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Lot 1827

A Louis XV Revival gilt-metal and porcelain-mounted mantel clock, 9cm white enamel dial inscribed with Roman numerals, twin-winding holes, fourteen-day movement striking on a bell, the whole surmounted by Cupid and a fellow putto, the scantily clad god holds his allegorical bow and arrow, arched oversailing top with spiked finials, crested by a grotesque mask and trailing garlands, the centre with two rose Pompadour decorated after Sèvres, acanthus-capped scrolling pilasters each surmounted by a dove, the break front rectangular base with wrythen and scroll friezes, central spray of foliage, foliate bosses to sides, bun feet, shaped giltwood base, 42cm high, 32cm wide, c. 1870

Lot 2061

An Edwardian Sheraton Revival mahogany and marquetry display cabinet, outswept cornice above a pair of glazed doors enclosing adjustable shelves, the projecting bow-fronted base with drawer to frieze, tapered square legs, spade feet, outlined throughout with boxwood stringing, 170cm high, 81cm wide, 48cm deep, c.1900

Lot 2101

A George IV mahogany dressing mirror, rectangular plate flanked by turned supports, the Cupid’s bow fronted base with two drawers, flanked by turned forelegs capped with draught-turned roundels, 56.5cm high, 55cm wide, 22cm deep, c.1825

Lot 542

An 18th century Bow Blanc de Chine pistol grip fork handle, steel tines, 18cm high, c1750-1755

Lot 1311

A violin, the two piece back 35.75cm long excluding button, paper label printed Dulcis et Fortis, rosewood tuning pegs, 59.5cm long overall, cased, the bow unsigned

Lot 1367

A German violin, the two-piece back 36cm excluding button, paper label printed Antonius Stradivarius, Deutsche Arbeit, ebonised tuning pegs, outlined with purfling, the tail piece inlaid with mother of pearl, 60cm long overall, the bow apparently unsigned, 73.5cm long, cased

Lot 1374

An early 20th century Scottish violin, by A McCallum, Glasgow, the two-piece back 36.5cm long excluding button, outlined throughout with purfling, paper label, 61cm long, dated 1916, the bow apparently unsigned, 74.5cm long, cased

Lot 1413

A 19th century fiddleback banded mahogany library bookcase, the breakfront superstructure with four glazed doors, the projecting bow-centre base with four panel doors, Bramah locks, turned feet, 196.5cm high, 137cm wide, 43cm deep

Lot 1160

A Victorian bow front chest of drawers, with two short and three long drawers, standing on bracket feet, 108cm high, 117cm long, 55cm wide

Lot 335

A lady's 14ct gold open faced fob watch with 9ct gold bow brooch and dog clip.

Lot 885

An Edwardian bow front mahogany display cabinet.

Lot 888

An early 20th century bow front mahogany display cabinet.

Lot 1052

Polished steel console table, Contemporary, the top with bow front, inset with bevelled glass plate, supported on a srolling form base, 81 cm high by 148 cm wide by 46 cm deep

Lot 20A

A CASED 19TH CENTURY STRADIVARIUS STYLE VIOLIN BEARS PAPER LABEL "ANTONIUS STRADIVARIUS CREMONTIS 1690. 37CM SINGLE PIECE BACK TOTAL LENGTH 59CM. WOODEN CASE CONTAINS BOW AND SPARES

Lot 3295

Eisengeschnittener Galadegen, Amsterdam, um 1710/20 Schlanke zweischneidige Stichklinge mit abgeflachtem Mittelgrat. Am Ansatz Zierkehlungen mit Resten von Vergoldung und Blüte im Linsenschliff zwischen fein geätztem Banddekor. Am Klingenansatz beidseitig signiert "Anthony van de Puttelaar Mr. Swaardveger tot Amsterdam". Fein geschnittenes und durchbrochen gearbeitetes eisernes Bügelgefäß mit beidseitigem ovalen Stichblatt. Darstellung mythologischer Figuren zwischen Rankendekor. Hilze mit originaler Eisendrahtwicklung und Türkenbünden. Länge 92 cm.Hochwertig gearbeiteter Degen in nahezu neuwertigem Zustand. A small-sword with chiselled hilt, Amsterdam, circa 1710/20 The narrow, double-edged thrusting blade of flattened hexagonal section. Decorative fullers at the root with remnants of gilding and a lens-cut flower amidst finely etched scrolling bands. Signed "Anthony van de Puttelaar Mr. Swaardveger tot Amsterdam" on both sides at the root of the blade. Finely chiselled and openworked, iron knuckle-bow hilt with an oval guard plate on both sides. Depiction of mythological figures amidst decorative tendrils. The grip with the original iron wire winding and Turk's heads. Length 92 cm.Magnificent weapon of the highest order, in almost mint condition.

Lot 3037

Goldtauschierter Tulwar mit Rückenklinge aus feinem, gemasertem Wootz-Damast, Indien, 1. Hälfte 19. Jhdt. Kräftige Rückenklinge aus gemasertem Wootz-Damast mit beidseitig goldtauschierten Kartuschen mit Floraldekor. Typisches, vollflächig floral goldtauschiertes, eisernes Bügelgefäß. Textilbezogene Holzscheide mit zwei vergoldeten Tragespangen und en suite goldtauschiertem Ort- und Mundbeschlag. Gut erhaltene Goldtauschierung, originaler Textilbezug. Holzscheide und Textilbezug mit Altersspuren und kleinen Fehlstellen bzw. Rissen. Länge 90 cm. Vgl. Hermann Historica, Auktion 76, Los 2701, sehr ähnlicher Tulwar, verkauft für € 6.500.Keywords: Talwar, India, A gold-inlaid Indian tulwar with single-edged blade of fine, grained wootz-Damascus steel, 1st half of the 19th century Sturdy single-edged blade of grained wootz-Damascus steel with flower cartouches inlaid in gold on both sides. Characteristic iron knuckle-bow hilt profusely decorated with flower ornaments inlaid in gold. Wooden scabbard with cloth cover, two gilt suspension bars, and locket and chape with en suite gold inlays. Well-preserved gold inlays, original cloth cover. Wooden scabbard and cloth cover with traces of age and minor flaws and tears, respectively. Length 90 cm. Cf. Hermann Historica, auction 76, lot 2701, very similar tulwar, sold for € 6,500.Keywords: Talwar, India,

Lot 3288

Langer Feldsäbel, deutsch, um 1660 Leicht gekrümmte Rückenklinge mit zweischneidiger Spitze. Auf der Quartseite stilisiert gravierter Malchus. Das eiserne Bügelgefäß mit Daumenring und zwei asymmetrischen, gelochten Stichblättern. Hilze und Türkenbünde aus gekordeltem Messingdraht mit herzförmigem, seitlich am Bügel verschraubtem Eisenknauf. Länge 101 cm. A long German cavalry sabre, circa 1660 Slightly curved, single-edged blade with double-edged point. The reverse engraved with stylised Malchus. The iron knuckle-bow hilt with thumb ring and two asymmetrical, pierced guard plates. Grip and Turks' heads of twisted brass wire with heart-shaped iron pommel screw-mounted on the side of the knuckle bow. Length 101 cm.

Lot 3326

Höfischer Schnepper von Georg Escher, Sachsen, 1. Drittel 18. Jhdt. Schlanker, geschwärzter Stahlbogen, an der rechten Innenseite die eingeschlagene Radmarke mit Strahlenkranz. Alte geknotete Hanfsehne und Einbund. Fangschnur und Aufputz aus weiß-blauer Wolle (jetzt grün verfärbt). Schlanke Säule aus Obstbaumholz mit Intarsien aus poliertem, fein graviertem Geweih, die Papageien und eine Eule zeigen, dazwischen alte Brandstempel als Dekor, vorne die eingravierten Herstellerinitialen "GE" (Georg Escher), Kolbenkappe aus Geweih. Intaktes Klappenschloss mit Nadelstecher (Schutzbügel fehlt, mit geschnittenem Maskaron verzierte Schlossklappe schwergängig). Bolzensattel fehlt, fragmentarischer alter Bolzenhalter aus dunklem Horn. Der eiserne Ring und die Schlossteile mit Vergoldungsspuren. Teilweise unvollständig (Intarsien, Holz, Pompons, Sehne), leicht beschädigt, Altersspuren. Bogenweite 56 cm, Gesamtlänge 69,7 cm. Elegante Armbrust, die den höfischen Waffen in der Rüstkammer Dresden gleicht, wahrscheinlich eine Auftragsarbeit oder Geschenk für den Münchner Hof. Waffen dieser Art dienten im 18. Jhdt. zum Scheibenschießen als Belustigung für Adel und reiche Bürger. Vgl. H. Richter, Die Kunst der Armbrustmacher in Dresden, Beucha, 2008, S. 18-24. Zumindest eine Sendung eines Schneppers von Dresden nach München ist belegt (Richter, S. 102, Anmerkung 109). A Saxon courtly crossbow by Georg Escher, 1st third of the 18th century Slender, blackened steel bow, on the inside wheel mark with sunburst struck on the right. Old burled hemp string and cord lashing. Lanyard and decorative tassels of white and blue wool (now greenish discoloration). Slender fruitwood tiller with polished, finely engraved antler inlays depicting a parrot and an owl, interspersed with old brand marks as decorative elements, the front with engraved maker’s initials "GE" (Georg Escher), antler butt cap. Intact flap lock with double set trigger (trigger guard is missing, lock flap decorated with cut mascarons is stiff). Bolt rest is missing, fragmentary old bolt channel of dark horn. The iron ring and the lock parts with traces of gilding. Partly incomplete (inlays, wood, tassels, string), slightly damaged, traces of age. Width of bow 56 cm, overall length 69.7 cm. Elegant crossbow similar to the courtly weapons of the Dresden armoury, probably commissioned or a gift for the Munich court. In the 18th century, weapons of this kind were used by the aristocracy and the rich for target shooting as a pastime. Cf. H. Richter, Die Kunst der Armbrustmacher in Dresden (tr. The art of crossbow makers in Dresden), Beucha, 2008, p. 18-24. There is evidence that at least one crossbow was dispatched from Dresden to Munich (Richter, page 102, note 109).

Lot 3325

Verbeinte Armbrust, Sachsen, 17./19. Jhdt. Schwerer Stahlbogen (locker sitzend, ohne Aufhängering), rechts eine Schmiedemarke "T" im Kreis mit vier Strahlenspitzen, Aufputz aus grünen Wollpompons, Einbund (darunter spätere Eisenklammern). Gebauchte Säule aus feinmaserigem Holz, die Unterseite komplett und die Seitenkanten mit graubraunem Horn belegt (kleine Fehlstellen), verbeinte Oberseite mit seitlich eingeschobenem Bolzensattel, beinerne Kolbenkappe, an den Seitenflächen reiche Intarsien aus Perlmutt und Bein. Nuss aus Geweih, mehrachsiges Schloss mit Stechlöchern, deutscher Stecher mit Nadelabzug. Durchbrochen gearbeitetes, graviertes Nussband, darunter roter Samt. Starre eiserne Kimme. Ungeknotete Sehne später ergänzt. Unvollständig, leicht beschädigt, Altreparaturen, Bogenweite 60,5 cm, Gesamtlänge 64 cm.Sehr repräsentative Armbrust vom Typ der halben Rüstung. A Saxon crossbow with bone inlays, 17th/19th century Heavy steel prod (loose, no suspension ring), on the right a smith mark "T" within a circle with four points, green woolen pompoms, anchors (with later iron clamps). Tiller of finely grained wood swelling towards the middle, the entire underside and the edges on both sides applied with grey brown horn (small losses), bone-inlaid top with lateral inserted bolt bridge, bone butt plate, the sides richly inlaid with mother-of-pearl and bone. Nut of horn, multi-axle lock with pierced holes, double set trigger. Engraved openwork nut band backed by red velvet. Fixed iron rear sight. The unknotted string a later replacement. Incomplete, slightly damaged, old repairs, bow width 60.5 cm, overall length 64 cm.Very representative crossbow of half-powered type.

Lot 12

A Carved And Painted Ship's Figurehead of Abraham Lincoln, English or American, 19th century,the three-quarter length carved wood portrait depicting the 16th President of the United States, with right arm held across his chest, the figurehead with traces of white paint overall, the hair, cravat, pupils, eyebrows and suit with traces of black paint, the back with bowsprit mounting aperture to the back for attachment to the ship, 41in (104cm) high41in x 15in x 10 1/2in (104cm x 38cm x 27cm) overallFootnotes:Throughout the 19th century, a notable political figure on the ship's bow was viewed as a sign of good fortune for the merchant navy vessel it adorned. In some known examples, the ship itself bore the same name as its carved pine figurehead. In addition to Abraham Lincoln, other leading American political figures to have been represented as ship figureheads include Andrew Jackson and Thomas Jefferson.For a fully painted comparable example of an Abraham Lincoln ship's figurehead, see the Long John Silver collection of figureheads at Cutty Sark, Royal Museums Greenwich, London.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Lot 24

Nicholas Matthew Condy (British, 1818-1851)The brigantine Kestrel under way in a stiff breeze, with the Menai off her starboard bow signed and dated 'N.Condy Jnr/1840' (lower right)oil on panel35 x 45.4cm (13 3/4 x 17 7/8in).Footnotes:ProvenanceJonathan Janson, UK.The famous Kestrel, 202 tons, was owned by the Earl of Yarborough, the first Commodore of the Royal Yacht Squadron whose tenure lasted from 1825 until his death in 1846. Menai, another handsome brigantine of 175 tons, was owned by Lord Francis Edgerton, later 1st Earl of Ellesmere, at the time this work was painted.For further information on this lot please visit Bonhams.com

Lot 43

Attributed to Francis Swaine (London circa 1720-1782)Thames shipping, a pair both bear a title and signature 'F Swaine' (on label attached to the reverse)pen, ink and washeach 27 x 36.2cm (10 5/8 x 14 1/4in). (2)Footnotes:ProvenanceJonathan Janson, UK.In the first drawing, a tall church spire is apparently St. Brides, Fleet Street. There is a small cutter-rigged hoy on the far left, a Thames peter boat fishing at 5 o'clock below it and a rowed lighter carrying sawn planks in the foreground. There is a City of London barge leading a larger barge in the centre of the composition, the latter with an unreadable design on the flag astern.In Ralph Hyde's A Prospect of Britain: the town panoramas of Samuel and Nathaniel Buck (London, 1994), this drawing clearly relates to both the right side of Plate 42, the third of five (Plates 40-44) comprising the Buck panorama of London from Westminster Bridge to the Tower, and the left side of Plate 43: the Buck version has moved the barges and lighter further west (left) from the drawing and they are on Plate 42, with the second barge - rather than the stern of the first - centred squarely in front of St Bride's (no. 47 in the Buck key), and the 'Fleet Ditch' (no. 49, with the small bridge over it) shifted to the left edge of Plate 43 in front of the square tower of St Sepulchre's (no. 50, but of which there is barely a trace on the drawing). The wide stairs off a square to the right of the Fleet are Blackfriars Stairs (no. 51).Plate 42's inscription says the view (from the south side of the river) was taken 'from Mr Everard's summer-House opposite to St Bride's Church' and that Plate 43 was from 'the West part of the Leads of St Mary Overy's church in Southwark' (i.e. Southwark Cathedral today)In the second drawing, there is an upstream barge at the riverfront in the background and a small four-oared and cabined barge at left of the sort used for official purposes such as the Navy Board and other government offices. There are lots of passenger wherries shown with pairs of oars and a typical Thames jetty (or 'bridge') of the grander sort, with stairs at the end, from which they operated before the river was embanked.In Ralph Hyde's A Prospect of Britain: the town panoramas of Samuel and Nathaniel Buck (London, 1994), this drawing is a coherent single study for the right side of Plate 43 and shows the view east of St Paul's. On the very left edge there is just the ghost of the spires of St Austin's (no. 65 in the Buck key) and Christ Church (no. 66) right up against the east end of St Paul's. St Mildred's (no. 67) and St James Garlickhythe (no. 68), also close together, are the first two spires more clearly visible to the right. The last relatively low steeple at far right (as in the print) is St Michael's Bassingshaw (no. 82). The 'bridge' jetty ending in stairs end seen on the drawing is identified on the prints as Steelyard Stairs (no. 76, on the site of Cannon Street Station today), with the three churches immediately behind being St Mary Aldermary (no. 73, square tower with pinnacle corners), St Michael, Colarts Hill (no. 74, spire) and the tallest spire that of St Mary-le-Bow (no. 75).Most of the vessels shown in the drawings reappear in the prints; slightly bigger or smaller, repositioned, with slight differences of detail but generally recognisable. All the Buck London panorama plates bear the same imprint date of 11 September 1749. It is a credible hypothesis that the pencilling of the background may be something Samuel Buck provided and asked Swaine (if it was Swaine) to supply the shipping taken from the same two viewpoints. The changes in the prints - of scale, slight detail, and positioning - would then have been those effected in transfer-copying by others, with the drawings generally more convincing as by someone who knew what they were doing in nautical terms. If Swaine did it, it would have been when he was in his early to mid-20s for things printed in 1749.We would like to thank Dr. Pieter van der Merwe for his help in cataloguing this lot.For further information on this lot please visit Bonhams.com

Lot 116

UNITED KINGDOM. Elizabeth II, 1952-. Gold 25 pounds, 2020. Royal Mint. Proof. Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieFifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 25 POUNDS · 2020 ·. Design by Jody Clark. / Silhouette of a gun superimposed on James Bond's iconic jacket and bow tie; below exergue line Bond's martini order 'SHAKEN NOT STIRRED'. Design by Christian Davies and Matt Dent. Design by Matt Dent and Christian Davies. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded PCGS PR70 DCAM, certification number 40827754. PCGS population in this grade: 37, equal-finest graded.Mintage: 1,007.Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 117

UNITED KINGDOM. Elizabeth II, 1952-. Gold 25 pounds, 2020. Royal Mint. Proof. Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieFifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 25 POUNDS · 2020 ·. Design by Jody Clark. / Silhouette of a gun superimposed on James Bond's iconic jacket and bow tie; below exergue line Bond's martini order 'SHAKEN NOT STIRRED'. Design by Christian Davies and Matt Dent. Design by Matt Dent and Christian Davies. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6055724-022. NGC Census in this grade: 34, equal-finest graded.Total NGC Census: 37Mintage: 1,007.Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 118

UNITED KINGDOM. Elizabeth II, 1952-. Gold 25 pounds, 2020. Royal Mint. Proof. Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieFifth, crowned head of Queen Elizabeth II right; JC below; ELIZABETH II · D · G REG · F · D · 25 POUNDS · 2020 ·. Design by Jody Clark. / Silhouette of a gun superimposed on James Bond's iconic jacket and bow tie; below exergue line Bond's martini order 'SHAKEN NOT STIRRED'. Design by Christian Davies and Matt Dent. Design by Matt Dent and Christian Davies. Edge milled.Comes with the original box as issued by the Mint and the certificate of authenticity (COA). In secure plastic holder, graded PCGS PR69 DCAM, certification number 41466977. PCGS population in this grade: 25.PCGS population in higher grade: 41.Mintage: 1,007.Diameter: 22 mm.Weight: 7.8 g. (AGW=1/4 oz.)Composition: 999/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

Lot 202

UNITED KINGDOM. Lot of 3 silver coins, in the original box as issued by the Mint and the certificate of authenticity (COA).Coin 1: Elizabeth II, 1952-, 2 Pounds 2020. Royal Mint. Proof. James Bond, Shaken not Stirred. 38.61 mm. 31.21 g. 999/1000 Silver.Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieIn secure plastic holder, graded PCGS PR69 DCAM, certification number 41481945. PCGS population in this grade: 37.PCGS population in higher grade: 39.Coin 2: Elizabeth II, 1952-, 2 Pounds 2020. Royal Mint. Proof. James Bond, Shaken not Stirred. 38.61 mm. 31.21 g. 999/1000 Silver.Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieIn secure plastic holder, graded PCGS PR69 DCAM, certification number 41481988. PCGS population in this grade: 37.PCGS population in higher grade: 39.Coin 3: Elizabeth II, 1952-, 2 Pounds 2020. Royal Mint. Proof. James Bond, Shaken not Stirred. 38.61 mm. 31.21 g. 999/1000 Silver.Issued to celebrate the new James Bond movie 'No Time to Die', its release delayed for nearly a year due to the Coronavirus pandemic. This is the third of a total three coins issued, the reverse of the coin displaying a close-up of typical Bond attire in the form of a dinner jacket and bow tieIn secure plastic holder, graded PCGS PR69 DCAM, certification number 41481911. PCGS population in this grade: 37.PCGS population in higher grade: 39.Total gross weight: 93.63 g. (ASW = 3.0076 oz.)Composition: 999.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 203

Diamond and seed pearl set bow pendant decorated with small graduated old cut diamonds and highlighted with three small seed pearls, suspended from a fine trace chain

Lot 205

Vintage seed pearl and diamond bow brooch set throughout with graduated seed pearls and highlighted in the centre with six small rose cut diamonds, 4cm long (a/f)

Lot 343

A Student violin and bow in case

Lot 505

A George III five drawer bow fronted chest of drawers, width 109 cm

Lot 597

A George III mahogany bow fronted double door corner cabinet, height 97 cm

Lot 107

VICTORIAN MAHOGANY BOW FRONTED CHEST OF TWO SHORT OVER TWO LONG DRAWERS - on bracket feet, 74cms H, 107cms W, 51cms D

Lot 58

VINTAGE PINE BOW FRONTED BEDSIDE CABINETS, A PAIR - with false drawer front cupboard doors, 72cms H, 35cms W, 53cms D

Lot 6

REGENCY CHEST OF 4 DRAWERS - bow fronted mahogany with turned knobs, 117cms H, 106cms W, 53cms D

Lot 24

Fourteen Beswick Beatrix Potter figurines, to include Foxy Whiskered Gentleman, Mrs Tiggy-Winkle, Tommy Brock; a Royal Albert Beatrix Potter Foxy Reading figurine; a Beswick Cairn Terrier; a Royal Doulton Rupert Bear Finishing Arrows and Stringing His Bow RB7 figurine; and a Royal Doulton Childhood Memories - Best Friends figurine.Qty: 18Condition report:The Beswick Beatrix Potter figurines in this lot comprise:Foxy Whiskered GentlemanMr Drake Puddle-DuckTailor of GloucesterMrs RabbitJemima PuddleduckGoody TiptoesCousin RibbyLady MouseMrs TittlemouseMr Benjamin BunnyAppley DapplyTommy BrockRebeccah Puddle-DuckMrs Tiggy-Winkle - with Warne & Co mark

Lot 156

An Heal's oak wardrobe,the central section with a panelled bow front cupboard enclosing shelves, over two short and three long drawers, flanked with panelled cupboards enclosing hanging space, all sections with bevelled chamfered octagonal handles, raised on slender supports, with ivorine button, 183cm wide59cm deep183cm highBuying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportWith some scratches and marks throughout all sections - commensurate with age and use. Some stains to the tops of the units. With a small chip to the right door of the centre section. The left section with some staining to the bottom. Remnants of an old adhesive label to the right most section. Each unit 183 cm high, the central unit 93cm wide, each side unit 45cm wideIn three sections.

Lot 73

TANGKA REPRÉSENTANT LES NEUF FRÈRES DRALA - PROTECTEURS DU MONDEMongolie, XIXe siècleA THANGKA OF THE NINE DRALA BROTHERS - WORLDLY PROTECTORSMongolia, 19th centuryFacing frontally and regal in appearance, with a moustache and goatee, the right arm is raised holding a riding crop and the left holds a lasso at the heart. Dressed in the garb of a warrior with a helmet and armour, a sword, bow and quiver of arrows hang at the waist. Seated atop a white horse, his head is ringed with a dark green areola. Eight identical attendant figures accompany Dralha and the lower register with wolves, wild dogs, horses, leopards and tigers surrounding the armour and weapons of the Drahla Brothers. Laid down on Japanese paper - reference labels 492 and 667. Image: 78cm (30 3/4in) x 56cm (22in).Footnotes:Provenance:Robert Rousset, Paris (1901-1981), acquired before 1935Jean-Pierre Rousset, Paris (1936-2021)For closely related examples, see one in the American Museum of Natural History and another in a private collection, published in Himalayan Art Resources (HAR#94256 and 12905).蒙古 十九世紀 威勝天王唐卡 設色布本來源:巴黎Robert Rousset(1901-1981)舊藏,於1935年以前入藏巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com

Lot 634

A mahogany bow front chest of drawers - width 111cm

Lot 700

A small proportioned bow front chest of two short and two long drawers

Lot 366

Late 19th Century elm seated bow back chair

Lot 93

A pair of cast iron corner hayracks, and a further bow rack.

Lot 272

A 19th Century mahogany bow front chest fitted three long drawers

Lot 135

A SELECTION OF EIGHT BOXED COLLECTABLE ESTEE LAUDER SOLD PERFUME BOXES AND ONE BOXED ESTEE LAUDEE COMPACT, the soild perfumes to include a 'Beyond Paradise' Enchanting Pagoda by Jay Strongwater, a Harrods hat box, a rocking horse, a grand piano, a bouquet, a ginger bread man, youth dew golden anniversary 2003 limited edition bottle with bow and a pengiun, together with a 'pretty kitten' Estee Lauder compact, each with fitted Estee Lauder case and pouch (condition report: overall condition good, each with case and pouch, some with additional outer box, some appear to have had light use)

Lot 110

A Regency mahogany bow front box base toilet mirror, width 58cm, depth 23cm, height 51cm

Lot 401

An 18th century Bow white glazed ‘prunus’ bowl, and a Bow octagonal plate, with floral design, 21cm diameter

Lot 168

A collectable late 1970s Gina Fratini dark green velvet dress, having self covered buttons to front and long sleeves gathering with a bow to cuffs.

Lot 276

TUB ARMCHAIR BY ALEXANDER & JAMES, 73cm H x 88cm, bow backed, studded and buttoned mustard yellow velvet, with scroll arms and a matching footstool, 84cm x 60cm. (2)

Lot 2031

12-teiliges Anlagegoldkonvolut Schweiz, Österreich, Spanien, GB & mehr - 2 x Südafrika - 2 Rand 1964/1967, ss-vz, Kratzer, Randkerben, je 7,32g Gold fein. 2 x GB - 1 Sovereign 1965/1966, Elizabeth II. mit Schleife, vz., Kratzer, Tönung, minimal verschmutzt, je 7,32g Gold fein. 1 x Schweiz - 20 Franken 1935/LB, Vreneli, vz, Kratzer, Randkerben, 5,8g Gold fein. 2 x Dänemark - 20 Kronen 1909, Frederick VIII., ss-vz, Kratzer, Randkerben, 8,06g Gold fein. 1 x Frankreich - 20 Francs 1911, vz, Kratzer, minimal verschmutzt, Tönung, 5,8g Gold fein. 1 x Niederlande - 10 Gulden 1917, Wilhelmina, vz, Kratzer, Tönung, 6,05g Gold fein. 1 x Österreich - Dukat 1915/NP, Franz Joseph, vz-stgl., Kratzer, 3,44g Gold fein. 1 x Spanien - 20 Pesetas 1896, Alfons XIII., vz-, Kratzer, 5,8g Gold fein. 1 x Türkei - 100 Piaster 1928, vz-, Kratzer, Tönung, leicht verschmutzt, 6,6g Gold fein. Steuerbefreit nach §25c UStG.| 12-piece investment gold assortment Switzerland, Austria, Spain, GB & more - 2 x South Africa - 2 Rand 1964/1967, VF-EF, scratches, edge nicks, each 7.32g gold fine. 2 x GB - 1 Sovereign 1965/1966, Elizabeth II with bow, EF, scratches, toning, minimally soiled, each 7.32g gold fine. 1 x Switzerland - 20 Francs 1935/LB, Vreneli, EF, scratches, edge nicks, 5.8g gold fine. 2 x Denmark - 20 Kroner 1909, Frederick VIII, VF-EF, scratches, marginal notches, 8.06g gold fine. 1 x France - 20 Francs 1911, EF, scratches, minimally soiled, toning, 5.8g gold fine. 1 x Netherlands - 10 guilders 1917, Wilhelmina, EF, scratches, toning, 6.05g gold fine. 1 x Austria - Ducat 1915/NP, Franz Joseph, EF-BU, scratch, 3.44g gold fine. 1 x Spain - 20 pesetas 1896, Alfonso XIII, EF-, scratch, 5.8g gold fine. 1 x Turkey - 100 Piastres 1928, EF-, scratch, toning, slightly soiled, 6.6g gold fine. Tax exempt according to §25c UStG.

Lot 2034

GB 5-teiliges Konvolut Sovereigns - bestehend aus 2 x GB - 1 Sovereign 1967, Elizabeth II mit Schleife, vz-, Tönung, Kratzer, je 7,32g Gold fein. 1 x Australien - 1 Sovereign 1913/S, George V., ss, Kratzer, 7.32g Gold fein. 1 x GB - 1 Sovereigns 1911, George V, ss-, etliche Kratzer, 7,32g Gold fein. 1 x Australien - 1 Sovereign 1908/M, Edward VII, ss, Kratzer, 7,32g Gold fein. Insg. 29g Gold fein. Steuerbefreit nach §25c UStG.| GB 5-piece Sovereigns convolute - consisting of 2 x GB - 1 Sovereign 1967, Elizabeth II with bow, EF-, toning, scratches, each 7.32g gold fine. 1 x Australia - 1 Sovereign 1913/S, George V, VF, scratch, 7.32g gold fine. 1 x GB - 1 Sovereign 1911, George V, VF-, several scratches, 7.32g gold fine. 1 x Australia - 1 Sovereign 1908/M, Edward VII, VF, scratches, 7.32g gold fine. Total 29g gold fine. Tax exempt according to §25c UStG.

Lot 1132

A circa 1900 oak floral relief carved dwarf bookshelf, w.183cmHeight 106cm. Weight 183cm. Depth 38cm.Top has a slight bow. Split to top but not all the way through.One split back left corner.General wear and marks throughout. Removed from a barn.Split back left corner at bottom shelf of bookcase.

Lot 1200

A 19th century mahogany and cross banded bow front sideboard, having two central drawers flanked by cupboard doors, width 225cm

Lot 359

A silver and marcasite cat brooch set with ruby eyes and emerald bow tie

Lot 537

Oil on canvas, a 20th century portrait of a well-dressed gentleman wearing a bow tie, on a green background, 58cm x 43cm

Lot 572

Early 19th century Mahogany Bow Front Chest of Two Short over Three Long Drawers, raised on swept bracket feet, 107cm wide x 107cm high

Lot 612

Two 19th century Mahogany Dressing Swing Mirrors, each raised on bow front bases with drawers, tallest measures 58cm high x 51cm high

Lot 84

Extensive 19th Century George Jones & Sons ' Lilium ' pattern dinner service, to include 4 oval meat dishes, 2 large serving dishes (15"x12"), 2 x serving dishes (11x9"), large bow (12x9"), large bowl (10x7"), large lidded tureen, 4 smaller lidded tureens (1 lid a/f), 12x9" bowl, 2 deep dishes (one with stand), 13x11" meat dish, drainer for salad bowl, sauce boat and stand, 12 soup plates, 32 dinner plates, 26 smaller 9.5" dinner plates, 17 side plates, small ladle (a/f) and a smaller ladle (a/f) (9 boxes)

Lot 401

Collectible Victorian Style Cat with Bow Tie and Emerald Eyes Figurine 925 Sterling Silver

Lot 2131

Two framed Prints by The Artists Photographic Co. Ltd. After paintings C. Haigh Wood, titled 'To be or not to be' and 'Two strings to her bow'.

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