just The Right Shoe Ornaments - Includes Fire & Water Set 2002 ( 2 ) - 90113, Rio - 25080, Evening Emerald - 25175, Summer Buzz - 25123, Maricopa - 25181, Green Wire Sling - 25347. Material Girl - 25345, Stardust Memories - 25059, Society Slide - 25064, Madagascar - 25182, Something Blue - 25417, Bahama - 25117, Grand Marquise - 25126, Enchanted - 25171, Forever Yours - 25100, Scandalous - 25316, Cherry - 25360, Crystal Cascade - 25318, Bow Me - 25332, Night Fever - 25317, Eye of the Tiger - 25186, Late for a Date - 25065, Lavish Tapestry - 25087, First Lady Slipper - 25411, Venus In Pearls - 25099, Evening Serenade - 25314, Spring Rain - 25073, Baroness - 25085, Spectate This - 25112, Elegant Affair - 25049, Class Act - 25042, Lady Like - 25044, Rising Star - 25043. I Do - 25031, Majestic - 25039, The Empress - 25012, Touch of Lace - 25061. Promenade - 25018 + Many More. Good Collection.
Lot 17
A very rare Paris engraved glass portrait beaker by Broussouze, circa 1810Of so-called 'Charpentier' type, the cylindrical form with a flared rim, finely decorated with a profile portrait of Napoleon Bonaparte after Galle, the Emperor facing dexter and wearing a laurel wreath, signed 'BROUSSOUZE', the rim with a formal foliate border, 9.4cm highFootnotes:Glasses of this form produced during the Empire period are traditionally referred to as 'Charpentier glasses' after a certain Charpentier, whose name and Parisian address were discovered on a label inside the cover of the case of a related beaker in the Museum Kunstpalast, Düsseldorf (inv. no. mkp.P 1940-189). See Walter Spiegel, 'Pariser Glasschnitt im Empire: Die so genannten Charpentier-Gläser', Die Kunst (5/1987), p.393 for a discussion. 'Charpentier glasses' are found in three general forms: cylindrical, bell-shaped, and that of the present lot.We know relatively little about the identity of Broussouze, other than he was established in Paris at 150 Rue Montmartre from 1808, and at 137 Galerie de Pierre in the Palais-Royale from 1810. A signed beaker engraved with a profile portrait of Louis XVIII by Broussouze with an identical foliate border, dated to circa 1814-20, is illustrated and discussed by Fernando Montes de Oca, L'Age D'Or du Verre en France (2001), pp.181-3, no.149. The same beaker is also illustrated by Brigitte Baumgärtner, Porträtgläser (1981), p.49, fig.54. This beaker is mentioned together with the present lot by Spiegel (ibid.) at p.396. It is possible the Parisian glass engravers such as Broussouze were influenced by contemporary Bohemian engravers, but the quality of French engraving of this period is generally softer and more painterly. The profile of Napoleon's nose on the present lot, which is slightly more 'Roman' than usually seen, together with the bow to the back of the laurel wreath, suggest that the portrait is taken from the medal struck in 1805 by André Galle rather than the virtually identical medal struck in 1804 by Bertrand Andrieu.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 76
A Historically Important and very fine Imperial Sabre De Luxe Belonging To King Joseph Napoleon, Sovereign Of The Kingdom Of NaplesEngraved Manuf. Royale De Naples, Circa 1806-08, captured after the Battle of VitoriaWith curved hollow-ground blade fullered along each side of the pipe-back and double-edged towards the point, entirely of damascus steel incorporating the unique inscription 'VIVA IL RE GIUSEPPE NAPOLEONE' along both sides of the blade, and etched on one side with a crowned Imperial eagle perched on a fasces bundle emitting thunderbolts, all within branches of oak, steel hilt comprising ovoidal quillon-block with ormolu mount cast and chased in relief with a lion's mask centred on a winged wreath between neo-classical palmettes, curved knuckle-guard chiselled with gadrooning along each side, downscrolled rear quillon with ormolu terminal chased with foliage including a flower-head on both sides, tapering grip set with an ebony grip-scale on each side carved in relief, one side with an Imperial eagle, an olive branch in its beak and grasping an oval shield in its talons bearing the royal 'JN' monogram, the Imperial sceptre on the left and the hand of Justice on the right, all above a Classical trophy of arms and surmounted by a crowned suspended from a ribbon, and on the other grip-scale a martial trophy of arms of musical instruments, banners and campaign tents, the pommel chiselled in the round as a snarling lion's head, all within borders of beading and faceted studs in imitation of brilliants, the latter set against slender cusped gilt straps, in its gilt-mounted steel scabbard en suite with the hilt, the locket engraved 'Manuf. Royale de Naples' on one side and with crowned oval bearing the royal 'JN' monogram in gold between scrolls, bright-cut ribbons and a crescent moon, all enriched with bright-cut steel brilliants and against a finely punched gilt ground, the chape en suite and chased with meandering flowering foliage entwined with a line of bright-cut brilliants and both suspended from a bow of ribbon, bright steel terminal shoe with small roundels each set with a brilliant, gilt barrel-shaped suspension mounts chased with a band of foliage between beaded borders and each carrying a beaded steel suspension ring. In fine condition 84.5 cm. blade, 101 cm. overallFootnotes:Provenance:Captured following the defeat of King Joseph Napoleon's forces at the Battle of Vitoria on 21 June 1813This magnificent sabre was produced between 1806 and 1808 by the Royal Arms Manufactory of the Torre Annunziata in the Kingdom of Naples and the Two Sicilies. It is reasonable to assume that the blade was made at Klingenthal as this type of engraving was not known in Naples. There are only two blades inscribed in this manner: the present lot and one made for the Emperor Napoleon, now in the Museo Ejercito, Toledo.Two related swords were taken as spoils of war at the Battle of Vitoria. The first, a splendid ceremonial glaive made at the Royal Manufactory in Naples for Joseph Bonaparte, was presented by the Marquis Wellesley, later Duke of Wellington, to the Prince Regent. Preserved in the Royal Collection, Windsor Castle (see Guy Francis Laking, The Armoury Of Windsor Castle, 1904, pp. 191-192, pl. 28, No. 656).The second, made for Emperor Napoleon I, has a blade of related type inscribed A Napoleon 1er. Empereur et Roi. The sabre was carried by Napoleon during his Spanish-Lusitanian stay between November 1808 and January 1809 and subsequently remained at the Royal Palace in Madrid. Following its capture at the Battle of Vitoria it was presented by the victorious Marquis Wellesley to Ferdinand VII, King of Spain and is now in the collections of the Alcazar of Toledo, Museo Ejercito, Castille-La Mancha, Spain (inv. no. ME [CE] 44128)The Battle of Vitoria marked the end of French rule in Spain. An account of the battle and French losses is given by Charles Théodore Beauvais de Préau (1772-1830) in Victories, conquests, disasters, reverses and civil wars of the French from 1792 to 1815, published in 1820. He served in Spain from 1809 to 1813 as adjutant-commander on the staff of General Drouet d'Erlon. 'One hundred and twenty pieces of artillery, four hundred ammunition wagons with more than fourteen thousand cannon balls, and about two million cartridges, fifteen hundred baggage cars, including the treasure and all the personal carriages of King Joseph, fell into the hands of the winners'This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 53
A lady’s 18ct gold, diamond and guilloche enamel fob watch, engraved ‘Remontoir cylinder 10 rubies 736236’, the case with lizard design set with diamonds, thirteen rose cut diamonds, with white enamel dial with Arabic numerals, engraved ‘Swiss 18K by JC’, suspended by a red guilloche enamel bow with three rose cut diamonds, width of bow 30mm, total weight 22.19g, in original fitted case marked C. Sewell 4 Davies St, Berkeley Square
Lot 27
A white metal, diamond and ruby bow brooch, centre channel set with five baguette cut diamonds (0.4 carat total), between curved rows of rubies (0.14 carat total), ribbon section set with twenty four and twenty seven round cut diamonds, (1.34 carat total), unhallmarked but assumed platinum, total weight 7.73g, assessed clarity VVS1/VVS2, colour H/I, very good condition, 4cmx2cm
Lot 625
Three pairs of curtains, recently manufactured from Turnell & Gigon turquoise fabric, each approximately 110cm wide at the top, 350cm longTogether with a set of three similar 'bow' pelmets, and each curtain with a pair of tie-backs, and with three giltwood pelmets, each approximately 198cm long, 25cm deepCondition Report: Please note the measurements given are always per curtain and measured at the top so including any gather.The curtains are second hand but of no great age and are in a condition to reflect this, some surface marks, some bobbling to the surfaces and with some pulled threads, there are staples to some elements where these have been secured when installed - these will need removing by the purchaser on installation. There are some areas of fading, mainly to the longest edges at to be expected from curtains that have been used in a domestic settingThe bow pelmet elements all with velcro bands to the top - this is obviously to secure in place on installation, there is no clear indication where this might be as there are no other areas of velcro - it may well have been to the giltwood pelmets but there is no clear sign. The purchaser will have to sort this on installation. The giltwood pelmets all with marks, knocks, scratches, abrasions consistent with age and use, also with knocks and chips to the corner and extremities possibly from removal and transport. these are modern in manufacture (although in a 19th century style) and are wood and MDF in constructionPlease note: to the best of our knowledge the bow pelmets and curtains are designed to fit each other and the (approx) 2m giltwood pelmet. This lot has not been hung or fully assembled whilst at Dreweatts.Condition Report Disclaimer
Lot 586
Y A Scottish satinwood bedroom suite, Alexander MacKenzie & Co. comprising: a wardrobe, 237cm high, 197cm wide, 61cm deep, stamped to the leading edge of one door ALEXANDER MACKENZIE & CO. GLASGOW, and numbered 561; a dressing table with mirrored superstructure above the inverted bow front base, on columnar supports, 159cm high, 122cm wide, 59cm deep and a set of three side chairsCondition Report: All items with marks, knocks, scratches, abrasions consistent with age and use, old splits and cracks, losses and some replacements to veneers, some chips and losses to handles and extremities, The mirror plates to the wardrobe has mercury spotting and bloom but remains useable, it is not as depicted in the catalogue image - the dressing table mirror is more bloomed and depleted and with mercury spotting, it is not highly useable as a mirror - please see additional images for details The interior of the wardrobe with hanging rails and drawers to the flanking elements, the central section with slides and drawers. This appears to have been later lined with paperThe drawer to the dressing table is stuck in the shut position, it may well have been glued or screwed here - it has never opened whilst at Dreweatts and may require some attention in order to be made functioning again. There are marks and stains to the top of the dressing tableThe chairs overall appear solid and stable, almost certainly with later upholstery overallPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 405
A quantity of costume jewellery, to include a silver treble clef ring, a pair of silver clarified amber clip earrings, a pair of silver shell clip earrings, a pair of silver swirl clip earrings, a silver paste set bow brooch with metal fittings, a silver paste set buckle later converted to a brooch, and a silver chain, together with a quantity of beads, etc. (qty.)Provenance: The Peter and Pat Crofts Collection
Lot 248
A three row garnet bead and cultured pearl necklace, with a 9ct gold ribbon bow to the centre, suspending two garnet bead and cultured pearl drops, to box clasp, Edinburgh, 370mm long (shortest row), together with a pair of matching earrings, with screw fittings, 27mm long (3)Provenance: The Peter and Pat Crofts Collection
Lot 457
A Continental gold enamel Moulinet top wind open-faced pocket watch, 44mm diameter, with an oval gilt dial, black Roman numerals and blued hands, to engraved bezel with royal blue enamel, and case back with sky blue and royal blue enamel, marked 14k, 46.42gCondition report: Not currently running.Bow missing.Crown winds, hands adjust but not align at '12'. Dial discoloured, and losses to the numerals.Lots of losses to the enamel back and front. There is no inner dust cover.Case diameter 44mm.
Lot 521
A Chanel black velvet evening bag,with jeweled CC logo and bow front detailing, metal and velvet chain, magnetic closure opening to interior slip pocket, authenticity number 9529365, with authenticity card, dust bag and box, 19cm wide, 4cm deep, 10cm highCondition report: This is a beautiful evening bag in lovely condition with very little signs of use.This is in lovely condition. There is a very tiny mark under the front flap on the velvet and some dust particles. The interior is in very good condition. Please see images.
Lot 466
A quantity of pocket watches, to include a sterling silver key wound open-faced pocket watch, the dial and movement signed J C Heald Wisbech, Birmingham 1902, a sterling silver fusee lever open-faced pocket watch, the movement signed Alfred Bell Wisbech, Chester 1888, a sterling silver fusee lever open-faced pocket watch, the movement signed H Dann Wisbech, Chester 1892, a sterling silver fusee lever open-faced pocket watch, the movement signed Alfred Smith Lynn, London 1841, a sterling silver key wound open-faced pocket watch, the dial, movement and key marked H Samuel, with presentation inscription to the cuvette, import hallmark London 1907, and a silver key wound open-faced pocket watch (6)Provenance: The Peter and Pat Crofts CollectionCondition report: J C Heald watch currently running. No guarantee as to timekeeping or continued running. Scratches to glass, some scratches and tarnish to case. Bow worn. Afred Bell watch currently running. No guarantee as to timekeeping or continued running. Seconds hands deficient, marks to dial and discolouration to glass, wear and scratches to case.H Samuel watch currently running. No guarantee as to timekeeping or continued running. Scratches to glass and case, tarnish to case, dents to case back.Remaining watches not currently running, and with various levels of cosmetic wear and damage.
Lot 460
A Continental gold pin set enamel fob watch, 23mm diameter with a white enamel dial and blue Roman numerals, with enamel portrait of a lady to the case back, tested as approximately 18ct gold, 13.58gCondition report: Not currently running.Marks to dial.Large chips to the enamel portrait to case back.Wear to bow.
Lot 8
An early 19th century silver paste set Saint Esprit dove pendant, the dove holding an olive branch in its beak, surmounted by an articulated ribbon bow, grain set throughout with paste, some deficient, with hook bale, 68mm long, 12.34gCondition report: Eight paste missing. Discolouration to some paste.Surface marks/tarnish to silver.
Lot 164
Circle of Charles d'Agar (Paris 1669-1723 London)Portrait of a boy, full-length, in classical dress and holding a bow in a landscape oil on canvas126.5 x 103cm (49 13/16 x 40 1/2in).Footnotes:ProvenanceA private members' club, LondonThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 90
Follower of Jacob Huysmans (Antwerp 1633-1696 London)Portrait of a young child holding a bow and arrow, within a painted oval oil on canvas76.4 x 63.4cm (30 1/16 x 24 15/16in).Footnotes:ProvenanceSale, Christie's, South Kensington, 24 January 2012, lot 272For further information on this lot please visit Bonhams.com
Lot 28
Edward VII silver framed watch holder stand of square form, the frame decorated with a reeded and bow design border, currently with an 8-day large chrome timepiece, enamel dial with Roman numerals, subsidiary second hands and blued steel hands, 7.5cm diam, the frame London 1902, makers mark William Comyns & Sons, overall size 14cm square
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117845 item(s)/page